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Best Famous Wharf Poems

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Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing. 

To think that the sun rose in the east! that men and women were flexible, real, alive!
 that
 everything was alive! 
To think that you and I did not see, feel, think, nor bear our part! 
To think that we are now here, and bear our part!

2
Not a day passes—not a minute or second, without an accouchement! 
Not a day passes—not a minute or second, without a corpse! 

The dull nights go over, and the dull days also, 
The soreness of lying so much in bed goes over, 
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for, 
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) 
The faithful hand of the living does not desert the hand of the dying, 
The twitching lips press lightly on the forehead of the dying, 
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it, 
It is palpable as the living are palpable. 

The living look upon the corpse with their eye-sight, 
But without eye-sight lingers a different living, and looks curiously on the corpse. 

3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
 others as
 upon us now—yet not act upon us! 
To think of all these wonders of city and country, and others taking great interest in
 them—and we taking no interest in them! 

To think how eager we are in building our houses! 
To think others shall be just as eager, and we quite indifferent! 

(I see one building the house that serves him a few years, or seventy or eighty years at
 most,
I see one building the house that serves him longer than that.) 

Slow-moving and black lines creep over the whole earth—they never cease—they are
 the
 burial lines, 
He that was President was buried, and he that is now President shall surely be buried. 

4
A reminiscence of the vulgar fate, 
A frequent sample of the life and death of workmen,
Each after his kind: 
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
 the
 streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, 
A hearse and stages—other vehicles give place—the funeral of an old Broadway
 stage-driver, the cortege mostly drivers. 

Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
 new-dug grave is halted at, the living alight, the hearse uncloses, 
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
 the
 earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence, 
A minute—no one moves or speaks—it is done, 
He is decently put away—is there anything more? 

He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
 take his
 own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
 women,
 gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
 toward
 the last, sicken’d, was help’d by a contribution, died, aged forty-one
 years—and
 that was his funeral. 

Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
 carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
 on
 somebody, headway, man before and man behind, good day’s work, bad day’s work,
 pet
 stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
 interest in them! 

5
The markets, the government, the working-man’s wages—to think what account they
 are
 through our nights and days! 
To think that other working-men will make just as great account of them—yet we make
 little
 or no account! 

The vulgar and the refined—what you call sin, and what you call goodness—to
 think how
 wide a difference! 
To think the difference will still continue to others, yet we lie beyond the difference.

To think how much pleasure there is! 
Have you pleasure from looking at the sky? have you pleasure from poems? 
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
 election? or with your wife and family? 
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?

—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them. 

Your farm, profits, crops,—to think how engross’d you are! 
To think there will still be farms, profits, crops—yet for you, of what avail? 

6
What will be, will be well—for what is, is well, 
To take interest is well, and not to take interest shall be well.

The sky continues beautiful, 
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
 nor
 the pleasure from poems, 
The domestic joys, the daily housework or business, the building of houses—these are
 not
 phantasms—they have weight, form, location; 
Farms, profits, crops, markets, wages, government, are none of them phantasms, 
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
 well-consider’d. 

You are not thrown to the winds—you gather certainly and safely around yourself; 
Yourself! Yourself! Yourself, forever and ever! 

7
It is not to diffuse you that you were born of your mother and father—it is to
 identify
 you; 
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you, 
You are henceforth secure, whatever comes or goes. 

The threads that were spun are gather’d, the weft crosses the warp, the pattern is
 systematic. 

The preparations have every one been justified, 
The orchestra have sufficiently tuned their instruments—the baton has given the
 signal.

The guest that was coming—he waited long, for reasons—he is now housed, 
He is one of those who are beautiful and happy—he is one of those that to look upon
 and be
 with is enough. 

The law of the past cannot be eluded, 
The law of the present and future cannot be eluded, 
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded, 
The law of heroes and good-doers cannot be eluded, 
The law of drunkards, informers, mean persons—not one iota thereof can be eluded. 

8
Slow moving and black lines go ceaselessly over the earth, 
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
 they
 on the Pacific, and they between, and all through the Mississippi country, and all over
 the
 earth.

The great masters and kosmos are well as they go—the heroes and good-doers are well, 
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
 be
 well, 
But there is more account than that—there is strict account of all. 

