Written by
Kahlil Gibran |
Love has no other desire but to fulfil itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love’s ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
|
Written by
Vladimir Mayakovsky |
No.
It can’t be.
No!
You too, beloved?
Why? What for?
Darling, look -
I came,
I brought flowers,
but, but... I never took
silver spoons from your drawer!
Ashen-faced,
I staggered down five flights of stairs.
The street eddied round me. Blasts. Blares.
Tires screeched.
It was gusty.
The wind stung my cheeks.
Horn mounted horn lustfully.
Above the capital’s madness
I raised my face,
stern as the faces of ancient icons.
Sorrow-rent,
on your body as on a death-bed, its days
my heart ended.
You did not sully your hands with brute murder.
Instead,
you let drop calmly:
“He’s in bed.
There’s fruit and wine
On the bedstand’s palm.”
Love!
You only existed in my inflamed brain.
Enough!
Stop this foolish comedy
and take notice:
I’m ripping off
my toy armour,
I,
the greatest of all Don Quixotes!
Remember?
Weighed down by the cross,
Christ stopped for a moment,
weary.
Watching him, the mob
yelled, jeering:
“Get movin’, you clod!”
That’s right!
Be spiteful.
Spit upon him who begs for a rest
on his day of days,
harry and curse him.
To the army of zealots, doomed to do good,
man shows no mercy!
That does it!
I swear by my pagan strength -
gimme a girl,
young,
eye-filling,
and I won’t waste my feelings on her.
I'll rape her
and spear her heart with a gibe
willingly.
An eye for an eye!
A thousand times over reap of revenge the crops'
Never stop!
Petrify, stun,
howl into every ear:
“The earth is a convict, hear,
his head half shaved by the sun!”
An eye for an eye!
Kill me,
bury me -
I’ll dig myself out,
the knives of my teeth by stone — no wonder!-
made sharper,
A snarling dog, under
the plank-beds of barracks I’ll crawl,
sneaking out to bite feet that smell
of sweat and of market stalls!
You'll leap from bed in the night’s early hours.
“Moo!” I’ll roar.
Over my neck,
a yoke-savaged sore,
tornados of flies
will rise.
I'm a white bull over the earth towering!
Into an elk I’ll turn,
my horns-branches entangled in wires,
my eyes red with blood.
Above the world,
a beast brought to bay,
I'll stand tirelessly.
Man can’t escape!
Filthy and humble,
a prayer mumbling,
on cold stone he lies.
What I’ll do is paint
on the royal gates,
over God’s own
the face of Razin.
Dry up, rivers, stop him from quenching his thirst! Scorn him!
Don’t waste your rays, sun! Glare!
Let thousands of my disciples be born
to trumpet anathemas on the squares!
And when at last there comes,
stepping onto the peaks of the ages,
chillingly,
the last of their days,
in the black souls of anarchists and killers
I, a gory vision, will blaze!
It’s dawning,
The sky’s mouth stretches out more and more,
it drinks up the night
sip by sip, thirstily.
The windows send off a glow.
Through the panes heat pours.
The sun, viscous, streams down onto the sleeping city.
O sacred vengeance!
Lead me again
above the dust without
and up the steps of my poetic lines.
This heart of mine,
full to the brim,
in a confession
I will pour out.
Men of the future!
Who are you?
I must know. Please!
Here am I,
all bruises and aches,
pain-scorched...
To you of my great soul I bequeath
the orchard.
|
Written by
Walt Whitman |
1
EARTH, round, rolling, compact—suns, moons, animals—all these are words to be
said;
Watery, vegetable, sauroid advances—beings, premonitions, lispings of the future,
Behold! these are vast words to be said.
Were you thinking that those were the words—those upright lines? those curves,
angles,
dots?
No, those are not the words—the substantial words are in the ground and sea,
They are in the air—they are in you.
Were you thinking that those were the words—those delicious sounds out of your
friends’
mouths?
No, the real words are more delicious than they.
Human bodies are words, myriads of words;
In the best poems re-appears the body, man’s or woman’s, well-shaped, natural,
gay,
Every part able, active, receptive, without shame or the need of shame.
