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Best Famous Whetted Poems

Here is a collection of the all-time best famous Whetted poems. This is a select list of the best famous Whetted poetry. Reading, writing, and enjoying famous Whetted poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of whetted poems.

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Written by Rudyard Kipling | Create an image from this poem

The Ballad of the Kings Jest

 When spring-time flushes the desert grass,
Our kafilas wind through the Khyber Pass.
Lean are the camels but fat the frails, Light are the purses but heavy the bales, As the snowbound trade of the North comes down To the market-square of Peshawur town.
In a turquoise twilight, crisp and chill, A kafila camped at the foot of the hill.
Then blue smoke-haze of the cooking rose, And tent-peg answered to hammer-nose; And the picketed ponies, shag and wild, Strained at their ropes as the feed was piled; And the bubbling camels beside the load Sprawled for a furlong adown the road; And the Persian pussy-cats, brought for sale, Spat at the dogs from the camel-bale; And the tribesmen bellowed to hasten the food; And the camp-fires twinkled by Fort Jumrood; And there fled on the wings of the gathering dusk A savour of camels and carpets and musk, A murmur of voices, a reek of smoke, To tell us the trade of the Khyber woke.
The lid of the flesh-pot chattered high, The knives were whetted and -- then came I To Mahbub Ali the muleteer, Patching his bridles and counting his gear, Crammed with the gossip of half a year.
But Mahbub Ali the kindly said, "Better is speech when the belly is fed.
" So we plunged the hand to the mid-wrist deep In a cinnamon stew of the fat-tailed sheep, And he who never hath tasted the food, By Allah! he knoweth not bad from good.
We cleansed our beards of the mutton-grease, We lay on the mats and were filled with peace, And the talk slid north, and the talk slid south, With the sliding puffs from the hookah-mouth.
Four things greater than all things are, -- Women and Horses and Power and War.
We spake of them all, but the last the most, For I sought a word of a Russian post, Of a shifty promise, an unsheathed sword And a gray-coat guard on the Helmund ford.
Then Mahbub Ali lowered his eyes In the fashion of one who is weaving lies.
Quoth he: "Of the Russians who can say? When the night is gathering all is gray.
But we look that the gloom of the night shall die In the morning flush of a blood-red sky.
Friend of my heart, is it meet or wise To warn a King of his enemies? We know what Heaven or Hell may bring, But no man knoweth the mind of the King.
That unsought counsel is cursed of God Attesteth the story of Wali Dad.
"His sire was leaky of tongue and pen, His dam was a clucking Khuttuck hen; And the colt bred close to the vice of each, For he carried the curse of an unstanched speech.
Therewith madness -- so that he sought The favour of kings at the Kabul court; And travelled, in hope of honour, far To the line where the gray-coat squadrons are.
There have I journeyed too -- but I Saw naught, said naught, and -- did not die! He harked to rumour, and snatched at a breath Of `this one knoweth' and `that one saith', -- Legends that ran from mouth to mouth Of a gray-coat coming, and sack of the South.
These have I also heard -- they pass With each new spring and the winter grass.
"Hot-foot southward, forgotten of God, Back to the city ran Wali Dad, Even to Kabul -- in full durbar The King held talk with his Chief in War.
Into the press of the crowd he broke, And what he had heard of the coming spoke.
"Then Gholam Hyder, the Red Chief, smiled, As a mother might on a babbling child; But those who would laugh restrained their breath, When the face of the King showed dark as death.
Evil it is in full durbar To cry to a ruler of gathering war! Slowly he led to a peach-tree small, That grew by a cleft of the city wall.
And he said to the boy: `They shall praise thy zeal So long as the red spurt follows the steel.
And the Russ is upon us even now? Great is thy prudence -- await them, thou.
Watch from the tree.
Thou art young and strong, Surely thy vigil is not for long.
The Russ is upon us, thy clamour ran? Surely an hour shall bring their van.
Wait and watch.
When the host is near, Shout aloud that my men may hear.
' "Friend of my heart, is it meet or wise To warn a King of his enemies? A guard was set that he might not flee -- A score of bayonets ringed the tree.
The peach-bloom fell in showers of snow, When he shook at his death as he looked below.
By the power of God, who alone is great, Till the seventh day he fought with his fate.
Then madness took him, and men declare He mowed in the branches as ape and bear, And last as a sloth, ere his body failed, And he hung as a bat in the forks, and wailed, And sleep the cord of his hands untied, And he fell, and was caught on the points and died.
"Heart of my heart, is it meet or wise To warn a King of his enemies? We know what Heaven or Hell may bring, But no man knoweth the mind of the King.
Of the gray-coat coming who can say? When the night is gathering all is gray.
Two things greater than all things are, The first is Love, and the second War.
And since we know not how War may prove, Heart of my heart, let us talk of Love!"


