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Best Famous Wildwood Poems

Here is a collection of the all-time best famous Wildwood poems. This is a select list of the best famous Wildwood poetry. Reading, writing, and enjoying famous Wildwood poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of wildwood poems.

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Written by Algernon Charles Swinburne | Create an image from this poem

A Ballad of Dreamland

 I hid my heart in a nest of roses,
Out of the sun's way, hidden apart;
In a softer bed then the soft white snow's is,
Under the roses I hid my heart.
Why would it sleep not? why should it start,
When never a leaf of the rose-tree stirred?
What made sleep flutter his wings and part?
Only the song of a secret bird.

Lie still, I said, for the wind's wing closes,
And mild leaves muffle the keen sun's dart;
Lie still, for the wind on the warm seas dozes,
And the wind is unquieter yet than thou art.
Does a thought in thee still as a thorn's wound smart?
Does the fang still fret thee of hope deferred?
What bids the lips of thy sleep dispart?
Only the song of a secret bird.

The green land's name that a charm encloses, 
It never was writ in the traveller's chart,
And sweet on its trees as the fruit that grows is,
It never was sold in the merchant's mart.
The swallows of dreams through its dim fields dart,
And sleep's are the tunes in its tree-tops heard;
No hound's note wakens the wildwood hart,
Only the song of a secret bird.


ENVOI

In the world of dreams I have chosen my part,
To sleep for a season and hear no word
Of true love's truth or of light love's art,
Only the song of a secret bird.


Written by Anne Sexton | Create an image from this poem

Snow White and the Seven Dwarfs

 No matter what life you lead
the virgin is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhône,
rolling her china-blue doll eyes
open and shut.
Open to say, 
Good Day Mama,
and shut for the thrust
of the unicorn.
She is unsoiled.
She is as white as a bonefish.

Once there was a lovely virgin
called Snow White.
Say she was thirteen.
Her stepmother,
a beauty in her own right,
though eaten, of course, by age,
would hear of no beauty surpassing her own.
Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referred--
something like the weather forecast--
a mirror that proclaimed 
the one beauty of the land.
She would ask,
Looking glass upon the wall,
who is fairest of us all?
And the mirror would reply,
You are the fairest of us all.
Pride pumped in her like poison.

Suddenly one day the mirror replied,
Queen, you are full fair, 'tis true,
but Snow White is fairer than you.
Until that moment Snow White
had been no more important
than a dust mouse under the bed.
But now the queen saw brown spots on her hand
and four whiskers over her lip
so she condemned Snow White
to be hacked to death.
Bring me her heart, she said to the hunter,
and I will salt it and eat it.
The hunter, however, let his prisoner go
and brought a boar's heart back to the castle.
The queen chewed it up like a cube steak.
Now I am fairest, she said,
lapping her slim white fingers.

Snow White walked in the wildwood
for weeks and weeks.
At each turn there were twenty doorways
and at each stood a hungry wolf,
his tongue lolling out like a worm.
The birds called out lewdly,
talking like pink parrots,
and the snakes hung down in loops,
each a noose for her sweet white neck.
On the seventh week
she came to the seventh mountain
and there she found the dwarf house.
It was as droll as a honeymoon cottage
and completely equipped with
seven beds, seven chairs, seven forks
and seven chamber pots.
Snow White ate seven chicken livers
and lay down, at last, to sleep.

The dwarfs, those little hot dogs,
walked three times around Snow White,
the sleeping virgin. They were wise
and wattled like small czars.
Yes. It's a good omen,
they said, and will bring us luck.
They stood on tiptoes to watch
Snow White wake up. She told them
about the mirror and the killer-queen
and they asked her to stay and keep house.
Beware of your stepmother,
they said.
Soon she will know you are here.
While we are away in the mines
during the day, you must not
open the door.

