Written by
J R R Tolkien |
He chanted a song of wizardry,
Of piercing, opening, of treachery,
Revealing, uncovering, betraying.
Then sudden Felagund there swaying
Sang in answer a song of staying,
Resisting, battling against power,
Of secrets kept, strength like a tower,
And trust unbroken, freedom, escape;
Of changing and of shifting shape
Of snares eluded, broken traps,
The prison opening, the chain that snaps.
Backwards and forwards swayed their song.
Reeling and foundering, as ever more strong
The chanting swelled, Felagund fought,
And all the magic and might he brought
Of Elvenesse into his words.
Softly in the gloom they heard the birds
Singing afar in Nargothrond,
The sighing of the Sea beyond,
Beyond the western world, on sand,
On sand of pearls in Elvenland.
Then the gloom gathered; darkness growing
In Valinor, the red blood flowing
Beside the Sea, where the Noldor slew
The Foamriders, and stealing drew
Their white ships with their white sails
From lamplit havens.
The wind wails,
The wolf howls.
The ravens flee.
The ice mutters in the mouths of the Sea.
The captives sad in Angband mourn.
Thunder rumbles, the fires burn ---
And Finrod fell before the throne.
|
Written by
Czeslaw Milosz |
You whom I could not save
Listen to me.
Try to understand this simple speech as I would be ashamed of another.
I swear, there is in me no wizardry of words.
I speak to you with silence like a cloud or a tree.
What strengthened me, for you was lethal.
You mixed up farewell to an epoch with the beginning of a new one,
Inspiration of hatred with lyrical beauty,
Blind force with accomplished shape.
Here is the valley of shallow Polish rivers.
And an immense bridge
Going into white fog.
Here is a broken city,
And the wind throws the screams of gulls on your grave
When I am talking with you.
What is poetry which does not save
Nations or people?
A connivance with official lies,
A song of drunkards whose throats will be cut in a moment,
Readings for sophomore girls.
That I wanted good poetry without knowing it,
That I discovered, late, its salutary aim,
In this and only this I find salvation.
They used to pour millet on graves or poppy seeds
To feed the dead who would come disguised as birds.
I put this book here for you, who once lived
So that you should visit us no more.
|
Written by
Conrad Aiken |
We sit together and talk, or smoke in silence.
You say (but use no words) 'this night is passing
As other nights when we are dead will pass .
.
.
'
Perhaps I misconstrue you: you mean only,
'How deathly pale my face looks in that glass .
.
.
'
You say: 'We sit and talk, of things important .
.
.
How many others like ourselves, this instant,
Mark the pendulum swinging against the wall?
How many others, laughing, sip their coffee—
Or stare at mirrors, and do not talk at all? .
.
.
'This is the moment' (so you would say, in silence)
When suddenly we have had too much of laughter:
And a freezing stillness falls, no word to say.
Our mouths feel foolish .
.
.
For all the days hereafter
What have we saved—what news, what tune, what play?
'We see each other as vain and futile tricksters,—
Posturing like bald apes before a mirror;
No pity dims our eyes .
.
.
How many others, like ourselves, this instant,
See how the great world wizens, and are wise? .
.
.
'
Well, you are right .
.
.
No doubt, they fall, these seconds .
.
.
When suddenly all's distempered, vacuous, ugly,
And even those most like angels creep for schemes.
The one you love leans forward, smiles, deceives you,
Opens a door through which you see dark dreams.
But this is momentary .
.
.
or else, enduring,
Leads you with devious eyes through mists and poisons
To horrible chaos, or suicide, or crime .
.
.
And all these others who at your conjuration
Grow pale, feeling the skeleton touch of time,—
Or, laughing sadly, talk of things important,
Or stare at mirrors, startled to see their faces,
Or drown in the waveless vacuum of their days,—
Suddenly, as from sleep, awake, forgetting
This nauseous dream; take up their accustomed ways,
Exhume the ghost of a joke, renew loud laughter,
Forget the moles above their sweethearts' eyebrows,
Lean to the music, rise,
And dance once more in a rose-festooned illusion
With kindness in their eyes .
.
.
They say (as we ourselves have said, remember)
'What wizardry this slow waltz works upon us!
And how it brings to mind forgotten things!'
They say 'How strange it is that one such evening
Can wake vague memories of so many springs!'
And so they go .
.
.
In a thousand crowded places,
They sit to smile and talk, or rise to ragtime,
And, for their pleasures, agree or disagree.
With secret symbols they play on secret passions.
With cunning eyes they see
The innocent word that sets remembrance trembling,
The dubious word that sets the scared heart beating .
.
.
The pendulum on the wall
Shakes down seconds .
.
.
They laugh at time, dissembling;
Or coil for a victim and do not talk at all.
|
Written by
Lucy Maud Montgomery |
There's a hush and stillness calm and deep,
For the waves have wooed all the winds to sleep
In the shadow of headlands bold and steep;
But some gracious spirit has taken the cup
Of the crystal sky and filled it up
With rosy wine, and in it afar
Has dissolved the pearl of the morning star.
The girdling hills with the night-mist cold
In purple raiment are hooded and stoled
And smit on the brows with fire and gold;
And in the distance the wide, white sea
Is a thing of glamor and wizardry,
With its wild heart lulled to a passing rest,
And the sunrise cradled upon its breast.
With the first red sunlight on mast and spar
A ship is sailing beyond the bar,
Bound to a land that is fair and far;
And those who wait and those who go
Are brave and hopeful, for well they know
Fortune and favor the ship shall win
That crosses the bar when the dawn comes in.
|
Written by
Lucy Maud Montgomery |
Come, let us to the sunways of the west,
Hasten, while crystal dews the rose-cups fill,
Let us dream dreams again in our blithe quest
O'er whispering wold and hill.
Castles of air yon wimpling valleys keep
Where milk-white mist steals from the purpling sea,
They shall be ours in the moon's wizardry,
While the fates, wearied, sleep.
The viewless spirit of the wind will sing
In the soft starshine by the reedy mere,
The elfin harps of hemlock boughs will ring
Fitfully far and near;
The fields will yield their trove of spice and musk,
And balsam from the glens of pine will fall,
Till twilight weaves its tangled shadows all
In one dim web of dusk.
Let us put tears and memories away,
While the fates sleep time stops for revelry;
Let us look, speak, and kiss as if no day
Has been or yet will be;
Let us make friends with laughter 'neath the moon,
With music on the immemorial shore,
Yea, let us dance as lovers danced of yore
The fates will waken soon!
|
Written by
Siegfried Sassoon |
I
Fires in the dark you build; tall quivering flames
In the huge midnight forest of the unknown.
Your soul is full of cities with dead names,
And blind-faced, earth-bound gods of bronze and stone
Whose priests and kings and lust-begotten lords
Watch the procession of their thundering hosts,
Or guard relentless fanes with flickering swords
And wizardry of ghosts.
II
In a strange house I woke; heard overhead
Hastily-thudding feet and a muffled scream.
.
.
(Is death like that?) .
.
.
I quaked uncomforted,
Striving to frame to-morrow in a dream
Of woods and sliding pools and cloudless day.
(You know how bees come into a twilight room
From dazzling afternoon, then sail away
Out of the curtained gloom.
)
III
You understand my thoughts; though, when you think,
You’re out beyond the boundaries of my brain.
I’m but a bird at dawn that cries ‘chink, chink’—
A garden-bird that warbles in the rain.
And you’re the flying-man, the speck that steers
A careful course far down the verge of day,
Half-way across the world.
Above the years
You soar .
.
.
Is death so bad? .
.
.
I wish you’d say.
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