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Best Famous Whiz Poems

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Written by Countee Cullen | Create an image from this poem

The Shroud of Color

 "Lord, being dark," I said, "I cannot bear
The further touch of earth, the scented air;
Lord, being dark, forewilled to that despair
My color shrouds me in, I am as dirt
Beneath my brother's heel; there is a hurt
In all the simple joys which to a child
Are sweet; they are contaminate, defiled
By truths of wrongs the childish vision fails
To see; too great a cost this birth entails.
I strangle in this yoke drawn tighter than
The worth of bearing it, just to be man.
I am not brave enough to pay the price
In full; I lack the strength to sacrifice
I who have burned my hands upon a star,
And climbed high hills at dawn to view the far
Illimitable wonderments of earth,
For whom all cups have dripped the wine of mirth,
For whom the sea has strained her honeyed throat
Till all the world was sea, and I a boat
Unmoored, on what strange quest I willed to float;
Who wore a many-colored coat of dreams,
Thy gift, O Lord--I whom sun-dabbled streams
Have washed, whose bare brown thighs have held the sun
Incarcerate until his course was run,
I who considered man a high-perfected
Glass where loveliness could lie reflected,
Now that I sway athwart Truth's deep abyss,
Denuding man for what he was and is,
Shall breath and being so inveigle me
That I can damn my dreams to hell, and be
Content, each new-born day, anew to see
The steaming crimson vintage of my youth
Incarnadine the altar-slab of Truth?

Or hast Thou, Lord, somewhere I cannot see,
A lamb imprisoned in a bush for me?
Not so?Then let me render one by one
Thy gifts, while still they shine; some little sun
Yet gilds these thighs; my coat, albeit worn,
Still hold its colors fast; albeit torn.
My heart will laugh a little yet, if I
May win of Thee this grace, Lord:on this high
And sacrificial hill 'twixt earth and sky,
To dream still pure all that I loved, and die.
There is no other way to keep secure
My wild chimeras, grave-locked against the lure
Of Truth, the small hard teeth of worms, yet less
Envenomed than the mouth of Truth, will bless
Them into dust and happy nothingness.
Lord, Thou art God; and I, Lord, what am I
But dust?With dust my place.Lord, let me die."

Across earth's warm, palpitating crust
I flung my body in embrace; I thrust
My mouth into the grass and sucked the dew,
Then gave it back in tears my anguish drew;
So hard I pressed against the ground, I felt
The smallest sandgrain like a knife, and smelt
The next year's flowering; all this to speed
My body's dissolution, fain to feed
The worms.And so I groaned, and spent my strength
Until, all passion spent, I lay full length
And quivered like a flayed and bleeding thing.

So lay till lifted on a great black wing
That had no mate nor flesh-apparent trunk
To hamper it; with me all time had sunk
Into oblivion; when I awoke
The wing hung poised above two cliffs that broke
The bowels of the earth in twain, and cleft
The seas apart.Below, above, to left,
To right, I saw what no man saw before:
Earth, hell, and heaven; sinew, vein, and core.
All things that swim or walk or creep or fly,
All things that live and hunger, faint and die,
Were made majestic then and magnified
By sight so clearly purged and deified.
The smallest bug that crawls was taller than
A tree, the mustard seed loomed like a man.
The earth that writhes eternally with pain
Of birth, and woe of taking back her slain,
Laid bare her teeming bosom to my sight,
And all was struggle, gasping breath, and fight.
A blind worm here dug tunnels to the light,
And there a seed, racked with heroic pain,
Thrust eager tentacles to sun and rain:
It climbed; it died; the old love conquered me
To weep the blossom it would never be.
But here a bud won light; it burst and flowered
Into a rose whose beauty challenged, "Coward!"
There was no thing alive save only I
That held life in contempt and longed to die.
And still I writhed and moaned, "The curse, the curse,
Than animated death, can death be worse?"

"Dark child of sorrow, mine no less, what art Of mine can make thee see
and play thy part? The key to all strange things is in thy heart."

What voice was this that coursed like liquid fire
Along my flesh, and turned my hair to wire?

