Written by
Robert William Service |
Only a Leather Medal, hanging there on the wall,
Dingy and frayed and faded, dusty and worn and old;
Yet of my humble treasures I value it most of all,
And I wouldn't part with that medal if you gave me its weight in gold.
Read the inscription: For Valour - presented to Millie MacGee.
Ah! how in mem'ry it takes me back to the "auld lang syne,"
When Millie and I were sweethearts, and fair as a flower was she -
Yet little I dreamt that her bosom held the heart of heroine.
Listen! I'll tell you about it.
.
.
An orphan was Millie MacGee,
Living with Billie her brother, under the Yukon sky,
Sam, her pa, was cremated in the winter of nineteen-three,
As duly and truly related by the pen of an author guy.
A cute little kid was Billie, solemn and silken of hair,
The image of Jackie Coogan in the days before movies could speak.
Devoted to him was Millie, with more than a mother's care,
And happy were they together in their cabin on Bunker Creek.
'Twas only a mining village, where hearts are simple and true,
And Millie MacGee was schoolma'am, loved and admired by all;
Yet no one dreamed for a moment she'd do what she dared to do -
But wait and I'll try to tell you, as clear as I can recall.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Christmas Eve in the school-house! A scene of glitter and glee;
The children eager and joyful; parents and neighbours too;
Right in the forefront, Millie, close to the Christmas Tree.
While Billie, her brother, recited "The Shooting of Dan McGrew.
"
I reckon you've heard the opus, a ballad of guts and gore;
Of a Yukon frail and a frozen trail and a fight in a dringing dive,
It's on a par, I figger, with "The Face on the Bar-Room Floor,"
And the boys who wrote them pieces ought to be skinned alive.
Picture that scene of gladness; the honest faces aglow;
The kiddies gaping and spellbound, as Billie strutted his stuff.
The stage with its starry candles, and there in the foremost row,
Millie, bright as a fairy, in radient flounce and fluff.
More like an angel I thought her; all she needed was wings,
And I sought for a smile seraphic, but her eyes were only for Bill;
So there was I longing and loving, and dreaming the craziest things,
And Billie shouting and spouting, and everyone rapt and still.
Proud as a prince was Billie, bang in the footlights' glare,
And quaking for him was Millie, as she followed every word;
Then just as he reached the climax, ranting and sawing the air -
Ugh! How it makes me shudder! The horrible thing occurred.
.
.
'Twas the day when frocks were frilly, and skirts were scraping the ground,
And the snowy flounces of Millie like sea foam round her swept;
Humbly adoring I watched her - when oh, my heart gave a bound!
Hoary and scarred and hideous, out from the tree.
.
.
it.
.
.
crept.
A whiskered, beady-eyes monster, grisly and grim of hue;
Savage and slinking and silent, born of the dark and dirt;
Dazed by the glare and the glitter, it wavered a moment or two -
Then like a sinister shadow, it vanished.
.
.
'neath Millie's skirt.
I stared.
had my eyes deceived me? I shivered.
I held my breath.
Surly I must have dreamed it.
I quivered.
I made to rise.
.
.
Then - my God! it was real.
Millie grew pale as death;
And oh, such a look of terror woke in her lovely eyes.
Did her scream ring out? Ah no, sir.
It froze at her very lips.
Clenching her teeth she checked it, and I saw her slim hands lock,
Grasping and gripping tensely, with desperate finger tips,
Something that writhed and wriggled under her dainty frock.
Quick I'd have dashed to her rescue, but fiercely she signalled: "No!"
Her eyes were dark with anguish, but her lips were set and grim;
Then I knew she was thinking of Billie - the kiddy must have his show,
Reap to the full his glory, nothing mattered but him.
So spiked to my chair with horror, there I shuddered and saw
Her fingrs frenziedly clutching and squeezing with all their might
Something that squirmed and struggled, a deamon of tooth and claw,
Fighting with fear and fury, under her garment white.
Oh could I only aid her! But the wide room lay between,
And again her eyes besought me: "Steady!" they seamed to say.
