Written by
Sylvia Plath |
The photographic chamber of the eye
records bare painted walls, while an electric light
lays the chromium nerves of plumbing raw;
such poverty assaults the ego; caught
naked in the merely actual room,
the stranger in the lavatory mirror
puts on a public grin, repeats our name
but scrupulously reflects the usual terror.
Just how guilty are we when the ceiling
reveals no cracks that can be decoded? when washbowl
maintains it has no more holy calling
than physical ablution, and the towel
dryly disclaims that fierce troll faces lurk
in its explicit folds? or when the window,
blind with steam, will not admit the dark
which shrouds our prospects in ambiguous shadow?
Twenty years ago, the familiar tub
bred an ample batch of omens; but now
water faucets spawn no danger; each crab
and octopus -- scrabbling just beyond the view,
waiting for some accidental break
in ritual, to strike -- is definitely gone;
the authentic sea denies them and will pluck
fantastic flesh down to the honest bone.
We take the plunge; under water our limbs
waver, faintly green, shuddering away
from the genuine color of skin; can our dreams
ever blur the intransigent lines which draw
the shape that shuts us in? absolute fact
intrudes even when the revolted eye
is closed; the tub exists behind our back;
its glittering surfaces are blank and true.
Yet always the ridiculous nude flanks urge
the fabrication of some cloth to cover
such starkness; accuracy must not stalk at large:
each day demands we create our whole world over,
disguising the constant horror in a coat
of many-colored fictions; we mask our past
in the green of Eden, pretend future's shining fruit
can sprout from the navel of this present waste.
In this particular tub, two knees jut up
like icebergs, while minute brown hairs rise
on arms and legs in a fringe of kelp; green soap
navigates the tidal slosh of seas
breaking on legendary beaches; in faith
we shall board our imagined ship and wildly sail
among sacred islands of the mad till death
shatters the fabulous stars and makes us real.
|
Written by
Edna St Vincent Millay |
The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—
Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe'er I look is hideous change.
Save here.
Here 'twas as if a weed-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, "I have been here before!"
You are not here.
I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.
—So short a time
To teach my life its transposition to
This difficult and unaccustomed key!—
The room is as you left it; your last touch—
A thoughtless pressure, knowing not itself
As saintly—hallows now each simple thing;
Hallows and glorifies, and glows between
The dust's grey fingers like a shielded light.
There is your book, just as you laid it down,
Face to the table,—I cannot believe
That you are gone!—Just then it seemed to me
You must be here.
I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
Perhaps you thought, "I wonder what comes next,
And whether this or this will be the end";
So rose, and left it, thinking to return.
Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still.
When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro.
.
.
And here are the last words your fingers wrote,
Scrawled in broad characters across a page
In this brown book I gave you.
Here your hand,
Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t,"
And here another like it, just beyond
These two eccentric "e's.
" You were so small,
And wrote so brave a hand!
How strange it seems
That of all words these are the words you chose!
And yet a simple choice; you did not know
You would not write again.
If you had known—
But then, it does not matter,—and indeed
If you had known there was so little time
You would have dropped your pen and come to me
And this page would be empty, and some phrase
Other than this would hold my wonder now.
Yet, since you could not know, and it befell
That these are the last words your fingers wrote,
There is a dignity some might not see
In this, "I picked the first sweet-pea to-day.
"
To-day! Was there an opening bud beside it
You left until to-morrow?—O my love,
The things that withered,—and you came not back
That day you filled this circle of my arms
That now is empty.
(O my empty life!)
That day—that day you picked the first sweet-pea,—
And brought it in to show me! I recall
With terrible distinctness how the smell
Of your cool gardens drifted in with you.
I know, you held it up for me to see
And flushed because I looked not at the flower,
But at your face; and when behind my look
You saw such unmistakable intent
You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made,
I think.
) And then your hands above my heart
Drew down its stem into a fastening,
And while your head was bent I kissed your hair.
I wonder if you knew.
(Beloved hands!
Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust
In your bright hair.
) What is the need of Heaven
When earth can be so sweet?—If only God
Had let us love,—and show the world the way!
Strange cancellings must ink th' eternal books
When love-crossed-out will bring the answer right!
That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere,
And yet,—I am not sure.
I am not sure,
Even, if it was white or pink; for then
'Twas much like any other flower to me
Save that it was the first.
I did not know
Then, that it was the last.
If I had known—
But then, it does not matter.
Strange how few,
After all's said and done, the things that are
Of moment.
Few indeed! When I can make
Of ten small words a rope to hang the world!
"I had you and I have you now no more.
"
There, there it dangles,—where's the little truth
That can for long keep footing under that
When its slack syllables tighten to a thought?
Here, let me write it down! I wish to see
Just how a thing like that will look on paper!
"I had you and I have you now no more.
"
O little words, how can you run so straight
Across the page, beneath the weight you bear?
How can you fall apart, whom such a theme
Has bound together, and hereafter aid
In trivial expression, that have been
So hideously dignified?—Would God
That tearing you apart would tear the thread
I strung you on! Would God—O God, my mind
Stretches asunder on this merciless rack
Of imagery! O, let me sleep a while!
Would I could sleep, and wake to find me back
In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar!
