Written by
Anne Sexton |
for Sylvia Plath
O Sylvia, Sylvia,
with a dead box of stones and spoons,
with two children, two meteors
wandering loose in a tiny playroom,
with your mouth into the sheet,
into the roofbeam, into the dumb prayer,
(Sylvia, Sylvia
where did you go
after you wrote me
from Devonshire
about rasing potatoes
and keeping bees?)
what did you stand by,
just how did you lie down into?
Thief --
how did you crawl into,
crawl down alone
into the death I wanted so badly and for so long,
the death we said we both outgrew,
the one we wore on our skinny breasts,
the one we talked of so often each time
we downed three extra dry martinis in Boston,
the death that talked of analysts and cures,
the death that talked like brides with plots,
the death we drank to,
the motives and the quiet deed?
(In Boston
the dying
ride in cabs,
yes death again,
that ride home
with our boy.)
O Sylvia, I remember the sleepy drummer
who beat on our eyes with an old story,
how we wanted to let him come
like a sadist or a New York fairy
to do his job,
a necessity, a window in a wall or a crib,
and since that time he waited
under our heart, our cupboard,
and I see now that we store him up
year after year, old suicides
and I know at the news of your death
a terrible taste for it, like salt,
(And me,
me too.
And now, Sylvia,
you again
with death again,
that ride home
with our boy.)
And I say only
with my arms stretched out into that stone place,
what is your death
but an old belonging,
a mole that fell out
of one of your poems?
(O friend,
while the moon's bad,
and the king's gone,
and the queen's at her wit's end
the bar fly ought to sing!)
O tiny mother,
you too!
O funny duchess!
O blonde thing!
|
Written by
Erin Moure |
There was a cold
In which
A line of water across the chest risen
(dream)
Impetuate, or
Impetuates
Orthograph you cherish, a hand her
Of doubt importance
Her imbroglio the winnowing of ever
Does establish
An imbroglio, ever
she does repeatedly declare
to no cold end
Admonish wit, at wit's end, where "wit" is
***
The cold of which
her azul gaze impart a stuttered pool
Memoria address me here (green)
Echolalic fear
Her arm or name in French says "smooth"
A wine-dark seam inside the head, this name
The "my" head I admit, or consonantal glimmer
Insoluble
Or wet fields the vines or eucalyptus wood
Lift from, here
***
Whose cartilage did grief still bear?
Whose silent wound?
Who submitted?
Who fortuitously was grave?
A trepidation honest
Whose declaration met silence?
Whose demurred?
Whose wall shored up became
houses?
Whose "will"?
Whose sympathetic concatenation? Whose picture
withstood "ordeal"?
Who caressed "that tiger"?
Whose laugh at an airport called forth? Whose ground
shifted?
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