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Best Famous Wintering Poems

Here is a collection of the all-time best famous Wintering poems. This is a select list of the best famous Wintering poetry. Reading, writing, and enjoying famous Wintering poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of wintering poems.

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Written by Pablo Neruda | Create an image from this poem

A Dog Has Died

 My dog has died.
I buried him in the garden next to a rusted old machine.
Some day I'll join him right there, but now he's gone with his shaggy coat, his bad manners and his cold nose, and I, the materialist, who never believed in any promised heaven in the sky for any human being, I believe in a heaven I'll never enter.
Yes, I believe in a heaven for all dogdom where my dog waits for my arrival waving his fan-like tail in friendship.
Ai, I'll not speak of sadness here on earth, of having lost a companion who was never servile.
His friendship for me, like that of a porcupine withholding its authority, was the friendship of a star, aloof, with no more intimacy than was called for, with no exaggerations: he never climbed all over my clothes filling me full of his hair or his mange, he never rubbed up against my knee like other dogs obsessed with sex.
No, my dog used to gaze at me, paying me the attention I need, the attention required to make a vain person like me understand that, being a dog, he was wasting time, but, with those eyes so much purer than mine, he'd keep on gazing at me with a look that reserved for me alone all his sweet and shaggy life, always near me, never troubling me, and asking nothing.
Ai, how many times have I envied his tail as we walked together on the shores of the sea in the lonely winter of Isla Negra where the wintering birds filled the sky and my hairy dog was jumping about full of the voltage of the sea's movement: my wandering dog, sniffing away with his golden tail held high, face to face with the ocean's spray.
Joyful, joyful, joyful, as only dogs know how to be happy with only the autonomy of their shameless spirit.
There are no good-byes for my dog who has died, and we don't now and never did lie to each other.
So now he's gone and I buried him, and that's all there is to it.


Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Sylvia Plath | Create an image from this poem

Electra On Azalea Path

 The day you died I went into the dirt,
Into the lightless hibernaculum
Where bees, striped black and gold, sleep out the blizzard
Like hieratic stones, and the ground is hard.
It was good for twenty years, that wintering -- As if you never existed, as if I came God-fathered into the world from my mother's belly: Her wide bed wore the stain of divinity.
I had nothing to do with guilt or anything When I wormed back under my mother's heart.
Small as a doll in my dress of innocence I lay dreaming your epic, image by image.
Nobody died or withered on that stage.
Everything took place in a durable whiteness.
The day I woke, I woke on Churchyard Hill.
I found your name, I found your bones and all Enlisted in a cramped necropolis your speckled stone skewed by an iron fence.
In this charity ward, this poorhouse, where the dead Crowd foot to foot, head to head, no flower Breaks the soil.
This is Azalea path.
A field of burdock opens to the south.
Six feet of yellow gravel cover you.
The artificial red sage does not stir In the basket of plastic evergreens they put At the headstone next to yours, nor does it rot, Although the rains dissolve a bloody dye: The ersatz petals drip, and they drip red.
Another kind of redness bothers me: The day your slack sail drank my sister's breath The flat sea purpled like that evil cloth My mother unrolled at your last homecoming.
I borrow the silts of an old tragedy.
The truth is, one late October, at my birth-cry A scorpion stung its head, an ill-starred thing; My mother dreamed you face down in the sea.
The stony actors poise and pause for breath.
I brought my love to bear, and then you died.
It was the gangrene ate you to the bone My mother said: you died like any man.
How shall I age into that state of mind? I am the ghost of an infamous suicide, My own blue razor rusting at my throat.
O pardon the one who knocks for pardon at Your gate, father -- your hound-*****, daughter, friend.
It was my love that did us both to death.
Written by Gerard Manley Hopkins | Create an image from this poem

For A Picture Of St. Dorothea

 I bear a basket lined with grass;
I am so light, I am so fair,
That men must wonder as I pass
And at the basket that I bear,
Where in a newly-drawn green litter
Sweet flowers I carry, -- sweets for bitter.
Lilies I shew you, lilies none, None in Caesar's gardens blow, -- And a quince in hand, -- not one Is set upon your boughs below; Not set, because their buds not spring; Spring not, 'cause world is wintering.
But these were found in the East and South Where Winter is the clime forgot.
-- The dewdrop on the larkspur's mouth O should it then be quenchèd not? In starry water-meads they drew These drops: which be they? stars or dew? Had she a quince in hand? Yet gaze: Rather it is the sizing moon.
Lo, linkèd heavens with milky ways! That was her larkspur row.
-- So soon? Sphered so fast, sweet soul? -- We see Nor fruit, nor flowers, nor Dorothy.
Written by Sylvia Plath | Create an image from this poem

