Written by
Siegfried Sassoon |
‘FALL in! Now get a move on.’ (Curse the rain.)
We splash away along the straggling village,
Out to the flat rich country, green with June...
And sunset flares across wet crops and tillage,
Blazing with splendour-patches. (Harvest soon,
Up in the Line.) ‘Perhaps the War’ll be done
‘By Christmas-Day. Keep smiling then, old son.’
Here’s the Canal: it’s dusk; we cross the bridge.
‘Lead on there, by platoons.’ (The Line’s a-glare
With shell-fire through the poplars; distant rattle
Of rifles and machine-guns.) ‘Fritz is there!
‘Christ, ain’t it lively, Sergeant? Is’t a battle?’
More rain: the lightning blinks, and thunder rumbles.
‘There’s over-head artillery!’ some chap grumbles.
What’s all this mob at the cross-roads? Where are the guides?...
‘Lead on with number One.’ And off they go.
‘Three minute intervals.’ (Poor blundering files,
Sweating and blindly burdened; who’s to know
If death will catch them in those two dark miles?)
More rain. ‘Lead on, Head-quarters.’ (That’s the lot.)
‘Who’s that?... Oh, Sergeant-Major, don’t get shot!
‘And tell me, have we won this war or not?’
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Written by
Russell Edson |
In his travels he comes to a bridge made entirely of bones.
Before crossing he writes a letter to his mother: Dear mother,
guess what? the ape accidentally bit off one of his hands while
eating a banana. Just now I am at the foot of a bone bridge. I
shall be crossing it shortly. I don't know if I shall find hills and
valleys made of flesh on the other side, or simply constant
night, villages of sleep. The ape is scolding me for not teaching
him better. I am letting him wear my pith helmet for
consolation. The bridge looks like one of those skeletal
reconstructions of a huge dinosaur one sees in a museum. The
ape is looking at the stump of his wrist and scolding me again.
I offer him another banana and he gets very furious, as though
I'd insulted him. Tomorrow we cross the bridge. I'll write to
you from the other side if I can; if not, look for a sign . . .
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Written by
Andrew Barton Paterson |
Now look, you see, it’s this way like,
You cross the broken bridge
And run the crick down till you strike
The second right-hand ridge.
The track is hard to see in parts,
But still it’s pretty clear;
There’s been two Injin hawkers’ carts
Along that road this year.
Well, run that right-hand ridge along—
It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
Where blokes went out with sheep.
But keep the crick upon your right,
And follow pretty straight
Along the spur, until you sight
A wire and sapling gate.
Well, that’s where Hogan’s old grey mare
Fell off and broke her back;
You’ll see her carcase layin’ there,
Jist down below the track.
And then you drop two mile, or three,
It’s pretty steep and blind;
You want to go and fall a tree
And tie it on behind.
And then you pass a broken cart
Below a granite bluff;
And that is where you strike the part
They reckon pretty rough.
But by the time you’ve got that far
It’s either cure or kill,
So turn your horses round the spur
And face ’em up the hill.
For look, if you should miss the slope
And get below the track,
You haven’t got the whitest hope
Of ever gettin’ back.
An’ half way up you’ll see the hide
Of Hogan’s brindled bull;
Well, mind and keep the right-hand side,
The left’s too steep a pull.
And both the banks is full of cracks;
An’ just about at dark
You’ll see the last year’s bullock tracks
Where Hogan drew the bark.
The marks is old and pretty faint—
And grown with scrub and such;
Of course the track to Hogan’s ain’t
A road that’s travelled much.
But turn and run the tracks along
For half a mile or more,
And then, of course, you can’t go wrong—
You’re right at Hogan’s door.
When first you come to Hogan’s gate
He mightn’t show, perhaps;
He’s pretty sure to plant and wait
To see it ain’t the traps.
I wouldn’t call it good enough
To let your horses out;
There’s some that’s pretty extra rough
Is livin’ round about.
It’s likely if your horses did
Get feedin’ near the track,
It’s goin’ to cost at least a quid
Or more to get them back.
So, if you find they’re off the place,
It’s up to you to go
And flash a quid in Hogan’s face—
He’ll know the blokes that know.
But listen—if you’re feelin’ dry,
Just see there’s no one near,
And go and wink the other eye
And ask for ginger beer.
The blokes come in from near and far
To sample Hogan’s pop;
They reckon once they breast the bar
They stay there till they drop.
On Sundays you can see them spread
Like flies around the tap.
It’s like that song “The Livin’ Dead”
Up there at Hogan’s Gap.
They like to make it pretty strong
Whenever there’s a charnce;
So when a stranger comes along
They always holds a dance.
There’s recitations, songs, and fights—
A willin’ lot you’ll meet.
There’s one long bloke up there recites,
I tell you—he’s a treat.
They’re lively blokes all right up there,
It’s never dull a day.
I’d go meself if I could spare
The time to get away.
. . . . .
The stranger turned his horses quick.
He didn’t cross the bridge;
He didn’t go along the crick
To strike the second ridge;
He didn’t make the trip, because
He wasn’t feeling fit.
His business up at Hogan’s was
To serve him with a writ.
He reckoned if he faced the pull
And climbed the rocky stair,
The next to come might find his hide
A land-mark on the mountain side,
Along with Hogan’s brindled bull
And Hogan’s old grey mare!
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