Written by Amy Levy | Create an image from this poem

A Minor Poet

 "What should such fellows as I do,
Crawling between earth and heaven?"


Here is the phial; here I turn the key
Sharp in the lock.
Click!--there's no doubt it turned.
This is the third time; there is luck in threes-- Queen Luck, that rules the world, befriend me now And freely I'll forgive you many wrongs! Just as the draught began to work, first time, Tom Leigh, my friend (as friends go in the world), Burst in, and drew the phial from my hand, (Ah, Tom! ah, Tom! that was a sorry turn!) And lectured me a lecture, all compact Of neatest, newest phrases, freshly culled From works of newest culture: "common good ;" "The world's great harmonies;""must be content With knowing God works all things for the best, And Nature never stumbles.
" Then again, "The common good," and still, "the common, good;" And what a small thing was our joy or grief When weigh'd with that of thousands.
Gentle Tom, But you might wag your philosophic tongue From morn till eve, and still the thing's the same: I am myself, as each man is himself-- Feels his own pain, joys his own joy, and loves With his own love, no other's.
Friend, the world Is but one man; one man is but the world.
And I am I, and you are Tom, that bleeds When needles prick your flesh (mark, yours, not mine).
I must confess it; I can feel the pulse A-beating at my heart, yet never knew The throb of cosmic pulses.
I lament The death of youth's ideal in my heart; And, to be honest, never yet rejoiced In the world's progress--scarce, indeed, discerned; (For still it seems that God's a Sisyphus With the world for stone).
You shake your head.
I'm base, Ignoble? Who is noble--you or I? I was not once thus? Ah, my friend, we are As the Fates make us.
This time is the third; The second time the flask fell from my hand, Its drowsy juices spilt upon the board; And there my face fell flat, and all the life Crept from my limbs, and hand and foot were bound With mighty chains, subtle, intangible; While still the mind held to its wonted use, Or rather grew intense and keen with dread, An awful dread--I thought I was in Hell.
In Hell, in Hell ! Was ever Hell conceived By mortal brain, by brain Divine devised, Darker, more fraught with torment, than the world For such as I? A creature maimed and marr'd From very birth.
A blot, a blur, a note All out of tune in this world's instrument.
A base thing, yet not knowing to fulfil Base functions.
A high thing, yet all unmeet For work that's high.
A dweller on the earth, Yet not content to dig with other men Because of certain sudden sights and sounds (Bars of broke music; furtive, fleeting glimpse Of angel faces 'thwart the grating seen) Perceived in Heaven.
Yet when I approach To catch the sound's completeness, to absorb The faces' full perfection, Heaven's gate, Which then had stood ajar, sudden falls to, And I, a-shiver in the dark and cold, Scarce hear afar the mocking tones of men: "He would not dig, forsooth ; but he must strive For higher fruits than what our tillage yields; Behold what comes, my brothers, of vain pride!" Why play with figures? trifle prettily With this my grief which very simply's said, "There is no place for me in all the world"? The world's a rock, and I will beat no more A breast of flesh and blood against a rock.
.
.
A stride across the planks for old time's sake.
Ah, bare, small room that I have sorrowed in; Ay, and on sunny days, haply, rejoiced; We know some things together, you and I! Hold there, you rangèd row of books ! In vain You beckon from your shelf.
You've stood my friends Where all things else were foes; yet now I'll turn My back upon you, even as the world Turns it on me.
And yet--farewell, farewell! You, lofty Shakespere, with the tattered leaves And fathomless great heart, your binding's bruised Yet did I love you less? Goethe, farewell; Farewell, triumphant smile and tragic eyes, And pitiless world-wisdom! For all men These two.
And 'tis farewell with you, my friends, More dear because more near: Theokritus; Heine that stings and smiles; Prometheus' bard; (I've grown too coarse for Shelley latterly:) And one wild singer of to-day, whose song Is all aflame with passionate bard's blood Lash'd into foam by pain and the world's wrong.
At least, he has a voice to cry his pain; For him, no silent writhing in the dark, No muttering of mute lips, no straining out Of a weak throat a-choke with pent-up sound, A-throb with pent-up passion.
.
.
Ah, my sun! That's you, then, at the window, looking in To beam farewell on one who's loved you long And very truly.