I raised my burning eyes, beheld a field
All multitudinous with carnal yield,
A grim ensanguined mead whereon I saw
Evolve the ancient fundamental law
Of tooth and talon, fist and nail and claw.
There with the force of living, hostile hills
Whose clash the hemmed-in vale with clamor fills,
With greater din contended fierce majestic wills
Of beast with beast, of man with man, in strife
For love of what my heart despised, for life
That unto me at dawn was now a prayer
For night, at night a bloody heart-wrung tear
For day again; for this, these groans
From tangled flesh and interlocked bones.
And no thing died that did not give
A testimony that it longed to live.
Man, strange composite blend of brute and god,
Pushed on, nor backward glanced where last he trod:
He seemed to mount a misty ladder flung
Pendant from a cloud, yet never gained a rung
But at his feet another tugged and clung.
My heart was still a pool of bitterness,
Would yield nought else, nought else confess.
I spoke (although no form was there
To see, I knew an ear was there to hear),
"Well, let them fight; they can whose flesh is fair."

Crisp lightning flashed; a wave of thunder shook
My wing; a pause, and then a speaking, "Look."

I scarce dared trust my ears or eyes for awe
Of what they heard, and dread of what they saw;
For, privileged beyond degree, this flesh
Beheld God and His heaven in the mesh
Of Lucifer's revolt, saw Lucifer
Glow like the sun, and like a dulcimer
I heard his sin-sweet voice break on the yell
Of God's great warriors:Gabriel,
Saint Clair and Michael, Israfel and Raphael.
And strange it was to see God with His back
Against a wall, to see Christ hew and hack
Till Lucifer, pressed by the mighty pair,
And losing inch by inch, clawed at the air
With fevered wings; then, lost beyond repair,
He tricked a mass of stars into his hair;
He filled his hands with stars, crying as he fell,
"A star's a star although it burns in hell."
So God was left to His divinity,
Omnipotent at that most costly fee.

There was a lesson here, but still the clod
In me was sycophant unto the rod,
And cried, "Why mock me thus?Am I a god?"

"One trial more:this failing, then I give You leave to die; no
further need to live."

Now suddenly a strange wild music smote
A chord long impotent in me; a note
Of jungles, primitive and subtle, throbbed
Against my echoing breast, and tom-toms sobbed
In every pulse-beat of my frame.The din
A hollow log bound with a python's skin
Can make wrought every nerve to ecstasy,
And I was wind and sky again, and sea,
And all sweet things that flourish, being free.

Till all at once the music changed its key.

And now it was of bitterness and death,
The cry the lash extorts, the broken breath
Of liberty enchained; and yet there ran
Through all a harmony of faith in man,
A knowledge all would end as it began.
All sights and sounds and aspects of my race
Accompanied this melody, kept pace
With it; with music all their hopes and hates
Were charged, not to be downed by all the fates.
And somehow it was borne upon my brain
How being dark, and living through the pain
Of it, is courage more than angels have.I knew
What storms and tumults lashed the tree that grew
This body that I was, this cringing I
That feared to contemplate a changing sky,
This that I grovelled, whining, "Let me die,"
While others struggled in Life's abattoir.
The cries of all dark people near or far
Were billowed over me, a mighty surge
Of suffering in which my puny grief must merge
And lose itself; I had no further claim to urge
For death; in shame I raised my dust-grimed head,
And though my lips moved not, God knew I said,
"Lord, not for what I saw in flesh or bone
Of fairer men; not raised on faith alone;
Lord, I will live persuaded by mine own.
I cannot play the recreant to these;
My spirit has come home, that sailed the doubtful seas."
With the whiz of a sword that severs space,
The wing dropped down at a dizzy pace,
And flung me on my hill flat on my face;
Flat on my face I lay defying pain,
Glad of the blood in my smallest vein,
And in my hands I clutched a loyal dream,
Still spitting fire, bright twist and coil and gleam,
And chiseled like a hound's white tooth.
"Oh, I will match you yet," I cried, "to truth."

Right glad I was to stoop to what I once had spurned.
Glad even unto tears; I laughed aloud; I turned
Upon my back, and though the tears for joy would run,
My sight was clear; I looked and saw the rising sun.


Written by Jim Carroll | Create an image from this poem

8 Fragments For Kurt Cobain

 1/
Genius is not a generous thing
In return it charges more interest than any amount of royalties can cover
And it resents fame
With bitter vengeance 

Pills and powdres only placate it awhile
Then it puts you in a place where the planet's poles reverse
Where the currents of electricity shift 

Your Body becomes a magnet and pulls to it despair and rotten teeth,
Cheese whiz and guns 

Whose triggers are shaped tenderly into a false lust
In timeless illusion 

2/
The guitar claws kept tightening, I guess on your heart stem.
The loops of feedback and distortion, threaded right thru
Lucifer's wisdom teeth, and never stopped their reverbrating
In your mind 

