Written by
Gil Scott-Heron |
You will not be able to stay home, brother
You will not be able to plug in, turn on and cop out
You will not be able to lose yourself on skag
And skip out for beer during commercials
Because the revolution will not be televised
The revolution will not be televised
The revolution will not be brought to you by Xerox
In 4 parts without commercial interruptions
The revolution will not show you pictures of Nixon
Blowing a bugle and leading a charge by John Mitchell
General Abrams and Spiro Agnew to eat hog maws
Confiscated from a Harlem sanctuary
The revolution will not be televised
The revolution will not be brought to you by the
Schaefer Award Theater and will not star Natalie Woods
And Steve McQueen or Bullwinkle and Julia
The revolution will not give your mouth sex appeal
The revolution will not get rid of the nubs
The revolution will not make you look five pounds thinner
Because the revolution will not be televised, Brother
There will be no pictures of you and Willie May
Pushing that shopping cart down the block on the dead run
Or trying to slide that color TV into a stolen ambulance
NBC will not be able predict the winner at 8:32
Or report from 29 districts
The revolution will not be televised
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of Whitney Young
Being run out of Harlem on a rail with a brand new process
There will be no slow motion or still life of Roy Wilkens
Strolling through Watts in a red, black and green
Liberation jumpsuit that he had been saving
For just the proper occasion
Green Acres, The Beverly Hillbillies and Hooter ville Junction
Will no longer be so damned relevant
And women will not care if Dick finally gets down with Jane
On search for tomorrow because black people
Will be in the street looking for a brighter day
The revolution will not be televised
There will be no highlights on the eleven o'clock news
And no pictures of hairy armed women liberationists
And Jackie Onassis blowing her nose
The theme song will not be written by Jim Webb
Francis Scott Key, nor sung by Glen Campbell, Tom Jones
Johnny Cash, Englebert Humperdink or the Rare Earth
The revolution will not be televised
The revolution will not be right back after a message
About a white tornado, white lightning, or white people
You will not have to worry about a dove in your bedroom
The tiger in your tank or the giant in your toilet bowl
The revolution will not go better with Coke
The revolution will not fight the germs that may cause bad breath
The revolution will put you in the driver's seat
The revolution will not be televised, will not be televised
Will not be televised, will not be televised
The revolution will be no re-run brothers
The revolution will be live
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Written by
Charles Webb |
Treacherous as trap door spiders,
they ambush children's innocence.
"Why is there g h in light? It isn't fair!"
Buddha declared the world illusory
as the p sound in psyche. Sartre
said the same of God from France,
Olympus of silent letters, n'est -ce pas?
Polite conceals an e in the same way
"How are you?" hides "I don't care."
Physics asserts the desk I lean on,
the brush that fluffs my hair,
are only dots that punctuate a nullity
complete as the g sound in gnome,
the c e in Worcestershire.
Passions lurk under the saint's bed,
mute as the end of love.
They glide toward us, yellow eyes
gleaming, hushed as the finality
of hate, malice, snake.
As easily predict the h in lichen,
choral, Lichtenstein,
as laws against throttling rats,
making U-turns on empty streets.
Such nonsense must be memorized.
"Imagine dropkicking a spud,"
Dad said. "If e breaks off
your toe, it spoils your potato."
Like compass needles
pointing north, silent letters
show the power of hidden things.
Voiced by our ancestors,
but heard no more, they nudge
our thoughts toward death,
infinity, our senses' inability
to see the earth as round,
circling the sun in a universe
implacable as "Might Makes Right,"
ineffable as tomorrow's second r,
incomprehensible as imbroglio's g,
the e that finishes inscrutable,
imponderable, immense,
the terrifying k in "I don't know."
|
Written by
Charles Webb |
"Don't overdo it," Dad yelled, watching me
Play shortstop, collect stamps and shells,
Roll on the grass laughing until I peed my pants.
"Screw him," I said, and grabbed every cowry
I could find, hogged all the books I could
From Heights Library, wore out the baseball
Diamond dawn to dusk, and—parents in Duluth—
Gorged on bountiful Candy dusk to dawn.