Looking glass upon the wall . . .
The mirror told
and so the queen dressed herself in rags
and went out like a peddler to trap Snow White.
She went across seven mountains.
She came to the dwarf house
and Snow White opened the door
and bought a bit of lacing.
The queen fastened it tightly
around her bodice,
as tight as an Ace bandage,
so tight that Snow White swooned.
She lay on the floor, a plucked daisy.
When the dwarfs came home they undid the lace
and she revived miraculously.
She was as full of life as soda pop.
Beware of your stepmother,
they said.
She will try once more.

Snow White, the dumb bunny,
opened the door
and she bit into a poison apple
and fell down for the final time.
When the dwarfs returned
they undid her bodice,
they looked for a comb,
but it did no good.
Though they washed her with wine
and rubbed her with butter
it was to no avail.
She lay as still as a gold piece.

The seven dwarfs could not bring themselves
to bury her in the black ground
so they made a glass coffin
and set it upon the seventh mountain
so that all who passed by
could peek in upon her beauty.
A prince came one June day
and would not budge.
He stayed so long his hair turned green
and still he would not leave.
The dwarfs took pity upon him
and gave him the glass Snow White--
its doll's eyes shut forever--
to keep in his far-off castle.
As the prince's men carried the coffin
they stumbled and dropped it
and the chunk of apple flew out
of her throat and she woke up miraculously.

And thus Snow White became the prince's bride.
The wicked queen was invited to the wedding feast
and when she arrived there were
red-hot iron shoes,
in the manner of red-hot roller skates,
clamped upon her feet.
First your toes will smoke
and then your heels will turn black
and you will fry upward like a frog,
she was told.
And so she danced until she was dead,
a subterranean figure,
her tongue flicking in and out
like a gas jet.
Meanwhile Snow White held court,
rolling her china-blue doll eyes open and shut
and sometimes referring to her mirror
as women do.
Written by Robert Browning | Create an image from this poem

Pan and Luna

 Si credere dignum est.--Virgil, Georgics, III, 390


Oh, worthy of belief I hold it was, 
Virgil, your legend in those strange three lines! 
No question, that adventure came to pass 
One black night in Arcadia: yes, the pines, 
Mountains and valleys mingling made one mass 
Of black with void black heaven: the earth's confines, 
The sky's embrace,--below, above, around, 
All hardened into black without a bound. 

Fill up a swart stone chalice to the brim 
With fresh-squeezed yet fast-thickening poppy-juice: 
See how the sluggish jelly, late a-swim, 
Turns marble to the touch of who would loose 
The solid smooth, grown jet from rim to rim, 
By turning round the bowl! So night can fuse 
Earth with her all-comprising sky. No less, 
Light, the least spark, shows air and emptiness. 

And thus it proved when--diving into space, 
Stript of all vapor, from each web of mist, 
Utterly film-free--entered on her race 
The naked Moon, full-orbed antagonist 
Of night and dark, night's dowry: peak to base, 
Upstarted mountains, and each valley, kissed 
To sudden life, lay silver-bright: in air 
Flew she revealed, Maid-Moon with limbs all bare. 

Still as she fled, each depth,--where refuge seemed-- 
Opening a lone pale chamber, left distinct 
Those limbs: mid still-retreating blue, she teemed 
Herself with whiteness,--virginal, uncinct 
By any halo save what finely gleamed 
To outline not disguise her: heavenwas linked 
In one accord with earth to quaff the joy, 
Drain beauty to the dregs without alloy. 

Whereof she grew aware. What help? When, lo, 
A succorable cloud with sleep lay dense: 
Some pinetree-top had caught it sailing slow, 
And tethered for a prize: in evidence 
Captive lay fleece on fleece of piled-up snow 
Drowsily patient: flake-heaped how or whence, 
The structure of that succorable cloud, 
What matter? Shamed she plunged into its shroud. 

Orbed--so the woman-figure poets call 
Because of rounds on rounds--that apple-shaped 
Head which its hair binds close into a ball 
Each side the curving ears--that pure undraped 
Pout of the sister paps--that . . . once for all, 
Say--her consummate circle thus escaped 
With its innumerous circlets, sank absorbed, 
Safe in the cloud--O naked Moon full-orbed! 