2
Air, soil, water, fire—these are words;
I myself am a word with them—my qualities interpenetrate with theirs—my name is
nothing to
them;
Though it were told in the three thousand languages, what would air, soil, water, fire,
know of
my
name?
A healthy presence, a friendly or commanding gesture, are words, sayings, meanings;
The charms that go with the mere looks of some men and women, are sayings and meanings
also.
3
The workmanship of souls is by the inaudible words of the earth;
The great masters know the earth’s words, and use them more than the audible words.
Amelioration is one of the earth’s words;
The earth neither lags nor hastens;
It has all attributes, growths, effects, latent in itself from the jump;
It is not half beautiful only—defects and excrescences show just as much as
perfections
show.
The earth does not withhold, it is generous enough;
The truths of the earth continually wait, they are not so conceal’d either;
They are calm, subtle, untransmissible by print;
They are imbued through all things, conveying themselves willingly,
Conveying a sentiment and invitation of the earth—I utter and utter,
I speak not, yet if you hear me not, of what avail am I to you?
To bear—to better—lacking these, of what avail am I?
4
Accouche! Accouchez!
Will you rot your own fruit in yourself there?
Will you squat and stifle there?
The earth does not argue,
Is not pathetic, has no arrangements,
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures,
Closes nothing, refuses nothing, shuts none out,
Of all the powers, objects, states, it notifies, shuts none out.
5
The earth does not exhibit itself, nor refuse to exhibit itself—possesses still
underneath;
Underneath the ostensible sounds, the august chorus of heroes, the wail of slaves,
Persuasions of lovers, curses, gasps of the dying, laughter of young people, accents of
bargainers,
Underneath these, possessing the words that never fail.
To her children, the words of the eloquent dumb great mother never fail;
The true words do not fail, for motion does not fail, and reflection does not fail;
Also the day and night do not fail, and the voyage we pursue does not fail.
6
Of the interminable sisters,
Of the ceaseless cotillions of sisters,
Of the centripetal and centrifugal sisters, the elder and younger sisters,
The beautiful sister we know dances on with the rest.
With her ample back towards every beholder,
With the fascinations of youth, and the equal fascinations of age,
Sits she whom I too love like the rest—sits undisturb’d,
Holding up in her hand what has the character of a mirror, while her eyes glance back from
it,
Glance as she sits, inviting none, denying none,
Holding a mirror day and night tirelessly before her own face.
7
Seen at hand, or seen at a distance,
Duly the twenty-four appear in public every day,
Duly approach and pass with their companions, or a companion,
Looking from no countenances of their own, but from the countenances of those who are with
them,
From the countenances of children or women, or the manly countenance,
From the open countenances of animals, or from inanimate things,
From the landscape or waters, or from the exquisite apparition of the sky,
From our countenances, mine and yours, faithfully returning them,
Every day in public appearing without fail, but never twice with the same companions.
8
Embracing man, embracing all, proceed the three hundred and sixty-five resistlessly round
the
sun;
Embracing all, soothing, supporting, follow close three hundred and sixty-five offsets of
the
first,
sure and necessary as they.
9
Tumbling on steadily, nothing dreading,
Sunshine, storm, cold, heat, forever withstanding, passing, carrying,
The Soul’s realization and determination still inheriting,
The fluid vacuum around and ahead still entering and dividing,
No balk retarding, no anchor anchoring, on no rock striking,
Swift, glad, content, unbereav’d, nothing losing,
Of all able and ready at any time to give strict account,
The divine ship sails the divine sea.
10
Whoever you are! motion and reflection are especially for you;
The divine ship sails the divine sea for you.
Whoever you are! you are he or she for whom the earth is solid and liquid,
You are he or she for whom the sun and moon hang in the sky,
For none more than you are the present and the past,
For none more than you is immortality.
11
Each man to himself, and each woman to herself, such is the word of the past and present,
and
the
word of immortality;
No one can acquire for another—not one!
Not one can grow for another—not one!