Not until a Committee wrote of my poems,
"Enthusiasm should be tempered,"
Did I change my song. I write now
The way I live: calm and sober, steering
Toward the Golden Mean. The Committee
Was right to withhold funds. I'd have bought
A hundred box turtles with lemon-speckled shells,
Flyfished for rainbows six months straight,
Flown to the Great Barrier Reef and dived
Non-stop among pink coral and marble cones,
Living on chocolate malts, peaches, and barbecue.
I'd have turned into a ski bum, married
Ten women in ten states, written nothing
Poetry would glance at twice, instead
Of rising at 5:00 as I do now, writing
'Til noon about matters serious and deep,
Teaching 'til 6:00, eating a low-fat meal
High in fiber and cruciferous vegetables,
Then bed by 9:00, alarm clock set
Five minutes late: my one indulgence of the day.
|
Written by
John Betjeman |
The gas was on in the Institute,
The flare was up in the gym,
A man was running a mineral line,
A lass was singing a hymn,
When Captain Webb the Dawley man,
Captain Webb from Dawley,
Came swimming along the old canal
That carried the bricks to Lawley.
Swimming along -
Swimming along -
Swimming along from Severn,
And paying a call at Dawley Bank while swimming along to Heaven.
The sun shone low on the railway line
And over the bricks and stacks
And in at the upstairs windows
Of the Dawley houses' backs
When we saw the ghost of Captain Webb,
Webb in a water sheeting,
Come dripping along in a bathing dress
To the Saturday evening meeting.
Dripping along -
Dripping along -
To the Congregational Hall;
Dripping and still he rose over the sill and faded away in a wall.
There wasn't a man in Oakengates
That hadn't got hold of the tale,
And over the valley in Ironbridge,
And round by Coalbrookdale,
How CAptain Webb the Dawley man,
Captain Webb from Dawley,
Rose rigid and dead from the old canal
That carries the bricks to Lawley.
Rigid and dead -
Rigid and dead -
To the Saturday congregation,
Paying a call at Dawley Bank on the way to his destination.
|
Written by
Charles Webb |
It's okay if the world goes with Venetian;
Who cares what Italians don't see?--
Or with Man's Bluff (a temporary problem
Healed by shrieks and cheating)--or with date:
Three hours of squirming repaid by laughs for years.
But when an old woman, already deaf,
Wakes from a night of headaches, and the dark
Won't disappear--when doctors call like tedious
Birds, "If only..." up and down hospital halls--
When, long-distance, I hear her say, "Don't worry.
Honey, I'll be fine," is it a wonder
If my mind speeds down blind alleys?
If the adage "Love is blind" has never seemed
So true? If, in a flash of blinding light
I see Justice drop her scales, yank off
Her blindfold, stand revealed--a monster-god
With spidery arms and a mouth like a black hole--
While I leap, ant-sized, at her feet, blinded
By tears, raging blindly as, sense by sense,
My mother is sucked away?
|
Written by
Charles Webb |
Sharecroppers' child, she was more schooled
In slaughtering pigs and coaxing corn out of
The ground than in the laws of Math, the rules
Of Grammar. Seventeen, she fell in love
With the senior quarterback, and nearly
Married him, but—the wedding just a week
Away—drove her trousseau back to Penney's,
Then drove on past sagging fences, flooding creeks,
And country bars to huge Washington State,
Where, feeling like a hick, she studied French to compensate.
She graduated middle-of-her-class,
Managed a Senior Center while she flailed
Away at an M.A., from the morass
Of which a poet/rock-singer from Yale
Plucked her. He loved her practicality;
She adored his brilliance. Sex was great.
They married in a civil ceremony.
He played around, for which she berated
Herself, telling friends things were "hunky-dory."
