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Best Famous Whimsy Poems

Here is a collection of the all-time best famous Whimsy poems. This is a select list of the best famous Whimsy poetry. Reading, writing, and enjoying famous Whimsy poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of whimsy poems.

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Written by Robert William Service | Create an image from this poem

The Ghosts

 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch.
"Bah!" said Smith, "let my body lie stripped to the buff in swinish shame, If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?" Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by, Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair; Smith bent on him his eyes of doom, shook back his lion mane of hair; Said: "Is there one in my chosen line, writer of forthright tales my peer? Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue; Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame.
" Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift; This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair; Never shall it see printed line: here, by the living God I swear.
" Brown on a Bible laid his hand; Smith, great writer of stories, sighed: "Comrade, I trust you, and understand.
Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store; Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript, Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head.
"The story is not for sale, " he said.
Jones went away, then others came.
Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field; Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew, Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth Garretless in the gloom and grime, singing his glad, mad songs of earth: So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones, Who should chance to behold his plight, but the publisher, the plethoric Jones; Peered at him for a little while, held out a bill: "NOW, will you sell?" Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!" Brown enrolled in the homeless host, sleeping anywhere, anywhen; Suffered, strove, became a ghost, slave of the lamp for other men; For What's-his-name and So-and-so in the abyss his soul he stripped, Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair, Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail: "Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name; You have a manuscript, they say, worth a thousand -- think, man! the shame.
.
.
.
" Brown with his heart pain-pierced the while, with his stern, starved face, and his lips stone-pale, Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol.
" While poor Brown in the leer of dawn wrestled with God for the sacred fire, Came there a woman weak and wan, out of the mob, the murk, the mire; Frail as a reed, a fellow ghost, weary with woe, with sorrowing; Two pale souls in the legion lost; lo! Love bent with a tender wing, Taught them a joy so deep, so true, it seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain; Then came the doctor, grave and grey; spoke of decline, of nervous strain; Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! .
.
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the manuscript! A thousand dollars! his only hope! he gazed and gazed at the garret wall.
.
.
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Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break: "Oh, my dearest! what shall I do? shall I not sell it for your sake?" Ghostlike she lay, as still as doom; turned to the wall her weary head; Icy-cold in the pallid gloom, silent as death .
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at last she said: "Do! my husband? Keep your vow! Guard his secret and let me die.
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Oh, my dear, I must tell you now -- the women he loved and wronged was I; Darling! I haven't long to live: I never told you -- forgive, forgive!" For a long, long time Brown did not speak; sat bleak-browed in the wretched room; Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife; To keep his vow, to save her name, yet at the cost of what? Her life! A moment's space did he hesitate, a moment of pain and dread and doubt, Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out.
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On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell, Locked in the silence of the heart, for the awful records of Heav'n and Hell.
) Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above: "Glorious tidings! Egypt, dear! The book is accepted -- life and love.
"


Written by Jennifer Reeser | Create an image from this poem

Civic Centre (for Kathryn)

 Moscow ballet at seven in the evening.
You look at everything.
You lay your cheek against my shoulder, smoothing down my sleeve, the Russian blizzards somehow less than bleak, portrayed with whimsy on the backdrop screens in dolloped watercolors as they are.
I ask if you know what their movement means.
You wish our situation not so far.
And everywhere, the audience defies convention and conformity, some dressed as though they had been made to improvise at the last minute, some in black-tie best.
You’re happy, in new satin, having run your fingers countless times from hip to hem – Anastasia, whereas I am anyone in tan, beside a jade and garnet gem.
With clarity and ease like these a-stage, comparison with any else in life seems but the smart annoyance of an age, scissors beside a blunted paperknife.
“Sit up.
Pay close attention.
Sugar Plum is dancing with such dignity,” I tell you, half-disheartened, when I hear you hum, you know Tchaikovsky’s symphony so well.
Written by John Matthew | Create an image from this poem