Up, you creaking thing, You squinting, cobwebbed casement! So, at last, I can drink in the sunlight.
How it falls.
Across that endless sea of London roofs, Weaving such golden wonders on the grey, That almost, for the moment, we forget The world of woe beneath them.
Underneath, For all the sunset glory, Pain is king.
Yet, the sun's there, and very sweet withal; And I'll not grumble that it's only sun, But open wide my lips--thus--drink it in; Turn up my face to the sweet evening sky (What royal wealth of scarlet on the blue So tender toned, you'd almost think it green) And stretch my hands out--so--to grasp it tight.
Ha, ha! 'tis sweet awhile to cheat the Fates, And be as happy as another man.
The sun works in my veins like wine, like wine! 'Tis a fair world: if dark, indeed, with woe, Yet having hope and hint of such a joy, That a man, winning, well might turn aside, Careless of Heaven .
.
.
O enough; I turn From the sun's light, or haply I shall hope.
I have hoped enough; I would not hope again: 'Tis hope that is most cruel.
Tom, my friend, You very sorry philosophic fool; 'Tis you, I think, that bid me be resign'd, Trust, and be thankful.
Out on you! Resign'd? I'm not resign'd, not patient, not school'd in To take my starveling's portion and pretend I'm grateful for it.
I want all, all, all; I've appetite for all.
I want the best: Love, beauty, sunlight, nameless joy of life.
There's too much patience in the world, I think.
We have grown base with crooking of the knee.
Mankind--say--God has bidden to a feast; The board is spread, and groans with cates and drinks; In troop the guests; each man with appetite Keen-whetted with expectance.
In they troop, Struggle for seats, jostle and push and seize.
What's this? what's this? There are not seats for all! Some men must stand without the gates; and some Must linger by the table, ill-supplied With broken meats.
One man gets meat for two, The while another hungers.
If I stand Without the portals, seeing others eat Where I had thought to satiate the pangs Of mine own hunger; shall I then come forth When all is done, and drink my Lord's good health In my Lord's water? Shall I not rather turn And curse him, curse him for a niggard host? O, I have hungered, hungered, through the years, Till appetite grows craving, then disease; I am starved, wither'd, shrivelled.
Peace, O peace! This rage is idle; what avails to curse The nameless forces, the vast silences That work in all things.
This time is the third, I wrought before in heat, stung mad with pain, Blind, scarcely understanding; now I know What thing I do.
There was a woman once; Deep eyes she had, white hands, a subtle smile, Soft speaking tones: she did not break my heart, Yet haply had her heart been otherwise Mine had not now been broken.
Yet, who knows? My life was jarring discord from the first: Tho' here and there brief hints of melody, Of melody unutterable, clove the air.
From this bleak world, into the heart of night, The dim, deep bosom of the universe, I cast myself.
I only crave for rest; Too heavy is the load.
I fling it down.
EPILOGUE.
We knocked and knocked; at last, burst in the door, And found him as you know--the outstretched arms Propping the hidden face.
The sun had set, And all the place was dim with lurking shade.
There was no written word to say farewell, Or make more clear the deed.
I search'd and search'd; The room held little: just a row of books Much scrawl'd and noted; sketches on the wall, Done rough in charcoal; the old instrument (A violin, no Stradivarius) He played so ill on; in the table drawer Large schemes of undone work.
Poems half-writ; Wild drafts of symphonies; big plans of fugues; Some scraps of writing in a woman's hand: No more--the scattered pages of a tale, A sorry tale that no man cared to read.
Alas, my friend, I lov'd him well, tho' he Held me a cold and stagnant-blooded fool, Because I am content to watch, and wait With a calm mind the issue of all things.
Certain it is my blood's no turbid stream; Yet, for all that, haply I understood More than he ever deem'd; nor held so light The poet in him.
Nay, I sometimes doubt If they have not, indeed, the better part-- These poets, who get drunk with sun, and weep Because the night or a woman's face is fair.
Meantime there is much talk about my friend.
The women say, of course, he died for love; The men, for lack of gold, or cavilling Of carping critics.
I, Tom Leigh, his friend I have no word at all to say of this.
Nay, I had deem'd him more philosopher; For did he think by this one paltry deed To cut the knot of circumstance, and snap The chain which binds all being?
Written by John Masefield | Create an image from this poem

