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Best Famous Witt Poems

Here is a collection of the all-time best famous Witt poems. This is a select list of the best famous Witt poetry. Reading, writing, and enjoying famous Witt poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of witt poems.

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Written by John Wilmot | Create an image from this poem

An Allusion to Horace

 Well Sir, 'tis granted, I said Dryden's Rhimes, 
Were stoln, unequal, nay dull many times: 
What foolish Patron, is there found of his, 
So blindly partial, to deny me this? 
But that his Plays, Embroider'd up and downe, 
With Witt, and Learning, justly pleas'd the Towne, 
In the same paper, I as freely owne: 
Yet haveing this allow'd, the heavy Masse, 
That stuffs up his loose Volumes must not passe: 
For by that Rule, I might as well admit, 
Crownes tedious Scenes, for Poetry, and Witt.
'Tis therefore not enough, when your false Sense Hits the false Judgment of an Audience Of Clapping-Fooles, assembling a vast Crowd 'Till the throng'd Play-House, crack with the dull Load; Tho' ev'n that Tallent, merrits in some sort, That can divert the Rabble and the Court: Which blundring Settle, never cou'd attaine, And puzling Otway, labours at in vaine.
But within due proportions, circumscribe What e're you write; that with a flowing Tyde, The Stile, may rise, yet in its rise forbeare, With uselesse Words, t'oppresse the wearyed Eare: Here be your Language lofty, there more light, Your Rethorick, with your Poetry, unite: For Elegance sake, sometimes alay the force Of Epethets; 'twill soften the discourse; A Jeast in Scorne, poynts out, and hits the thing, More home, than the Morosest Satyrs Sting.
Shakespeare, and Johnson, did herein excell, And might in this be Immitated well; Whom refin'd Etheridge, Coppys not at all, But is himself a Sheere Originall: Nor that Slow Drudge, in swift Pindarique straines, Flatman, who Cowley imitates with paines, And rides a Jaded Muse, whipt with loose Raines.
When Lee, makes temp'rate Scipio, fret and Rave, And Haniball, a whineing Am'rous Slave; I laugh, and wish the hot-brain'd Fustian Foole, In Busbys hands, to be well lasht at Schoole.
Of all our Moderne Witts, none seemes to me, Once to have toucht upon true Comedy, But hasty Shadwell, and slow Witcherley.
Shadwells unfinisht workes doe yet impart, Great proofes of force of Nature, none of Art.
With just bold Stroakes, he dashes here and there, Shewing great Mastery with little care; And scornes to varnish his good touches o're, To make the Fooles, and Women, praise 'em more.
But Witcherley, earnes hard, what e're he gaines, He wants noe Judgment, nor he spares noe paines; He frequently excells, and at the least, Makes fewer faults, than any of the best.
Waller, by Nature for the Bayes design'd, With force, and fire, and fancy unconfin'd, In Panigericks does Excell Mankind: He best can turne, enforce, and soften things, To praise great Conqu'rours, or to flatter Kings.
For poynted Satyrs, I wou'd Buckhurst choose, The best good Man, with the worst Natur'd Muse: For Songs, and Verses, Mannerly Obscene, That can stirr Nature up, by Springs unseene, And without forceing blushes, warme the Queene: Sidley, has that prevailing gentle Art, That can with a resistlesse Charme impart, The loosest wishes to the Chastest Heart, Raise such a Conflict, kindle such a ffire Betwixt declineing Virtue, and desire, Till the poor Vanquisht Maid, dissolves away, In Dreames all Night, in Sighs, and Teares, all Day.
Dryden, in vaine, try'd this nice way of Witt, For he, to be a tearing Blade thought fit, But when he wou'd be sharp, he still was blunt, To friske his frollique fancy, hed cry ****; Wou'd give the Ladyes, a dry Bawdy bob, And thus he got the name of Poet Squab: But to be just, twill to his praise be found, His Excellencies, more than faults abound.
Nor dare I from his Sacred Temples teare, That Lawrell, which he best deserves to weare.
But does not Dryden find ev'n Johnson dull? Fletcher, and Beaumont, uncorrect, and full Of Lewd lines as he calls em? Shakespeares Stile Stiffe, and Affected? To his owne the while Allowing all the justnesse that his Pride, Soe Arrogantly, had to these denyd? And may not I, have leave Impartially To search, and Censure, Drydens workes, and try, If those grosse faults, his Choyce Pen does Commit Proceed from want of Judgment, or of Witt.
Of if his lumpish fancy does refuse, Spirit, and grace to his loose slatterne Muse? Five Hundred Verses, ev'ry Morning writ, Proves you noe more a Poet, than a Witt.
Such scribling Authors, have beene seene before, Mustapha, the English Princesse, Forty more, Were things perhaps compos'd in Half an Houre.
To write what may securely stand the test Of being well read over Thrice oat least Compare each Phrase, examin ev'ry Line, Weigh ev'ry word, and ev'ry thought refine; Scorne all Applause the Vile Rout can bestow, And be content to please those few, who know.
Canst thou be such a vaine mistaken thing To wish thy Workes might make a Play-house ring, With the unthinking Laughter, and poor praise Of Fopps, and Ladys, factious for thy Plays? Then send a cunning Friend to learne thy doome, From the shrew'd Judges in the Drawing-Roome.
I've noe Ambition on that idle score, But say with Betty Morice, heretofore When a Court-Lady, call'd her Buckleys Whore, I please one Man of Witt, am proud on't too, Let all the Coxcombs, dance to bed to you.
Shou'd I be troubled when the Purblind Knight Who squints more in his Judgment, than his sight, Picks silly faults, and Censures what I write? Or when the poor-fed Poets of the Towne For Scrapps, and Coach roome cry my Verses downe? I loath the Rabble, 'tis enough for me, If Sidley, Shadwell, Shepherd, Witcherley, Godolphin, Buttler, Buckhurst, Buckingham, And some few more, whom I omit to name Approve my Sense, I count their Censure Fame.