How easily could God, if He so willed,
Set back the world a little turn or two!
Correct its griefs, and bring its joys again!
We were so wholly one I had not thought
That we could die apart.
I had not thought
That I could move,—and you be stiff and still!
That I could speak,—and you perforce be dumb!
I think our heart-strings were, like warp and woof
In some firm fabric, woven in and out;
Your golden filaments in fair design
Across my duller fibre.
And to-day
The shining strip is rent; the exquisite
Fine pattern is destroyed; part of your heart
Aches in my breast; part of my heart lies chilled
In the damp earth with you.
I have been tom
In two, and suffer for the rest of me.
What is my life to me? And what am I
To life,—a ship whose star has guttered out?
A Fear that in the deep night starts awake
Perpetually, to find its senses strained
Against the taut strings of the quivering air,
Awaiting the return of some dread chord?
Dark, Dark, is all I find for metaphor;
All else were contrast,—save that contrast's wall
Is down, and all opposed things flow together
Into a vast monotony, where night
And day, and frost and thaw, and death and life,
Are synonyms.
What now—what now to me
Are all the jabbering birds and foolish flowers
That clutter up the world? You were my song!
Now, let discord scream! You were my flower!
Now let the world grow weeds! For I shall not
Plant things above your grave—(the common balm
Of the conventional woe for its own wound!)
Amid sensations rendered negative
By your elimination stands to-day,
Certain, unmixed, the element of grief;
I sorrow; and I shall not mock my truth
With travesties of suffering, nor seek
To effigy its incorporeal bulk
In little wry-faced images of woe.
I cannot call you back; and I desire
No utterance of my immaterial voice.
I cannot even turn my face this way
Or that, and say, "My face is turned to you";
I know not where you are, I do not know
If Heaven hold you or if earth transmute,
Body and soul, you into earth again;
But this I know:—not for one second's space
Shall I insult my sight with visionings
Such as the credulous crowd so eager-eyed
Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears!
My sorrow shall be dumb!
—What do I say?
God! God!—God pity me! Am I gone mad
That I should spit upon a rosary?
Am I become so shrunken? Would to God
I too might feel that frenzied faith whose touch
Makes temporal the most enduring grief;
Though it must walk a while, as is its wont,
With wild lamenting! Would I too might weep
Where weeps the world and hangs its piteous wreaths
For its new dead! Not Truth, but Faith, it is
That keeps the world alive.
If all at once
Faith were to slacken,—that unconscious faith
Which must, I know, yet be the corner-stone
Of all believing,—birds now flying fearless
Across would drop in terror to the earth;
Fishes would drown; and the all-governing reins
Would tangle in the frantic hands of God
And the worlds gallop headlong to destruction!
O God, I see it now, and my sick brain
Staggers and swoons! How often over me
Flashes this breathlessness of sudden sight
In which I see the universe unrolled
Before me like a scroll and read thereon
Chaos and Doom, where helpless planets whirl
Dizzily round and round and round and round,
Like tops across a table, gathering speed
With every spin, to waver on the edge
One instant—looking over—and the next
To shudder and lurch forward out of sight—
* * * * * * *
Ah, I am worn out—I am wearied out—
It is too much—I am but flesh and blood,
And I must sleep.
Though you were dead again,
I am but flesh and blood and I must sleep.
|
Written by
Algernon Charles Swinburne |
Watchman, what of the night? -
Storm and thunder and rain,
Lights that waver and wane,
Leaving the watchfires unlit.
Only the balefires are bright,
And the flash of the lamps now and then
From a palace where spoilers sit,
Trampling the children of men.
Prophet, what of the night? -
I stand by the verge of the sea,
Banished, uncomforted, free,
Hearing the noise of the waves
And sudden flashes that smite
Some man's tyrannous head,
Thundering, heard among graves
That hide the hosts of his dead.
Mourners, what of the night? -
All night through without sleep
We weep, and we weep, and we weep.
Who shall give us our sons ?
Beaks of raven and kite,
Mouths of wolf and of hound,
Give us them back whom the guns
Shot for you dead on the ground.
Dead men, what of the night? -
Cannon and scaffold and sword,
Horror of gibbet and cord,
Mowed us as sheaves for the grave,
Mowed us down for the right.
We do not grudge or repent.
Freely to freedom we gave
Pledges, till life should be spent.
Statesman, what of the night? -
The night will last me my time.
The gold on a crown or a crime
Looks well enough yet by the lamps.
Have we not fingers to write,
Lips to swear at a need?
Then, when danger decamps,
Bury the word with the deed.
Warrior, what of the night? -
Whether it be not or be
Night, is as one thing to me.
I for one, at the least,
Ask not of dews if they blight,
Ask not of flames if they slay,
Ask not of prince or of priest
How long ere we put them away.
Master, what of the night? -
Child, night is not at all
Anywhere, fallen or to fall,
Save in our star-stricken eyes.
Forth of our eyes it takes flight,
Look we but once nor before
Nor behind us, but straight on the skies;
Night is not then any more.
Exile, what of the night? -
The tides and the hours run out,
The seasons of death and of doubt,
The night-watches bitter and sore.
In the quicksands leftward and right
My feet sink down under me;
But I know the scents of the shore
And the broad blown breaths of the sea.
