Written by
Elizabeth Bishop |
There are too many waterfalls here; the crowded streams
hurry too rapidly down to the sea,
and the pressure of so many clouds on the mountaintops
makes them spill over the sides in soft slow-motion,
turning to waterfalls under our very eyes.
--For if those streaks, those mile-long, shiny, tearstains,
aren't waterfalls yet,
in a quick age or so, as ages go here,
they probably will be.
But if the streams and clouds keep travelling, travelling,
the mountains look like the hulls of capsized ships,
slime-hung and barnacled.
Think of the long trip home.
Should we have stayed at home and thought of here?
Where should we be today?
Is it right to be watching strangers in a play
in this strangest of theatres?
What childishness is it that while there's a breath of life
in our bodies, we are determined to rush
to see the sun the other way around?
The tiniest green hummingbird in the world?
To stare at some inexplicable old stonework,
inexplicable and impenetrable,
at any view,
instantly seen and always, always delightful?
Oh, must we dream our dreams
and have them, too?
And have we room
for one more folded sunset, still quite warm?
But surely it would have been a pity
not to have seen the trees along this road,
really exaggerated in their beauty,
not to have seen them gesturing
like noble pantomimists, robed in pink.
--Not to have had to stop for gas and heard
the sad, two-noted, wooden tune
of disparate wooden clogs
carelessly clacking over
a grease-stained filling-station floor.
(In another country the clogs would all be tested.
Each pair there would have identical pitch.)
--A pity not to have heard
the other, less primitive music of the fat brown bird
who sings above the broken gasoline pump
in a bamboo church of Jesuit baroque:
three towers, five silver crosses.
--Yes, a pity not to have pondered,
blurr'dly and inconclusively,
on what connection can exist for centuries
between the crudest wooden footwear
and, careful and finicky,
the whittled fantasies of wooden footwear
and, careful and finicky,
the whittled fantasies of wooden cages.
--Never to have studied history in
the weak calligraphy of songbirds' cages.
--And never to have had to listen to rain
so much like politicians' speeches:
two hours of unrelenting oratory
and then a sudden golden silence
in which the traveller takes a notebook, writes:
"Is it lack of imagination that makes us come
to imagined places, not just stay at home?
Or could Pascal have been not entirely right
about just sitting quietly in one's room?
Continent, city, country, society:
the choice is never wide and never free.
And here, or there . . . No. Should we have stayed at home,
wherever that may be?"
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Written by
Rudyard Kipling |
This ballad appears to refer to one of the exploits of the notorious
Paul Jones, the American pirate. It is founded on fact.
. . . At the close of a winter day,
Their anchors down, by London town, the Three Great Captains lay;
And one was Admiral of the North from Solway Firth to Skye,
And one was Lord of the Wessex coast and all the lands thereby,
And one was Master of the Thames from Limehouse to Blackwall,
And he was Captain of the Fleet -- the bravest of them all.
Their good guns guarded their great gray sides that were thirty foot in the sheer,
When there came a certain trading-brig with news of a privateer.
Her rigging was rough with the clotted drift that drives in a Northern breeze,
Her sides were clogged with the lazy weed that spawns in the Eastern seas.
Light she rode in the rude tide-rip, to left and right she rolled,
And the skipper sat on the scuttle-butt and stared at an empty hold.
"I ha' paid Port dues for your Law," quoth he, "and where is the Law ye boast
If I sail unscathed from a heathen port to be robbed on a Christian coast?
Ye have smoked the hives of the Laccadives as we burn the lice in a bunk,
We tack not now to a Gallang prow or a plunging Pei-ho junk;
I had no fear but the seas were clear as far as a sail might fare
Till I met with a lime-washed Yankee brig that rode off Finisterre.
There were canvas blinds to his bow-gun ports to screen the weight he bore,
And the signals ran for a merchantman from Sandy Hook to the Nore.
He would not fly the Rovers' flag -- the bloody or the black,
But now he floated the Gridiron and now he flaunted the Jack.