"Stay where you are, Bob Simmons; don't let us have a scene,
Billie will soon be finished.
Only a moment.
.
.
stay!"
A moment! Ah yes, I got her.
I knew how night after night
She'd learned him each line of that ballad with patience and pride and glee;
With gesture and tone dramatic, she'd taught him how to recite.
.
.
And now at the last to fail him - no, it must never be.
A moment! It seemed like ages.
Why was Billie so slow?
He stammered.
Twice he repeated: "The Lady that's known as Lou -"
The kiddy was stuck and she knew it.
Her face was frantic with woe.
Could she but come to his rescue? Could she remember the cue?
I saw her whispering wildly as she leaned to the frightened boy;
But Billie stared like a dummy, and I stifled an anxious curse.
Louder, louder she prompted; then his face illumined with joy,
And panting, flushed and exultant, he finished the final verse.
So the youngster would up like a whirlwind, while cheer resounded on cheer;
His piece was the hit of the evening.
"Bravo!" I heard them say.
But there in the heart of the racket was one who could not hear -
The loving sister who'd coached him; for Millie had fainted away.
I rushed to her side and grabbed her; then others saw her distress,
And all were eager to aid me, as I pillowed that golden head,
But her arms were tense and rigid, and clutched in the folds of her dress,
Unlocking her hands they found it .
.
.
A RAT .
.
.
and the brute was dead.
In silence she'd crushed its life out, rather than scare the crowd,
And ***** little Billie's triumph .
.
.
Hey! Mother, what about tea?
I've just been telling a story that makes me so mighty proud.
.
.
Stranger, let me present you - my wife, that was Millie MacGee.
|
Written by
Robert William Service |
"The North has got him.
" --Yukonism.
I tried to refine that neighbor of mine, honest to God, I did.
I grieved for his fate, and early and late I watched over him like a kid.
I gave him excuse, I bore his abuse in every way that I could;
I swore to prevail; I camped on his trail; I plotted and planned for his good.
By day and by night I strove in men's sight to gather him into the fold,
With precept and prayer, with hope and despair, in hunger and hardship and cold.
I followed him into Gehennas of sin, I sat where the sirens sit;
In the shade of the Pole, for the sake of his soul, I strove with the powers of the Pit.
I shadowed him down to the scrofulous town; I dragged him from dissolute brawls;
But I killed the galoot when he started to shoot electricity into my walls.
God knows what I did he should seek to be rid of one who would save him from shame.
God knows what I bore that night when he swore and bade me make tracks from his claim.
I started to tell of the horrors of hell, when sudden his eyes lit like coals;
And "Chuck it," says he, "don't persecute me with your cant and your saving of souls.
"
I'll swear I was mild as I'd be with a child, but he called me the son of a ****;
And, grabbing his gun with a leap and a run, he threatened my face with the butt.
So what could I do (I leave it to you)? With curses he harried me forth;
Then he was alone, and I was alone, and over us menaced the North.
Our cabins were near; I could see, I could hear; but between us there rippled the creek;
And all summer through, with a rancor that grew, he would pass me and never would speak.
Then a shuddery breath like the coming of Death crept down from the peaks far away;
The water was still; the twilight was chill; the sky was a tatter of gray.
Swift came the Big Cold, and opal and gold the lights of the witches arose;
The frost-tyrant clinched, and the valley was cinched by the stark and cadaverous snows.
The trees were like lace where the star-beams could chase, each leaf was a jewel agleam.
The soft white hush lapped the Northland and wrapped us round in a crystalline dream;
So still I could hear quite loud in my ear the swish of the pinions of time;
So bright I could see, as plain as could be, the wings of God's angels ashine.
As I read in the Book I would oftentimes look to that cabin just over the creek.
Ah me, it was sad and evil and bad, two neighbors who never would speak!
I knew that full well like a devil in hell he was hatching out, early and late,
A system to bear through the frost-spangled air the warm, crimson waves of his hate.
I only could peer and shudder and fear--'twas ever so ghastly and still;
But I knew over there in his lonely despair he was plotting me terrible ill.