Bombay

 In your bosom we wake up with fear,
In your sky there’s only unending tears,
You always roar, but within,
Hangs silence like a shroud of death.
You are rocked, periodically, by bombs, Yet, we go about our business, As if nothing happened, all’s well, Are we too dazed to protest? In your hungry, convoluted entrails, Lie pauper and millionaire, Separated only by the whimsy, Of your very partial benevolence.
On your skyline of sooty chimneys, Decaying concrete, bristling antennas, Are the sad stories of fortunes, Made and lost, just as lost loves.
City of gold, they say, which never sleeps, Will you stay awake, tonight, Wipe away our cascading tears, And give our tired bodies some sleep?
Written by A S J Tessimond | Create an image from this poem

Attack On The Ad-Man

 This trumpeter of nothingness, employed
To keep our reason dull and null and void.
This man of wind and froth and flux will sell The wares of any who reward him well.
Praising whatever he is paid to praise, He hunts for ever-newer, smarter ways To make the gilt seen gold; the shoddy, silk; To cheat us legally; to bluff and bilk By methods which no jury can prevent Because the law's not broken, only bent.
This mind for hire, this mental prostitute Can tell the half-lie hardest to refute; Knows how to hide an inconvenient fact And when to leave a doubtful claim unbacked; Manipulates the truth but not too much, And if his patter needs the Human Touch, Skillfully artless, artlessly naive, Wears his convenient heart upon his sleeve.
He uses words that once were strong and fine, Primal as sun and moon and bread and wine, True, honourable, honoured, clear and keen, And leaves them shabby, worn, diminished, mean.
He takes ideas and trains them to engage In the long little wars big combines wage.
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He keeps his logic loose, his feelings flimsy; Turns eloquence to cant and wit to whimsy; Trims language till it fits his clients, pattern And style's a glossy tart or limping slattern.
He studies our defences, finds the cracks And where the wall is weak or worn, attacks.
lie finds the fear that's deep, the wound that's tender, And mastered, outmanouevered, we surrender.
We who have tried to choose accept his choice And tired succumb to his untiring voice.
The dripping tap makes even granite soften We trust the brand-name we have heard so often And join the queue of sheep that flock to buy; We fools who know our folly, you and I.
Written by Vachel Lindsay | Create an image from this poem

Rhymes for Gloriana

 I.
THE DOLL UPON THE TOPMOST BOUGH This doll upon the topmost bough, This playmate-gift, in Christmas dress, Was taken down and brought to me One sleety night most comfortless.
Her hair was gold, her dolly-sash Was gray brocade, most good to see.
The dear toy laughed, and I forgot The ill the new year promised me.
II.
ON SUDDENLY RECEIVING A CURL LONG REFUSED Oh, saucy gold circle of fairyland silk — Impudent, intimate, delicate treasure: A noose for my heart and a ring for my finger: — Here in my study you sing me a measure.
Whimsy and song in my little gray study! Words out of wonderland, praising her fineness, Touched with her pulsating, delicate laughter, Saying, "The girl is all daring and kindness!" Saying, "Her soul is all feminine gameness, Trusting her insights, ardent for living; She would be weeping with me and be laughing, A thoroughbred, joyous receiving and giving!" III.
ON RECEIVING ONE OF GLORIANA'S LETTERS Your pen needs but a ruffle To be Pavlova whirling.
It surely is a scalawag A-scamping down the page.
A pretty little May-wind The morning buds uncurling.
And then the white sweet Russian, The dancer of the age.
Your pen's the Queen of Sheba, Such serious questions bringing, That merry rascal Solomon Would show a sober face: — And then again Pavlova To set our spirits singing, The snowy-swan bacchante All glamour, glee and grace.
IV.
IN PRAISE OF GLORIANA'S REMARKABLE GOLDEN HAIR The gleaming head of one fine friend Is bent above my little song, So through the treasure-pits of Heaven In fancy's shoes, I march along.
I wander, seek and peer and ponder In Splendor's last ensnaring lair— 'Mid burnished harps and burnished crowns Where noble chariots gleam and flare: Amid the spirit-coins and gems, The plates and cups and helms of fire— The gorgeous-treasure-pits of Heaven— Where angel-misers slake desire! O endless treasure-pits of gold Where silly angel-men make mirth— I think that I am there this hour, Though walking in the ways of earth!



Book: Shattered Sighs