Sea Fever

 I must go down to the seas again, to the lonely sea and the sky, 
And all I ask is a tall ship and a star to steer her by, 
And the wheel's kick and the wind's song and the white sail's shaking, 
And a gray mist on the sea's face, and a gray dawn breaking.
I must go down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying.
I must go down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way, where the wind's like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover, And quiet sleep and a sweet dream when the long trick's over.
Written by Sylvia Plath | Create an image from this poem

Vanity Fair

 Through frost-thick weather
This witch sidles, fingers crooked, as if
Caught in a hazardous medium that might 
Merely by its continuing
Attach her to heaven.
At eye's envious corner Crow's-feet copy veining on a stained leaf; Cold squint steals sky's color; while bruit Of bells calls holy ones, her tongue Backtalks at the raven Claeving furred air Over her skull's midden; no knife Rivals her whetted look, divining what conceit Waylays simple girls, church-going, And what heart's oven Craves most to cook batter Rich in strayings with every amorous oaf, Ready, for a trinket, To squander owl-hours on bracken bedding, Flesh unshriven.
Against virgin prayer This sorceress sets mirrors enough To distract beauty's thought; Lovesick at first fond song, Each vain girl's driven To believe beyond heart's flare No fire is, nor in any book proof Sun hoists soul up after lids fall shut; So she wills all to the black king.
The worst sloven Vies with best queen over Right to blaze as satan's wife; Housed in earth, those million brides shriek out.
Some burn short, some long, Staked in pride's coven.
Written by Galway Kinnell | Create an image from this poem