I knew that he nursed a malice accurst, like the blast of a winnowing flame;
I pleaded aloud for a shield, for a shroud--Oh, God! then calamity came.
Mad! If I'm mad then you too are mad; but it's all in the point of view.
If you'd looked at them things gallivantin' on wings, all purple and green and blue;
If you'd noticed them twist, as they mounted and hissed like scorpions dim in the dark;
If you'd seen them rebound with a horrible sound, and spitefully spitting a spark;
If you'd watched IT with dread, as it hissed by your bed, that thing with the feelers that crawls--
You'd have settled the brute that attempted to shoot electricity into your walls.
Oh, some they were blue, and they slithered right through; they were silent and squashy and round;
And some they were green; they were wriggly and lean; they writhed with so hateful a sound.
My blood seemed to freeze; I fell on my knees; my face was a white splash of dread.
Oh, the Green and the Blue, they were gruesome to view; but the worst of them all were the Red.
They came through the door, they came through the floor, they came through the moss-creviced logs.
They were savage and dire; they were whiskered with fire; they bickered like malamute dogs.
They ravined in rings like iniquitous things; they gulped down the Green and the Blue.
I crinkled with fear whene'er they drew near, and nearer and nearer they drew.
And then came the crown of Horror's grim crown, the monster so loathsomely red.
Each eye was a pin that shot out and in, as, squidlike, it oozed to my bed;
So softly it crept with feelers that swept and quivered like fine copper wire;
Its belly was white with a sulphurous light, it jaws were a-drooling with fire.
It came and it came; I could breathe of its flame, but never a wink could I look.
I thrust in its maw the Fount of the Law; I fended it off with the Book.
I was weak--oh, so weak--but I thrilled at its shriek, as wildly it fled in the night;
And deathlike I lay till the dawn of the day.
(Was ever so welcome the light?)
I loaded my gun at the rise of the sun; to his cabin so softly I slunk.
My neighbor was there in the frost-freighted air, all wrapped in a robe in his bunk.
It muffled his moans; it outlined his bones, as feebly he twisted about;
His gums were so black, and his lips seemed to crack, and his teeth all were loosening out.
'Twas a death's head that peered through the tangle of beard; 'twas a face I will never forget;
Sunk eyes full of woe, and they troubled me so with their pleadings and anguish, and yet
As I rested my gaze in a misty amaze on the scurvy-degenerate wreck,
I thought of the Things with the dragon-fly wings, then laid I my gun on his neck.
He gave out a cry that was faint as a sigh, like a perishing malamute,
And he says unto me, "I'm converted," says he; "for Christ's sake, Peter, don't shoot!"
* * * * *
They're taking me out with an escort about, and under a sergeant's care;
I am humbled indeed, for I'm 'cuffed to a Swede that thinks he's a millionaire.
But it's all Gospel true what I'm telling to you-- up there where the Shadow falls--
That I settled Sam Noot when he started to shoot electricity into my walls.
|
Written by
John Lindley |
“I’d rather make $700 a week playing a maid than earn $7 a day being a maid”.
Hattie McDaniel.
I’m the savage in the jungle
and the busboy in the town.
I’m the one who jumps the highest
when the Boss man comes around.
I’m the maid who wields the wooden broom.
I’m the black boot polish cheeks.
I’m the big fat Lawdy Mama
who always laughs before she speaks.
I’m the plaintive sound of spirituals
on the mighty Mississip’.
I’m the porter in the club car
touching forelock for a tip.
I’m the bent, white-whiskered ol’ Black Joe
with the stick and staggered walk.
I’m the barefoot boy in dungarees
with a stammer in my talk.
I’m the storytelling Mr.
Bones
with a jangling tambourine.
I’m the North’s excuse for novelty
and the South’s deleted scene.
I’m the one who takes his lunch break
with the extras and the grips.
I’m the funny liquorice coils of hair
and the funny looking lips.
I’m the white wide eyes and pearly teeth.
I’m the jet black skin that shines.
I’m the soft-shoe shuffling Uncle Tom
for your nickels and your dimes.
I’m the Alabami Mammy
for a state I’ve never seen.
