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Best Famous Watchful Poems

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Written by Henry Wadsworth Longfellow | Create an image from this poem

Paul Revere's Ride

Listen, my children, and you shall hear 
Of the midnight ride of Paul Revere, 
On the eighteenth of April, in Seventy-Five: 
Hardly a man is now alive 
Who remembers that famous day and year. 

He said to his friend, "If the British march 
By land or sea from the town to-night, 
Hang a lantern aloft in the belfry-arch 
Of the North-Church-tower, as a signal-light,-- 
One if by land, and two if by sea; 
And I on the opposite shore will be, 
Ready to ride and spread the alarm 
Through every Middlesex village and farm, 
For the country-folk to be up and to arm." 

Then he said "Good night!" and with muffled oar 
Silently rowed to the Charlestown shore, 
Just as the moon rose over the bay, 
Where swinging wide at her moorings lay 
The Somerset, British man-of-war: 
A phantom ship, with each mast and spar 
Across the moon, like a prison-bar, 
And a huge black hulk, that was magnified 
By its own reflection in the tide. 

Meanwhile, his friend, through alley and street 
Wanders and watches with eager ears, 
Till in the silence around him he hears 
The muster of men at the barrack door, 
The sound of arms, and the tramp of feet, 
And the measured tread of the grenadiers 
Marching down to their boats on the shore. 

Then he climbed to the tower of the church, 
Up the wooden stairs, with stealthy tread, 
To the belfry-chamber overhead, 
And startled the pigeons from their perch 
On the sombre rafters, that round him made 
Masses and moving shapes of shade,-- 
By the trembling ladder, steep and tall, 
To the highest window in the wall, 
Where he paused to listen and look down 
A moment on the roofs of the town, 
And the moonlight flowing over all. 

Beneath, in the churchyard, lay the dead, 
In their night-encampment on the hill, 
Wrapped in silence so deep and still 
That he could hear, like a sentinel's tread, 
The watchful night-wind, as it went 
Creeping along from tent to tent, 
And seeming to whisper, "All is well!" 
A moment only he feels the spell 
Of the place and the hour, and the secret dread 
Of the lonely belfry and the dead; 
For suddenly all his thoughts are bent 
On a shadowy something far away, 
Where the river widens to meet the bay, -- 
A line of black, that bends and floats 
On the rising tide, like a bridge of boats. 

Meanwhile, impatient to mount and ride, 
Booted and spurred, with a heavy stride, 
On the opposite shore walked Paul Revere. 
Now he patted his horse's side, 
Now gazed on the landscape far and near, 
Then impetuous stamped the earth, 
And turned and tightened his saddle-girth; 
But mostly he watched with eager search 
The belfry-tower of the old North Church, 
As it rose above the graves on the hill, 
Lonely and spectral and sombre and still. 
And lo! as he looks, on the belfry's height, 
A glimmer, and then a gleam of light! 
He springs to the saddle, the bridle he turns, 
But lingers and gazes, till full on his sight 
A second lamp in the belfry burns! 

A hurry of hoofs in a village-street, 
A shape in the moonlight, a bulk in the dark, 
And beneath from the pebbles, in passing, a spark 
Struck out by a steed that flies fearless and fleet: 
That was all! And yet, through the gloom and the light, 
The fate of a nation was riding that night; 
And the spark struck out by that steed, in his flight, 
Kindled the land into flame with its heat. 

He has left the village and mounted the steep, 
And beneath him, tranquil and broad and deep, 
Is the Mystic, meeting the ocean tides; 
And under the alders, that skirt its edge, 
Now soft on the sand, now load on the ledge, 
Is heard the tramp of his steed as he rides. 

It was twelve by the village clock 
When he crossed the bridge into Medford town. 
He heard the crowing of the cock, 
And the barking of the farmer's dog, 
And felt the damp of the river-fog, 
That rises when the sun goes down. 

It was one by the village clock, 
When he galloped into Lexington. 
He saw the gilded weathercock 
Swim in the moonlight as he passed, 
And the meeting-house windows, blank and bare, 
Gaze at him with a spectral glare, 
As if they already stood aghast 
At the bloody work they would look upon. 