He spoke of the Law as he crimped my crew -- he swore it was only a loan;
But when I would ask for my own again, he swore it was none of my own.
He has taken my little parrakeets that nest beneath the Line,
He has stripped my rails of the shaddock-frails and the green unripened pine;
He has taken my bale of dammer and spice I won beyond the seas,
He has taken my grinning heathen gods -- and what should he want o' these?
My foremast would not mend his boom, my deckhouse patch his boats;
He has whittled the two, this Yank Yahoo, to peddle for shoe-peg oats.
I could not fight for the failing light and a rough beam-sea beside,
But I hulled him once for a clumsy crimp and twice because he lied.
Had I had guns (as I had goods) to work my Christian harm,
I had run him up from his quarter-deck to trade with his own yard-arm;
I had nailed his ears to my capstan-head, and ripped them off with a saw,
And soused them in the bilgewater, and served them to him raw;
I had flung him blind in a rudderless boat to rot in the rocking dark,
I had towed him aft of his own craft, a bait for his brother shark;
I had lapped him round with cocoa husk, and drenched him with the oil,
And lashed him fast to his own mast to blaze above my spoil;
I had stripped his hide for my hammock-side, and tasselled his beard i' the mesh,
And spitted his crew on the live bamboo that grows through the gangrened flesh;
I had hove him down by the mangroves brown, where the mud-reef sucks and draws,
Moored by the heel to his own keel to wait for the land-crab's claws!
He is lazar within and lime without, ye can nose him far enow,
For he carries the taint of a musky ship -- the reek of the slaver's dhow!"
The skipper looked at the tiering guns and the bulwarks tall and cold,
And the Captains Three full courteously peered down at the gutted hold,
And the Captains Three called courteously from deck to scuttle-butt: --
"Good Sir, we ha' dealt with that merchantman or ever your teeth were cut.
Your words be words of a lawless race, and the Law it standeth thus:
He comes of a race that have never a Law, and he never has boarded us.
We ha' sold him canvas and rope and spar -- we know that his price is fair,
And we know that he weeps for the lack of a Law as he rides off Finisterre.
And since he is damned for a gallows-thief by you and better than you,
We hold it meet that the English fleet should know that we hold him true."
The skipper called to the tall taffrail: -- "And what is that to me?
Did ever you hear of a Yankee brig that rifled a Seventy-three?
Do I loom so large from your quarter-deck that I lift like a ship o' the Line?
He has learned to run from a shotted gun and harry such craft as mine.
There is never a Law on the Cocos Keys to hold a white man in,
But we do not steal the niggers' meal, for that is a ******'s sin.
Must he have his Law as a quid to chaw, or laid in brass on his wheel?
Does he steal with tears when he buccaneers? 'Fore Gad, then, why does he steal?"
The skipper bit on a deep-sea word, and the word it was not sweet,
For he could see the Captains Three had signalled to the Fleet.
But three and two, in white and blue, the whimpering flags began: --
"We have heard a tale of a -- foreign sail, but he is a merchantman."
The skipper peered beneath his palm and swore by the Great Horn Spoon: --
"'Fore Gad, the Chaplain of the Fleet would bless my picaroon!"
By two and three the flags blew free to lash the laughing air: --
"We have sold our spars to the merchantman -- we know that his price is fair."
The skipper winked his Western eye, and swore by a China storm: --
"They ha' rigged him a Joseph's jury-coat to keep his honour warm."
The halliards twanged against the tops, the bunting bellied broad,
The skipper spat in the empty hold and mourned for a wasted cord.
Masthead -- masthead, the signal sped by the line o' the British craft;
The skipper called to his Lascar crew, and put her about and laughed: --
"It's mainsail haul, my bully boys all -- we'll out to the seas again --
Ere they set us to paint their pirate saint, or scrub at his grapnel-chain.
It's fore-sheet free, with her head to the sea, and the swing of the unbought brine --
We'll make no sport in an English court till we come as a ship o' the Line:
Till we come as a ship o' the Line, my lads, of thirty foot in the sheer,
Lifting again from the outer main with news of a privateer;
Flying his pluck at our mizzen-truck for weft of Admiralty,
Heaving his head for our dipsey-lead in sign that we keep the sea.