Written by Richard Crashaw | Create an image from this poem

To the Name above every Name the Name of Jesus

 I sing the Name which None can say
But touch’t with An interiour Ray:
The Name of our New Peace; our Good:
Our Blisse: and Supernaturall Blood:
The Name of All our Lives and Loves.
Hearken, And Help, ye holy Doves! The high-born Brood of Day; you bright Candidates of blissefull Light, The Heirs Elect of Love; whose Names belong Unto The everlasting life of Song; All ye wise Soules, who in the wealthy Brest Of This unbounded Name build your warm Nest.
Awake, My glory.
Soul, (if such thou be, And That fair Word at all referr to Thee) Awake and sing And be All Wing; Bring hither thy whole Self; and let me see What of thy Parent Heaven yet speakes in thee, O thou art Poore Of noble Powres, I see, And full of nothing else but empty Me, Narrow, and low, and infinitely lesse Then this Great mornings mighty Busynes.
One little World or two (Alas) will never doe.
We must have store.
Goe, Soul, out of thy Self, and seek for More.
Goe and request Great Nature for the Key of her huge Chest Of Heavns, the self involving Sett of Sphears (Which dull mortality more Feeles then heares) Then rouse the nest Of nimble, Art, and traverse round The Aiery Shop of soul-appeasing Sound: And beat a summons in the Same All-soveraign Name To warn each severall kind And shape of sweetnes, Be they such As sigh with supple wind Or answer Artfull Touch, That they convene and come away To wait at the love-crowned Doores of This Illustrious Day.
Shall we dare This, my Soul? we’l doe’t and bring No Other note for’t, but the Name we sing.
Wake Lute and Harp And every sweet-lipp’t Thing That talkes with tunefull string; Start into life, And leap with me Into a hasty Fitt-tun’d Harmony.
Nor must you think it much T’obey my bolder touch; I have Authority in Love’s name to take you And to the worke of Love this morning wake you; Wake; In the Name Of Him who never sleeps, All Things that Are, Or, what’s the same, Are Musicall; Answer my Call And come along; Help me to meditate mine Immortall Song.
Come, ye soft ministers of sweet sad mirth, Bring All your houshold stuffe of Heavn on earth; O you, my Soul’s most certain Wings, Complaining Pipes, and prattling Strings, Bring All the store Of Sweets you have; And murmur that you have no more.
Come, n? to part, Nature and Art! Come; and come strong, To the conspiracy of our Spatious song.
Bring All the Powres of Praise Your Provinces of well-united Worlds can raise; Bring All your Lutes and Harps of Heaven and Earth; What ?re cooperates to The common mirthe Vessells of vocall Ioyes, Or You, more noble Architects of Intellectuall Noise, Cymballs of Heav’n, or Humane sphears, Solliciters of Soules or Eares; And when you’are come, with All That you can bring or we can call; O may you fix For ever here, and mix Your selves into the long And everlasting series of a deathlesse Song; Mix All your many Worlds, Above, And loose them into One of Love.
Chear thee my Heart! For Thou too hast thy Part And Place in the Great Throng Of This unbounded All-imbracing Song.
Powres of my Soul, be Proud! And speake lowd To All the dear-bought Nations This Redeeming Name, And in the wealth of one Rich Word proclaim New Similes to Nature.
May it be no wrong Blest Heavns, to you, and your Superiour song, That we, dark Sons of Dust and Sorrow, A while Dare borrow The Name of Your Dilights and our Desires, And fitt it to so farr inferior Lyres.
Our Murmurs have their Musick too, Ye mighty Orbes, as well as you, Nor yeilds the noblest Nest Of warbling Seraphim to the eares of Love, A choicer Lesson then the joyfull Brest Of a poor panting Turtle-Dove.
And we, low Wormes have leave to doe The Same bright Busynes (ye Third Heavens) with you.
Gentle Spirits, doe not complain.
We will have care To keep it fair, And send it back to you again.
Come, lovely Name! Appeare from forth the Bright Regions of peacefull Light, Look from thine own Illustrious Home, Fair King of Names, and come.
Leave All thy native Glories in their Georgeous Nest, And give thy Self a while The gracious Guest Of humble Soules, that seek to find The hidden Sweets Which man’s heart meets When Thou art Master of the Mind.