The interminable hordes of the ignorant and wicked are not nothing, 
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing, 
The infected in the immigrant hospital are not nothing—the murderer or mean person is
 not
 nothing, 
The perpetual successions of shallow people are not nothing as they go, 
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
 goes. 

9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed, 
I have dream’d that heroes and good-doers shall be under the present and past law, 
And that murderers, drunkards, liars, shall be under the present and past law, 
For I have dream’d that the law they are under now is enough. 

If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d! 
Then indeed suspicion of death. 

Do you suspect death? If I were to suspect death, I should die now, 
Do you think I could walk pleasantly and well-suited toward annihilation? 

10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good, 
The whole universe indicates that it is good, 
The past and the present indicate that it is good. 

How beautiful and perfect are the animals! 
How perfect the earth, and the minutest thing upon it!

What is called good is perfect, and what is called bad is just as perfect, 
The vegetables and minerals are all perfect, and the imponderable fluids are perfect; 
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
 on. 

11
I swear I think now that everything without exception has an eternal Soul! 
The trees have, rooted in the ground! the weeds of the sea have! the animals!

I swear I think there is nothing but immortality! 
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
 for
 it; 
And all preparation is for it! and identity is for it! and life and materials are
 altogether
 for it


Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Robert Lowell | Create an image from this poem

Water

 It was a Maine lobster town—
each morning boatloads of hands
pushed off for granite
quarries on the islands,

and left dozens of bleak 
white frame houses stuck
like oyster shells
on a hill of rock,

and below us, the sea lapped
the raw little match-stick 
mazes of a weir,
where the fish for bait were trapped.

Remember? We sat on a slab of rock.
>From this distance in time
it seems the color
of iris, rotting and turning purpler,

but it was only 
the usual gray rock
turning the usual green
when drenched by the sea.

The sea drenched the rock
at our feet all day,
and kept tearing away 
flake after flake.

One night you dreamed
you were a mermaid clinging to a wharf-pile,
and trying to pull
off the barnacles with your hands.

We wished our two souls 
might return like gulls
to the rock. In the end, 
the water was too cold for us.
Written by Mark Doty | Create an image from this poem

Visitation

 When I heard he had entered the harbor,
and circled the wharf for days,
I expected the worst: shallow water,

confusion, some accident to bring
the young humpback to grief. 
Don't they depend on a compass

lodged in the salt-flooded folds
of the brain, some delicate
musical mechanism to navigate

their true course? How many ways, 
in our century's late iron hours,
might we have led him to disaster?

That, in those days, was how
I'd come to see the world:
dark upon dark, any sense

of spirit an embattled flame
sparked against wind-driven rain
till pain snuffed it out. I thought,

 This is what experience gives us ,
and I moved carefully through my life
while I waited. . . Enough,

it wasn't that way at all. The whale
—exuberant, proud maybe, playful,
like the early music of Beethoven—

cruised the footings for smelts
clustered near the pylons
in mercury flocks. He

(do I have the gender right?)
would negotiate the rusty hulls
of the Portuguese fishing boats

—Holy Infant, Little Marie—
with what could only be read
as pleasure, coming close

then diving, trailing on the surface
big spreading circles
until he'd breach, thrilling us

with the release of pressured breath,
and the bulk of his sleek young head
—a wet black leather sofa

already barnacled with ghostly lice—
and his elegant and unlikely mouth,
and the marvelous afterthought of the flukes,

and the way his broad flippers
resembled a pair of clownish gloves
or puppet hands, looming greenish white

beneath the bay's clouded sheen. 
When he had consumed his pleasure
of the shimmering swarm, his pleasure, perhaps,

in his own admired performance,
he swam out the harbor mouth,
into the Atlantic. And though grief

has seemed to me itself a dim,
salt suspension in which I've moved,
blind thing, day by day,

through the wreckage, barely aware
of what I stumbled toward, even I
couldn't help but look

at the way this immense figure
graces the dark medium,
and shines so: heaviness

which is no burden to itself. 
What did you think, that joy
was some slight thing?
Written by Billy Collins | Create an image from this poem