And from the stage
All the faces out front seemed so hungry
With an unbearably wholesome misunderstanding

From where they sat, you seemed so far up there
High and live and diving

And instead you were swamp crawling
Down, deeper
Until you tasted the Earth's own blood
And chatted with the Buzzing-eyed insects that heroin breeds 

3/
You should have talked more with the monkey
He's always willing to negotiate
I'm still paying him off...
The greater the money and fame
The slower the Pendulum of fortune swings

Your will could have sped it up...
But you left that in a plane
Because it wouldn't pass customs and immigration

4/
Here's synchronicity for you:

Your music's tape was inside my walkman
When my best friend from summer camp
Called with the news about you

I listened them...
It was all there!
Your music kept cutting deeper and deeper valleys of sound
Less and less light
Until you hit solid rock

The drill bit broke
and the valley became
A thin crevice, impassible in time,
As time itself stopped. 

And the walls became cages of brilliant notes
Pressing in...
Pressure
That's how diamonds are made
And that's WHERE it sometimes all collapses
Down in on you

5/
Then I translated your muttered lyrics
And the phrases were curious:
Like "incognito libido"
And "Chalk Skin Bending"

The words kept getting smaller and smaller
Until
Separated from their music
Each letter spilled out into a cartridge
Which fit only in the barrel of a gun

6/
And you shoved the barrel in as far as possible
Because that's where the pain came from
That's where the demons were digging

The world outside was blank
Its every cause was just a continuation
Of another unsolved effect

7/
But Kurt...
Didn't the thought that you would never write another song
Another feverish line or riff
Make you think twice?
That's what I don't understand
Because it's kept me alive, above any wounds

8/
If only you hadn't swallowed yourself into a coma in Roma...
You could have gone to Florence
And looked into the eyes of Bellinni or Rafael's Portraits

Perhaps inside them
You could have found a threshold back to beauty's arms
Where it all began...

No matter that you felt betrayed by her

That is always the cost
As Frank said,
Of a young artist's remorseless passion

Which starts out as a kiss
And follows like a curse
Written by Maggie Estep | Create an image from this poem

Scab Maids On Speed

 My first job was when I was about 15. I had met
a girl named Hope who became my best friend. Hope and I were flunking math
class so we became speed freaks. This honed our algebra skills and we quickly
became whiz kids. For about 5 minutes. Then, our brains started to fry
and we were just teenage speed freaks.

Then, we decided to to seek gainful employment.

We got hired on as part time maids at the Holiday Inn while a maid strike
was happening. We were scab maids on speed and we were coming to clean
your room.

We were subsequently fired for pilfering a Holiday Inn guest's quaalude
stash which we did only because we never thought someone would have the
nerve to call the front desk and say; THE MAIDS STOLE MY LUUDES MAN. But
someone did - or so we surmised - because we were fired. 

I supppose maybe we were fired because we never actually CLEANED but rather
just turned on the vacuum so it SOUNDED like we were cleaning as we picked
the pubic hairs off the sheets and out of the tub then passed out on the
bed and caught up on the sleep we'd missed from being up all night speeding.


When we got fired, we became waitresses at an International House of Pancakes.


We were much happier there.
Written by James Whitcomb Riley | Create an image from this poem

Knee-Deep in June

 Tell you what I like the best -- 
'Long about knee-deep in June, 
'Bout the time strawberries melts 
On the vine, -- some afternoon 
Like to jes' git out and rest, 
And not work at nothin' else! 

Orchard's where I'd ruther be -- 
Needn't fence it in fer me! -- 
Jes' the whole sky overhead, 
And the whole airth underneath -- 
Sort o' so's a man kin breathe 
Like he ort, and kind o' has 
Elbow-room to keerlessly 
Sprawl out len'thways on the grass 
Where the shadders thick and soft 
As the kivvers on the bed 
Mother fixes in the loft 
Allus, when they's company! 

Jes' a-sort o' lazin there - 
S'lazy, 'at you peek and peer 
Through the wavin' leaves above, 
Like a feller 'ats in love 
And don't know it, ner don't keer! 
Ever'thing you hear and see 
Got some sort o' interest - 
Maybe find a bluebird's nest 
Tucked up there conveenently 
Fer the boy 'at's ap' to be 
Up some other apple tree! 
Watch the swallers skootin' past 
Bout as peert as you could ast; 
Er the Bob-white raise and whiz 
Where some other's whistle is. 