The song is to the singer, and comes back most to him;
The teaching is to the teacher, and comes back most to him;
The murder is to the murderer, and comes back most to him;
The theft is to the thief, and comes back most to him;
The love is to the lover, and comes back most to him;
The gift is to the giver, and comes back most to him—it cannot fail;
The oration is to the orator, the acting is to the actor and actress, not to the audience;
And no man understands any greatness or goodness but his own, or the indication of his
own.
12
I swear the earth shall surely be complete to him or her who shall be complete!
I swear the earth remains jagged and broken only to him or her who remains jagged and
broken!
I swear there is no greatness or power that does not emulate those of the earth!
I swear there can be no theory of any account, unless it corroborate the theory of the
earth!
No politics, art, religion, behavior, or what not, is of account, unless it compare with
the
amplitude of the earth,
Unless it face the exactness, vitality, impartiality, rectitude of the earth.
13
I swear I begin to see love with sweeter spasms than that which responds love!
It is that which contains itself—which never invites, and never refuses.
I swear I begin to see little or nothing in audible words!
I swear I think all merges toward the presentation of the unspoken meanings of the earth!
Toward him who sings the songs of the Body, and of the truths of the earth;
Toward him who makes the dictionaries of words that print cannot touch.
14
I swear I see what is better than to tell the best;
It is always to leave the best untold.
When I undertake to tell the best, I find I cannot,
My tongue is ineffectual on its pivots,
My breath will not be obedient to its organs,
I become a dumb man.
The best of the earth cannot be told anyhow—all or any is best;
It is not what you anticipated—it is cheaper, easier, nearer;
Things are not dismiss’d from the places they held before;
The earth is just as positive and direct as it was before;
Facts, religions, improvements, politics, trades, are as real as before;
But the Soul is also real,—it too is positive and direct;
No reasoning, no proof has establish’d it,
Undeniable growth has establish’d it.
15
This is a poem—a carol of words—these are hints of meanings,
These are to echo the tones of Souls, and the phrases of Souls;
If they did not echo the phrases of Souls, what were they then?
If they had not reference to you in especial, what were they then?
I swear I will never henceforth have to do with the faith that tells the best!
I will have to do only with that faith that leaves the best untold.
16
Say on, sayers!
Delve! mould! pile the words of the earth!
Work on—(it is materials you must bring, not breaths;)
Work on, age after age! nothing is to be lost;
It may have to wait long, but it will certainly come in use;
When the materials are all prepared, the architects shall appear.
I swear to you the architects shall appear without fail! I announce them and lead them;
I swear to you they will understand you, and justify you;
I swear to you the greatest among them shall be he who best knows you, and encloses all,
and is
faithful to all;
I swear to you, he and the rest shall not forget you—they shall perceive that you are
not
an
iota less than they;
I swear to you, you shall be glorified in them.
|
Written by
William Topaz McGonagall |
Alas! Lord and Lady Dalhousie are dead, and buried at last,
Which causes many people to feel a little downcast;
And both lie side by side in one grave,
But I hope God in His goodness their souls will save.
And may He protect their children that are left behind,
And may they always food and raiment find;
And from the paths of virtue may they ne'er be led,
And may they always find a house wherein to lay their head.
Lord Dalhousie was a man worthy of all praise,
And to his memory I hope a monument the people will raise,
That will stand for many ages to came
To commemorate the good deeds he has done.
He was beloved by men of high and low degree,
Especially in Forfarshire by his tenantry:
And by many of the inhabitants in and around Dundee,
Because he was affable in temper. and void of all vanity.
He had great affection for his children, also his wife,
'Tis said he loved her as dear as his life;
And I trust they are now in heaven above,
Where all is joy, peace, and love.
At the age of fourteen he resolved to go to sea,
So he entered the training ship Britannia belonging the navy,
And entered as a midshipman as he considered most fit
Then passed through the course of training with the greatest credit.
In a short time he obtained the rank of lieutenant,
Then to her Majesty's ship Galatea he was sent;
Which was under the command of the Duke of Edinburgh,
And during his service there he felt but little sorrow.
And from that he was promoted to be commander of the Britannia,
And was well liked by the men, for what he said was law;
And by him Prince Albert Victor and Prince George received a naval education.
Which met with the Prince of Wales' roost hearty approbation.