Pinup

 The murkiness of the local garage is not so dense
that you cannot make out the calendar of pinup
drawings on the wall above a bench of tools.
Your ears are ringing with the sound of
the mechanic hammering on your exhaust pipe,
and as you look closer you notice that this month's
is not the one pushing the lawn mower, wearing
a straw hat and very short blue shorts,
her shirt tied in a knot just below her breasts.
Nor is it the one in the admiral's cap, bending
forward, resting her hands on a wharf piling,
glancing over the tiny anchors on her shoulders.
No, this is March, the month of great winds,
so appropriately it is the one walking her dog
along a city sidewalk on a very blustery day.
One hand is busy keeping her hat down on her head
and the other is grasping the little dog's leash,
so of course there is no hand left to push down
her dress which is billowing up around her waist
exposing her long stockinged legs and yes the secret
apparatus of her garter belt. Needless to say,
in the confusion of wind and excited dog
the leash has wrapped itself around her ankles
several times giving her a rather bridled
and helpless appearance which is added to
by the impossibly high heels she is teetering on.
You would like to come to her rescue,
gather up the little dog in your arms,
untangle the leash, lead her to safety,
and receive her bottomless gratitude, but
the mechanic is calling you over to look
at something under your car. It seems that he has
run into a problem and the job is going
to cost more than he had said and take
much longer than he had thought.
Well, it can't be helped, you hear yourself say
as you return to your place by the workbench,
knowing that as soon as the hammering resumes
you will slowly lift the bottom of the calendar
just enough to reveal a glimpse of what
the future holds in store: ah,
the red polka dot umbrella of April and her
upturned palm extended coyly into the rain.


Written by Oscar Wilde | Create an image from this poem

Symphony In Yellow

 An omnibus across the bridge
Crawls like a yellow butterfly
And, here and there, a passer-by
Shows like a little restless midge.

Big barges full of yellow hay
Are moored against the shadowy wharf,
And, like a yellow silken scarf,
The thick fog hangs along the quay.

The yellow leaves begin to fade
And flutter from the Temple elms,
And at my feet the pale green Thames
Lies like a rod of rippled jade.
Written by Delmore Schwartz | Create an image from this poem

Apollo Musagete Poetry And The Leader Of The Muses

 Nothing is given which is not taken.

Little or nothing is taken which is not freely desired,
 freely, truly and fully.

"You would not seek me if you had not found me": this is
 true of all that is supremely desired and admired...

"An enigma is an animal," said the hurried, harried 
 schoolboy:

And a horse divided against itself cannot stand;

And a moron is a man who believes in having too many 
 wives: what harm is there in that?

O the endless fecundity of poetry is equaled 
By its endless inexhaustible freshness, as in the discovery
 of America and of poetry.

Hence it is clear that the truth is not strait and narrow but infinite:
All roads lead to Rome and to poetry
 and to poem, sweet poem
 and from, away and towards are the same typography.

Hence the poet must be, in a way, stupid and naive and a 
 little child;

Unless ye be as a little child ye cannot enter the kingdom 
 of poetry.

Hence the poet must be able to become a tiger like Blake; a
 carousel like Rilke.

Hence he must be all things to be free, for all impersonations
a doormat and a monument
to all situations possible or actual
The cuckold, the cuckoo, the conqueror, and the coxcomb.

It is to him in the zoo that the zoo cries out and the hyena:
"Hello, take off your hat, king of the beasts, and be seated, 
Mr. Bones."

And hence the poet must seek to be essentially anonymous.
He must die a little death each morning.
He must swallow his toad and study his vomit
as Baudelaire studied la charogne of Jeanne Duval.

The poet must be or become both Keats and Renoir and
Keats as Renoir.
Mozart as Figaro and Edgar Allan Poe as Ophelia, stoned 
out of her mind
drowning in the river called forever river and ever...

Keats as Mimi, Camille, and an aging gourmet.
He must also refuse the favors of the unattainable lady
(As Baudelaire refused Madame Sabatier when the fair 
blonde summoned him,

For Jeanne Duval was enough and more than enough, 
although she cuckolded him
With errand boys, servants, waiters; reality was Jeanne Duval.
Had he permitted Madame Sabatier to teach the poet a greater whiteness,
His devotion and conception of the divinity of Beauty
would have suffered an absolute diminution.)

The poet must be both Casanova and St. Anthony,

He must be Adonis, Nero, Hippolytus, Heathcliff, and
Phaedre,
Genghis Kahn, Genghis Cohen, and Gordon Martini
Dandy Ghandi and St. Francis,

Professor Tenure, and Dizzy the dean and Disraeli of Death.