But what means this? The downy swathes combine, 
Conglobe, the smothery coy-caressing stuff 
Curdles about her! Vain each twist and twine 
Those lithe limbs try, encroached on by a fluff 
Fitting as close as fits the dented spine 
Its flexible ivory outside-flesh: enough! 
The plumy drifts contract, condense, constringe, 
Till she is swallowed by the feathery springe. 

As when a pearl slips lost in the thin foam 
Churned on a sea-shore, and, o'er-frothed, conceits 
Herself safe-housed in Amphitrite's dome,-- 
If, through the bladdery wave-worked yeast, she meets 
What most she loathes and leaps from,--elf from gnome 
No gladlier,--finds that safest of retreats 
Bubble about a treacherous hand wide ope 
To grasp her--(divers who pick pearls so grope)-- 

So lay this Maid-Moon clasped around and caught 
By rough red Pan, the god of all that tract: 
He it was schemed the snare thus subtly wrought 
With simulated earth-breath,--wool-tufts packed 
Into a billowy wrappage. Sheep far-sought 
For spotless shearings yield such: take the fact 
As learned Virgil gives it,--how the breed 
Whitens itself forever: yes, indeed! 

If one forefather ram, though pure as chalk 
From tinge on fleece, should still display a tongue 
Black 'neath the beast's moist palate, prompt men balk 
The propagating plague: he gets no young: 
They rather slay him,--sell his hide to calk 
Ships with, first steeped with pitch,--nor hands are wrung 
In sorrow for his fate: protected thus, 
The purity we loved is gained for us. So did girl-Moon, by just her attribute 
Of unmatched modesty betrayed, lie trapped, 
Bruised to the breast of Pan, half god half brute, 
Raked by his bristly boar-sward while he lapped 
--Never say, kissed her! that were to pollute 
Love's language--which moreover proves unapt 
To tell how she recoiled--as who finds thorns 
Where she sought flowers--when, feeling, she touched--horns! 

Then--does the legend say?--first moon-eclipse 
Happened, first swooning-fit which puzzled sore 
The early sages? Is that why she dips 
Into the dark, a minute and no more, 
Only so long as serves her while she rips 
The cloud's womb through and, faultless as before, 
Pursues her way? No lesson for a maid 
Left she, a maid herself thus trapped, betrayed? 

Ha, Virgil? Tell the rest, you! "To the deep 
Of his domain the wildwood, Pan forthwith 
Called her, and so she followed"--in her sleep, 
Surely?--"by no means spurning him." The myth 
Explain who may! Let all else go, I keep 
--As of a ruin just a monolith-- 
Thus much, one verse of five words, each a boon: 
Arcadia, night, a cloud, Pan, and the moon.
Written by Robert William Service | Create an image from this poem

My Cancer Cure

 "A year to live," the Doctor said;
"There is no cure," and shook his head.
Ah me! I felt as good as dead.
Yet quite resigned to fate was I,
Thinking: "Well, since I have to die
'Twill be beneath the open sky." 

And so I sought a wildsome wood
Wherein a lonely cabin stood,
And doomed myself to solitude,
And there was no one I would see:
Each morn a farmer brought to me
My food and hung it on a tree. 

Six eggs he brought, and milk a quart,
Enough for wretches of my sort
Whose life is fated to be short.
At night I laid me on the round,
In robe of buffalo wrapped round . . .
'Twas strange that I should sleep so sound. 

The farmer man I seldom saw;
I pierced my eggs and sucked them raw;
Sweet mil refreshed my ravaged maw.
So slowly days and weeks went by,
And always I would wonder why
I did not die. . . I did not die. 

Thus brooding on my grievous lot
The world of men I fast forgot.
And in the wildwood friends I sought.
The brook bright melodies would sing,
The groves with feathered rapture ring,
And bring me strange, sweet comforting. . . . 