'Twas in the year 1877 he married the Lady Ada Louisa Bennett,
And by marrying that noble lady he ne'er did regret;
And he was ever ready to give his service in any way,
Most willingly and cheerfully by night or by day.
'Twas in the year of 1887, and on Thursday the 1st of December,
Which his relatives and friends will long remember
That were present at the funeral in Cockpen, churchyard,
Because they had for the noble Lord a great regard.
About eleven o'clock the remains reached Dalhousie,
And were met by a body of the tenantry.
They conveyed them inside the building allseemingly woe begone
And among those that sent wreaths was Lord Claude Hamilton.
Those that sent wreaths were but very few,
But one in particular was the Duke of Buccleuch;
Besides Dr. Herbert Spencer, and Countess Rosebery, and Lady Bennett,
Which no doubt were sent by them with heartfelt regret.
Besides those that sent wreaths in addition were the Earl and Countess of Aberdeen,
Especially the Prince of Wales' was most lovely to be seen,
And the Earl of Dalkeith's wreath was very pretty too,
With a mixture of green and white flowers, beautiful to view.
Amongst those present at the interment were Mr Marjoribanks, M.P.,
Also ex-Provost Ballingall from Bonnie Dundee;
Besides the Honourable W. G. Colville, representing the Duke and Duchess of Edinburgh,
While in every one's face standing at the grave was depicted sorrow.
The funeral service was conducted in the Church of Cockpen
By the Rev. J. Crabb, of St. Andrew's Episcopal Church, town of Brechin;
And as the two coffins were lowered into their last resting place,
Then the people retired with sad hearts at a quick pace.
|
Written by
Rainer Maria Rilke |
Come let us watch the sun go down
and walk in twilight through the orchard's green.
Does it not seem as if we had for long
collected, saved and harbored within us
old memories? To find releases and seek
new hopes, remembering half-forgotten joys,
mingled with darkness coming from within,
as we randomly voice our thoughts aloud
wandering beneath these harvest-laden trees
reminiscent of Durer woodcuts, branches
which, bent under the fully ripened fruit,
wait patiently, trying to outlast, to
serve another season's hundred days of toil,
straining, uncomplaining, by not breaking
but succeeding, even though the burden
should at times seem almost past endurance.
Not to falter! Not to be found wanting!
Thus must it be, when willingly you strive
throughout a long and uncomplaining life,
committed to one goal: to give yourself!
And silently to grow and to bear fruit.
|
Written by
Erica Jong |
Dear Colette,
I want to write to you
about being a woman
for that is what you write to me.
I want to tell you how your face
enduring after thirty, forty, fifty. . .
hangs above my desk
like my own muse.
I want to tell you how your hands
reach out from your books
& seize my heart.
I want to tell you how your hair
electrifies my thoughts
like my own halo.
I want to tell you how your eyes
penetrate my fear
& make it melt.
I want to tell you
simply that I love you--
though you are "dead"
& I am still "alive."
Suicides & spinsters--
all our kind!
Even decorous Jane Austen
never marrying,
& Sappho leaping,
& Sylvia in the oven,
& Anna Wickham, Tsvetaeva, Sara Teasdale,
& pale Virginia floating like Ophelia,
& Emily alone, alone, alone. . . .
But you endure & marry,
go on writing,
lose a husband, gain a husband,
go on writing,
sing & tap dance
& you go on writing,
have a child & still
you go on writing,
love a woman, love a man
& go on writing.
You endure your writing
& your life.
Dear Colette,
I only want to thank you:
for your eyes ringed
with bluest paint like bruises,
for your hair gathering sparks
like brush fire,
for your hands which never willingly
let go,
for your years, your child, your lovers,
all your books. . . .
Dear Colette,
you hold me
to this life.
|
Written by
William Topaz McGonagall |
Composed, by Special Request, 18th June 1890
Then Pilate, the Roman Governor, took Jesus and scourged Him,
And the soldiers platted a crown of thorns, and thought it no sin
To put it on His head, while meekly Jesus stands;
They put on Him a purple robe, and smote Him with their hands.
Then Pilate went forth again, and said unto them,
Behold, I bring Him forth to you, but I cannot Him condemn,
And I would have you to remember I find no fault in Him,
And to treat Him too harshly 'twould be a sin.
