Written by
Annie Finch |
HLF, August 8, 1918—August 22, 1997
“Bequeath us to no earthly shore until
Is answered in the vortex of our grave
The seal’s wide spindrift gaze towards paradise.”
—Hart Crane, “Voyages”
“If a lion could talk, we couldn’t understand it”
—Ludwig Wittgenstein
Under the ocean that stretches out wordlessly
past the long edge of the last human shore,
there are deep windows the waves haven't opened,
where night is reflected through decades of glass.
There is the nursery, there is the nanny,
there are my father’s unreachable eyes
turned towards the window. Is the child uneasy?
His is the death that is circling the stars.
In the deep room where candles burn soundlessly
and peace pours at last through the cells of our bodies,
three of us are watching, one of us is staring
with the wide gaze of a wild, wave-fed seal.
Incense and sage speak in smoke loud as waves,
and crickets sing sand towards the edge of the hourglass.
We wait outside time, while night collects courage
around us. The vigil is wordless. And you
watch the longest, move the farthest, besieged by your breath,
pulling into your body. You stare towards your death,
head arched on the pillow, your left fingers curled.
Your mouth sucking gently, unmoved by these hours
and their vigil of salt spray, you show us how far
you are going, and how long the long minutes are,
while spiralling night watches over the room
and takes you, until you watch us in turn.
Lions speak their own language. You are still breathing.
Here is release. Here is your pillow,
cool like a handkerchief pressed in a pocket.
Here is your white tousled long growing hair.
Here is a kiss on your temple to hold you
safe through your solitude’s long steady war;
here, you can go. We will stay with you,
keeping the silence we all came here for.
Night, take his left hand, turning the pages.
Spin with the windows and doors that he mended.
Spin with his answers, patient, impatient.
Spin with his dry independence, his arms
warmed by the needs of his family, his hands
flying under the wide, carved gold ring, and the pages
flying so his thought could fly. His breath slows,
lending its edges out to the night.
Here is his open mouth. Silence is here
like one more new question that he will not answer.
A leaf is his temple. The dark is the prayer.
He has given his body; his hand lies above
the sheets in a symbol of wholeness, a curve
of thumb and forefinger, ringed with wide gold,
and the instant that empties his breath is a flame
faced with a sudden cathedral's new stone.
|
Written by
Claude McKay |
Into the furnace let me go alone;
Stay you without in terror of the heat.
I will go naked in--for thus ''tis sweet--
Into the weird depths of the hottest zone.
I will not quiver in the frailest bone,
You will not note a flicker of defeat;
My heart shall tremble not its fate to meet,
My mouth give utterance to any moan.
The yawning oven spits forth fiery spears;
Red aspish tongues shout wordlessly my name.
Desire destroys, consumes my mortal fears,
Transforming me into a shape of flame.
I will come out, back to your world of tears,
A stronger soul within a finer frame.
|
Written by
Philip Levine |
Something has fallen wordlessly
and holds still on the black driveway.
You find it, like a jewel,
among the empty bottles and cans
where the dogs toppled the garbage.
You pick it up, not sure
if it is stone or wood
or some new plastic made
to replace them both.
When you raise your sunglasses
to see exactly what you have
you see it is only a shadow
that has darkened your fingers,
a black ink or oil,
and your hand suddenly smells
of c1assrooms when the rain
pounded the windows and you
shuddered thinking of the cold
and the walk back to an empty house.
You smell all of your childhood,
the damp bed you struggled from
to dress in half-light and go out
into a world that never tired.
Later, your hand thickened and flat
slid out of a rubber glove,
as you stood, your mask raised,
to light a cigarette and rest
while the acid tanks that were
yours to dean went on bathing
the arteries of broken sinks.
Remember, you were afraid
of the great hissing jugs.
There were stories of burnings,
of flesh shredded to lace.
On other nights men spoke
of rats as big as dogs.
Women spoke of men
who trapped them in corners.
Always there was grease that hid
the faces of worn faucets, grease
that had to be eaten one
finger-print at a time,
there was oil, paint, blood,
your own blood sliding across
your nose and running over
your lips with that bright, certain
taste that was neither earth
or air, and there was air,
the darkest element of all,
falling all night
into the bruised river
you slept beside, falling
into the glass of water
you filled two times for breakfast
and the eyes you turned upward
to see what time it was.
Air that stained everything
with its millions of small deaths,
that turned all five fingers
to grease or black ink or ashes.
|
Written by
Lucy Maud Montgomery |
Lo, find we here when the ripe day is o'er
A kingdom of enchantment by the shore!
Behold the sky with early stars ashine,
A jewelled flagon brimmed with purple wine.
Like a dumb poet's soul the troubled sea
Moans of its joy and sorrow wordlessly;
But the glad winds that utter naught of grief
Make silver speech by headland and by reef.
Saving for such there is no voice or call
To mar the gracious silence over all
Silence so tender 'tis a sweet caress,
A most beguiling and dear loneliness.
Lo, here we find a beckoning solitude,
A winsome presence to be mutely wooed,
Which, being won, will teach us fabled lore,
The old, old, gramarye of the sibyl shore!
Oh, what a poignant rapture thus to be
Lingering at twilight by the ancient sea!
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