Then fore-sheet home as she lifts to the foam -- we stand on the outward tack,
We are paid in the coin of the white man's trade -- the bezant is hard, ay, and black.
The frigate-bird shall carry my word to the Kling and the Orang-Laut
How a man may sail from a heathen coast to be robbed in a Christian port;
How a man may be robbed in Christian port while Three Great Captains there
Shall dip their flag to a slaver's rag -- to show that his trade is fair!"
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Written by
Elizabeth Bishop |
Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,
four lines of vaguely whittled ornament
over the edges of the boxes
to the ground.
The monument is one-third set against
a sea; two-thirds against a sky.
The view is geared
(that is, the view's perspective)
so low there is no "far away,"
and we are far away within the view.
A sea of narrow, horizontal boards
lies out behind our lonely monument,
its long grains alternating right and left
like floor-boards--spotted, swarming-still,
and motionless. A sky runs parallel,
and it is palings, coarser than the sea's:
splintery sunlight and long-fibred clouds.
"Why does the strange sea make no sound?
Is it because we're far away?
Where are we? Are we in Asia Minor,
or in Mongolia?"
An ancient promontory,
an ancient principality whose artist-prince
might have wanted to build a monument
to mark a tomb or boundary, or make
a melancholy or romantic scene of it...
"But that ***** sea looks made of wood,
half-shining, like a driftwood, sea.
And the sky looks wooden, grained with cloud.
It's like a stage-set; it is all so flat!
Those clouds are full of glistening splinters!
What is that?"
It is the monument.
"It's piled-up boxes,
outlined with shoddy fret-work, half-fallen off,
cracked and unpainted. It looks old."
--The strong sunlight, the wind from the sea,
all the conditions of its existence,
may have flaked off the paint, if ever it was painted,
and made it homelier than it was.
"Why did you bring me here to see it?
A temple of crates in cramped and crated scenery,
what can it prove?
I am tired of breathing this eroded air,
this dryness in which the monument is cracking."
It is an artifact
of wood. Wood holds together better
than sea or cloud or and could by itself,
much better than real sea or sand or cloud.
It chose that way to grow and not to move.
The monument's an object, yet those decorations,
carelessly nailed, looking like nothing at all,
give it away as having life, and wishing;
wanting to be a monument, to cherish something.
The crudest scroll-work says "commemorate,"
while once each day the light goes around it
like a prowling animal,
or the rain falls on it, or the wind blows into it.
It may be solid, may be hollow.
The bones of the artist-prince may be inside
or far away on even drier soil.
But roughly but adequately it can shelter
what is within (which after all
cannot have been intended to be seen).
It is the beginning of a painting,
a piece of sculpture, or poem, or monument,
and all of wood. Watch it closely.
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Written by
Sidney Lanier |
A Story of Christmas Eve.
Strange that the termagant winds should scold
The Christmas Eve so bitterly!
But Wife, and Harry the four-year-old,
Big Charley, Nimblewits, and I,
Blithe as the wind was bitter, drew
More frontward of the mighty fire,
Where wise Newfoundland Fan foreknew
The heaven that Christian dogs desire --
Stretched o'er the rug, serene and grave,
Huge nose on heavy paws reclined,
With never a drowning boy to save,
And warmth of body and peace of mind.
And, as our happy circle sat,
The fire well capp'd the company:
In grave debate or careless chat,
A right good fellow, mingled he:
He seemed as one of us to sit,
And talked of things above, below,
With flames more winsome than our wit,
And coals that burned like love aglow.
While thus our rippling discourse rolled
Smooth down the channel of the night,
We spoke of Time: thereat, one told
A parable of the Seasons' flight.
"Time was a Shepherd with four sheep.
In a certain Field he long abode.
He stood by the bars, and his flock bade leap
One at a time to the Common Road.