But the rabble cried. Hail, King of the Jews, and crucify Him;
But Pilate saith unto them, I find in Him no sin;
Then Jesus came forth, looking dejected and wan,
And Pilate saith unto them, Behold the Man.
Then the Jews cried out, By our laws He ought to die,
Because He made Himself the Son of God the Most High;
And when Pilate heard that saying the Jews had made,
He saw they were dissatisfied, and he was the more afraid.
And to release Jesus Pilate did really intend,
But the Jews cried angrily, Pilate, thou art not Caesar's friend,
Remember, if thou let this vile impostor go,
It only goes to prove thou art Caesar's foe.
When Pilate heard that he felt very irate,
Then he brought Josus forth, and sat down in the judgment-seat,
In a place that is called the Pavement,
While the Blessed Saviour stood calm and content.
The presence of His enemies did not Him appal,
When Pilate asked of Him, before them all,
Whence art Thou, dost say from on High?
But Jesus, the Lamb of God, made no reply.
Then saith Pilate unto Him, Speakest Thou not unto me,
Remember, I have the power to crucify Thee;
But Jesus answered, Thou hast no power at all against me,
Except from above it were given to thee.
Then Pilate to the Jews loudly cried,
Take Him away to be crucified;
Then the soldiers took Jesus and led Him away,
And He, bearing His Cross, without dismay.
And they led Him to a place called Golgotha,
But the Saviour met His fate without any awe,
And there crucified Him with two others, one on either side,
And Jesus in the midst, whilst the Jews did Him deride.
Then Pilate tried to pacify the Jews, they felt so morose,
And he wrote a title, and put it on the Cross;
And the title he wrote did the Jews amuse,
The writing was, Jesus of Nazareth the King of the Jews.
This title read many of the Jews without any pity;
And the place where Jesus was crucified was nigh to the city;
And the title was written in Hebrew, and Greek, and Latin,
And while reading the title the Jews did laugh and grin.
While on the Cross the sun refused to shine,
And there was total darkness for a long time;
The reason was God wanted to hide His wounds from view,
And He kept the blessed sun from breaking through.
And to quench His thirst they gave Him vinegar and hyssop,
While the blood from His wounded brow copiously did drop,
Then He drank of it willingly, and bowed His head,
And in a few minutes the dear Saviour was dead.
Then Joseph of Arimathea sadly did grieve,
And he asked if Pilate would give him leave
To take the body of Jesus away,
And Pilate told him to remove it without delay.
Then Joseph took the body of Jesus away,
And wound it in linen, which was the Jewish custom of that day,
And embalmed his body with spices sweet,
Then laid it in a new sepulchre, as Joseph thought meet.
But death could not hold Him in the grave,
Because He died poor sinners' souls to save;
And God His Father took Him to Heaven on high;
And those that believe in Jesus shall never die.
Oh! think of the precious Blood our Saviour did loss,
That flowed from His wounds while on the Cross,
Especially the wound in His side, made with a spear,
And if you are a believer, you will drop a silent tear.
And if you are not a believer, try and believe,
And don't let the devil any longer you deceive,
Because the precious Blood that Jesus shed will free you from all sin,
Therefore, believe in the Saviour, and Heaven you shall enter in!
|
Written by
Johann Wolfgang von Goethe |
[Goethe relates that a remarkable situation
he was in one bright moonlight night led to the composition of this
sweet song, which was "the dearer to him because he could not say
whence it came and whither it would."]
AT midnight hour I went, not willingly,
A little, little boy, yon churchyard past,
To Father Vicar's house; the stars on high
On all around their beauteous radiance cast,
At
midnight hour.
And when, in journeying o'er the path of life,
My love I follow'd, as she onward moved,
With stars and northern lights o'er head in strife,
Going and coming, perfect bliss I proved
At
midnight hour.
Until at length the full moon, lustre-fraught,
Burst thro' the gloom wherein she was enshrined;
And then the willing, active, rapid thought
Around the past, as round the future twined,
At
midnight hour.