Then all at once I knew that I
Miraculously would not die:
When doctors fail let Nature try.
Written by Lucy Maud Montgomery | Create an image from this poem

Out oDoors

 There's a gypsy wind across the harvest land,
Let us fare forth with it lightly hand in hand;
Where cloud shadows blow across the sunwarm waste,
And the first red leaves are falling let us haste,
For the waning days are lavish of their stores,
And the joy of life is with us out o' doors! 

Let us roam along the ways of golden rod 
Over uplands where the spicy bracken nod, 
Through the wildwood where the hemlock branches croon 
Their rune-chant of elder days across the noon, 
For the mellow air its pungency outpours, 
And the glory of the year is out o' doors! 

There's a great gray sea beyond us calling far, 
There's a blue tide curling o'er the harbor bar; 
Ho, the breeze that smites us saltly on the lips 
Whistles gaily in the sails of outbound ships; 
Let us send our thoughts with them to fabled shores, 
For the pilgrim mood is on us out o' doors! 

Lo! the world's rejoicing in each spirit thrills,
Strength and gladness are to us upon the hills;
We are one with crimson bough and ancient sea,
Holding all the joy of autumn hours in fee,
Hope within us like a questing bird upsoars,
And there's room for song and laughter out o' doors.


Written by Algernon Charles Swinburne | Create an image from this poem

The Many

 Greene, garlanded with February's few flowers
Ere March came in with Marlowe's rapturous rage;
Peele, from whose hand the sweet white locks of age
Took the mild chaplet woven of honored hours;
Nash, laughing hard; Lodge, flushed from lyric bowers;
And Lilly, a goldfinch in a twisted cage
Fed by some gay great lady's pettish page
Till short sweet songs gush clear like short spring showers;
Kid, whose grim sport still gamboled over graves;
And Chettle, in whose fresh funereal verse
Weeps Marian yet on Robin's wildwood hearse;
Cooke, whose light boat of song one soft breath saves,
Sighed from a maiden's amorous mouth averse;
Live likewise ye--Time takes not you for slaves.
Written by Algernon Charles Swinburne | Create an image from this poem

A Dialogue

 I
DEATH, if thou wilt, fain would I plead with thee:
Canst thou not spare, of all our hopes have built,
One shelter where our spirits fain would be,
Death, if thou wit?

No dome with suns and dews impearled and gilt,
Imperial: but some roof of wildwood tree,
Too mean for sceptre's heft or swordblade's hilt.

Some low sweet roof where love might live, set free
From change and fear and dreams of grief or guilt;
Canst thou not leave life even thus much to see,
Death, if thou wilt?

II
Man, what art thou to speak and plead with me?
What knowest thou of my workings, where and how
What things I fashion? Nay, behold and see,
Man, what art thou?

Thy fruits of life, and blossoms of thy bough,
What are they but my seedlings? Earth and sea
Bear nought but when I breathe on it must bow.

Bow thou too down before me: though thou be
Great, all the pride shall fade from off thy brow,
When Time and strong Oblivion ask of thee,
Man, what art thou ?

III
Death, if thou be or be not, as was said,
Immortal; if thou make us nought, or we
Survive: thy power is made but of our dread,
Death, if thou be.

Thy might is made out of our fear of thee:
Who fears thee not, hath plucked from off thine head
The crown of cloud that darkens earth and sea.

Earth, sea, and sky, as rain or vapour shed,
Shall vanish; all the shows of them shall flee:
Then shall we know full surely, quick or dead,
Death, if thou be.
Written by Andrew Barton Paterson | Create an image from this poem

The Deficit Demon

 It was the lunatic poet escaped from the local asylum, 
Loudly he twanged on his banjo and sang with his voice like a saw-mill, 
While as with fervour he sang there was borne o'er the shuddering wildwood, 
Borne on the breath of the poet a flavour of rum and of onions. 
He sang of the Deficit Demon that dqelt in the Treasury Mountains, 
How it was small in its youth and a champion was sent to destroy it: 
Dibbs he was salled, and he boasted, "Soon I will wipe out the Monster," 
But while he was boasting and bragging the monster grew larger and larger. 

