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Best Famous Welcoming Poems

Here is a collection of the all-time best famous Welcoming poems. This is a select list of the best famous Welcoming poetry. Reading, writing, and enjoying famous Welcoming poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of welcoming poems.

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Written by Allen Ginsberg | Create an image from this poem

Feb. 29 1958

 Last nite I dreamed of T.
S.
Eliot welcoming me to the land of dream Sofas couches fog in England Tea in his digs Chelsea rainbows curtains on his windows, fog seeping in the chimney but a nice warm house and an incredibly sweet hooknosed Eliot he loved me, put me up, gave me a couch to sleep on, conversed kindly, took me serious asked my opinion on Mayakovsky I read him Corso Creeley Kerouac advised Burroughs Olson Huncke the bearded lady in the Zoo, the intelligent puma in Mexico City 6 chorus boys from Zanzibar who chanted in wornout polygot Swahili, and the rippling rythyms of Ma Rainey and Vachel Lindsay.
On the Isle of the Queen we had a long evening's conversation Then he tucked me in my long red underwear under a silken blanket by the fire on the sofa gave me English Hottie and went off sadly to his bed, Saying ah Ginsberg I am glad to have met a fine young man like you.
At last, I woke ashamed of myself.
Is he that good and kind? Am I that great? What's my motive dreaming his manna? What English Department would that impress? What failure to be perfect prophet's made up here? I dream of my kindness to T.
S.
Eliot wanting to be a historical poet and share in his finance of Imagery- overambitious dream of eccentric boy.
God forbid my evil dreams come true.
Last nite I dreamed of Allen Ginsberg.
T.
S.
Eliot would've been ashamed of me.


Written by Walt Whitman | Create an image from this poem

Song of the Universal

 1
COME, said the Muse, 
Sing me a song no poet yet has chanted, 
Sing me the Universal.
In this broad Earth of ours, Amid the measureless grossness and the slag, Enclosed and safe within its central heart, Nestles the seed Perfection.
By every life a share, or more or less, None born but it is born—conceal’d or unconceal’d, the seed is waiting.
2 Lo! keen-eyed, towering Science! As from tall peaks the Modern overlooking, Successive, absolute fiats issuing.
Yet again, lo! the Soul—above all science; For it, has History gather’d like a husk around the globe; For it, the entire star-myriads roll through the sky.
In spiral roads, by long detours, (As a much-tacking ship upon the sea,) For it, the partial to the permanent flowing, For it, the Real to the Ideal tends.
For it, the mystic evolution; Not the right only justified—what we call evil also justified.
Forth from their masks, no matter what, From the huge, festering trunk—from craft and guile and tears, Health to emerge, and joy—joy universal.
Out of the bulk, the morbid and the shallow, Out of the bad majority—the varied, countless frauds of men and States, Electric, antiseptic yet—cleaving, suffusing all, Only the good is universal.
3 Over the mountain growths, disease and sorrow, An uncaught bird is ever hovering, hovering, High in the purer, happier air.
From imperfection’s murkiest cloud, Darts always forth one ray of perfect light, One flash of Heaven’s glory.
To fashion’s, custom’s discord, To the mad Babel-din, the deafening orgies, Soothing each lull, a strain is heard, just heard, From some far shore, the final chorus sounding.
4 O the blest eyes! the happy hearts! That see—that know the guiding thread so fine, Along the mighty labyrinth! 5 And thou, America! For the Scheme’s culmination—its Thought, and its Reality, For these, (not for thyself,) Thou hast arrived.
Thou too surroundest all; Embracing, carrying, welcoming all, Thou too, by pathways broad and new, To the Ideal tendest.
The measur’d faiths of other lands—the grandeurs of the past, Are not for Thee—but grandeurs of Thine own; Deific faiths and amplitudes, absorbing, comprehending all, All eligible to all.
All, all for Immortality! Love, like the light, silently wrapping all! Nature’s amelioration blessing all! The blossoms, fruits of ages—orchards divine and certain; Forms, objects, growths, humanities, to spiritual Images ripening.
6 Give me, O God, to sing that thought! Give me—give him or her I love, this quenchless faith In Thy ensemble.
Whatever else withheld, withhold not from us, Belief in plan of Thee enclosed in Time and Space; Health, peace, salvation universal.
Is it a dream? Nay, but the lack of it the dream, And, failing it, life’s lore and wealth a dream, And all the world a dream.
Written by Barry Tebb | Create an image from this poem

HUGHES' VOICE IN MY HEAD

 As soon as we crossed into Yorkshire

Hughes’ voice assailed me, unmistakable

Gravel and honey, a raw celebration of rain

Like a tattered lacework window;

Black glisten on roof slates,

Tarmac turned to shining ice,

Blusters of naked wind whipping

The wavelets of shifting water

To imaginary floating islets

On the turbulent river

Glumly he asked, "Where are the mills?"