Wintering

 This is the easy time, there is nothing doing.
I have whirled the midwife's extractor, I have my honey, Six jars of it, Six cat's eyes in the wine cellar, Wintering in a dark without window At the heart of the house Next to the last tenant's rancid jam and the bottles of empty glitters ---- Sir So-and-so's gin.
This is the room I have never been in This is the room I could never breathe in.
The black bunched in there like a bat, No light But the torch and its faint Chinese yellow on appalling objects ---- Black asininity.
Decay.
Possession.
It is they who own me.
Neither cruel nor indifferent, Only ignorant.
This is the time of hanging on for the bees--the bees So slow I hardly know them, Filing like soldiers To the syrup tin To make up for the honey I've taken.
Tate and Lyle keeps them going, The refined snow.
It is Tate and Lyle they live on, instead of flowers.
They take it.
The cold sets in.
Now they ball in a mass, Black Mind against all that white.
The smile of the snow is white.
It spreads itself out, a mile-long body of Meissen, Into which, on warm days, They can only carry their dead.
The bees are all women, Maids and the long royal lady.
They have got rid of the men, The blunt, clumsy stumblers, the boors.
Winter is for women ---- The woman, still at her knitting, At the cradle of Spanis walnut, Her body a bulb in the cold and too dumb to think.
Will the hive survive, will the gladiolas Succeed in banking their fires To enter another year? What will they taste of, the Christmas roses? The bees are flying.
They taste the spring.


Written by Maxine Kumin | Create an image from this poem

The Hermit Goes Up Attic

 Up attic, Lucas Harrison, God rest
his frugal bones, once kept a tidy account
by knifecut of some long-gone harvest.
The wood was new.
The pitch ran down to blunt the year: 1811, the score: 10, he carved into the center rafter to represent his loves, beatings, losses, hours, or maybe the butternuts that taxed his back and starved the red squirrels higher up each scabbed tree.
1812 ran better.
If it was bushels he risked, he would have set his sons to rake them ankle deep for wintering over, for wrinkling off their husks while downstairs he lulled his jo to sleep.
By 1816, whatever the crop goes sour.
Three tallies cut by the knife are all in a powder of dead flies and wood dust pale as flour.
Death, if it came then, has since gone dry and small.
But the hermit makes this up.
Nothing is known under this rooftree keel veed in with chestnut ribs.
Up attic he always hears the ghosts of Lucas Harrison's great trees complain chafing against their mortised pegs, a woman in childbirth pitching from side to side until the wet head crowns between her legs again, and again she will bear her man astride and out of the brawl of sons he will drive like oxen tight at the block and tackle, whipped to the trace, come up these burly masts, these crossties broken from their growing and buttoned into place.
Whatever it was is now a litter of shells.
Even at noon the attic vault is dim.
The hermit carves his own name in the sill that someone after will take stock of him.
Written by Algernon Charles Swinburne | Create an image from this poem

Autumn And Winter

 Three months bade wane and wax the wintering moon
Between two dates of death, while men were fain
Yet of the living light that all too soon
Three months bade wane.
Cold autumn, wan with wrath of wind and rain, Saw pass a soul sweet as the sovereign tune That death smote silent when he smote again.
First went my friend, in life's mid light of noon, Who loved the lord of music: then the strain Whence earth was kindled like as heaven in June Three months bade wane.
A herald soul before its master's flying Touched by some few moons first the darkling goal Where shades rose up to greet the shade, espying A herald soul; Shades of dead lords of music, who control Men living by the might of men undying, With strength of strains that make delight of dole.
The deep dense dust on death's dim threshold lying Trembled with sense of kindling sound that stole Through darkness, and the night gave ear, descrying A herald soul.
One went before, one after, but so fast They seem gone hence together, from the shore Whence we now gaze: yet ere the mightier passed One went before; One whose whole heart of love, being set of yore On that high joy which music lends us, cast Light round him forth of music's radiant store.
Then went, while earth on winter glared aghast, The mortal god he worshipped, through the door Wherethrough so late, his lover to the last, One went before.
A star had set an hour before the sun Sank from the skies wherethrough his heart's pulse yet Thrills audibly: but few took heed, or none, A star had set.
All heaven rings back, sonorous with regret, The deep dirge of the sunset: how should one Soft star be missed in all the concourse met? But, O sweet single heart whose work is done, Whose songs are silent, how should I forget That ere the sunset's fiery goal was won A star had set?
Written by Rainer Maria Rilke | Create an image from this poem

The Sonnets To Orpheus: Book 2: XIII

 Be ahead of all parting, as though it already were
behind you, like the winter that has just gone by.
For among these winters there is one so endlessly winter that only by wintering through it all will your heart survive.
Be forever dead in Eurydice-more gladly arise into the seamless life proclaimed in your song.
Here, in the realm of decline, among momentary days, be the crystal cup that shattered even as it rang.
Be-and yet know the great void where all things begin, the infinite source of your own most intense vibration, so that, this once, you may give it your perfect assent.
To all that is used-up, and to all the muffled and dumb creatures in the world's full reserve, the unsayable sums, joyfully add yourself, and cancel the count.

Book: Shattered Sighs