Ketch a shadder down below, 
And look up to find the crow -- 
Er a hawk, - away up there, 
'Pearantly froze in the air! -- 
Hear the old hen squawk, and squat 
Over ever' chick she's got, 
Suddent-like! - and she knows where 
That-air hawk is, well as you! -- 
You jes' bet yer life she do! -- 
Eyes a-glitterin' like glass, 
Waitin' till he makes a pass! 

Pee-wees wingin', to express 
My opinion, 's second-class, 
Yit you'll hear 'em more er less; 
Sapsucks gittin' down to biz, 
Weedin' out the lonesomeness; 
Mr. Bluejay, full o' sass, 
In them baseball clothes o' his, 
Sportin' round the orchad jes' 
Like he owned the premises! 
Sun out in the fields kin sizz, 
But flat on yer back, I guess, 
In the shade's where glory is! 
That's jes' what I'd like to do 
Stiddy fer a year er two! 

Plague! Ef they ain't somepin' in 
Work 'at kind o' goes ag'in' 
My convictions! - 'long about 
Here in June especially! -- 
Under some ole apple tree, 
Jes' a-restin through and through, 
I could git along without 
Nothin' else at all to do 
Only jes' a-wishin' you 
Wuz a-gittin' there like me, 
And June wuz eternity! 

Lay out there and try to see 
Jes' how lazy you kin be! -- 
Tumble round and souse yer head 
In the clover-bloom, er pull 
Yer straw hat acrost yer eyes 
And peek through it at the skies, 
Thinkin' of old chums 'ats dead, 
Maybe, smilin' back at you 
In betwixt the beautiful 
Clouds o'gold and white and blue! -- 
Month a man kin railly love -- 
June, you know, I'm talkin' of! 

March ain't never nothin' new! -- 
April's altogether too 
Brash fer me! and May -- I jes' 
'Bominate its promises, -- 
Little hints o' sunshine and 
Green around the timber-land -- 
A few blossoms, and a few 
Chip-birds, and a sprout er two, -- 
Drap asleep, and it turns in 
Fore daylight and snows ag'in! -- 
But when June comes - Clear my th'oat 
With wild honey! -- Rench my hair 
In the dew! And hold my coat! 
Whoop out loud! And th'ow my hat! -- 
June wants me, and I'm to spare! 
Spread them shadders anywhere, 
I'll get down and waller there, 
And obleeged to you at that!
Written by Vachel Lindsay | Create an image from this poem

The Santa-Fe Trail (A Humoresque)

 I asked the old *****, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."


I. IN WHICH A RACING AUTO COMES FROM THE EAST

This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .

Hark to the pace -horn, chase -horn, race -horn. 
And the holy veil of the dawn has gone. 
Swiftly the brazen ear comes on.
It burns in the East as the sunrise burns.
I see great flashes where the far trail turns.

Its eyes are lamps like the eyes of dragons.
It drinks gasoline from big red flagons.
Butting through the delicate mists of the morning,
It comes like lightning, goes past roaring.
It will hail all the wind-mills, taunting, ringing,
Dodge the cyclones, 
Count the milestones,
On through the ranges the prairie-dog tills—
Scooting past the cattle on the thousand hills. . . . 
Ho for the tear-horn, scare-horn, dare-horn, 
Ho for the gay -horn, bark -horn, bay -horn. 
Ho for Kansas, land that restores us 
When houses choke us, and great books bore us! 
Sunrise Kansas, harvester's Kansas,
A million men have found you before us. 


II. IN WHICH MANY AUTOS PASS WESTWARD

I want live things in their pride to remain.
I will not kill one grasshopper vain 
Though he eats a hole in my shirt like a door.
I let him out, give him one chance more.
Perhaps, while he gnaws my hat in his whim,
Grasshopper lyrics occur to him.

I am a tramp by the long trail's border,
Given to squalor, rags and disorder.
I nap and amble and yawn and look,
Write fool-thoughts in my grubby book,
Recite to the children, explore at my ease,
Work when I work, beg when I please,
Give crank-drawings, that make folks stare
To the half-grown boys in the sunset glare,
And get me a place to sleep in the hay
At the end of a live-and-let-live day.

I find in the stubble of the new-cut weeds
A whisper and a feasting, all one needs:
The whisper of the strawberries, white and red
Here where the new-cut weeds lie dead.

But I would not walk all alone till I die
Without some life-drunk horns going by.
Up round this apple-earth they come
Blasting the whispers of the morning dumb:—
Cars in a plain realistic row.
And fair dreams fade
When the raw horns blow.