Knowing their goneness in his lonely heart.
"Where are the mines with their turning spokes, Lurking slag heaps, bolts of coal split with Shimmering fools’ gold tumbling into waiting wagons? Mostly what I came for was a last glimpse Of the rock hanging over my cot, that towering Sheerness fifty fathoms high screed with ferns And failing tree roots, crumbling footholds And dour smile.
A monument needs to be known For what it is, not a tourist slot or geological stratum But the dark mentor loosing wolf’s bane At my sleeping head.
" When the coach lurches over the county boundary, If not Hughes’ voice then Heaney’s or Hill’s Ringing like miners’ boots flinging sparks From the flagstones, piercing the lens of winter, Jutting like tongues of crooked rock Lapping a mossed slab, an altar outgrown, Dumped when the trumpeting hosannas Had finally riven the air of the valley.
And I, myself, what did I make of it? The voices coming into my head Welcoming kin, alive or dead, my eyes Jerking to the roadside magpie, Its white tail-bar doing a hop, skip and jump.
Written by Kahlil Gibran | Create an image from this poem

Two Infants II

 A prince stood on the balcony of his palace addressing a great multitude summoned for the occasion and said, "Let me offer you and this whole fortunate country my congratulations upon the birth of a new prince who will carry the name of my noble family, and of whom you will be justly proud.
He is the new bearer of a great and illustrious ancestry, and upon him depends the brilliant future of this realm.
Sing and be merry!" The voices of the throngs, full of joy and thankfulness, flooded the sky with exhilarating song, welcoming the new tyrant who would affix the yoke of oppression to their necks by ruling the weak with bitter authority, and exploiting their bodies and killing their souls.
For that destiny, the people were singing and drinking ecstatically to the heady of the new Emir.
Another child entered life and that kingdom at the same time.
While the crowds were glorifying the strong and belittling themselves by singing praise to a potential despot, and while the angels of heaven were weeping over the people's weakness and servitude, a sick woman was thinking.
She lived in an old, deserted hovel and, lying in her hard bed beside her newly born infant wrapped with ragged swaddles, was starving to death.
She was a penurious and miserable young wife neglected by humanity; her husband had fallen into the trap of death set by the prince's oppression, leaving a solitary woman to whom God had sent, that night, a tiny companion to prevent her from working and sustaining life.
As the mass dispersed and silence was restored to the vicinity, the wretched woman placed the infant on her lap and looked into his face and wept as if she were to baptize him with tears.
And with a hunger weakened voice she spoke to the child saying, "Why have you left the spiritual world and come to share with me the bitterness of earthly life? Why have you deserted the angels and the spacious firmament and come to this miserable land of humans, filled with agony, oppression, and heartlessness? I have nothing to give you except tears; will you be nourished on tears instead of milk? I have no silk clothes to put on you; will my naked, shivering arms give you warmth? The little animals graze in the pasture and return safely to their shed; and the small birds pick the seeds and sleep placidly between the branches.
But you, my beloved, have naught save a loving but destitute mother.
" Then she took the infant to her withered breast and clasped her arms around him as if wanting to join the two bodies in one, as before.
She lifted her burning eyes slowly toward heaven and cried, "God! Have mercy on my unfortunate countrymen!" At that moment the clouds floated from the face of the moon, whose beams penetrated the transom of that poor home and fell upon two corpses.
Written by Barry Tebb | Create an image from this poem

LETTER FROM LEEDS

 Would ‘any woman’ find me difficult to live with?