It was two by the village clock, 
When be came to the bridge in Concord town. 
He heard the bleating of the flock, 
And the twitter of birds among the trees, 
And felt the breath of the morning breeze 
Blowing over the meadows brown. 
And one was safe and asleep in his bed 
Who at the bridge would be first to fall, 
Who that day would be lying dead, 
Pierced by a British musket-ball. 

You know the rest. In the books you have read, 
How the British Regulars fired and fled,-- 
How the farmers gave them ball for ball, 
From behind each fence and farmyard-wall, 
Chasing the red-coats down the lane, 
Then crossing the fields to emerge again 
Under the trees at the turn of the road, 
And only pausing to fire and load. 

So through the night rode Paul Revere; 
And so through the night went his cry of alarm 
To every Middlesex village and farm,-- 
A cry of defiance, and not of fear, 
A voice in the darkness, a knock at the door, 
And a word that shall echo forevermore! 
For, borne on the night-wind of the Past, 
Through all our history, to the last, 
In the hour of darkness and peril and need, 
The people will waken and listen to hear 
The hurrying hoof-beats of that steed, 
And the midnight message of Paul Revere. 


Written by Mary Darby Robinson | Create an image from this poem

Ode to Envy

 Deep in th' abyss where frantic horror bides, 
In thickest mists of vapours fell,
Where wily Serpents hissing glare
And the dark Demon of Revenge resides,
At midnight's murky hour
Thy origin began: 
Rapacious MALICE was thy sire;
Thy Dam the sullen witch, Despair;
Thy Nurse, insatiate Ire. 
The FATES conspir'd their ills to twine,
About thy heart's infected shrine;
They gave thee each disastrous spell,
Each desolating pow'r,
To blast the fairest hopes of man. 

Soon as thy fatal birth was known, 
From her unhallow'd throne
With ghastly smile pale Hecate sprung; 
Thy hideous form the Sorc'ress press'd
With kindred fondness to her breast; 
Her haggard eye
Short forth a ray of transient joy, 
Whilst thro' th' infernal shades exulting clamours rung. 

Above thy fellow fiends thy tyrant hand
Grasp'd with resistless force supreme command: 
The dread terrific crowd
Before thy iron sceptre bow'd. 
Now, seated in thy ebon cave, 
Around thy throne relentless furies rave: 
A wreath of ever-wounding thorn
Thy scowling brows encompass round, 
Thy heart by knawing Vultures torn, 
Thy meagre limbs with deathless scorpions bound. 
Thy black associates, torpid IGNORANCE, 
And pining JEALOUSY­with eye askance,
With savage rapture execute thy will, 
And strew the paths of life with every torturing ill 

Nor can the sainted dead escape thy rage; 
Thy vengeance haunts the silent grave, 
Thy taunts insult the ashes of the brave; 
While proud AMBITION weeps thy rancour to assuage. 
The laurels round the POET's bust, 
Twin'd by the liberal hand of Taste, 
By thy malignant grasp defac'd, 
Fade to their native dust: 
Thy ever-watchful eye no labour tires, 
Beneath thy venom'd touch the angel TRUTH expires. 

When in thy petrifying car
Thy scaly dragons waft thy form, 
Then, swifter, deadlier far 
Than the keen lightning's lance, 
That wings its way across the yelling storm, 
Thy barbed shafts fly whizzing round, 
While every with'ring glance
Inflicts a cureless wound. 

Thy giant arm with pond'rous blow
Hurls genius from her glorious height, 
Bends the fair front of Virtue low, 
And meanly pilfers every pure delight. 
Thy hollow voice the sense appalls, 
Thy vigilance the mind enthralls; 
Rest hast thou none,­by night, by day, 
Thy jealous ardour seeks for prey­
Nought can restrain thy swift career; 
Thy smile derides the suff'rer's wrongs; 
Thy tongue the sland'rers tale prolongs; 
Thy thirst imbibes the victim's tear; 
Thy breast recoils from friendship's flame; 
Sick'ning thou hear'st the trump of Fame; 
Worth gives to thee, the direst pang; 
The Lover's rapture wounds thy heart, 
The proudest efforts of prolific art 
Shrink from thy poisonous fang. 