Captives, what of the night? -
It rains outside overhead
Always, a rain that is red,
And our faces are soiled with the rain.
Here in the seasons' despite
Day-time and night-time are one,
Till the curse of the kings and the chain
Break, and their toils be undone.
Christian, what of the night? -
I cannot tell; I am blind.
I halt and hearken behind
If haply the hours will go back
And return to the dear dead light,
To the watchfires and stars that of old
Shone where the sky now is black,
Glowed where the earth now is cold.
High priest, what of the night? -
The night is horrible here
With haggard faces and fear,
Blood, and the burning of fire.
Mine eyes are emptied of sight,
Mine hands are full of the dust,
If the God of my faith be a liar,
Who is it that I shall trust?
Princes, what of the night? -
Night with pestilent breath
Feeds us, children of death,
Clothes us close with her gloom.
Rapine and famine and fright
Crouch at our feet and are fed.
Earth where we pass is a tomb,
Life where we triumph is dead.
Martyrs, what of the night? -
Nay, is it night with you yet?
We, for our part, we forget
What night was, if it were.
The loud red mouths of the fight
Are silent and shut where we are.
In our eyes the tempestuous air
Shines as the face of a star.
England, what of the night? -
Night is for slumber and sleep,
Warm, no season to weep.
Let me alone till the day.
Sleep would I still if I might,
Who have slept for two hundred years.
Once I had honour, they say;
But slumber is sweeter than tears.
France, what of the night? -
Night is the prostitute's noon,
Kissed and drugged till she swoon,
Spat upon, trod upon, whored.
With bloodred rose-garlands dight,
Round me reels in the dance
Death, my saviour, my lord,
Crowned; there is no more France.
Italy, what of the night? -
Ah, child, child, it is long!
Moonbeam and starbeam and song
Leave it dumb now and dark.
Yet I perceive on the height
Eastward, not now very far,
A song too loud for the lark,
A light too strong for a star.
Germany, what of the night ? -
Long has it lulled me with dreams;
Now at midwatch, as it seems,
Light is brought back to mine eyes,
And the mastery of old and the might
Lives in the joints of mine hands,
Steadies my limbs as they rise,
Strengthens my foot as it stands.
Europe, what of the night ? -
Ask of heaven, and the sea,
And my babes on the bosom of me,
Nations of mine, but ungrown.
There is one who shall surely requite
All that endure or that err:
She can answer alone:
Ask not of me, but of her.
Liberty, what of the night ? -
I feel not the red rains fall,
Hear not the tempest at all,
Nor thunder in heaven any more.
All the distance is white
With the soundless feet of the sun.
Night, with the woes that it wore,
Night is over and done.
|
Written by
Elizabeth Bishop |
Earliest morning, switching all the tracks
that cross the sky from cinder star to star,
coupling the ends of streets
to trains of light.
now draw us into daylight in our beds;
and clear away what presses on the brain:
put out the neon shapes
that float and swell and glare
down the gray avenue between the eyes
in pinks and yellows, letters and twitching signs.
Hang-over moons, wane, wane!
From the window I see
an immense city, carefully revealed,
made delicate by over-workmanship,
detail upon detail,
cornice upon facade,
reaching up so languidly up into
a weak white sky, it seems to waver there.
(Where it has slowly grown
in skies of water-glass
from fused beads of iron and copper crystals,
the little chemical "garden" in a jar
trembles and stands again,
pale blue, blue-green, and brick.
)
The sparrows hurriedly begin their play.
Then, in the West, "Boom!" and a cloud of smoke.
"Boom!" and the exploding ball
of blossom blooms again.
(And all the employees who work in a plants
where such a sound says "Danger," or once said "Death,"
turn in their sleep and feel
the short hairs bristling
on backs of necks.
) The cloud of smoke moves off.
A shirt is taken of a threadlike clothes-line.
Along the street below
the water-wagon comes
throwing its hissing, snowy fan across
peelings and newspapers.
The water dries
light-dry, dark-wet, the pattern
of the cool watermelon.
I hear the day-springs of the morning strike
from stony walls and halls and iron beds,
scattered or grouped cascades,
alarms for the expected:
***** cupids of all persons getting up,
whose evening meal they will prepare all day,
you will dine well
on his heart, on his, and his,
so send them about your business affectionately,
dragging in the streets their unique loves.
Scourge them with roses only,
be light as helium,
for always to one, or several, morning comes
whose head has fallen over the edge of his bed,
whose face is turned
so that the image of
the city grows down into his open eyes
inverted and distorted.
No.
I mean
distorted and revealed,
if he sees it at all.
|
Written by
G K Chesterton |
Under what withering leprous light
The very grass as hair is grey,
Grass in the cracks of the paven courts
Of gods we graved but yesterday.
Senate, republic, empire, all
We leaned our backs on like a wall
And blessed as stron as strong and blamed as stolid--
Can it be these that waver and fall?
And what is this like a ghost returning,
A dream grown strong in the strong daylight?
The all-forsaken, the unforgotten,
The ever-behind and out of sight.
We turned our backs and our blind flesh felt it
Growing and growing, a tower in height.