On each snapping pennant
A big black name:—
The careering city
Whence each car came. 
They tour from Memphis, Atlanta, Savannah, 
Tallahassee and Texarkana. 
They tour from St. Louis, Columbus, Manistee,
They tour from Peoria, Davenport, Kankakee.
Cars from Concord, Niagara, Boston,
Cars from Topeka, Emporia, and Austin.
Cars from Chicago, Hannibal, Cairo.
Cars from Alton, Oswego, Toledo.
Cars from Buffalo, Kokomo, Delphi,
Cars from Lodi, Carmi, Loami.
Ho for Kansas, land that restores us
When houses choke us, and great books bore us!
While I watch the highroad
And look at the sky,
While I watch the clouds in amazing grandeur
Roll their legions without rain
Over the blistering Kansas plain—
While I sit by the milestone
And watch the sky,
The United States
Goes by.

Listen to the iron-horns, ripping, racking. 
Listen to the quack-horns, slack and clacking.
Way down the road, trilling like a toad,
Here comes the dice -horn, here comes the vice -horn,
Here comes the snarl -horn, brawl -horn, lewd -horn,
Followed by the prude -horn, bleak and squeaking: —
(Some of them from Kansas, some of themn from Kansas.)
Here comes the hod -horn, plod -horn, sod -horn,
Nevermore-to-roam -horn, loam -horn, home -horn.

(Some of them from Kansas, some of them from Kansas.)
Far away the Rachel-Jane 
Not defeated by the horns 
Sings amid a hedge of thorns:—
"Love and life,
Eternal youth—
Sweet, sweet, sweet, sweet,
Dew and glory,
Love and truth,
Sweet, sweet, sweet, sweet."
WHILE SMOKE-BLACK FREIGHTS ON THE DOUBLE-TRACKED RAILROAD, 
DRIVEN AS THOUGH BY THE FOUL-FIEND'S OX-GOAD,
SCREAMING TO THE WEST COAST, SCREAMING TO THE EAST,
CARRY OFF A HARVEST, BRING BACK A FEAST,
HARVESTING MACHINERY AND HARNESS FOR THE BEAST. 
THE HAND-CARS WHIZ, AND RATTLE ON THE RAILS,
THE SUNLIGHT FLASHES ON THE TIN DINNER-PAILS.

And then, in an instant,
Ye modern men, 
Behold the procession once again, 
Listen to the iron-horns, ripping, racking, 
Listen to the wise -horn, desperate-to-advise horn, 
Listen to the fast -horn, kill -horn, blast -horn. . . .
Far away the Rachel-Jane 
Not defeated by the horns 
Sings amid a hedge of thorns:—
Love and life,
Eternal youth,
Sweet, sweet, sweet, sweet,
Dew and glory,
Love and truth.
Sweet, sweet, sweet, sweet.
The mufflers open on a score of cars 
With wonderful thunder, 
CRACK, CRACK, CRACK, 
CRACK-CRACK, CRACK-CRACK, 
CRACK-CRACK-CRACK, . . . 
Listen to the gold-horn . . . 
Old-horn . . . 
Cold-horn . . . 

And all of the tunes, till the night comes down
On hay-stack, and ant-hill, and wind-bitten town.
Then far in the west, as in the beginning, 
Dim in the distance, sweet in retreating, 
Hark to the faint-horn, quaint-horn, saint-horn, 
Hark to the calm-horn, balm-horn, psalm-horn. . . .

They are hunting the goals that they understand:—
San-Francisco and the brown sea-sand. 
My goal is the mystery the beggars win. 
I am caught in the web the night-winds spin.
The edge of the wheat-ridge speaks to me.
I talk with the leaves of the mulberry tree.
And now I hear, as I sit all alone
In the dusk, by another big Santa-Fe stone,
The souls of the tall corn gathering round
And the gay little souls of the grass in the ground.
Listen to the tale the cotton-wood tells.

Listen to the wind-mills, singing o'er the wells.
Listen to the whistling flutes without price
Of myriad prophets out of paradise.
Harken to the wonder
That the night-air carries. . . .
Listen . . . to . . . the . . . whisper . . . 
Of . . . the . . . prairie . . . fairies
Singing o'er the fairy plain:—
"Sweet, sweet, sweet, sweet. 
Love and glory, 
Stars and rain, 
Sweet, sweet, sweet, sweet . . . . "



Book: Radiant Verses: A Journey Through Inspiring Poetry