The Cellist

 At intermission I find her backstage
still practicing the piece coming up next.
She calls it the "solo in high dreary.
" Her bow niggles at the string like a hand stroking skin it never wanted to touch.
Probably under her scorn she is sick that she can't do better by it.
As I am, at the dreary in me, such as the disparity between all the tenderness I've received and the amount I've given, and the way I used to shrug off the imbalance simply as how things are, as if the male were constituted like those coffeemakers that produce less black bitter than the quantity of sweet clear you poured in--forgetting about how much I spilled through unsteady walking, and that lot I threw on the ground in suspicion, and for fear I wasn't worthy, and all I poured out for reasons I don't understand yet.
"Break a leg!" somebody tells her.
Back in my seat, I can see she is nervous when she comes out; her hand shakes as she re-dog-ears the top corners of the big pages that look about to flop over on their own.
Now she raises the bow--its flat bundle of hair harvested from the rear ends of horses--like a whetted scimitar she is about to draw across a throat, and attacks.
In a back alley a cat opens her pink-ceilinged mouth, gets netted in full yowl, clubbed, bagged, bicycled off, haggled open, gutted, the gut squeezed down to its highest pitch, washed, sliced into cello strings, which bring an ancient screaming into this duet of hair and gut.
Now she is flying--tossing back the goblets of Saint-Amour standing empty, half-empty, or full on the tablecloth- like sheet music.
Her knees tighten and loosen around the big-hipped creature wailing and groaning between them as if in elemental amplexus.
The music seems to rise from the crater left when heaven was torn up and taken off the earth; more likely it comes up through her priest's dress, up from that clump of hair which by now may be so wet with its waters, like the waters the fishes multiplied in at Galilee, that each wick draws a portion all the way out to its tip and fattens a droplet on the bush of half notes now glittering in that dark.
At last she lifts off the bow and sits back.
Her face shines with the unselfconsciousness of a cat screaming at night and the teary radiance of one who gives everything no matter what has been given.


Written by Robert Southey | Create an image from this poem

Gods Judgment on a Wicked Bishop

 The summer and autumn had been so wet,
That in winter the corn was growing yet,
'Twas a piteous sight to see all around
The grain lie rotting on the ground.
Every day the starving poor Crowded around Bishop Hatto's door, For he had a plentiful last-year's store, And all the neighbourhood could tell His granaries were furnish'd well.
At last Bishop Hatto appointed a day To quiet the poor without delay; He bade them to his great Barn repair, And they should have food for the winter there.
Rejoiced such tidings good to hear, The poor folk flock'd from far and near; The great barn was full as it could hold Of women and children, and young and old.
Then when he saw it could hold no more, Bishop Hatto he made fast the door; And while for mercy on Christ they call, He set fire to the Barn and burnt them all.
"I'faith 'tis an excellent bonfire!" quoth he, "And the country is greatly obliged to me, For ridding it in these times forlorn Of Rats that only consume the corn.
" So then to his palace returned he, And he sat down to supper merrily, And he slept that night like an innocent man; But Bishop Hatto never slept again.
In the morning as he enter'd the hall Where his picture hung against the wall, A sweat like death all over him came, For the Rats had eaten it out of the frame.
As he look'd there came a man from his farm-- He had a countenance white with alarm; "My Lord, I open'd your granaries this morn, And the Rats had eaten all your corn.
" Another came running presently, And he was pale as pale could be, "Fly! my Lord Bishop, fly," quoth he, "Ten thousand Rats are coming this way,.
.
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The Lord forgive you for yesterday!" "I'll go to my tower on the Rhine," replied he, "'Tis the safest place in Germany; The walls are high and the shores are steep, And the stream is strong and the water deep.
" Bishop Hatto fearfully hasten'd away, And he crost the Rhine without delay, And reach'd his tower, and barr'd with care All the windows, doors, and loop-holes there.
He laid him down and closed his eyes;.
.
.
But soon a scream made him arise, He started and saw two eyes of flame On his pillow from whence the screaming came.
He listen'd and look'd;.
.
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it was only the Cat; And the Bishop he grew more fearful for that, For she sat screaming, mad with fear At the Army of Rats that were drawing near.
For they have swum over the river so deep, And they have climb'd the shores so steep, And up the Tower their way is bent, To do the work for which they were sent.
They are not to be told by the dozen or score, By thousands they come, and by myriads and more, Such numbers had never been heard of before, Such a judgment had never been witness'd of yore.
Down on his knees the Bishop fell, And faster and faster his beads did he tell, As louder and louder drawing near The gnawing of their teeth he could hear.
And in at the windows and in at the door, And through the walls helter-skelter they pour, And down from the ceiling and up through the floor, From the right and the left, from behind and before, From within and without, from above and below, And all at once to the Bishop they go.
They have whetted their teeth against the stones, And now they pick the Bishop's bones: They gnaw'd the flesh from every limb, For they were sent to do judgment on him!
Written by Sidney Lanier | Create an image from this poem