1818.
|
Written by
William Cowper |
Oh that those lips had language! Life has pass'd
With me but roughly since I heard thee last.
Those lips are thine--thy own sweet smiles I see,
The same that oft in childhood solaced me;
Voice only fails, else, how distinct they say,
"Grieve not, my child, chase all thy fears away!"
The meek intelligence of those dear eyes
(Blest be the art that can immortalize,
The art that baffles time's tyrannic claim
To quench it) here shines on me still the same.
Faithful remembrancer of one so dear,
Oh welcome guest, though unexpected, here!
Who bidd'st me honour with an artless song,
Affectionate, a mother lost so long,
I will obey, not willingly alone,
But gladly, as the precept were her own;
And, while that face renews my filial grief,
Fancy shall weave a charm for my relief--
Shall steep me in Elysian reverie,
A momentary dream, that thou art she.
My mother! when I learn'd that thou wast dead,
Say, wast thou conscious of the tears I shed?
Hover'd thy spirit o'er thy sorrowing son,
Wretch even then, life's journey just begun?
Perhaps thou gav'st me, though unseen, a kiss;
Perhaps a tear, if souls can weep in bliss--
Ah that maternal smile! it answers--Yes.
I heard the bell toll'd on thy burial day,
I saw the hearse that bore thee slow away,
And, turning from my nurs'ry window, drew
A long, long sigh, and wept a last adieu!
But was it such?--It was.--Where thou art gone
Adieus and farewells are a sound unknown.
May I but meet thee on that peaceful shore,
The parting sound shall pass my lips no more!
Thy maidens griev'd themselves at my concern,
Oft gave me promise of a quick return.
What ardently I wish'd, I long believ'd,
And, disappointed still, was still deceiv'd;
By disappointment every day beguil'd,
Dupe of to-morrow even from a child.
Thus many a sad to-morrow came and went,
Till, all my stock of infant sorrow spent,
I learn'd at last submission to my lot;
But, though I less deplor'd thee, ne'er forgot.
Where once we dwelt our name is heard no more,
Children not thine have trod my nurs'ry floor;
And where the gard'ner Robin, day by day,
Drew me to school along the public way,
Delighted with my bauble coach, and wrapt
In scarlet mantle warm, and velvet capt,
'Tis now become a history little known,
That once we call'd the past'ral house our own.
Short-liv'd possession! but the record fair
That mem'ry keeps of all thy kindness there,
Still outlives many a storm that has effac'd
A thousand other themes less deeply trac'd.
Thy nightly visits to my chamber made,
That thou might'st know me safe and warmly laid;
Thy morning bounties ere I left my home,
The biscuit, or confectionary plum;
The fragrant waters on my cheeks bestow'd
By thy own hand, till fresh they shone and glow'd;
All this, and more endearing still than all,
Thy constant flow of love, that knew no fall,
Ne'er roughen'd by those cataracts and brakes
That humour interpos'd too often makes;
All this still legible in mem'ry's page,
And still to be so, to my latest age,
Adds joy to duty, makes me glad to pay
Such honours to thee as my numbers may;
Perhaps a frail memorial, but sincere,
Not scorn'd in heav'n, though little notic'd here.
Could time, his flight revers'd, restore the hours,
When, playing with thy vesture's tissued flow'rs,
The violet, the pink, and jessamine,
I prick'd them into paper with a pin,
(And thou wast happier than myself the while,
Would'st softly speak, and stroke my head and smile)
Could those few pleasant hours again appear,
Might one wish bring them, would I wish them here?
I would not trust my heart--the dear delight
Seems so to be desir'd, perhaps I might.--
But no--what here we call our life is such,
So little to be lov'd, and thou so much,
That I should ill requite thee to constrain
Thy unbound spirit into bonds again.
Thou, as a gallant bark from Albion's coast
(The storms all weather'd and the ocean cross'd)
Shoots into port at some well-haven'd isle,
Where spices breathe and brighter seasons smile,
There sits quiescent on the floods that show
Her beauteous form reflected clear below,
While airs impregnated with incense play
Around her, fanning light her streamers gay;
So thou, with sails how swift! hast reach'd the shore
"Where tempests never beat nor billows roar,"
And thy lov'd consort on the dang'rous tide
Of life, long since, has anchor'd at thy side.