In vain the Sculptor's lab'ring hand 
Calls fine proportion from the Parian stone; 
In vain the Minstrel's chords command
The soft vibrations of seraphic tone; 
For swift thy violating arm 
Tears from perfection ev'ry charm; 
Nor rosy YOUTH, nor BEAUTY's smiles
Thy unrelenting rage beguiles, 
Thy breath contaminates the fairest name, 
And binds the guiltless brow with ever-blist'ring shame.
Written by Lucy Maud Montgomery | Create an image from this poem

November Evening

 Come, for the dusk is our own; let us fare forth together,
With a quiet delight in our hearts for the ripe, still, autumn weather,
Through the rustling valley and wood and over the crisping meadow,
Under a high-sprung sky, winnowed of mist and shadow. 

Sharp is the frosty air, and through the far hill-gaps showing
Lucent sunset lakes of crocus and green are glowing;
'Tis the hour to walk at will in a wayward, unfettered roaming,
Caring for naught save the charm, elusive and swift, of the gloaming. 

Watchful and stirless the fields as if not unkindly holding
Harvested joys in their clasp, and to their broad bosoms folding
Baby hopes of a Spring, trusted to motherly keeping,
Thus to be cherished and happed through the long months of their sleeping. 

Silent the woods are and gray; but the firs than ever are greener,
Nipped by the frost till the tang of their loosened balsam is keener;
And one little wind in their boughs, eerily swaying and swinging,
Very soft and low, like a wandering minstrel is singing. 

Beautiful is the year, but not as the springlike maiden
Garlanded with her hopes­rather the woman laden
With wealth of joy and grief, worthily won through living,
Wearing her sorrow now like a garment of praise and thanksgiving. 

Gently the dark comes down over the wild, fair places,
The whispering glens in the hills, the open, starry spaces;
Rich with the gifts of the night, sated with questing and dreaming,
We turn to the dearest of paths where the star of the homelight is gleaming.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Blessing The Cornfields