My tastes are simple: space for several thousand books,

The smoke from my pipe stuffed with aromatic Balkan Sobranie, 

A leftover from the Sixties, frequent brief absences to fulfil

My duties as a carer, unending phone calls

And the unenviable reputation as England’s worst or best complainer,

"Treading on toes or keeping people on their toes"

Also a warm and welcoming vagina, an insatiable need

For ******** and cunnilingus, a bed with clean sheets

I can retire to by five with a hot water bottle 

To calm my churning viscera while I read 

Endless analytic texts, tomes of French poems to translate,

A notorious weekly newsletter to edit, a quarterly to write reviews for

And – I must confess – cable TV so I can access Starsky and Hutch.
I need a cottage in Haworth to go with the wife, Companion or whatever, to see with me the changing Seasons of heather from purple September glory To the browns of winter and wisps of summer green And meet with Michael Haslam, fellow poet, Maestro of the moors and shape-shifter supreme.
I write these verses sitting in the marble hall Of City Station’s restored art deco glory, The rats and debris of decades swept away, How much I need the kindness of strangers, The welcome from my son’s nurses on the Ward with the highest security rating Leeds possesses, A magnificent rotunda among lawns and wooded glades, Air conditioned with more staff than patients- When visiting times are readily extended to encompass My moorland walks and journeys to the capital When I visit Brenda Williams, England’s leading protest poet.
In an Eden garden which spreads its lawned sleeves To envelop my tobacco smoke which irritates everyone Or is it a displacement onto the smoker As I ecstasise the red and yellow splendour of the red hot poker Defiantly erect among the flowering robes of magnolia? Here we reminisce of long ago days when our children Blossomed with talent and showed no signs Of the unending torment of their adult years, Depot injections, Red clouds which whirl as in end-on sections, absconding, Liasing, losing and finding…


Written by Robert Graves | Create an image from this poem

Welsh Incident

 'But that was nothing to what things came out
From the sea-caves of Criccieth yonder.
' 'What were they? Mermaids? dragons? ghosts?' 'Nothing at all of any things like that.
' 'What were they, then?' 'All sorts of ***** things, Things never seen or heard or written about, Very strange, un-Welsh, utterly peculiar Things.
Oh, solid enough they seemed to touch, Had anyone dared it.
Marvellous creation, All various shapes and sizes, and no sizes, All new, each perfectly unlike his neighbour, Though all came moving slowly out together.
' 'Describe just one of them.
' 'I am unable.
' 'What were their colours?' 'Mostly nameless colours, Colours you'd like to see; but one was puce Or perhaps more like crimson, but not purplish.
Some had no colour.
' 'Tell me, had they legs?' 'Not a leg or foot among them that I saw.
' 'But did these things come out in any order?' What o'clock was it? What was the day of the week? Who else was present? How was the weather?' 'I was coming to that.
It was half-past three On Easter Tuesday last.
The sun was shining.
The Harlech Silver Band played Marchog Jesu On thrity-seven shimmering instruments Collecting for Caernarvon's (Fever) Hospital Fund.
The populations of Pwllheli, Criccieth, Portmadoc, Borth, Tremadoc, Penrhyndeudraeth, Were all assembled.
Criccieth's mayor addressed them First in good Welsh and then in fluent English, Twisting his fingers in his chain of office, Welcoming the things.
They came out on the sand, Not keeping time to the band, moving seaward Silently at a snail's pace.
But at last The most odd, indescribable thing of all Which hardly one man there could see for wonder Did something recognizably a something.
' 'Well, what?' 'It made a noise.
' 'A frightening noise?' 'No, no.
' 'A musical noise? A noise of scuffling?' 'No, but a very loud, respectable noise --- Like groaning to oneself on Sunday morning In Chapel, close before the second psalm.
' 'What did the mayor do?' 'I was coming to that.
'
Written by John Betjeman | Create an image from this poem

An Edwardian Sunday Broomhill Sheffield

 High dormers are rising
So sharp and surprising,
And ponticum edges
The driveways of gravel;
Stone houses from ledges
Look down on ravines.
The vision can travel From gable to gable, Italianate mansion And turretted stable, A sylvan expansion So varied and jolly Where laurel and holly Commingle their greens.
Serene on a Sunday The sun glitters hotly O'er mills that on Monday With engines will hum.
By tramway excursion To Dore and to Totley In search of diversion The millworkers come; But in our arboreta The sounds are discreeter Of shoes upon stone - The worshippers wending To welcoming chapel, Companioned or lone; And over a pew there See loveliness lean, As Eve shows her apple Through rich bombazine; What love is born new there In blushing eighteen! Your prospects will please her, The iron-king's daughter, Up here on Broomhill; Strange Hallamshire, County Of dearth and of bounty, Of brown tumbling water And furnace and mill.
Your own Ebenezer Looks down from his height On back street and alley And chemical valley Laid out in the light; On ugly and pretty Where industry thrives In this hill-shadowed city Of razors and knives.
Written by Percy Bysshe Shelley | Create an image from this poem