"And first there leapt, like bird on wing,
A lissome Lamb that played in the air.
I heard the Shepherd call him `Spring':
Oh, large-eyed, fresh and snowy fair
"He skipped the flowering Highway fast,
Hurried the hedgerows green and white,
Set maids and men a-yearning, passed
The Bend, and gamboll'd out of sight.
"And next marched forth a matron Ewe
(While Time took down a bar for her),
Udder'd so large 'twas much ado
E'en then to clear the barrier.
"Full softly shone her silken fleece
What stately time she paced along:
Each heartsome hoof-stroke wrought increase
Of sunlight, substance, seedling, song,
"In flower, in fruit, in field, in bird,
Till the great globe, rich fleck'd and pied,
Like some large peach half pinkly furred,
Turned to the sun a glowing side
"And hung in the heavenly orchard, bright,
None-such, complete.
Then, while the Ewe
Slow passed the Bend, a blur of light,
The Shepherd's face in sadness grew:
"`Summer!' he said, as one would say
A sigh in syllables. So, in haste
(For shame of Summer's long delay,
Yet gazing still what way she paced),
"He summoned Autumn, slanting down
The second bar. Thereover strode
A Wether, fleeced in burning brown,
And largely loitered down the Road.
"Far as the farmers sight his shape
Majestic moving o'er the way,
All cry `To harvest,' crush the grape,
And haul the corn and house the hay,
"Till presently, no man can say,
(So brown the woods that line that end)
If yet the brown-fleeced Wether may,
Or not, have passed beyond the Bend.
"Now turn I towards the Shepherd: lo,
An aged Ram, flapp'd, gnarly-horn'd,
With bones that crackle o'er the snow,
Rheum'd, wind-gall'd, rag-fleec'd, burr'd and thorn'd.
"Time takes the third bar off for him,
He totters down the windy lane.
'Tis Winter, still: the Bend lies dim.
O Lamb, would thou wouldst leap again!"
Those seasons out, we talked of these:
And I (with inward purpose sly
To shield my purse from Christmas trees
And stockings and wild robbery
When Hal and Nimblewits invade
My cash in Santa Claus's name)
In full the hard, hard times surveyed;
Denounced all waste as crime and shame;
Hinted that "waste" might be a term
Including skates, velocipedes,
Kites, marbles, soldiers, towers infirm,
Bows, arrows, cannon, Indian reeds,
Cap-pistols, drums, mechanic toys,
And all th' infernal host of horns
Whereby to strenuous hells of noise
Are turned the blessed Christmas morns;
Thus, roused -- those horns! -- to sacred rage,
I rose, forefinger high in air,
When Harry cried (SOME war to wage),
"Papa, is hard times ev'ywhere?
"Maybe in Santa Claus's land
It isn't hard times none at all!"
Now, blessed Vision! to my hand
Most pat, a marvel strange did fall.
Scarce had my Harry ceased, when "Look!"
He cried, leapt up in wild alarm,
Ran to my Comrade, shelter took
Beneath the startled mother's arm.
And so was still: what time we saw
A foot hang down the fireplace! Then,
With painful scrambling scratched and raw,
Two hands that seemed like hands of men
Eased down two legs and a body through
The blazing fire, and forth there came
Before our wide and wondering view
A figure shrinking half with shame,
And half with weakness. "Sir," I said,
-- But with a mien of dignity
The seedy stranger raised his head:
"My friends, I'm Santa Claus," said he.
But oh, how changed! That rotund face
The new moon rivall'd, pale and thin;
Where once was cheek, now empty space;
Whate'er stood out, did now stand in.
His piteous legs scarce propped him up:
His arms mere sickles seemed to be:
But most o'erflowed our sorrow's cup
When that we saw -- or did not see --
His belly: we remembered how
It shook like a bowl of jelly fine:
An earthquake could not shake it now;
He HAD no belly -- not a sign.
"Yes, yes, old friends, you well may stare:
I HAVE seen better days," he said:
"But now, with shrinkage, loss and care,
Your Santa Claus scarce owns his head.