Ah, not alone the evil splendour
And not the insolent arms alone
Break with the ramrod, stiff and brittle,
The sceptre of the nordic throne;
But things of manlier renown
Reel in the wreck of throne and crown,
With tyrannous tyranny, tyrannous loyalty
Tyrannous liberty, all gone down.
(There is never a crack in the ivory tower
Or a hinge to groan in the house of gold
Or a leaf of the rose in the wind to wither
And she grows young as the world grows old.
A Woman clothed with the sun returning
to clothe the sun when the sun is cold.
)
Ah, who had guessed that in a moment
Great Liberty that loosed the tribes,
the Republic of the young men's battles
Grew stale and stank of old men's bribes;
And where we watched her smile in power
A statue like a starry tower
the stone face sneers as in a nightmare
Down on a world that worms devour.
(Archaic incredible dead dawns breaking
Deep in the deserts and waste and wealds,
Where the dead cry aloud on Our Lady of Victories,
Queen of the Eagles, aloft on the shields,
And the sun is gone up on the Thundering Legion
On the roads of Rome to the Battlefields.
)
Ah, who had known who had not seen
How soft and sudden on the fame
Of my most noble English ships
The sunset light of Carthage came
And the thing I never had dreamed could be
In the house of my fathers came to me
Through the sea-wall cloven, the cloud and dark,
A voice divided, a doubtful sea.
(The light is bright on the Tower of David,
The evening glows with the morning star
In the skies turned back and the days returning
She walks so near who had wandered far
And in the heart of the swords, the seven times wounded,
Was never wearied as our hearts are.
)
How swift as with a fall of snow
New things grow hoary with the light.
We watch the wrinkles crawl like snakes
On the new image in our sight.
The lines that sprang up taut and bold
Sag like primordial monsters old,
Sink in the bas-reliers of fossil
And the slow earth swallows them, fold on fold,
But light are the feet on the hills of the morning
Of the lambs that leap up to the Bride of the Sun,
And swift are the birds as the butterflies flashing
And sudden as laughter the rivulets run
And sudden for ever as summer lightning
the light is bright on the world begun.
Thou wilt not break as we have broken
The towers we reared to rival Thee.
More true to England than the English
More just to freedom than the free.
O trumpet of the intolerant truth
Thou art more full of grace and ruth
For the hopes of th world than the world that made them,
The world that murdered the loves of our youth.
Thou art more kind to our dreams, Our Mother,
Than the wise that wove us the dreams for shade.
God if more good to the gods that mocked Him
Than men are good to the gods they made.
Tenderer with toys than a boy grown brutal,
Breaking the puppets with which he played.
What are the flowers the garden guards not
And how but here should dreams return?
And how on hearths made cold with ruin
the wide wind-scattered ashes burn--
What is the home of the heart set free,
And where is the nesting of liberty,
And where from the world shall the world take shelter
And man be matter, and not with Thee?
Wisdom is set in her throne of thunder,
The Mirror of Justice blinds the day--
Where are the towers that are not of the City,
Trophies and trumpetings, where are they?
Where over the maze of the world returning
The bye-ways bend to the King's highway.
|
Written by
Matthew Arnold |
1 Faster, faster,
2 O Circe, Goddess,
3 Let the wild, thronging train
4 The bright procession
5 Of eddying forms,
6 Sweep through my soul!
7 Thou standest, smiling
8 Down on me! thy right arm,
9 Lean'd up against the column there,
10 Props thy soft cheek;
11 Thy left holds, hanging loosely,
12 The deep cup, ivy-cinctured,
13 I held but now.
14 Is it, then, evening
15 So soon? I see, the night-dews,
16 Cluster'd in thick beads, dim
17 The agate brooch-stones
18 On thy white shoulder;
19 The cool night-wind, too,
20 Blows through the portico,
21 Stirs thy hair, Goddess,
22 Waves thy white robe!
Circe.
23 Whence art thou, sleeper?
The Youth.
24 When the white dawn first
25 Through the rough fir-planks
26 Of my hut, by the chestnuts,
27 Up at the valley-head,
28 Came breaking, Goddess!
29 I sprang up, I threw round me
30 My dappled fawn-skin;
31 Passing out, from the wet turf,
32 Where they lay, by the hut door,
33 I snatch'd up my vine-crown, my fir-staff,
34 All drench'd in dew-
35 Came swift down to join
36 The rout early gather'd
37 In the town, round the temple,
38 Iacchus' white fane
39 On yonder hill.
40 Quick I pass'd, following
41 The wood-cutters' cart-track
42 Down the dark valley;-I saw
43 On my left, through the beeches,
44 Thy palace, Goddess,
45 Smokeless, empty!
46 Trembling, I enter'd; beheld
47 The court all silent,
48 The lions sleeping,
49 On the altar this bowl.
50 I drank, Goddess!
51 And sank down here, sleeping,
52 On the steps of thy portico.
Circe.
53 Foolish boy! Why tremblest thou?
54 Thou lovest it, then, my wine?
55 Wouldst more of it? See, how glows,
56 Through the delicate, flush'd marble,
57 The red, creaming liquor,
58 Strown with dark seeds!
59 Drink, thee! I chide thee not,
60 Deny thee not my bowl.
61 Come, stretch forth thy hand, thee-so!
62 Drink-drink again!
The Youth.
