Written by
Wendell Berry |
You will be walking some night
in the comfortable dark of your yard
and suddenly a great light will shine
round about you, and behind you
will be a wall you never saw before.
It will be clear to you suddenly
that you were about to escape,
and that you are guilty: you misread
the complex instructions, you are not
a member, you lost your card
or never had one.
And you will know
that they have been there all along,
their eyes on your letters and books,
their hands in your pockets,
their ears wired to your bed.
Though you have done nothing shameful,
they will want you to be ashamed.
They will want you to kneel and weep
and say you should have been like them.
And once you say you are ashamed,
reading the page they hold out to you,
then such light as you have made
in your history will leave you.
They will no longer need to pursue you.
You will pursue them, begging forgiveness.
They will not forgive you.
There is no power against them.
It is only candor that is aloof from them,
only an inward clarity, unashamed,
that they cannot reach.
Be ready.
When their light has picked you out
and their questions are asked, say to them:
"I am not ashamed.
" A sure horizon
will come around you.
The heron will begin
his evening flight from the hilltop.
|
Written by
Hayden Carruth |
"Form follows function follows form .
.
.
, etc.
"
--Dr.
J.
Anthony Wadlington
Here I am writing my first villanelle
At seventy-two, and feeling old and tired--
"Hey, Pops, why dontcha give us the old death knell?"--
And writing it what's more on the rim of hell
In blazing Arizona when all I desired
Was north and solitude and not a villanelle,
Working from memory and not remembering well
How many stanzas and in what order, wired
On Mexican coffee, seeing the death knell
Of sun's salvos upon these hills that yell
Bloody murder silently to the much admired
Dead-blue sky.
One wonders if a villanelle
Can do the job.
Granted, old men now must tell
Our young world how these bigots and these retired
Bankers of Arizona are ringing the death knell
For everyone, how ideologies compel
Children to violence.
Artifice acquired
For its own sake is war.
Frail villanelle,
Have you this power? And must Igo and sell
Myself? "Wow," they say, and "cool"--this hired
Old poetry guy with his spaced-out death knell.
Ah, far from home and God knows not much fired
By thoughts of when he thought he was inspired,
He writes by writing what he must.
Death knell
Is what he's found in his first villanelle.
Credit: Copyright © 1995 by Hayden Carruth.
Used with the permission of Copper Canyon Press, www.
coppercanyonpress.
org
|
Written by
Dylan Thomas |
My hero bares his nerves along my wrist
That rules from wrist to shoulder,
Unpacks the head that, like a sleepy ghost,
Leans on my mortal ruler,
The proud spine spurning turn and twist.
And these poor nerves so wired to the skull
Ache on the lovelorn paper
I hug to love with my unruly scrawl
That utters all love hunger
And tells the page the empty ill.
My hero bares my side and sees his heart
Tread; like a naked Venus,
The beach of flesh, and wind her bloodred plait;
Stripping my loin of promise,
He promises a secret heat.
He holds the wire from this box of nerves
Praising the mortal error
Of birth and death, the two sad knaves of thieves,
And the hunger's emperor;
He pulls that chain, the cistern moves.
|
Written by
Billy Collins |
I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.
Not in July or any month
have I had the pleasure -- if it is a pleasure --
of fishing on the Susquehanna.
I am more likely to be found
in a quiet room like this one --
a painting of a woman on the wall,
a bowl of tangerines on the table --
trying to manufacture the sensation
of fishing on the Susquehanna.
There is little doubt
that others have been fishing
on the Susquehanna,
rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.
But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,
when I balanced a little egg of time
in front of a painting
in which that river curled around a bend
under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana
sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.
That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.
Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,
even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame.
|
Written by
Rudyard Kipling |
Ere the seamer bore him Eastward, Sleary was engaged to marry
An attractive girl at Tunbridge, whom he called "my little Carrie.
"
Sleary's pay was very modest; Sleary was the other way.
Who can cook a two-plate dinner on eight poor rupees a day?
Long he pondered o'er the question in his scantly furnished quarters --
Then proposed to Minnie Boffkin, eldest of Judge Boffkin's daughters.
Certainly an impecunious Subaltern was not a catch,
But the Boffkins knew that Minnie mightn't make another match.
So they recognised the business and, to feed and clothe the bride,
Got him made a Something Something somewhere on the Bombay side.
Anyhow, the billet carried pay enough for him to marry --
As the artless Sleary put it: -- "Just the thing for me and Carrie.
"
Did he, therefore, jilt Miss Boffkin -- impulse of a baser mind?
No! He started epileptic fits of an appalling kind.
[Of his modus operandi only this much I could gather: --
"Pears's shaving sticks will give you little taste and lots of lather.
"]
Frequently in public places his affliction used to smite
Sleary with distressing vigour -- always in the Boffkins' sight.
Ere a week was over Minnie weepingly returned his ring,
Told him his "unhappy weakness" stopped all thought of marrying.
Sleary bore the information with a chastened holy joy, --
Epileptic fits don't matter in Political employ, --
Wired three short words to Carrie -- took his ticket, packed his kit --
Bade farewell to Minnie Boffkin in one last, long, lingering fit.