Come, lovely Name; life of our hope! Lo we hold our Hearts wide ope! Unlock thy Cabinet of Day Dearest Sweet, and come away.
Lo how the thirsty Lands Gasp for thy Golden Showres! with longstretch’t Hands.
Lo how the laboring Earth That hopes to be All Heaven by Thee, Leapes at thy Birth.
The’ attending World, to wait thy Rise, First turn’d to eyes; And then, not knowing what to doe; Turn’d Them to Teares, and spent Them too.
Come Royall Name, and pay the expence Of all this Pretious Patience.
O come away And kill the Death of This Delay.
O see, so many Worlds of barren yeares Melted and measur’d out is Seas of Teares.
O see, The Weary liddes of wakefull Hope (Love’s Eastern windowes) All wide ope With Curtains drawn, To catch The Day-break of Thy Dawn.
O dawn, at last, long look’t for Day! Take thine own wings, and come away.
Lo, where Aloft it comes! It comes, Among The Conduct of Adoring Spirits, that throng Like diligent Bees, And swarm about it.
O they are wise; And know what Sweetes are suck’t from out it.
It is the Hive, By which they thrive, Where All their Hoard of Hony lyes.
Lo where it comes, upon The snowy Dove’s Soft Back; And brings a Bosom big with Loves.
Welcome to our dark world, Thou Womb of Day! Unfold thy fair Conceptions; And display The Birth of our Bright Ioyes.
O thou compacted Body of Blessings: spirit of Soules extracted! O dissipate thy spicy Powres (Clowd of condensed sweets) and break upon us In balmy showrs; O fill our senses, And take from us All force of so Prophane a Fallacy To think ought sweet but that which smells of Thee.
Fair, flowry Name; In none but Thee And Thy Nectareall Fragrancy, Hourly there meetes An universall Synod of All sweets; By whom it is defined Thus That no Perfume For ever shall presume To passe for Odoriferous, But such alone whose sacred Pedigree Can prove it Self some kin (sweet name) to Thee.
Sweet Name, in Thy each Syllable A Thousand Blest Arabias dwell; A Thousand Hills of Frankincense; Mountains of myrrh, and Beds of species, And ten Thousand Paradises, The soul that tasts thee takes from thence.
How many unknown Worlds there are Of Comforts, which Thou hast in keeping! How many Thousand Mercyes there In Pitty’s soft lap ly a sleeping! Happy he who has the art To awake them, And to take them Home, and lodge them in his Heart.
O that it were as it was wont to be! When thy old Freinds of Fire, All full of Thee, Fought against Frowns with smiles; gave Glorious chase To Persecutions; And against the Face Of Death and feircest Dangers, durst with Brave And sober pace march on to meet A Grave.
On their Bold Brests about the world they bore thee And to the Teeth of Hell stood up to teach thee, In Center of their inmost Soules they wore thee, Where Rackes and Torments striv’d, in vain, to reach thee.
Little, alas, thought They Who tore the Fair Brests of thy Freinds, Their Fury but made way For Thee; And serv’d them in Thy glorious ends.
What did Their weapons but with wider pores Inlarge thy flaming-brested Lovers More freely to transpire That impatient Fire The Heart that hides Thee hardly covers.
What did their Weapons but sett wide the Doores For Thee: Fair, purple Doores, of love’s devising; The Ruby windowes which inrich’t the East Of Thy so oft repeated Rising.
Each wound of Theirs was Thy new Morning; And reinthron’d thee in thy Rosy Nest, With blush of thine own Blood thy day adorning, It was the witt of love ?reflowd the Bounds Of Wrath, and made thee way through All Those wounds.
Wellcome dear, All-Adored Name! For sure there is no Knee That knowes not Thee.
Or if there be such sonns of shame, Alas what will they doe When stubborn Rocks shall bow And Hills hang down their Heavn-saluting Heads To seek for humble Beds Of Dust, where in the Bashfull shades of night Next to their own low Nothing they may ly, And couch before the dazeling light of thy dread majesty.
They that by Love’s mild Dictate now Will not adore thee, Shall Then with Just Confusion, bow And break before thee.
Written by Anne Kingsmill Finch | Create an image from this poem