63 Thanks, gracious one!
64 Ah, the sweet fumes again!
65 More soft, ah me,
66 More subtle-winding
67 Than Pan's flute-music!
68 Faint-faint! Ah me,
69 Again the sweet sleep!
Circe.
70 Hist! Thou-within there!
71 Come forth, Ulysses!
72 Art tired with hunting?
73 While we range the woodland,
74 See what the day brings.
Ulysses.
75 Ever new magic!
76 Hast thou then lured hither,
77 Wonderful Goddess, by thy art,
78 The young, languid-eyed Ampelus,
79 Iacchus' darling-
80 Or some youth beloved of Pan,
81 Of Pan and the Nymphs?
82 That he sits, bending downward
83 His white, delicate neck
84 To the ivy-wreathed marge
85 Of thy cup; the bright, glancing vine-leaves
86 That crown his hair,
87 Falling forward, mingling
88 With the dark ivy-plants--
89 His fawn-skin, half untied,
90 Smear'd with red wine-stains? Who is he,
91 That he sits, overweigh'd
92 By fumes of wine and sleep,
93 So late, in thy portico?
94 What youth, Goddess,-what guest
95 Of Gods or mortals?
Circe.
96 Hist! he wakes!
97 I lured him not hither, Ulysses.
98 Nay, ask him!
The Youth.
99 Who speaks' Ah, who comes forth
100 To thy side, Goddess, from within?
101 How shall I name him?
102 This spare, dark-featured,
103 Quick-eyed stranger?
104 Ah, and I see too
105 His sailor's bonnet,
106 His short coat, travel-tarnish'd,
107 With one arm bare!--
108 Art thou not he, whom fame
109 This long time rumours
110 The favour'd guest of Circe, brought by the waves?
111 Art thou he, stranger?
112 The wise Ulysses,
113 Laertes' son?
Ulysses.
114 I am Ulysses.
115 And thou, too, sleeper?
116 Thy voice is sweet.
117 It may be thou hast follow'd
118 Through the islands some divine bard,
119 By age taught many things,
120 Age and the Muses;
121 And heard him delighting
122 The chiefs and people
123 In the banquet, and learn'd his songs.
124 Of Gods and Heroes,
125 Of war and arts,
126 And peopled cities,
127 Inland, or built
128 By the gray sea.
-If so, then hail!
129 I honour and welcome thee.
The Youth.