Four weeks later, Carrie Sleary read -- and laughed until she wept --
Mrs.
Boffkin's warning letter on the "wretched epilept.
" .
.
.
Year by year, in pious patience, vengeful Mrs.
Boffkin sits
Waiting for the Sleary babies to develop Sleary's fits.
|
Written by
Anne Sexton |
It was also my violent heart that broke,
falling down the front hall stairs.
It was also a message I never spoke,
calling, riser after riser, who cares
about you, who cares, splintering up
the hip that was merely made of crystal,
the post of it and also the cup.
I exploded in the hallway like a pistol.
So I fell apart.
So I came all undone.
Yes.
I was like a box of dog bones.
But now they've wrapped me in like a nun.
Burst like firecrackers! Held like stones!
What a feat sailing queerly like Icarus
until the tempest undid me and I broke.
The ambulance drivers made such a fuss.
But when I cried, "Wait for my courage!" they smoked
and then they placed me, tied me up on their plate,
and wheeled me out to their coffin, my nest.
Slowly the siren slowly the hearse, sedate
as a dowager.
At the E.
W.
they cut off my dress.
I cried, "Oh Jesus, help me! Oh Jesus Christ!"
and the nurse replied, "Wrong name.
My name
is Barbara," and hung me in an odd device,
a buck's extension and a Balkan overhead frame.
The orthopedic man declared,
"You'll be down for a year.
" His scoop.
His news.
He opened the skin.
He scraped.
He pared
and drilled through bone for his four-inch screws.
That takes brute strength like pushing a cow
up hill.
I tell you, it takes skill
and bedside charm and all that know how.
The body is a damn hard thing to kill.
But please don't touch or jiggle my bed.
I'm Ethan Frome's wife.
I'll move when I'm able.
The T.
V.
hangs from the wall like a moose head.
I hide a pint of bourbon in my bedside table.
A bird full of bones, now I'm held by a sand bag.
The fracture was twice.
The fracture was double.
The days are horizontal.
The days are a drag.
All of the skeleton in me is in trouble.
Across the hall is the bedpan station.
The urine and stools pass hourly by my head
in silver bowls.
They flush in unison
in the autoclave.
My one dozen roses are dead.
The have ceased to menstruate.
They hang
there like little dried up blood clots.
And the heart too, that cripple, how it sang
once.
How it thought it could call the shots!
Understand what happened the day I fell.
My heart had stammered and hungered at
a marriage feast until the angel of hell
turned me into the punisher, the acrobat.
My bones are loose as clothespins,
as abandoned as dolls in a toy shop
and my heart, old hunger motor, with its sins
revved up like an engine that would not stop.
And now I spend all day taking care
of my body, that baby.
Its cargo is scarred.
I anoint the bedpan.
I brush my hair,
waiting in the pain machine for my bones to get hard,
for the soft, soft bones that were laid apart
and were screwed together.
They will knit.
And the other corpse, the fractured heart,
I feed it piecemeal, little chalice.
I'm good to it.
Yet lie a fire alarm it waits to be known.
It is wired.
In it many colors are stored.
While my body's in prison, heart cells alone
have multiplied.
My bones are merely bored
with all this waiting around.
But the heart,
this child of myself that resides in the flesh,
this ultimate signature of the me, the start
of my blindness and sleep, builds a death crèche.
The figures are placed at the grave of my bones.
All figures knowing it is the other death
they came for.
Each figure standing alone.
The heart burst with love and lost its breath.
This little town, this little country is real
and thus it is so of the post and the cup
and thus of the violent heart.
The zeal
of my house doth eat me up.
|
Written by
Siegfried Sassoon |
Have you forgotten yet?.
.
.
For the world's events have rumbled on since those gagged days,
Like traffic checked while at the crossing of city-ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heaven of life; and you're a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.
But the past is just the same--and War's a bloody game.
.
.
Have you forgotten yet?.
.
.
Look down, and swear by the slain of the War that you'll never forget.
Do you remember the dark months you held the sector at Mametz--
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench--
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, 'Is it all going to happen again?'
Do you remember that hour of din before the attack--
And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads--those ashen-grey
Masks of the lads who once were keen and kind and gay?
Have you forgotten yet?.
.
.
Look up, and swear by the green of the spring that you'll never forget.
|
Written by
Rudyard Kipling |
Jane Austen Beecher Stowe de Rouse
Was good beyond all earthly need;
But, on the other hand, her spouse
Was very, very bad indeed.
He smoked cigars, called churches slow,
And raced -- but this she did not know.
For Belial Machiavelli kept
The little fact a secret, and,
Though o'er his minor sins she wept,
Jane Austen did not understand
That Lilly -- thirteen-two and bay
Absorbed one-half her husband's pay.
She was so good, she made hime worse;
(Some women are like this, I think;)
He taught her parrot how to curse,
Her Assam monkey how to drink.
He vexed her righteous soul until
She went up, and he went down hill.