An Invitation to Dafnis

 When such a day, blesst the Arcadian plaine,
Warm without Sun, and shady without rain,
Fann'd by an air, that scarsly bent the flowers,
Or wav'd the woodbines, on the summer bowers,
The Nymphs disorder'd beauty cou'd not fear,
Nor ruffling winds uncurl'd the Shepheards hair,
On the fresh grasse, they trod their measures light,
And a long Evening made, from noon, to night.
Come then my Dafnis, from those cares descend Which better may the winter season spend.
Come, and the pleasures of the feilds, survey, And throo' the groves, with your Ardelia stray.
Reading the softest Poetry, refuse, To veiw the subjects of each rural muse; Nor lett the busy compasses go round, When faery Cercles better mark the ground.
Rich Colours on the Vellum cease to lay, When ev'ry lawne much nobler can display, When on the daz'ling poppy may be seen A glowing red, exceeding your carmine; And for the blew that o're the Sea is borne, A brighter rises in our standing corn.
Come then, my Dafnis, and the feilds survey, And throo' the groves, with your Ardelia stray.
Come, and lett Sansons World, no more engage, Altho' he gives a Kingdom in a page; O're all the Vniverse his lines may goe, And not a clime, like temp'rate brittan show, Come then, my Dafnis, and her feilds survey, And throo' the groves, with your Ardelia stray.
Nor plead that you're immur'd, and cannot yield, That mighty Bastions keep you from the feild, Think not tho' lodg'd in Mons, or in Namur, You're from my dangerous attacks secure.
No, Louis shall his falling Conquests fear, When by succeeding Courriers he shall hear Appollo, and the Muses, are drawn down, To storm each fort, and take in ev'ry Town.
Vauban, the Orphean Lyre, to mind shall call, That drew the stones to the old Theban Wall, And make no doubt, if itt against him play, They, from his works, will fly as fast away, Which to prevent, he shall to peace persuade, Of strong, confederate Syllables, affraid.
Come then, my Dafnis, and the fields survey, And throo' the Groves, with your Ardelia stray.
Come, and attend, how as we walk along, Each chearfull bird, shall treat us with a song, Nott such as Fopps compose, where witt, nor art, Nor plainer Nature, ever bear a part; The Cristall springs, shall murmure as we passe, But not like Courtiers, sinking to disgrace; Nor, shall the louder Rivers, in their fall, Like unpaid Saylers, or hoarse Pleaders brawle; But all shall form a concert to delight, And all to peace, and all to love envite.
Come then, my Dafnis, and the feilds survey, And throo' the Groves, with your Ardelia stray.
As Baucis and Philemon spent their lives, Of husbands he, the happyest she, of wives, When throo' the painted meads, their way they sought, Harmlesse in act, and unperplext in thought, Lett us my Dafnis, rural joys persue, And Courts, or Camps, not ev'n in fancy view.
So, lett us throo' the Groves, my Dafnis stray, And so, the pleasures of the feilds, survey.
Written by William Strode | Create an image from this poem