Nirvana

 Through seas of dreams and seas of phantasies,
Through seas of solitudes and vacancies,
And through my Self, the deepest of the seas,
I strive to thee, Nirvana.
Oh long ago the billow-flow of sense, Aroused by passion's windy vehemence, Upbore me out of depths to heights intense, But not to thee, Nirvana.
By waves swept on, I learned to ride the waves.
I served my masters till I made them slaves.
I baffled Death by hiding in his graves, His watery graves, Nirvana.
And once I clomb a mountain's stony crown And stood, and smiled no smile and frowned no frown, Nor ate, nor drank, nor slept, nor faltered down, Five days and nights, Nirvana.
Sunrise and noon and sunset and strange night And shadow of large clouds and faint starlight And lonesome Terror stalking round the height, I minded not, Nirvana.
The silence ground my soul keen like a spear.
My bare thought, whetted as a sword, cut sheer Through time and life and flesh and death, to clear My way unto Nirvana.
I slew gross bodies of old ethnic hates That stirred long race-wars betwixt States and States.
I stood and scorned these foolish dead debates, Calmly, calmly, Nirvana.
I smote away the filmy base of Caste.
I thrust through antique blood and riches vast, And all big claims of the pretentious Past That hindered my Nirvana.
Then all fair types, of form and sound and hue, Up-floated round my sense and charmed anew.
-- I waved them back into the void blue: I love them not, Nirvana.
And all outrageous ugliness of time, Excess and Blasphemy and squinting Crime Beset me, but I kept my calm sublime: I hate them not, Nirvana.
High on the topmost thrilling of the surge I saw, afar, two hosts to battle urge.
The widows of the victors sang a dirge, But I wept not, Nirvana.
I saw two lovers sitting on a star.
He kissed her lip, she kissed his battle-scar.
They quarrelled soon, and went two ways, afar.
O Life! I laughed, Nirvana.
And never a king but had some king above, And never a law to right the wrongs of Love, And ever a fanged snake beneath a dove, Saw I on earth, Nirvana.
But I, with kingship over kings, am free.
I love not, hate not: right and wrong agree: And fangs of snakes and lures of doves to me Are vain, are vain, Nirvana.
So by mine inner contemplation long, By thoughts that need no speech nor oath nor song, My spirit soars above the motley throng Of days and nights, Nirvana.
O Suns, O Rains, O Day and Night, O Chance, O Time besprent with seven-hued circumstance, I float above ye all into the trance That draws me nigh Nirvana.
Gods of small worlds, ye little Deities Of humble Heavens under my large skies, And Governor-Spirits, all, I rise, I rise, I rise into Nirvana.
The storms of Self below me rage and die.
On the still bosom of mine ecstasy, A lotus on a lake of balm, I lie Forever in Nirvana.
Written by William Strode | Create an image from this poem