Resentment grew... oh, you said "life"? That's another story.
|
Written by
Charles Webb |
He's had the chest pains for weeks,
but doctors don't make house
calls to the North Pole,
he's let his Blue Cross lapse,
blood tests make him faint,
hospital gown always flap
open, waiting rooms upset
his stomach, and it's only
indigestion anyway, he thinks,
until, feeding the reindeer,
he feels as if a monster fist
has grabbed his heart and won't
stop squeezing. He can't
breathe, and the beautiful white
world he loves goes black,
and he drops on his jelly belly
in the snow and Mrs. Claus
tears out of the toy factory
wailing, and the elves wring
their little hands, and Rudolph's
nose blinks like a sad ambulance
light, and in a tract house
in Houston, Texas, I'm 8,
telling my mom that stupid
kids at school say Santa's a big
fake, and she sits with me
on our purple-flowered couch,
and takes my hand, tears
in her throat, the terrible
news rising in her eyes.
|
Written by
Charles Webb |
The ticket settles on my desk: a paper tongue
pronouncing "Go away;" a flattened seed
from which a thousand-mile leap through the air can grow.
It's pure potential: a vacation-to-be
the way an apple is a pie-to-be,
a bullet is a death-to-be. Or is the future
pressed into it inalterably—woven between
the slick fibers like secret threads
from the U.S. Treasury? Is my flight number
already flashing as cameras grind and the newly-
bereaved moan? Or does it gleam under Arrivals,
digits turned innocuous as those that didn't
win the raffle for a new Ford truck?
If, somewhere, I'm en route now, am I
praying the winged ballpoint I'm strapped into
will write on Denver's runway, "Safe and Sound"?
Was my pocket picked in Burbank,
and I've just noticed at thirty thousand feet?
Am I smiling, watching the clouds' icefields
melt to smoky wisps, revealing lakes
like Chinese dragons embroidered in blue below?
Lifting my ticket, do I hold a bon voyage,
or boiling jet streams, roaring thunderstorms,
the plane bounced like a boat on cast iron seas,
then the lightning flash, the dizzy plunge,
perfectly aware (amid the shrieks and prayers)
that, live or die, I won't survive the fall?
|
Written by
Charles Webb |
40-acre growth found in Michigan.
— The Los Angeles Times
The sky is full of ruddy ducks
and widgeon's, mockingbirds,
bees, bats, swallowtails,
dragonflies, and great horned owls.
The land below teems with elands
and kit foxes, badgers, aardvarks,
juniper, banana slugs, larch,
cactus, heather, humankind.
Under them, a dome of dirt.
Under that, the World's
Largest Living Thing spreads
like a hemorrhage poised
to paralyze the earth—like a tumor
ready to cause 9.0 convulsions,
or a brain dreaming this world
of crickets and dung beetles,
sculpins, Beethoven, coots,
Caligula, St. Augustine grass, Mister
Lincoln roses, passion fruit, wildebeests,
orioles like sunspots shooting high,
then dropping back to the green
arms of trees, their roots
sunk deep in the power
of things sleeping and unknown.
|
Written by
Charles Webb |
Its silver clasp looks like a man grasping
his hands above his head in victory;
the latches, like twin hatchbacks headed away.
There are no wheels, just four steel nipples for sliding.
A hexagonal seal announces the defunct
"U.S. Trunk Company." The frame is wood—
big, heavy, cheap—covered with imitation leather,
its blue just slightly darker than Mom's eyes.
"It's beautiful. Much too expensive," she told Dad,
and kissed him. The lining is pink, quilted
acetate. Three sides have pouches with elastic tops—
stretched out now, like old underwear.
I watched Mom pack them with panties and brassieres
when I was so little she didn't blush.
The right front corner has been punctured and crushed.
(I could have choked the baggage handler.)
The handle—blue plastic doorknocker—
is fringed with wrinkled tags from United, Delta,
U.S. Air (which crunched the hole, flying
the suitcase back from Houston). I'd gone there
to see Mom in the "home," and save some boyhood
relics before my sister gave them to Good Will.
"Take mine," Mom said, hearing my suitcase was full.
"I won't need luggage, the next place I go."
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