On Gray Eyes

 Looke how the russet morne exceeds the night,
How sleekest Jett yields to the di'monds light,
So farr the glory of the gray-bright eye
Out-vyes the black in lovely majesty.
A morning mantl'd with a fleece of gray Laughs from her brow and shewes a spotlesse day: This di'mond-like doth not his lustre owe To borrowed helpe, as black thinges cast a show, It needs noe day besides itselfe, and can Make a Cimmeria seeme meridian: Light sees, tis seen, tis that whereby wee see When darknesse in the opticke facultie Is but a single element: then tell Is not that eye the best wherein doth dwell More plenteous light? that organ is divine, And more than eye that is all chrystalline, All rich of sight: oh that perspicuous glasse That lets in light, and lets a light forth passe Tis Lustre's thoroughfare where rayes doe thronge, A burning glasse that fires the lookers-on.
Black eies sett off coarse beauties which they grace But as a beard smutch'd on a swarthy face.
Why should the seat of life be dull'd with shade, Or that be darke for which the day was made? The learned Pallas, who had witt to choose, And power to take, did other eyes refuse, And wore the gray: each country painter blotts His goddesse eyeballs with two smutty spotts.
Corruption layes on blacke; give me the eye Whose lustre dazles paynt and poetrie, That's day unto itselfe; which like the sun Seemes all one flame.
They that his beames will shun Here dye like flyes: when eyes of every kind Faint at the sun, at these the sun growes blind, And skipps behind a cloud, that all may say The Eye of all the world loves to be gray.
Written by John Wilmot | Create an image from this poem