Then came the crisis, strange to say,
Which turned a good wife to a better.
A telegraphic peon, one day,
Brought her -- now, had it been a letter
For Belial Machiavelli, I
Know Jane would just have let it lie.
But 'twas a telegram instead,
Marked "urgent," and her duty plain
To open it.
Jane Austen read:
"Your Lilly's got a cough again.
Can't understand why she is kept
At your expense.
" Jane Austen wept.
It was a misdirected wire.
Her husband was at Shaitanpore.
She spread her anger, hot as fire,
Through six thin foreign sheets or more.
Sent off that letter, wrote another
To her solicitor -- and mother.
Then Belial Machiavelli saw
Her error and, I trust, his own,
Wired to the minion of the Law,
And traveled wifeward -- not alone.
For Lilly -- thirteen-two and bay --
Came in a horse-box all the way.
There was a scene -- a weep or two --
With many kisses.
Austen Jane
Rode Lilly all the season through,
And never opened wires again.
She races now with Belial.
This
Is very sad, but so it is.
|
Written by
John Berryman |
He stared at ruin.
Ruin stared straight back.
He thought they was old friends.
He felt on the stair
where her papa found them bare
they became familiar.
When the papers were lost
rich with pals' secrets, he thought he had the knack
of ruin.
Their paths crossed
and once they crossed in jail; they crossed in bed;
and over an unsigned letter their eyes met,
and in an Asian city
directionless & lurchy at two & three,
or trembling to a telephone's fresh threat,
and when some wired his head
to reach a wrong opinion, 'Epileptic'.
But he noted now that: they were not old friends.
He did not know this one.
This one was a stranger, come to make amends
for all the imposters, and to make it stick.
Henry nodded, un-.
|
Written by
William Topaz McGonagall |
'Twas in the year of 1889, and in the month of June,
Ten thousand people met with a fearful doom,
By the bursting of a dam in Pennsylvania State,
And were burned, and drowned by the flood-- oh! pity their fate!
The embankment of the dam was considered rather weak,
And by the swelled body of water the embankment did break,
And burst o'er the valley like a leaping river,
Which caused the spectators with fear to shiver.
And on rushed the mighty flood, like a roaring big wave,
Whilst the drowning people tried hard their lives to save;
But eight thousand were drowned, and their houses swept away,
While the spectators looked on, stricken with dismay.
And when the torrent dashed against the houses they instantly toppled o'er,
Then many of the houses caught fire, which made a terrific roar;
And two thousand people, by the fire, lost their lives,
Consisting of darling girls and boys, also men and their wives.
And when the merciless flood reached Johnstown it was fifty feet high,
While, in pitiful accents, the drowning people for help did cry;
But hundreds of corpses, by the flood, were swept away,
And Johnstown was blotted out like a child's toy house of clay.
Alas! there were many pitiful scenes enacted,
And many parents, for the loss of their children, have gone distracted,
Especially those that were burned in the merciless flame,
Their dear little ones they will never see again.
And among the sad scenes to be witnessed there,
Was a man and his wife in great despair,
Who had drawn from the burning mass a cradle of their child,
But, oh, heaven! their little one was gone, which almost drove them wild.
Oh, heaven! it was a pitiful and a most agonising sight,
To see parents struggling hard with all their might,
To save their little ones from being drowned,
But 'twas vain, the mighty flood engulfed them, with a roaring sound.
There was also a beautiful girl, the belle of Johnstown,
Standing in bare feet, on the river bank, sad and forlorn,
And clad in a loose petticoat, with a shawl over her head,
Which was all that was left her, because her parents were dead.
Her parents were drowned, and their property swept away with the flood,
And she was watching for them on the bank where she stood,
To see if they would rise to the surface of the water again,
But the dear girl's watching was all in vain.
And as for Conemaugh river, there's nothing could it surpass;
It was dammed up by a wall of corpses in a confused mass;
And the charred bodies could be seen dotting the burning debris,
While the flames and sparks ascended with a terrific hiss.
The pillaging of the houses in Johnstown is fearful to describe,
By the Hungarians and ghouls, and woe betide
Any person or party that interfered with them,
Because they were mad with drink, and yelling like tigers in a den.
And many were to be seen engaged in a hand-to-hand fight,
And drinking whisky, and singing wild songs, oh! what a shameful sight!
But a number of the thieves were lynched and shot
For robbing the dead of their valuables, which will not be forgot.
Mrs Ogle, like a heroine, in the telegraph office stood at her post,
And wired words of warning, else more lives would have been lost;
Besides she was warned to flee, but from her work she wouldn't stir,
Until at last the merciless flood engulfed her.
And as for the robbery and outrage at the hands of the ghouls,
I must mention Clara Barton and her band of merciful souls,
Who made their way fearlessly to the wounded in every street,
And the wounded and half-crazed survivors they kindly did treat.
Oh, heaven! it was a horrible sight, which will not be forgot,
So many people drowned and burned--oh! hard has been their lot!
But heaven's will must be done, I'll venture to say,
And accidents will happen until doomsday!
|