From Adonais 49-52

 49

Go thou to Rome,--at once the Paradise,
The grave, the city, and the wilderness;
And where its wrecks like shattered mountains rise,
And flowering weeds, and fragrant copses dress
The bones of Desolation's nakedness
Pass, till the spirit of the spot shall lead
Thy footsteps to a slope of green access
Where, like an infant's smile, over the dead
A light of laughing flowers along the grass is spread;

50

And gray walls moulder round, on which dull Time
Feeds, like slow fire upon a hoary brand;
And one keen pyramid with wedge sublime,
Pavilioning the dust of him who planned
This refuge for his memory, doth stand
Like flame transformed to marble; and beneath,
A field is spread, on which a newer band
Have pitched in Heaven's smile their camp of death,
Welcoming him we lose with scarce extinguished breath.
51 Here pause: these graves are all too young as yet To have outgrown the sorrow which consigned Its charge to each; and if the seal is set, Here, on one fountain of a mourning mind, Break it not thou! too surely shalt thou find Thine own well full, if thou returnest home, Of tears and gall.
From the world's bitter wind Seek shelter in the shadow of the tomb.
What Adonais is, why fear we to become? 52 The One remains, the many change and pass; Heaven's light forever shines, Earth's shadows fly; Life, like a dome of many-coloured glass, Stains the white radiance of Eternity, Until Death tramples it to fragments.
--Die, If thou wouldst be with that which thou dost seek! Follow where all is fled!--Rome's azure sky, Flowers, ruins, statues, music, words, are weak The glory they transfuse with fitting truth to speak.
Written by William Cullen Bryant | Create an image from this poem

Song of Marions Men

OUR band is few but true and tried  
Our leader frank and bold; 
The British soldier trembles 
When Marion's name is told.
Our fortress is the good greenwood 5 Our tent the cypress-tree; We know the forest round us As seamen know the sea.
We know its walls of thorny vines Its glades of reedy grass 10 Its safe and silent islands Within the dark morass.
Woe to the English soldiery That little dread us near! On them shall light at midnight 15 A strange and sudden fear: When waking to their tents on fire They grasp their arms in vain And they who stand to face us Are beat to earth again; 20 And they who fly in terror deem A mighty host behind And hear the tramp of thousands Upon the hollow wind.
Then sweet the hour that brings release 25 From danger and from toil; We talk the battle over And share the battle's spoil.
The woodland rings with laugh and shout As if a hunt were up 30 And woodland flowers are gathered To crown the soldier's cup.
With merry songs we mock the wind That in the pine-top grieves And slumber long and sweetly 35 On beds of oaken leaves.
Well knows the fair and friendly moon The band that Marion leads¡ª The glitter of their rifles The scampering of their steeds.
40 'T is life to guide the fiery barb Across the moonlit plain; 'T is life to feel the night-wind That lifts his tossing mane.
A moment in the British camp¡ª 45 A moment¡ªand away Back to the pathless forest Before the peep of day.
Grave men there are by broad Santee Grave men with hoary hairs; 50 Their hearts are all with Marion For Marion are their prayers.
And lovely ladies greet our band With kindliest welcoming With smiles like those of summer 55 And tears like those of spring.
For them we wear these trusty arms And lay them down no more Till we have driven the Briton Forever from our shore.
60
Written by Joyce Kilmer | Create an image from this poem

Gates and Doors

 (For Richardson Little Wright)

There was a gentle hostler
(And blessed be his name!)
He opened up the stable
The night Our Lady came.
Our Lady and Saint Joseph, He gave them food and bed, And Jesus Christ has given him A glory round his head.
So let the gate swing open However poor the yard, Lest weary people visit you And find their passage barred; Unlatch the door at midnight And let your lantern's glow Shine out to guide the traveler's feet To you across the snow.
There was a courteous hostler (He is in Heaven to-night) He held Our Lady's bridle And helped her to alight; He spread clean straw before her Whereon she might lie down, And Jesus Christ has given him An everlasting crown.
Unlock the door this evening And let your gate swing wide, Let all who ask for shelter Come speedily inside.
What if your yard be narrow? What if your house be small? There is a Guest is coming Will glorify it all.
There was a joyous hostler Who knelt on Christmas morn Beside the radiant manger Wherein his Lord was born.
His heart was full of laughter, His soul was full of bliss When Jesus, on His Mother's lap, Gave him His hand to kiss.
Unbar your heart this evening And keep no stranger out, Take from your soul's great portal The barrier of doubt.
To humble folk and weary Give hearty welcoming, Your breast shall be to-morrow The cradle of a King.

Book: Shattered Sighs