130 The Gods are happy.
131 They turn on all sides
132 Their shining eyes,
133 And see below them
134 The earth and men.
135 They see Tiresias
136 Sitting, staff in hand,
137 On the warm, grassy
138 Asopus bank,
139 His robe drawn over
140 His old sightless head,
141 Revolving inly
142 The doom of Thebes.
143 They see the Centaurs
144 In the upper glens
145 Of Pelion, in the streams,
146 Where red-berried ashes fringe
147 The clear-brown shallow pools,
148 With streaming flanks, and heads
149 Rear'd proudly, snuffing
150 The mountain wind.
151 They see the Indian
152 Drifting, knife in hand,
153 His frail boat moor'd to
154 A floating isle thick-matted
155 With large-leaved, low-creeping melon-plants
156 And the dark cucumber.
157 He reaps, and stows them,
158 Drifting--drifting;--round him,
159 Round his green harvest-plot,
160 Flow the cool lake-waves,
161 The mountains ring them.
162 They see the Scythian
163 On the wide stepp, unharnessing
164 His wheel'd house at noon.
165 He tethers his beast down, and makes his meal--
166 Mares' milk, and bread
167 Baked on the embers;--all around
168 The boundless, waving grass-plains stretch, thick-starr'd
169 With saffron and the yellow hollyhock
170 And flag-leaved iris-flowers.
171 Sitting in his cart
172 He makes his meal; before him, for long miles,
173 Alive with bright green lizards,
174 And the springing bustard-fowl,
175 The track, a straight black line,
176 Furrows the rich soil; here and there
177 Cluster of lonely mounds
178 Topp'd with rough-hewn,
179 Gray, rain-blear'd statues, overpeer
180 The sunny waste.
181 They see the ferry
182 On the broad, clay-laden
183 Lone Chorasmian stream;--thereon,
184 With snort and strain,
185 Two horses, strongly swimming, tow
186 The ferry-boat, with woven ropes
187 To either bow
188 Firm harness'd by the mane; a chief
189 With shout and shaken spear,
190 Stands at the prow, and guides them; but astern
191 The cowering merchants, in long robes,
192 Sit pale beside their wealth
193 Of silk-bales and of balsam-drops,
194 Of gold and ivory,
195 Of turquoise-earth and amethyst,
196 Jasper and chalcedony,
197 And milk-barred onyx-stones.
198 The loaded boat swings groaning
199 In the yellow eddies;
200 The Gods behold him.
201 They see the Heroes
202 Sitting in the dark ship
203 On the foamless, long-heaving
204 Violet sea.
205 At sunset nearing
206 The Happy Islands.
207 These things, Ulysses,
208 The wise bards, also
209 Behold and sing.
210 But oh, what labour!
211 O prince, what pain!
212 They too can see
213 Tiresias;--but the Gods,
214 Who give them vision,
215 Added this law:
216 That they should bear too
217 His groping blindness,
218 His dark foreboding,
219 His scorn'd white hairs;
220 Bear Hera's anger
221 Through a life lengthen'd
222 To seven ages.
223 They see the Centaurs
224 On Pelion:--then they feel,
225 They too, the maddening wine
226 Swell their large veins to bursting; in wild pain
227 They feel the biting spears
228 Of the grim Lapith?, and Theseus, drive,
229 Drive crashing through their bones; they feel
230 High on a jutting rock in the red stream
231 Alcmena's dreadful son
232 Ply his bow;--such a price
233 The Gods exact for song:
234 To become what we sing.
235 They see the Indian
236 On his mountain lake; but squalls
237 Make their skiff reel, and worms
238 In the unkind spring have gnawn
239 Their melon-harvest to the heart.
--They see
240 The Scythian: but long frosts
241 Parch them in winter-time on the bare stepp,
242 Till they too fade like grass; they crawl
243 Like shadows forth in spring.
244 They see the merchants
245 On the Oxus stream;--but care
246 Must visit first them too, and make them pale.
247 Whether, through whirling sand,
248 A cloud of desert robber-horse have burst
249 Upon their caravan; or greedy kings,
250 In the wall'd cities the way passes through,
251 Crush'd them with tolls; or fever-airs,
252 On some great river's marge,
253 Mown them down, far from home.
254 They see the Heroes
255 Near harbour;--but they share
256 Their lives, and former violent toil in Thebes,
257 Seven-gated Thebes, or Troy;
258 Or where the echoing oars
259 Of Argo first
260 Startled the unknown sea.
261 The old Silenus
262 Came, lolling in the sunshine,
263 From the dewy forest-coverts,
264 This way at noon.
265 Sitting by me, while his Fauns
266 Down at the water-side
267 Sprinkled and smoothed
268 His drooping garland,
269 He told me these things.
270 But I, Ulysses,
271 Sitting on the warm steps,
272 Looking over the valley,
273 All day long, have seen,
274 Without pain, without labour,
275 Sometimes a wild-hair'd M?nad--
276 Sometimes a Faun with torches--
277 And sometimes, for a moment,
278 Passing through the dark stems
279 Flowing-robed, the beloved,
280 The desired, the divine,
281 Beloved Iacchus.
282 Ah, cool night-wind, tremulous stars!
283 Ah, glimmering water,
284 Fitful earth-murmur,
285 Dreaming woods!
286 Ah, golden-haired, strangely smiling Goddess,
287 And thou, proved, much enduring,
288 Wave-toss'd Wanderer!
289 Who can stand still?
290 Ye fade, ye swim, ye waver before me--
291 The cup again!
292 Faster, faster,
293 O Circe, Goddess.
294 Let the wild, thronging train,
295 The bright procession
296 Of eddying forms,
297 Sweep through my soul!
|
Written by
Elizabeth Bishop |
For John Malcolm Brinnin and Bill Read: Duxbury
It was cold and windy, scarcely the day
to take a walk on that long beach
Everything was withdrawn as far as possible,
indrawn: the tide far out, the ocean shrunken,
seabirds in ones or twos.
The rackety, icy, offshore wind
numbed our faces on one side;
disrupted the formation
of a lone flight of Canada geese;
and blew back the low, inaudible rollers
in upright, steely mist.
The sky was darker than the water
--it was the color of mutton-fat jade.
Along the wet sand, in rubber boots, we followed
a track of big dog-prints (so big
they were more like lion-prints).
Then we came on
lengths and lengths, endless, of wet white string,
looping up to the tide-line, down to the water,
over and over.
Finally, they did end:
a thick white snarl, man-size, awash,
rising on every wave, a sodden ghost,
falling back, sodden, giving up the ghost.
.
.
A kite string?--But no kite.
I wanted to get as far as my proto-dream-house,
my crypto-dream-house, that crooked box
set up on pilings, shingled green,
a sort of artichoke of a house, but greener
(boiled with bicarbonate of soda?),
protected from spring tides by a palisade
of--are they railroad ties?
(Many things about this place are dubious.
)
I'd like to retire there and do nothing,
or nothing much, forever, in two bare rooms:
look through binoculars, read boring books,
old, long, long books, and write down useless notes,
talk to myself, and, foggy days,
watch the droplets slipping, heavy with light.
At night, a grog a l'américaine.
I'd blaze it with a kitchen match
and lovely diaphanous blue flame
would waver, doubled in the window.
There must be a stove; there is a chimney,
askew, but braced with wires,
and electricity, possibly
--at least, at the back another wire
limply leashes the whole affair
to something off behind the dunes.
A light to read by--perfect! But--impossible.
And that day the wind was much too cold
even to get that far,
and of course the house was boarded up.
On the way back our faces froze on the other side.
The sun came out for just a minute.
For just a minute, set in their bezels of sand,
the drab, damp, scattered stones
were multi-colored,
and all those high enough threw out long shadows,
individual shadows, then pulled them in again.
