Written by
William Topaz McGonagall |
A pathetic tale of the sea I will unfold,
Enough to make one's blood run cold;
Concerning four fishermen cast adrift in a dory.
As I've been told I'll relate the story.
T'was on the 8th April on the afternoon of that day
That the village of Louisburg was thrown into a wild state or dismay,
And the villagers flew to the beach in a state of wild uproar
And in a dory they found four men were cast ashore.
Then the villagers, in surprise assembled about the dory,
And they found that the bottom of the boat was gory;
Then their hearts were seized with sudden dread,
when they discovered that two of the men were dead.
And the two survivors were exhausted from exposure, hunger, and cold,
Which used the spectators to shudder when them they did behold;
And with hunger the poor men couldn't stand on their feet,
They felt so weakly on their legs for want of meat.
They were carried to a boarding-house without delay,
But those that were looking on were stricken with dismay,
When the remains of James and Angus McDonald were found in the boat,
Likewise three pieces or flesh in a pool or blood afloat.
Angus McDonald's right arm was missing from the elbow,
and the throat was cut in a sickening manner which filled the villagers hearts with woe,
Especially when they saw two pieces of flesh had been cut from each thigh,
'Twas then the kind-hearted villagers did murmur and sigh.
Angus McDonald must have felt the pangs of hunger before he did try
to cut two pieces of fiesh from James McDonald's thigh,
But, Oh heaven! the pangs of hunger are very hard to thole,
And anything that's eatable is precious unto an hungry soul.
Alas it is most pitiful and horrible to think
That with hunger christians will each other's blood drink
And eat each other's flesh to save themselves from starvation;
But the pangs or hunger makes them mad, and drives them to desperation.
An old American soldier that had passed through the Civil War,
Declared the scene surpassed anything he's seen by far,
And at the sight, the crowd in horror turned away,
which no doubt they will remember for many a day.
Colin Chisholm, one of the survivors was looking very pale,
Stretched on a sofa at the boarding-house, making his wail:
Poor fellow! his feet was greatly swollen, and with a melancholy air,
He gave the following account of the distressing affair:
We belonged to the American fishing schooner named "Cicely",
And our captain was a brave man, called McKenzie;
And the vessel had fourteen hands altogether
And during the passage we had favourable weather.
'Twas on March the 17th we sailed from Gloucester on the Wednesday
And all our hearts felt buoyant and gay;
And we arrived on the Western banks on the succeeding Tuesday,
While the time unto us seemed to pass merrily away.
About eight O'clock in the morning, we left the vessel in a dory,
And I hope all kind christians will take heed to my story;
Well, while we were at our work, the sky began to frown,
And with a dense fog we were suddenly shut down
Then we hunted and shouted, and every nerve did strain,
Thinking to find our schooner but, alas! it was all in vain:
Because the thick fog hid the vessel from our view,
And to keep ourselves warm we closely to each other drew.
We had not one drop of water , nor provisions of any kind,
Which, alas soon began to tell on our mind;
Especially upon James McDonald who was very thinly clad,
And with the cold and hunger he felt almost mad.
And looking from the stern where he was lying,
he said Good bye, mates, Oh! I am dying!
Poor fellow we kept his body thinking the rest of us would be saved,
Then, with hunger, Angus McDonald began to cry and madly raved.
And he cried, Oh, God! send us some kind of meat,
Because I'm resolved to have something to eat;
Oh! do not let us starve on the briny flood
Or else I will drink of poor Jim's blood.
Then he suddenly seized his knife and cut off poor Jim's arm,
Not thinking in his madness he'd done any harm;
Then poor Jim's blood he did drink and his flesh did eat,
Declaring that the blood tasted like cream, and was a treat.
Then he asked me to taste it, saying It was good without doubt,
Then I tasted it, but in disgust I instantly spat it out;
Saying, if I was to die within an hour on the briny flood,
I would neither eat the flesh nor drink the blood.
Then in the afternoon again he turned to me,
Saying, I'm going to cut Jim's throat for more blood d'ye see;
Then I begged of him, for God's sake not to cut the throat of poor Jim,
But he cried, Ha! ha! to save my own life I consider it no sin.
I tried to prevent him but he struck me without dismay
And cut poor Jim's throat in defiance of me, or all I could say,
Also a piece of flesh from each thigh, and began to eat away,
But poor fellow he sickened about noon, and died on the Sunday.