On The Death Of Sir Thomas Lea

 You that affright with lamentable notes
The servants from their beef, whose hungry throats
Vex the grume porter's surly conscience:
That blesse the mint for coyning lesse than pence:
You whose unknown and meanly payd desarts
Begge silently within, and knocke at hearts:
You whose commanding worth makes men beleeve
That you a kindnesse give when you receave:
All sorts of them that want, your tears now lend:
A House-keeper, a Patron, and a Friend
Is lodged in clay.
The man whose table fedde So many while he lived, since hee is dead, Himselfe is turn'd to food: whose chimney burn'd So freely then, is now to ashes turn'd.
The man which life unto the Muses gave Seeks life of them, a lasting Epitaph: And hee from whose esteeme all vertues found A just reward, now prostrate in the ground, (Like some huge ancient oake, that ere it fell, Could not be measur'd by the rule so well) Desires a faythfull comment on his dayes, Such as shall neither lye to wrong or prayse: But oh! what Muse is halfe so pure, so strong, What marble sheets can keepe his name so long As onely hee hath lived? then who can tell A perfect story of his living well? The noble fire that spur'd and whetted on His bravely vertuous resolution Could not so soone be quencht as weaker soules Whose feebler sparke an ach or thought controuls.
His life burnt to the snuffe; a snuffe that needs No socket to conceale the stench, but feeds Our sence like costly fumes: his manly breath Felt no disease but age; and call'd for Death Before it durst intrude, or thought to try That strength of limbs, that soules integrity.
Looke on his silver hayres, his graceful browe, And Gravity itselfe might Lea avowe Her father: Time, his schoolmate.
Fifty years Once wedlocke he embrac't: a date that bears Fayre scope, if Soule and Body chance to bee So long a couple as his wife and hee.
But number you his deeds, they so outpasse The largest size of any mortal glasse, That though hee liv'd a thousand, some would crye Alas! he dyde in his minority.
His dayes and deeds would nere be counted even Without Eternity, which now is given.
Such descants poore men make; who miss him more Than sixe great men, that keeping house before After a spurt unconstantly are fledd Away to London.
But the man that's dead Is gone unto a place more populous, And tarries longer there, and waites for us.
Written by Edwin Muir | Create an image from this poem

The Combat

 It was not meant for human eyes,
That combat on the shabby patch
Of clods and trampled turf that lies
Somewhere beneath the sodden skies
For eye of toad or adder to catch.
And having seen it I accuse The crested animal in his pride, Arrayed in all the royal hues Which hide the claws he well can use To tear the heart out of the side.
Body of leopard, eagle's head And whetted beak, and lion's mane, And frost-grey hedge of feathers spread Behind -- he seemed of all things bred.
I shall not see his like again.
As for his enemy there came in A soft round beast as brown as clay; All rent and patched his wretched skin; A battered bag he might have been, Some old used thing to throw away.
Yet he awaited face to face The furious beast and the swift attack.
Soon over and done.
That was no place Or time for chivalry or for grace.
The fury had him on his back.
And two small paws like hands flew out To right and left as the trees stood by.
One would have said beyond a doubt That was the very end of the bout, But that the creature would not die.
For ere the death-stroke he was gone, Writhed, whirled, into his den, Safe somehow there.
The fight was done, And he had lost who had all but won.
But oh his deadly fury then.
A while the place lay blank, forlorn, Drowsing as in relief from pain.
The cricket chirped, the grating thorn Stirred, and a little sound was born.
The champions took their posts again.
And all began.
The stealthy paw Slashed out and in.
Could nothing save These rags and tatters from the claw? Nothing.
And yet I never saw A beast so helpless and so brave.
And now, while the trees stand watching, still The unequal battle rages there.
The killing beast that cannot kill Swells and swells in his fury till You'd almost think it was despair.
Written by Rg Gregory | Create an image from this poem

cherries and birds

 cherries are so vulnerable
blinking their way from green
to polished red in trees
guileless to stave off birds

a murmur does its rounds
and when the bright day comes
and ripeness throws its coyness
in the air a seething mesh

of wings and whetted beaks 
(knowing its cherry-right)
falls upon the fleshy fruit
and rips it to the stone

then birds become the foe
of people leaden in their legs
who gasp below (fists raised
at butchery so sweet)

nets and scarecrows (clappers
in the wind) disfigure trees
to keep the prize intact
for human beaks to gorge on

cherries in baskets though
are spoils cherished - they spill
their luscious clusters wisely
they crave towards eating

and eaten then restore
round memories of eden
birds are divine messengers
fruits of the world abundant

Book: Shattered Sighs