They could have been teasing the lion sun,
except that now he was behind them
--a sun who'd walked the beach the last low tide,
making those big, majestic paw-prints,
who perhaps had batted a kite out of the sky to play with.
|
Written by
Arthur Hugh Clough |
Across the sea, along the shore,
In numbers more and ever more,
From lonely hut and busy town,
The valley through, the mountain down,
What was it ye went out to see,
Ye silly folk Galilee?
The reed that in the wind doth shake?
The weed that washes in the lake?
The reeds that waver, the weeds that float?
A young man preaching in a boat.
What was it ye went out to hear
By sea and land from far and near?
A teacher? Rather seek the feet
Of those who sit in Moses' seat.
Go humbly seek, and bow to them,
Far off in great Jerusalem.
From them that in her courts ye saw,
Her perfect doctors of the law,
What is it came ye here to note?
A young man preaching in a boat.
A prophet! Boys and women weak!
Declare, or cease to rave;
Whence is it he hath learned to speak?
Say, who his doctrine gave?
A prophet? Prophet wherefore he
Of all in Israel tribes?
He teacheth with authority,
And not as do the Scribes.
|
Written by
Carl Sandburg |
YOU will come one day in a waver of love,
Tender as dew, impetuous as rain,
The tan of the sun will be on your skin,
The purr of the breeze in your murmuring speech,
You will pose with a hill-flower grace.
You will come, with your slim, expressive arms,
A poise of the head no sculptor has caught
And nuances spoken with shoulder and neck,
Your face in a pass-and-repass of moods
As many as skies in delicate change
Of cloud and blue and flimmering sun.
Yet,
You may not come, O girl of a dream,
We may but pass as the world goes by
And take from a look of eyes into eyes,
A film of hope and a memoried day.
|
Written by
Matthew Arnold |
The Youth
Faster, faster,
O Circe, Goddess,
Let the wild, thronging train
The bright procession
Of eddying forms,
Sweep through my soul!
Thou standest, smiling
Down on me! thy right arm,
Lean'd up against the column there,
Props thy soft cheek;
Thy left holds, hanging loosely,
The deep cup, ivy-cinctured,
I held but now.
Is it, then, evening
So soon? I see, the night-dews,
Cluster'd in thick beads, dim
The agate brooch-stones
On thy white shoulder;
The cool night-wind, too,
Blows through the portico,
Stirs thy hair, Goddess,
Waves thy white robe!
Circe.
Whence art thou, sleeper?
The Youth.
When the white dawn first
Through the rough fir-planks
Of my hut, by the chestnuts,
Up at the valley-head,
Came breaking, Goddess!
I sprang up, I threw round me
My dappled fawn-skin;
Passing out, from the wet turf,
Where they lay, by the hut door,
I snatch'd up my vine-crown, my fir-staff,
All drench'd in dew-
Came swift down to join
The rout early gather'd
In the town, round the temple,
Iacchus' white fane
On yonder hill.
Quick I pass'd, following
The wood-cutters' cart-track
Down the dark valley;-I saw
On my left, through the beeches,
Thy palace, Goddess,
Smokeless, empty!
Trembling, I enter'd; beheld
The court all silent,
The lions sleeping,
On the altar this bowl.
I drank, Goddess!
And sank down here, sleeping,
On the steps of thy portico.
Circe.
Foolish boy! Why tremblest thou?
Thou lovest it, then, my wine?
Wouldst more of it? See, how glows,
Through the delicate, flush'd marble,
The red, creaming liquor,
Strown with dark seeds!
Drink, thee! I chide thee not,
Deny thee not my bowl.
Come, stretch forth thy hand, thee-so!
Drink-drink again!
The Youth.
Thanks, gracious one!
Ah, the sweet fumes again!
More soft, ah me,
More subtle-winding
Than Pan's flute-music!
Faint-faint! Ah me,
Again the sweet sleep!
Circe.
Hist! Thou-within there!
Come forth, Ulysses!
Art tired with hunting?
While we range the woodland,
See what the day brings.
Ulysses.
Ever new magic!
Hast thou then lured hither,
Wonderful Goddess, by thy art,
The young, languid-eyed Ampelus,
Iacchus' darling-
Or some youth beloved of Pan,
Of Pan and the Nymphs?
That he sits, bending downward
His white, delicate neck
To the ivy-wreathed marge
Of thy cup; the bright, glancing vine-leaves
That crown his hair,
Falling forward, mingling
With the dark ivy-plants--
His fawn-skin, half untied,
Smear'd with red wine-stains? Who is he,
That he sits, overweigh'd
By fumes of wine and sleep,
So late, in thy portico?
What youth, Goddess,-what guest
Of Gods or mortals?
Circe.
Hist! he wakes!
I lured him not hither, Ulysses.
Nay, ask him!
The Youth.
Who speaks' Ah, who comes forth
To thy side, Goddess, from within?
How shall I name him?
This spare, dark-featured,
Quick-eyed stranger?
Ah, and I see too
His sailor's bonnet,
His short coat, travel-tarnish'd,
With one arm bare!--
Art thou not he, whom fame
This long time rumours
The favour'd guest of Circe, brought by the waves?
Art thou he, stranger?
The wise Ulysses,
Laertes' son?
Ulysses.
I am Ulysses.
And thou, too, sleeper?
Thy voice is sweet.