One day as Dibbs bragged of his prowess in daylight the Deficit met him, 
Settled his hash in one act and made him to all man a byword, 
Sent hin, a raving ex-Premier, to dwell in the shades of oblivion, 
And the people put forward a champion known as Sir Patrick the Portly. 

As in the midnight the tom-cat who seeketh his love on the house top, 
Lifteth his voice up and is struck by the fast whizzing brickbat, 
Drops to the ground in a swoon and glides to the silent hereafter, 
So fell Sir Patrick the Portly at the stroke of the Deficit Demon. 

Then were the people amazed and they called for the champion of champions 
Known as Sir 'Enry the Fishfag unequalled in vilification. 
He is the man, said the people, to wipe out the Deficit Monster, 
If nothing else fetches him through he can at the least talk its head off. 

So he sharpened his lance of Freetrade and he practised in loud-mouthing abusing, 
"Poodlehead," "Craven," and "Mole-eyes" were things that he purposed to call it, 
He went to the fight full of valour and all men are waiting the issue, 
Though they know not his armour nor weapons excepting his power of abusing. 

Loud sang the lunatic his song of the champions of valour 
Until he was sighted and captured by fleet-footed keepers pursuing, 
To whom he remarked with a smile as they ran him off back to the madhouse, 
"If you want to back Parkes I'm your man -- here's a cool three to one on the Deficit."
Written by Algernon Charles Swinburne | Create an image from this poem

A Dialog

 I.

Death, if thou wilt, fain would I plead with thee:
Canst thou not spare, of all our hopes have built,
One shelter where our spirits fain would be,
Death, if thou wilt?

No dome with suns and dews impearled and gilt,
Imperial: but some roof of wildwood tree,
Too mean for sceptre's heft or swordblade's hilt.

Some low sweet roof where love might live, set free
From change and fear and dreams of grief or guilt;
Canst thou not leave life even thus much to see,
Death, if thou wilt?

II.

Man, what art thou to speak and plead with me?
What knowest thou of my workings, where and how
What things I fashion? Nay, behold and see,
Man, what art thou?

Thy fruits of life, and blossoms of thy bough,
What are they but my seedlings? Earth and sea
Bear nought but when I breathe on it must bow.

Bow thou too down before me: though thou be
Great, all the pride shall fade from off thy brow,
When Time and strong Oblivion ask of thee,
Man, what art thou?

III.

Death, if thou be or be not, as was said,
Immortal; if thou make us nought, or we
Survive: thy power is made but of our dread,
Death, if thou be.

Thy might is made out of our fear of thee:
Who fears thee not, hath plucked from off thine head
The crown of cloud that darkens earth and sea.

Earth, sea, and sky, as rain or vapour shed,
Shall vanish; all the shows of them shall flee:
Then shall we know full surely, quick or dead,
Death, if thou be.
Written by Robert William Service | Create an image from this poem

Jim

 He was a traveling tinker lad
And I was a gypsy jade,
Yet never were two so gay and glad,
And a perfect pair we made;
Bruises I've known since life began,
Blows and the love that smothers:
But I'd rather have the curse of my man,
Than the kisses of all others.

When Black Mike called me a lousy *****
Jim was so mad, like hell 'e

Flammed, and Mike lay there in the ditch
With a jack-knife in his belly.
Then came the cops and they put away
My bully behind the bars,
And he'll lose for a score of years, they say,
The light o' the larky stars.

And yet in spite o' his dismal doom
No garb of woe I'm wearing,
For the seed of him is in my womb,
And son for him I'm bearing;
And when they swing the prison gate,
And him like blind they're leading,
His boy and I with bliss will wait,
Although our hearts are bleeding.

Then we will take with wildwood track,
And he'll be wae and weary,
But when he gets his manhood back
And beats me I'll be cheery.
And maybe some fowl's neck I'll wring,
And maybe we'll get tipsy;
So by a thorn fire how we'll sing!
What heaven for a gypsy!

Book: Reflection on the Important Things