Now it is all over and I will thank all my life,
Who has preserved me and my mate, McEachern, in the midst of danger and strife;
And I hope that all landsmen of low and high degree,
Will think of the hardships of poor mariners while at sea.
|
Written by
William Topaz McGonagall |
There lived in Munich a poor, weakly youth,
But for the exact date, I cannot vouch for the truth,
And of seven of a family he was the elder,
Who was named, by his parents, Alois Senefelder.
But, poor fellow, at home his father was lying dead,
And his little brothers and sisters were depending upon him for bread,
And one evening he was dismissed from his employment,
Which put an end to all his peace and enjoyment.
The poor lad was almost mad, and the next day
His parent's remains to the cemetery were taken away;
And when his father was buried, distracted like he grew,
And he strolled through the streets crying, What shall I do!
And all night he wandered on sad and alone,
Until he began to think of returning home,
But, to his surprise, on raising his head to look around,
He was in a part of the country which to him was unknown ground.
And when night came on the poor lad stood aghast,
For all was hushed save the murmuring of a river which flowed past;
And the loneliness around seemed to fill his heart with awe,
And, with fatigue, he sat down on the first stone he saw.
And there resting his elbows and head on his knees,
He sat gazing at the running water, which did him please;
And by the light of the stars which shone on the water blue,
He cried, I will drown myself, and bid this harsh world adieu.
Besides, I'm good for nothing, to himself he said,
And will only become a burden to my mother, I'm afraid
And there, at the bottom of that water, said he,
From all my misfortunes death will set me free.
But, happily for Alois, more pious thoughts rushed into his mind,
And courage enough to drown himself he couldn't find,
So he resolved to go home again whatever did betide,
And he asked forgiveness of his Creator by the river side.
And as he knelt, a few incoherent words escaped him,
And the thought of drowning himself he considered a great sin,
And the more he thought of it, he felt his flesh creep,
But in a few minutes he fell fast asleep.
And he slept soundly, for the stillness wasn't broke,
And the day was beginning to dawn before he awoke;
Then suddenly he started up as if in a fright,
And he saw very near him a little stone smooth and white,
Upon which was traced the delicate design of a Sprig of Moss
But to understand such a design he was at a loss,
Then he recollected the Sprig of Moss lying on the stone,
And with his tears he'd moistened it, but it was gone.
But its imprint was delicately imprinted on the stone;
Then, taking the stone under his arm, he resolved to go home,
Saying, God has reserved me for some other thing,
And with joy he couldn't tell how he began to sing.
And on drawing near the city he met his little brother,
Who told him his uncle had visited his mother,
And on beholding their misery had left them money to buy food,
Then Alois cried, Thank God, the news is good!
Then 'twas on the first day after Alois came home,
He began the printing of the Sprig of Moss on the stone;
And by taking the impressions of watch-cases he discovered, one day,
What is now called the art of Lithography.
So Alois plodded on making known his great discovery,
Until he obtained the notice of the Royal Academy,
Besides, he obtained a gold Medal, and what was more dear to his heart,
He lived to see the wide extension of his art.
And when life's prospects may at times appear dreary to ye,
Remember Alois Senefelder, the discoverer of Lithography,
How God saved him from drowning himself in adversity,
And I hope ye all will learn what the Sprig of Moss teaches ye.
And God that made a way through the Red Sea,
If ye only put your trust in Him, He will protect ye,
And light up your path, and strew it with flowers,
And be your own Comforter in all your lonely hours.
|
Written by
Matthew Arnold |
What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forego her wreath?
Yes, but not for this alone.
Is it to feel our strength—
Not our bloom only, but our strength—decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more weakly strung?
Yes, this, and more! but not,
Ah, 'tis not what in youth we dreamed 'twould be!
'Tis not to have our life
Mellowed and softened as with sunset-glow,
A golden day's decline!
'Tis not to see the world
As from a height, with rapt prophetic eyes,
And heart profoundly stirred;
And weep, and feel the fulness of the past,
The years that are no more!
It is to spend long days
And not once feel that we were ever young.
It is to add, immured
In the hot prison of the present, month
To month with weary pain.
It is to suffer this,
And feel but half, and feebly, what we feel:
Deep in our hidden heart
Festers the dull remembrance of a change,
But no emotion—none.