It may be thou hast follow'd
Through the islands some divine bard,
By age taught many things,
Age and the Muses;
And heard him delighting
The chiefs and people
In the banquet, and learn'd his songs.
Of Gods and Heroes,
Of war and arts,
And peopled cities,
Inland, or built
By the gray sea.
-If so, then hail!
I honour and welcome thee.
The Youth.
The Gods are happy.
They turn on all sides
Their shining eyes,
And see below them
The earth and men.
They see Tiresias
Sitting, staff in hand,
On the warm, grassy
Asopus bank,
His robe drawn over
His old sightless head,
Revolving inly
The doom of Thebes.
They see the Centaurs
In the upper glens
Of Pelion, in the streams,
Where red-berried ashes fringe
The clear-brown shallow pools,
With streaming flanks, and heads
Rear'd proudly, snuffing
The mountain wind.
They see the Indian
Drifting, knife in hand,
His frail boat moor'd to
A floating isle thick-matted
With large-leaved, low-creeping melon-plants
And the dark cucumber.
He reaps, and stows them,
Drifting--drifting;--round him,
Round his green harvest-plot,
Flow the cool lake-waves,
The mountains ring them.
They see the Scythian
On the wide stepp, unharnessing
His wheel'd house at noon.
He tethers his beast down, and makes his meal--
Mares' milk, and bread
Baked on the embers;--all around
The boundless, waving grass-plains stretch, thick-starr'd
With saffron and the yellow hollyhock
And flag-leaved iris-flowers.
Sitting in his cart
He makes his meal; before him, for long miles,
Alive with bright green lizards,
And the springing bustard-fowl,
The track, a straight black line,
Furrows the rich soil; here and there
Cluster of lonely mounds
Topp'd with rough-hewn,
Gray, rain-blear'd statues, overpeer
The sunny waste.
They see the ferry
On the broad, clay-laden
Lone Chorasmian stream;--thereon,
With snort and strain,
Two horses, strongly swimming, tow
The ferry-boat, with woven ropes
To either bow
Firm harness'd by the mane; a chief
With shout and shaken spear,
Stands at the prow, and guides them; but astern
The cowering merchants, in long robes,
Sit pale beside their wealth
Of silk-bales and of balsam-drops,
Of gold and ivory,
Of turquoise-earth and amethyst,
Jasper and chalcedony,
And milk-barred onyx-stones.
The loaded boat swings groaning
In the yellow eddies;
The Gods behold him.
They see the Heroes
Sitting in the dark ship
On the foamless, long-heaving
Violet sea.
At sunset nearing
The Happy Islands.
These things, Ulysses,
The wise bards, also
Behold and sing.
But oh, what labour!
O prince, what pain!
They too can see
Tiresias;--but the Gods,
Who give them vision,
Added this law:
That they should bear too
His groping blindness,
His dark foreboding,
His scorn'd white hairs;
Bear Hera's anger
Through a life lengthen'd
To seven ages.
They see the Centaurs
On Pelion:--then they feel,
They too, the maddening wine
Swell their large veins to bursting; in wild pain
They feel the biting spears
Of the grim Lapith?, and Theseus, drive,
Drive crashing through their bones; they feel
High on a jutting rock in the red stream
Alcmena's dreadful son
Ply his bow;--such a price
The Gods exact for song:
To become what we sing.
They see the Indian
On his mountain lake; but squalls
Make their skiff reel, and worms
In the unkind spring have gnawn
Their melon-harvest to the heart.
--They see
The Scythian: but long frosts
Parch them in winter-time on the bare stepp,
Till they too fade like grass; they crawl
Like shadows forth in spring.
They see the merchants
On the Oxus stream;--but care
Must visit first them too, and make them pale.
Whether, through whirling sand,
A cloud of desert robber-horse have burst
Upon their caravan; or greedy kings,
In the wall'd cities the way passes through,
Crush'd them with tolls; or fever-airs,
On some great river's marge,
Mown them down, far from home.
They see the Heroes
Near harbour;--but they share
Their lives, and former violent toil in Thebes,
Seven-gated Thebes, or Troy;
Or where the echoing oars
Of Argo first
Startled the unknown sea.
The old Silenus
Came, lolling in the sunshine,
From the dewy forest-coverts,
This way at noon.
Sitting by me, while his Fauns
Down at the water-side
Sprinkled and smoothed
His drooping garland,
He told me these things.
But I, Ulysses,
Sitting on the warm steps,
Looking over the valley,
All day long, have seen,
Without pain, without labour,
Sometimes a wild-hair'd M?nad--
Sometimes a Faun with torches--
And sometimes, for a moment,
Passing through the dark stems
Flowing-robed, the beloved,
The desired, the divine,
Beloved Iacchus.
Ah, cool night-wind, tremulous stars!
Ah, glimmering water,
Fitful earth-murmur,
Dreaming woods!
Ah, golden-haired, strangely smiling Goddess,
And thou, proved, much enduring,
Wave-toss'd Wanderer!
Who can stand still?
Ye fade, ye swim, ye waver before me--
The cup again!
Faster, faster,
O Circe, Goddess.
Let the wild, thronging train,
The bright procession
Of eddying forms,
Sweep through my soul!
|