Poems to Mulgrave and Scroope

 Deare Friend.
I heare this Towne does soe abound, With sawcy Censurers, that faults are found, With what of late wee (in Poetique Rage) Bestowing, threw away on the dull Age; But (howsoe're Envy, their Spleen may raise, To Robb my Brow, of the deserved Bays) Their thanks at least I merit since through me, They are Partakers of your Poetry; And this is all, I'll say in my defence, T'obtaine one Line, of your well worded Sense I'd be content t'have writ the Brittish Prince.
I'm none of those who thinke themselves inspir'd, Nor write with the vaine hopes to be admir'd; But from a Rule (I have upon long tryall) T'avoyd with care, all sort of self denyall.
Which way soe're desire and fancy leade (Contemning Fame) that Path I boldly tread; And if exposeing what I take for Witt, To my deare self, a Pleasure I beget, Noe matter tho' the Censring Crittique fret.
Those whom my Muse displeases, are at strife With equall Spleene, against my Course of life, The least delight of which, I'd not forgoe, For all the flatt'ring Praise, Man can bestow.
If I designd to please the way were then, To mend my Manners, rather than my Pen; The first's unnaturall, therefore unfit, And for the Second, I despair of it, Since Grace, is not soe hard to get as Witt.
Perhaps ill Verses, ought to be confin'd, In meere good Breeding, like unsav'ry Wind; Were Reading forc'd, I shou'd be apt to thinke Men might noe more write scurvily, than stinke: But 'tis your choyce, whether you'll Read, or noe, If likewise of your smelling it were soe, I'd Fart just as I write, for my owne ease, Nor shou'd you be concern'd, unlesse you please: I'll owne, that you write better than I doe, But I have as much need to write, as you.
What though the Excrement of my dull Braine, Runns in a harsh, insipid Straine, Whilst your rich Head, eases it self of Witt? Must none but Civet-Catts, have leave to ****? In all I write, shou'd Sense, and Witt, and Rhyme Faile me at once, yet something soe Sublime, Shall stamp my Poem, that the World may see, It cou'd have beene produc'd, by none but me.
And that's my end, for Man, can wish noe more, Then soe to write, as none ere writ before.
Yet why am I noe Poet, of the tymes? I have Allusions, Similies and Rhymes, And Witt, or else 'tis hard that I alone, Of the whole Race of Mankind, shou'd have none.
Unequally, the Partiall Hand of Heav'n, Has all but this one only Blessing giv'n; The World appeares like a great Family, Whose Lord opprest with Pride, and Poverty, (That to a few, great Plenty he may show) Is faine to starve the Num'rous Traine below: Just soe seemes Providence, as poor and vaine, Keeping more Creatures, than it can maintaine.
Here 'tis profuse, and there it meanly saves, And for One Prince, it makes Ten Thousand Slaves: In Witt alone, it has beene Magnificent, Of which, soe just a share, to each is sent That the most Avaricious are content.
For none e're thought, (the due Division's such), His owne too little, or his Friends too much.
Yet most Men shew, or find great want of Witt, Writeing themselves, or Judging what is writ: But I, who am of sprightly Vigour full Looke on Mankind, as Envious, and dull.
Borne to my self, my self I like alone, And must conclude my Judgment good, or none.
(For shou'd my Sense be nought, how cou'd I know, Whether another Man's, were good, or noe?) Thus, I resolve of my owne Poetry, That 'tis the best, and there's a Fame for me.
If then I'm happy, what does it advance, Whether to merit due, or Arrogance? Oh! but the World will take offence thereby, Why then the World, shall suffer for't, not I.
Did e're this sawcy World, and I agree? To let it have its Beastly will on me? Why shou'd my Prostituted Sense, be drawne, To ev'ry Rule, their musty Customes spawne? But Men, will Censure you; Tis Two to one When e're they Censure, they'll be in the wrong.
There's not a thing on Earth, that I can name Soe foolish, and soe false, as Common Fame.
It calls the Courtier Knave, the plaine Man rude, Haughty the grave, and the delightfull Lewd.
Impertinent the briske, Morosse the sad, Meane the Familiar, the Reserv'd one Mad.
Poor helplesse Woman, is not favour'd more She's a slye Hipocryte, or Publique Whore.
Then who the Devill, wou'd give this -- to be free From th'Innocent Reproach of Infamy? These things consider'd, make me (in despight Of idle Rumour,) keepe at home, and write.


Written by Edgar Lee Masters | Create an image from this poem

Zenas Witt

 I was sixteen, and I had the most terrible dreams,
And specks before my eyes, and nervous weakness.
And I couldn't remember the books I read, Like Frank Drummer who memorized page after page.
And my back was weak, and I worried and worried, And I was embarrassed and stammered my lessons, And when I stood up to recite I'd forget Everything that I had studied.
Well, I saw Dr.
Weese's advertisement, And there I read everything in print, Just as if he had known me; And about the dreams which I couldn't help.
So I knew I was marked for an early grave.
And I worried until I had a cough, And then the dreams stopped.
And then I slept the sleep without dreams Here on the hill by the river.

Book: Shattered Sighs