"We've had such hard, hard times this year
For goblins! Never knew the like.
All Elfland's mortgaged! And we fear
The gnomes are just about to strike.
"I once was rich, and round, and hale.
The whole world called me jolly brick;
But listen to a piteous tale.
Young Harry, -- Santa Claus is sick!
"'Twas thus: a smooth-tongued railroad man
Comes to my house and talks to me:
`I've got,' says he, `a little plan
That suits this nineteenth century.
"`Instead of driving, as you do,
Six reindeer slow from house to house,
Let's build a Grand Trunk Railway through
From here to earth's last terminus.
"`We'll touch at every chimney-top
(An Elevated Track, of course),
Then, as we whisk you by, you'll drop
Each package down: just think, the force
"`You'll save, the time! -- Besides, we'll make
Our millions: look you, soon we will
Compete for freights -- and then we'll take
Dame Fortune's bales of good and ill
"`(Why, she's the biggest shipper, sir,
That e'er did business in this world!):
Then Death, that ceaseless Traveller,
Shall on his rounds by us be whirled.
"`When ghosts return to walk with men,
We'll bring 'em cheap by steam, and fast:
We'll run a Branch to heaven! and then
We'll riot, man; for then, at last
"`We'll make with heaven a contract fair
To call, each hour, from town to town,
And carry the dead folks' souls up there,
And bring the unborn babies down!'
"The plan seemed fair: I gave him cash,
Nay, every penny I could raise.
My wife e'er cried, `'Tis rash, 'tis rash:'
How could I know the stock-thief's ways?
"But soon I learned full well, poor fool!
My woes began, that wretched day.
The President plied me like a tool.
In lawyer's fees, and rights of way,
"Injunctions, leases, charters, I
Was meshed as in a mighty maze.
The stock ran low, the talk ran high:
Then quickly flamed the final blaze.
"With never an inch of track -- 'tis true!
The debts were large . . . the oft-told tale.
The President rolled in splendor new
-- He bought my silver at the sale.
"Yes, sold me out: we've moved away.
I've had to give up everything.
My reindeer, even, whom I . . . pray,
Excuse me" . . . here, o'er-sorrowing,
Poor Santa Claus burst into tears,
Then calmed again: "my reindeer fleet,
I gave them up: on foot, my dears,
I now must plod through snow and sleet.
"Retrenchment rules in Elfland, now;
Yes, every luxury is cut off.
-- Which, by the way, reminds me how
I caught this dreadful hacking cough:
"I cut off the tail of my Ulster furred
To make young Kris a coat of state.
That very night the storm occurred!
Thus we became the sport of Fate.
"For I was out till after one,
Surveying chimney-tops and roofs,
And planning how it could be done
Without my reindeers' bouncing hoofs.
"`My dear,' says Mrs. Claus, that night
(A most superior woman she!)
`It never, never can be right
That you, deep-sunk in poverty,
"`This year should leave your poor old bed,
And trot about, bent down with toys,
(There's Kris a-crying now for bread!)
To give to other people's boys.
"`Since you've been out, the news arrives
The Elfs' Insurance Company's gone.
Ah, Claus, those premiums! Now, our lives
Depend on yours: thus griefs go on.
"`And even while you're thus harassed,
I do believe, if out you went,
You'd go, in spite of all that's passed,
To the children of that President!'
"Oh, Charley, Harry, Nimblewits,
These eyes, that night, ne'er slept a wink.
My path seemed honeycombed with pits.
Naught could I do but think and think.
"But, with the day, my courage rose.
Ne'er shall my boys, MY boys (I cried),
When Christmas morns their eyes unclose,
Find empty stockings gaping wide!
"Then hewed and whacked and whittled I;
The wife, the girls and Kris took fire;
They spun, sewed, cut, -- till by and by
We made, at home, my pack entire!"
(He handed me a bundle, here.)
"Now, hoist me up: there, gently: quick!
Dear boys, DON'T look for much this year:
Remember, Santa Claus is sick!"
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