 Sing, O Song of Hiawatha,
Of the happy days that followed,
In the land of the Ojibways,
In the pleasant land and peaceful!
Sing the mysteries of Mondamin,
Sing the Blessing of the Cornfields!
Buried was the bloody hatchet,
Buried was the dreadful war-club,
Buried were all warlike weapons,
And the war-cry was forgotten.
There was peace among the nations;
Unmolested roved the hunters,
Built the birch canoe for sailing,
Caught the fish in lake and river,
Shot the deer and trapped the beaver;
Unmolested worked the women,
Made their sugar from the maple,
Gathered wild rice in the meadows,
Dressed the skins of deer and beaver.
All around the happy village
Stood the maize-fields, green and shining,
Waved the green plumes of Mondamin,
Waved his soft and sunny tresses,
Filling all the land with plenty.
`T was the women who in Spring-time
Planted the broad fields and fruitful,
Buried in the earth Mondamin;
`T was the women who in Autumn
Stripped the yellow husks of harvest,
Stripped the garments from Mondamin,
Even as Hiawatha taught them.
Once, when all the maize was planted,
Hiawatha, wise and thoughtful,
Spake and said to Minnehaha,
To his wife, the Laughing Water:
"You shall bless to-night the cornfields,
Draw a magic circle round them,
To protect them from destruction,
Blast of mildew, blight of insect,
Wagemin, the thief of cornfields,
Paimosaid, who steals the maize-ear
"In the night, when all Is silence,'
In the night, when all Is darkness,
When the Spirit of Sleep, Nepahwin,
Shuts the doors of all the wigwams,
So that not an ear can hear you,
So that not an eye can see you,
Rise up from your bed in silence,
Lay aside your garments wholly,
Walk around the fields you planted,
Round the borders of the cornfields,
Covered by your tresses only,
Robed with darkness as a garment.
"Thus the fields shall be more fruitful,
And the passing of your footsteps
Draw a magic circle round them,
So that neither blight nor mildew,
Neither burrowing worm nor insect,
Shall pass o'er the magic circle;
Not the dragon-fly, Kwo-ne-she,
Nor the spider, Subbekashe,
Nor the grasshopper, Pah-puk-keena;
Nor the mighty caterpillar,
Way-muk-kwana, with the bear-skin,
King of all the caterpillars!"
On the tree-tops near the cornfields
Sat the hungry crows and ravens,
Kahgahgee, the King of Ravens,
With his band of black marauders.
And they laughed at Hiawatha,
Till the tree-tops shook with laughter,
With their melancholy laughter,
At the words of Hiawatha.
"Hear him!" said they; "hear the Wise Man,
Hear the plots of Hiawatha!"
When the noiseless night descended
Broad and dark o'er field and forest,
When the mournful Wawonaissa
Sorrowing sang among the hemlocks,
And the Spirit of Sleep, Nepahwin,
Shut the doors of all the wigwams,
From her bed rose Laughing Water,
Laid aside her garments wholly,
And with darkness clothed and guarded,
Unashamed and unaffrighted,
Walked securely round the cornfields,
Drew the sacred, magic circle
Of her footprints round the cornfields.
No one but the Midnight only
Saw her beauty in the darkness,
No one but the Wawonaissa
Heard the panting of her bosom
Guskewau, the darkness, wrapped her
Closely in his sacred mantle,
So that none might see her beauty,
So that none might boast, "I saw her!"
On the morrow, as the day dawned,
Kahgahgee, the King of Ravens,
Gathered all his black marauders,
Crows and blackbirds, jays and ravens,
Clamorous on the dusky tree-tops,
And descended, fast and fearless,
On the fields of Hiawatha,
On the grave of the Mondamin.
"We will drag Mondamin," said they,
"From the grave where he is buried,
Spite of all the magic circles
Laughing Water draws around it,
Spite of all the sacred footprints
Minnehaha stamps upon it!"
But the wary Hiawatha,
Ever thoughtful, careful, watchful,
Had o'erheard the scornful laughter
When they mocked him from the tree-tops.
"Kaw!" he said, "my friends the ravens!
Kahgahgee, my King of Ravens!
I will teach you all a lesson
That shall not be soon forgotten!"
He had risen before the daybreak,
He had spread o'er all the cornfields
Snares to catch the black marauders,
And was lying now in ambush
In the neighboring grove of pine-trees,
Waiting for the crows and blackbirds,
Waiting for the jays and ravens.
Soon they came with caw and clamor,
Rush of wings and cry of voices,
To their work of devastation,
Settling down upon the cornfields,
Delving deep with beak and talon,
For the body of Mondamin.
And with all their craft and cunning,
All their skill in wiles of warfare,
They perceived no danger near them,
Till their claws became entangled,
Till they found themselves imprisoned
In the snares of Hiawatha.
From his place of ambush came he,
Striding terrible among them,
And so awful was his aspect
That the bravest quailed with terror.
Without mercy he destroyed them
Right and left, by tens and twenties,
And their wretched, lifeless bodies
Hung aloft on poles for scarecrows
Round the consecrated cornfields,
As a signal of his vengeance,
As a warning to marauders.
Only Kahgahgee, the leader,
Kahgahgee, the King of Ravens,
He alone was spared among them
As a hostage for his people.
With his prisoner-string he bound him,
Led him captive to his wigwam,
Tied him fast with cords of elm-bark
To the ridge-pole of his wigwam.
"Kahgahgee, my raven!" said he,
"You the leader of the robbers,
You the plotter of this mischief,
The contriver of this outrage,
I will keep you, I will hold you,
As a hostage for your people,
As a pledge of good behavior!"
And he left him, grim and sulky,
Sitting in the morning sunshine
On the summit of the wigwam,
Croaking fiercely his displeasure,
Flapping his great sable pinions,
Vainly struggling for his freedom,
Vainly calling on his people!
Summer passed, and Shawondasee
Breathed his sighs o'er all the landscape,
From the South-land sent his ardor,
Wafted kisses warm and tender;
And the maize-field grew and ripened,
Till it stood in all the splendor
Of its garments green and yellow,
Of its tassels and its plumage,
And the maize-ears full and shining
Gleamed from bursting sheaths of verdure.
Then Nokomis, the old woman,
Spake, and said to Minnehaha:
`T is the Moon when, leaves are falling;
All the wild rice has been gathered,
And the maize is ripe and ready;
Let us gather in the harvest,
Let us wrestle with Mondamin,
Strip him of his plumes and tassels,
Of his garments green and yellow!"
And the merry Laughing Water
Went rejoicing from the wigwam,
With Nokomis, old and wrinkled,
And they called the women round them,
Called the young men and the maidens,
To the harvest of the cornfields,
To the husking of the maize-ear.
On the border of the forest,
Underneath the fragrant pine-trees,
Sat the old men and the warriors
Smoking in the pleasant shadow.
In uninterrupted silence
Looked they at the gamesome labor
Of the young men and the women;
Listened to their noisy talking,
To their laughter and their singing,
Heard them chattering like the magpies,
Heard them laughing like the blue-jays,
Heard them singing like the robins.
And whene'er some lucky maiden
Found a red ear in the husking,
Found a maize-ear red as blood is,
"Nushka!" cried they all together,
"Nushka! you shall have a sweetheart,
You shall have a handsome husband!"
"Ugh!" the old men all responded
From their seats beneath the pine-trees.
And whene'er a youth or maiden
Found a crooked ear in husking,
Found a maize-ear in the husking
Blighted, mildewed, or misshapen,
Then they laughed and sang together,
Crept and limped about the cornfields,
Mimicked in their gait and gestures
Some old man, bent almost double,
Singing singly or together:
"Wagemin, the thief of cornfields!
Paimosaid, who steals the maize-ear!"
Till the cornfields rang with laughter,
Till from Hiawatha's wigwam
Kahgahgee, the King of Ravens,
Screamed and quivered in his anger,
And from all the neighboring tree-tops
Cawed and croaked the black marauders.
"Ugh!" the old men all responded,
From their seats beneath the pine-trees!
Written by Mahmoud Darwish | Create an image from this poem