But me, scarce hoping to attain that rest,
Always from port withheld, always distress'd--
Me howling winds drive devious, tempest toss'd,
Sails ript, seams op'ning wide, and compass lost,
And day by day some current's thwarting force
Sets me more distant from a prosp'rous course.
But oh the thought, that thou art safe, and he!
That thought is joy, arrive what may to me.
My boast is not that I deduce my birth
From loins enthron'd, and rulers of the earth;
But higher far my proud pretensions rise--
The son of parents pass'd into the skies.
And now, farewell--time, unrevok'd, has run
His wonted course, yet what I wish'd is done.
By contemplation's help, not sought in vain,
I seem t' have liv'd my childhood o'er again;
To have renew'd the joys that once were mine,
Without the sin of violating thine:
And, while the wings of fancy still are free,
And I can view this mimic shew of thee,
Time has but half succeeded in his theft--
Thyself remov'd, thy power to sooth me left.
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Written by
Walt Whitman |
FROM pent-up, aching rivers;
From that of myself, without which I were nothing;
From what I am determin’d to make illustrious, even if I stand sole among men;
From my own voice resonant—singing the phallus,
Singing the song of procreation,
Singing the need of superb children, and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow’s song, (O resistless yearning!
O for any and each, the body correlative attracting!
O for you, whoever you are, your correlative body! O it, more than all else, you
delighting!)
—From the hungry gnaw that eats me night and day;
From native moments—from bashful pains—singing them;
Singing something yet unfound, though I have diligently sought it, many a long year;
Singing the true song of the Soul, fitful, at random;
Singing what, to the Soul, entirely redeem’d her, the faithful one, even the
prostitute, who detain’d me when I went to the city;
Singing the song of prostitutes;
Renascent with grossest Nature, or among animals;
Of that—of them, and what goes with them, my poems informing;
Of the smell of apples and lemons—of the pairing of birds,
Of the wet of woods—of the lapping of waves,
Of the mad pushes of waves upon the land—I them chanting;
The overture lightly sounding—the strain anticipating;
The welcome nearness—the sight of the perfect body;
The swimmer swimming naked in the bath, or motionless on his back lying and floating;
The female form approaching—I, pensive, love-flesh tremulous, aching;
The divine list, for myself or you, or for any one, making;
The face—the limbs—the index from head to foot, and what it arouses;
The mystic deliria—the madness amorous—the utter abandonment;
(Hark close, and still, what I now whisper to you,
I love you—-O you entirely possess me,
O I wish that you and I escape from the rest, and go utterly off—O free and lawless,
Two hawks in the air—two fishes swimming in the sea not more lawless than we;)
—The furious storm through me careering—I passionately trembling;
The oath of the inseparableness of two together—of the woman that loves me, and whom
I love more than my life—that oath swearing;
(O I willingly stake all, for you!
O let me be lost, if it must be so!
O you and I—what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other, and exhaust each other, if it must
be so:)
—From the master—the pilot I yield the vessel to;
The general commanding me, commanding all—from him permission taking;
From time the programme hastening, (I have loiter’d too long, as it is;)
From sex—From the warp and from the woof;
(To talk to the perfect girl who understands me,
To waft to her these from my own lips—to effuse them from my own body;)
From privacy—from frequent repinings alone;
From plenty of persons near, and yet the right person not near;
From the soft sliding of hands over me, and thrusting of fingers through my hair and
beard;
From the long sustain’d kiss upon the mouth or bosom;
From the close pressure that makes me or any man drunk, fainting with excess;
From what the divine husband knows—from the work of fatherhood;
From exultation, victory, and relief—from the bedfellow’s embrace in the night;
From the act-poems of eyes, hands, hips, and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side, the pliant coverlid off-throwing,
From the one so unwilling to have me leave—and me just as unwilling to leave,
(Yet a moment, O tender waiter, and I return;)
—From the hour of shining stars and dropping dews,
From the night, a moment, I, emerging, flitting out,
Celebrate you, act divine—and you, children prepared for,
And you, stalwart loins.
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