It is—last stage of all—
When we are frozen up within, and quite
The phantom of ourselves,
To hear the world applaud the hollow ghost
Which blamed the living man.
|
Written by
Henry Wadsworth Longfellow |
WHEN the hours of Day are numbered
And the voices of the Night
Wake the better soul that slumbered
To a holy calm delight;
Ere the evening lamps are lighted 5
And like phantoms grim and tall
Shadows from the fitful firelight
Dance upon the parlor wall;
Then the forms of the departed
Enter at the open door; 10
The beloved the true-hearted
Come to visit me once more;
He the young and strong who cherished
Noble longings for the strife
By the roadside fell and perished 15
Weary with the march of life!
They the holy ones and weakly
Who the cross of suffering bore
Folded their pale hands so meekly
Spake with us on earth no more! 20
And with them the Being Beauteous
Who unto my youth was given
More than all things else to love me
And is now a saint in heaven.
With a slow and noiseless footstep 25
Comes that messenger divine
Takes the vacant chair beside me
Lays her gentle hand in mine.
And she sits and gazes at me
With those deep and tender eyes 30
Like the stars so still and saint-like
Looking downward from the skies.
Uttered not yet comprehended
Is the spirit's voiceless prayer
Soft rebukes in blessings ended 35
Breathing from her lips of air.
Oh though oft depressed and lonely
All my fears are laid aside
If I but remember only
Such as these have lived and died! 40
|
Written by
Edward Estlin (E E) Cummings |
a man who had fallen among thieves
lay by the roadside on his back
dressed in fifteenthrate ideas
wearing a round jeer for a hat
fate per a somewhat more than less
emancipated evening
had in return for consciousness
endowed him with a changeless grin
whereon a dozen staunch and Meal
citizens did graze at pause
then fired by hypercivic zeal
sought newer pastures or because
swaddled with a frozen brook
of pinkest vomit out of eyes
which noticed nobody he looked
as if he did not care to rise
one hand did nothing on the vest
its wideflung friend clenched weakly dirt
while the mute trouserfly confessed
a button solemnly inert.
Brushing from whom the stiffened puke
i put him all into my arms
and staggered banged with terror through
a million billion trillion stars
|
Written by
John Greenleaf Whittier |
The firmament breaks up.
In black eclipse
Light after light goes out.
One evil star,
Luridly glaring through the smoke of war,
As in the dream of the Apocalypse,
Drags others down.
Let us not weakly weep
Nor rashly threaten.
Give us grace to keep
Our faith and patience; wherefore should we leap
On one hand into fratricidal fight,
Or, on the other, yield eternal right,
Frame lies of laws, and good and ill confound?
What fear we? Safe on freedom's vantage ground
Our feet are planted; let us there remain
In unrevengeful calm, no means untried
Which truth can sanction, no just claim denied,
The sad spectators of a suicide!
They break the lines of Union: shall we light
The fires of hell to weld anew the chain
On that red anvil where each blow is pain?
Draw we not even now a freer breath,
As from our shoulders falls a load of death
Loathsome as that the Tuscan's victim bore
When keen with life to a dead horror bound?
Why take we up the accursed thing again?
Pity, forgive, but urge them back no more
Who, drunk with passion, flaunt disunion's rag
With its vile reptile blazon.
Let us press
The golden cluster on our brave old flag
In closer union, and, if numbering less,
Brighter shall shine the stars which still remain.
|
Written by
William Butler Yeats |
Come round me, little childer;
There, don't fling stones at me
Because I mutter as I go;
But pity Moll Magee.
My man was a poor fisher
With shore lines in the say;
My work was saltin' herrings
The whole of the long day.
And sometimes from the Saltin' shed
I scarce could drag my feet,
Under the blessed moonlight,
Along thc pebbly street.
I'd always been but weakly,
And my baby was just born;
A neighbour minded her by day,
I minded her till morn.
I lay upon my baby;
Ye little childer dear,
I looked on my cold baby
When the morn grew frosty and clear.
A weary woman sleeps so hard!
My man grew red and pale,
And gave me money, and bade me go
To my own place, Kinsale.
He drove me out and shut the door.
And gave his curse to me;
I went away in silence,
No neighbour could I see.
The windows and the doors were shut,
One star shone faint and green,
The little straws were turnin round
Across the bare boreen.
I went away in silence:
Beyond old Martin's byre
I saw a kindly neighbour
Blowin' her mornin' fire.
She drew from me my story -
My money's all used up,
And still, with pityin', scornin' eye,
She gives me bite and sup.
She says my man will surely come
And fetch me home agin;
But always, as I'm movin' round,
Without doors or within,
Pilin' the wood or pilin' the turf,
Or goin' to the well,
I'm thinkin' of my baby
And keenin' to mysel'.