I’m the bona fide Minstrel Man
whose blackface won’t wash clean.
I’m the banjo playing Sambo
with a fixed and manic grin.
I’m the South’s defiant answer
that the Yankees didn’t win.
I’m the inconvenient nigrah
that no one can let go.
I’m the cutesy picaninny
with my hair tied up in bows.
I’m the funny little shoeshine boy.
I’m the convict on the run;
the ****** in the woodpile
when the cotton pickin’s done.
I’m a blacklist in Kentucky.
I’m the night when hound dogs bay.
I’m the cut-price, easy light relief
growing darker by the day.
I’m the “yessir, Massa, right away”
that the audience so enjoys.
I’m the full-grown man of twenty-five
but still they call me ‘boy’.
For I’m the myth in Griffith’s movie.
I’m the steamboat whistle’s cry.
I’m the dust of dead plantations
and the proof of Lincoln’s lie.
I’m the skin upon the leg iron.
I’m the blood upon the club.
I’m the deep black stain you can’t erase
no matter how you scrub.
John Lindley
|
Written by
Heather McHugh |
The gh comes from rough, the o from women's,
and the ti from unmentionables--presto:
there's the perfect English instance of
unlovablility--complete
with fish.
Our wish was for a better
revelation: for a correspondence--
if not lexical, at least
phonetic; if not with Madonna
then at least with Mary Magdalene.
Instead we get the sheer
opacity of things: an accident
of incident, a tracery of history: the dung
inside the dungarees, the jock strap for a codpiece, and
the ruined patches bordering the lip.
One boot (high-heeled) could make
Sorrento sorry, Capri corny, even little Italy
a little ill.
Low-cased, a lover looks
one over--eggs without ease, semen without oars--
and there, on board, tricked out in fur and fin,
the landlubber who wound up captain.
Where's it going,
this our (H)MS? More west? More forth? The quest
itself is at a long and short behest: it's wound
in winds.
(Take rough from seas, and women from the shore,
unmentionables out of mind).
We're here
for something rich, beyond
appearances.
What do I mean? (What can one say?)
A minute of millenium, unculminating
stint, a stonishment: my god, what's
utterable? Gargah, gatto, goat.
Us animals is made
to seine and trawl and drag and gaff
our way across the earth.
The earth, it rolls.
We dig, lay lines, book arguably
perfect passages.
But earth remains untranslated,
unplumbed.
A million herring run where we
catch here a freckle, there a pock; the depths to which things live
words only glint at.
Terns in flight work up
what fond minds might
call syntax.
As for that
semantic antic in the distance, is it
whiskered fish, finned cat? Don't settle
just for two.
Some bottomographies are
brooded over, and some skies swum through.
.
.
|
Written by
Robert William Service |
Ma tried to wash her garden slacks but couldn't get 'em clean
And so she thought she'd soak 'em in a bucket o' benzine.
It worked all right.
She wrung 'em out then wondered what she'd do
With all that bucket load of high explosive residue.
She knew that it was dangerous to scatter it around,
For Grandpa liked to throw his lighted matches on the ground.
Somehow she didn't dare to pour it down the kitchen sink,
And what the heck to do with it, poor Ma jest couldn't think.
Then Nature seemed to give the clue, as down the garden lot
She spied the edifice that graced a solitary spot,
Their Palace of Necessity, the family joy and pride,
Enshrined in morning-glory vine, with graded seats inside;
Jest like that cabin Goldylocks found occupied by three,
But in this case B-E-A-R was spelt B-A-R-E----
A tiny seat for Baby Bare, a medium for Ma,
A full-sized section sacred to the Bare of Grandpapa.
Well, Ma was mighty glad to get that worry off her mind,
And hefting up the bucket so combustibly inclined,
She hurried down the garden to that refuge so discreet,
And dumped the liquid menace safely through the centre seat.
Next morning old Grandpa arose; he made a hearty meal,
And sniffed the air and said: 'By Gosh! how full of beans I feel.