He would have worn the horns of existence upon his head, 
He would have perceived them regarding the looking-glass, 
He would have needed them the way a moose needs a hatrack;
Above his heavy head and in his loaded eyes, black and scorched,
He would have seen the meaning of the hat-rack, above the glass
Looking in the dark foyer.

For the poet must become nothing but poetry, 
He must be nothing but a poem when he is writing 
Until he is absent-minded as the dead are
Forgetful as the nymphs of Lethe and a lobotomy...
("the fat weed that rots on Lethe wharf").
Written by Elizabeth Barrett Browning | Create an image from this poem

Pain In Pleasure

 A THOUGHT ay like a flower upon mine heart,
And drew around it other thoughts like bees
For multitude and thirst of sweetnesses;
Whereat rejoicing, I desired the art
Of the Greek whistler, who to wharf and mart
Could lure those insect swarms from orange-trees
That I might hive with me such thoughts and please
My soul so, always. foolish counterpart
Of a weak man's vain wishes ! While I spoke,
The thought I called a flower grew nettle-rough
The thoughts, called bees, stung me to festering:
Oh, entertain (cried Reason as she woke)
Your best and gladdest thoughts but long enough,
And they will all prove sad enough to sting !
Written by Rudyard Kipling | Create an image from this poem

Song of the Red War-Boat

 Shove off from the wharf-edge! Steady!
Watch for a smooth! Give way!
If she feels the lop already 
She'll stand on her head in the bay.
It's ebb--it's dusk--it's blowing--
The shoals are a mile of white,
But ( snatch her along! ) we're going
To find our master to-night.

For we hold that in all disaster
Of shipwreck, storm, or sword,
A Man must stand by his Master
When once he has pledged his word.

Raging seas have we rowed in
But we seldom saw them thus,
Our master is angry with Odin--
Odin is angry with us!
Heavy odds have we taken,
But never before such odds.
The Gods know they are forsaken.
We must risk the wrath of the Gods!

Over the crest she flies from,
Into its hollow she drops,
Cringes and clears her eyes from
The wind-torn breaker-tops,
Ere out on the shrieking shoulder
Of a hill-high surge she drives.
Meet her! Meet her and hold her!
Pull for your scoundrel lives!

The thunder below and clamor
The harm that they mean to do!
There goes Thor's own Hammer
Cracking the dark in two!
Close! But the blow has missed her,
Here comes the wind of the blow!
Row or the squall'Il twist her 
Broadside on to it!--Row!

Heark'ee, Thor of the Thunder!
We are not here for a jest--
For wager, warfare, or plunder,
Or to put your power to test.
This work is none of our wishing--
We would house at home if we might--
But our master is wrecked out fishing.
We go to find him to-night.

For we hold that in all disaster--
As the Gods Themselves have said--
A Man must stand by his Master
Till one of the two is dead.

That is our way of thinking,
Now you can do as you will,
While we try to save her from sinking
And hold her head to it still.
Bale her and keep her moving,
Or she'll break her back in the trough. . . .
Who said the weather's improving,
Or the swells are taking off?

Sodden, and chafed and aching,
Gone in the loins and knees--
No matter--the day is breaking,
And there's far less weight to the seas!
Up mast, and finish baling--
In oar, and out with mead--
The rest will be two-reef sailing. . . .
That was a night indeed!

But we hold it in all disaster
(And faith, we have found it true!)
If only you stand by your Master,
The Gods will stand by you!
Written by Oscar Wilde | Create an image from this poem

Impression Du Matin

 The Thames nocturne of blue and gold
Changed to a Harmony in grey:
A barge with ochre-coloured hay
Dropt from the wharf: and chill and cold

The yellow fog came creeping down
The bridges, till the houses' walls
Seemed changed to shadows and St. Paul's
Loomed like a bubble o'er the town.

Then suddenly arose the clang
Of waking life; the streets were stirred
With country waggons: and a bird
Flew to the glistening roofs and sang.

But one pale woman all alone,
The daylight kissing her wan hair,
Loitered beneath the gas lamps' flare,
With lips of flame and heart of stone.

Book: Reflection on the Important Things