And Sometimes I am sure she knows
When, openin' wide His door,
God lights the stats, His candles,
And looks upon the poor.
So now, ye little childer,
Ye won't fling stones at me;
But gather with your shinin' looks
And pity Moll Magee.
|
Written by
Coventry Patmore |
My little Son, who look'd from thoughtful eyes
And moved and spoke in quiet grown-up wise,
Having my law the seventh time disobey'd,
I struck him, and dismiss'd
With hard words and unkiss'd,
—His Mother, who was patient, being dead.
Then, fearing lest his grief should hinder sleep,
I visited his bed,
But found him slumbering deep,
With darken'd eyelids, and their lashes yet
From his late sobbing wet.
And I, with moan,
Kissing away his tears, left others of my own;
For, on a table drawn beside his head,
He had put, within his reach,
A box of counters and a red-vein'd stone,
A piece of glass abraded by the beach,
And six or seven shells,
A bottle with bluebells,
And two French copper coins, ranged there with careful art,
To comfort his sad heart.
So when that night I pray'd
To God, I wept, and said:
Ah, when at last we lie with trancèd breath,
Not vexing Thee in death,
And Thou rememberest of what toys
We made our joys,
How weakly understood
Thy great commanded good,
Then, fatherly not less
Than I whom Thou hast moulded from the clay,
Thou'lt leave Thy wrath, and say,
'I will be sorry for their childishness.
'
|
Written by
Ellis Parker Butler |
The cruelty of P.
L.
Brown—
(He had ten toes as good as mine)
Was known to every one in town,
And, if he never harmed a noun,
He loved to make verbs shriek and whine.
The “To be” family’s just complaints—
(Brown had ten toes as good as mine)
Made Brown cast off the last restraints:
He smashed the “Is nots” into “Ain’ts”
And kicked both mood and tense supine.
Infinitives were Brown’s dislike—
(Brown, as I said, had ten good toes)
And he would pinch and shake and strike
Infinitives, or, with a pike,
Prod them and then laugh at their woes.
At length this Brown more cruel grew—
(Ten toes, all good ones, then had Brown)
And to his woodshed door he drew
A young infinitive and threw
The poor, meek creature roughly down,
And while the poor thing weakly flopped,
Brown (ten good toes he had, the brute!)
Got out his chopping block and dropped
The martyr on it and then propped
His victim firmly with his boot.
He raised his axe! He brandished it!
(Ye gods of grammar, interpose!)
He brought it down full force all fit
The poor infinitive to split—
* * * * *
(Brown after that had but six toes!
Warning
Infinitives, by this we see.
Should not he split too recklessly.
|
Written by
Philip Levine |
The doctor fingers my bruise.
"Magnificent," he says, "black
at the edges and purple
cored.
" Seated, he spies for clues,
gingerly probing the slack
flesh, while I, standing, fazed, pull
for air, losing the battle.
Faced by his aged diploma,
the heavy head of the X-
ray, and the iron saddle,
I grow lonely.
He finds my
secrets common and my sex
neither objectionable
nor lovely, though he is on
the hunt for significance.
The shelved cutlery twinkles
behind glass, and I am on
the way out, "an instance
of the succumbed through extreme
fantasy.
" He is alarmed
at last, and would raise me, but
I am floorward in a dream
of lowered trousers, unarmed
and weakly fighting to shut
the window of my drawers.
There are others in the room,
voices of women above
white oxfords; and the old floor,
the friendly linoleum,
departs.
I whisper, "my love,"
and am safe, tabled, sniffing
spirits of ammonia
in the land of my fellows.
"Open house!" my openings
sing: pores, nose, anus let go
their charges, a shameless flow
into the outer world;
and the ceiling, equipped with
intelligence, surveys my
produce.
The doctor is thrilled
by my display, for he is half
the slave of necessity;
I, enormous in my need,
justify his sciences.
"We have alternatives," he
says, "Removal.
.
.
" (And my blood
whitens as on their dull trays
the tubes dance.
I must study
the dark bellows of the gas
machine, the painless maker.
)
".
.
.
and learning to live with it.
"
Oh, but I am learning fast
to live with any pain, ache,
growth to keep myself intact;
and in imagination
I hug my bruise like an old
Pooh Bear, already attuned
to its moods.
"Oh, my dark one,
tell of the coming of cold
and of Kings, ancient and ruined.
"
|