Darned if I ain't as fresh as paint; my joy will be complete
With jest a quiet session on the usual morning seat;
To smoke me pipe an' meditate, an' maybe write a pome,
For that's the time when bits o' rhyme gits jiggin' in me dome.
'
He sat down on that special seat slicked shiny by his age,
And looking like Walt Whitman, jest a silver-whiskered sage,
He filled his corn-cob to the brim and tapped it snugly down,
And chuckled: 'Of a perfect day I reckon this the crown.
'
He lit the weed, it soothed his need, it was so soft and sweet:
And then he dropped the lighted match clean through the middle seat.
His little grand-child Rosyleen cried from the kichen door:
'Oh, Ma, come quick; there's sompin wrong; I heared a dreffel roar;
Oh, Ma, I see a sheet of flame; it's rising high and higher.
.
.
Oh, Mummy dear, I sadly fear our comfort-cot's caught fire.
'
Poor Ma was thrilled with horror at them words o' Rosyleen.
She thought of Grandpa's matches and that bucket of benzine;
So down the garden geared on high, she ran with all her power,
For regular was Grandpa, and she knew it was his hour.
Then graspin' gaspin' Rosyleen she peered into the fire,
A roarin' soarin' furnace now, perchance old Grandpa's pyre.
.
.
.
But as them twain expressed their pain they heard a hearty cheer----
Behold the old rapscallion squattinn' in the duck pond near,
His silver whiskers singed away, a gosh-almighty wreck,
Wi' half a yard o' toilet seat entwined about his neck.
.
.
.
He cried: 'Say, folks, oh, did ye hear the big blow-out I made?
It scared me stiff - I hope you-uns was not too much afraid?
But now I best be crawlin' out o' this dog-gasted wet.
.
.
.
For what I aim to figger out is----WHAT THE HECK I ET?'
|
Written by
Henry Wadsworth Longfellow |
In the market-place of Bruges stands the belfry old and brown;
Thrice consumed and thrice rebuilded, still it watches o'er the
town.
As the summer morn was breaking, on that lofty tower I stood,
And the world threw off the darkness, like the weeds of
widowhood.
Thick with towns and hamlets studded, and with streams and vapors
gray,
Like a shield embossed with silver, round and vast the landscape
lay.
At my feet the city slumbered.
From its chimneys, here and
there,
Wreaths of snow-white smoke, ascending, vanished, ghost-like,
into air.
Not a sound rose from the city at that early morning hour,
But I heard a heart of iron beating in the ancient tower.
From their nests beneath the rafters sang the swallows wild and
high;
And the world, beneath me sleeping, seemed more distant than the
sky.
Then most musical and solemn, bringing back the olden times,
With their strange, unearthly changes rang the melancholy chimes,
Like the psalms from some old cloister, when the nuns sing in the
choir;
And the great bell tolled among them, like the chanting of a
friar.
Visions of the days departed, shadowy phantoms filled my brain;
They who live in history only seemed to walk the earth again;
All the Foresters of Flanders,--mighty Baldwin Bras de Fer,
Lyderick du Bucq and Cressy Philip, Guy de Dampierre.
I beheld the pageants splendid that adorned those days of old;
Stately dames, like queens attended, knights who bore the Fleece
of Gold
Lombard and Venetian merchants with deep-laden argosies;
Ministers from twenty nations; more than royal pomp and ease.
I beheld proud Maximilian, kneeling humbly on the ground;
I beheld the gentle Mary, hunting with her hawk and hound;
And her lighted bridal-chamber, where a duke slept with the
queen,
And the armed guard around them, and the sword unsheathed
between.
I beheld the Flemish weavers, with Namur and Juliers bold,
Marching homeward from the bloody battle of the Spurs of Gold;
Saw the light at Minnewater, saw the White Hoods moving west,
Saw great Artevelde victorious scale the Golden Dragon's nest.
And again the whiskered Spaniard all the land with terror smote;
And again the wild alarum sounded from the tocsin's throat;
Till the bell of Ghent responded o'er lagoon and dike of sand,
"I am Roland! I am Roland! there is victory in the land!"
Then the sound of drums aroused me.
The awakened city's roar
Chased the phantoms I had summoned back into their graves once
more.
Hours had passed away like minutes; and, before I was aware,
Lo! the shadow of the belfry crossed the sun-illumined square.
|
Written by
Robert William Service |
Because I love the soothing weed
And am of sober type,
I'd choose me for a friend in need
A man who smokes a pipe.
A cove who hasn't much to say,
And spits into the fire,
Puffing like me a pipe of clay,
Corn-cob or briar.
A chap original of thought,
With cheery point of view,
Who has of gumption quite a lot,
And streaks of humour too.
He need not be a whiskered sage,
With wisdom over-ripe:
Just give me in the old of age
A pal who smokes a pipe.
A cigarette may make for wit,
Although I like it not;
A good cigar, I must admit,
Gives dignity to thought.
But as my glass of grog I sip
I never, never gripe
If I have for companionship
A guy who smokes a pipe.
|
Written by
Siegfried Sassoon |
He staggered in from night and frost and fog
And lampless streets: he’d guzzled like a hog
And drunk till he was dazed.
And now he came
To hear—he couldn’t call to mind the name—
But he’d been given a ticket for the show,
And thought he’d (hiccup) chance his luck and go.
The hall swam in his eyes, and soaring light
Was dazzling splendid after the dank night.
He sat and blinked, safe in his cushioned seat,
And licked his lips; he’d like a brandy, neat.
‘Who is the King of Glory?’ they were saying,
He pricked his ears; what was it? Were they praying?.
.
.
By God, it might be Heaven! For singers stood
Ranked in pure white; and everyone seemed good;
And clergymen were sitting meekly round
With joyful faces, drinking in the sound;
And holy women, and plump whiskered men.
Could this be Heaven? And was he dead? And then
They all stood up; the mighty chorus broke
In storms of song above those blameless folk;
And ‘Hallelujah, Hallelujah!’ rang
The burden of the triumph that they sang.
He gasped; it must be true; he’d got to Heaven
With all his sins that seventy times were seven;
And whispering ‘Hallelujah’ mid their shout,
He wondered when Lord God would turn him out.
|
Written by
Andrew Barton Paterson |
Oh, there's some that breeds the Devon that's as solid as a stone,
And there's some that breeds the brindle which they call the "Goulburn Roan";
But amongst the breeds of cattle there are very, very few
Like the hairy-whiskered bullock that they breed at Gundaroo.
Far away by Grabben Gullen, where the Murrumbidgee flows,
There's a block of broken country-side where no one ever goes;
For the banks have gripped the squatters, and the free selectors too,
And their stock are always stolen by the men of Gundaroo.
There came a low informer to the Grabben Gullen side,
And he said to Smith the squatter, "You must saddle up and ride,
For your bullock's in the harness-cask of Morgan Donahoo --
He's the greatest cattle-stealer in the whole of Gundaroo.
"
"Oh, ho!" said Smith, the owner of the Grabben Gullen run,
"I'll go and get the troopers by the sinking of the sun,
And down into his homestead tonight we'll take a ride,
With warrants to identify the carcass and the hide.
"
That night rode down the troopers, the squatter at their head,
They rode into the homestead, and pulled Morgan out of bed.
"Now, show to us the carcass of the bullock that you slew --
The hairy-whiskered bullock that you killed in Gundaroo.
"
They peered into the harness-cask, and found it wasn't full,
But down among the brine they saw some flesh and bits of wool.
"What's this?" exclaimed the trooper; "an infant, I declare;"
Said Morgan, "'Tis the carcass of an old man native bear.
I heard that ye were coming, so an old man bear I slew,
Just to give you kindly welcome to my home in Gundaroo.
"The times are something awful, as you can plainly see,
The banks have broke the squatters, and they've broke the likes of me;
We can't afford a bullock -- such expense would never do --
So an old man bear for breakfast is a treat in Gundaroo.
"
And along by Grabben Gullen, where the rushing river flows,
In the block of broken country where there's no one ever goes,
On the Upper Murrumbidgee, they're a hospitable crew --
But you mustn't ask for "bullock" when you go to Gundaroo.
|