Under Siege

 Here on the slopes of hills, facing the dusk and the cannon of time 
Close to the gardens of broken shadows, 
We do what prisoners do, 
And what the jobless do: 
We cultivate hope. 

*** 
A country preparing for dawn. We grow less intelligent 
For we closely watch the hour of victory: 
No night in our night lit up by the shelling 
Our enemies are watchful and light the light for us 
In the darkness of cellars. 

*** 
Here there is no "I". 
Here Adam remembers the dust of his clay. 

*** 
On the verge of death, he says: 
I have no trace left to lose:
Free I am so close to my liberty. My future lies in my own hand. 
Soon I shall penetrate my life, 
I shall be born free and parentless, 
And as my name I shall choose azure letters... 

*** 
You who stand in the doorway, come in, 
Drink Arabic coffee with us 
And you will sense that you are men like us 
You who stand in the doorways of houses 
Come out of our morningtimes, 
We shall feel reassured to be 
Men like you! 

*** 
When the planes disappear, the white, white doves 
Fly off and wash the cheeks of heaven 
With unbound wings taking radiance back again, taking possession 
Of the ether and of play. Higher, higher still, the white, white doves 
Fly off. Ah, if only the sky 
Were real [a man passing between two bombs said to me]. 

*** 
Cypresses behind the soldiers, minarets protecting 
The sky from collapse. Behind the hedge of steel 
Soldiers piss—under the watchful eye of a tank— 
And the autumnal day ends its golden wandering in 
A street as wide as a church after Sunday mass... 

*** 
[To a killer] If you had contemplated the victim’s face 
And thought it through, you would have remembered your mother in the 
Gas chamber, you would have been freed from the reason for the rifle 
And you would have changed your mind: this is not the way 
to find one’s identity again. 

*** 
The siege is a waiting period 
Waiting on the tilted ladder in the middle of the storm. 

*** 
Alone, we are alone as far down as the sediment 
Were it not for the visits of the rainbows. 

*** 
We have brothers behind this expanse. 
Excellent brothers. They love us. They watch us and weep. 
Then, in secret, they tell each other: 
"Ah! if this siege had been declared..." They do not finish their sentence: 
"Don’t abandon us, don’t leave us." 

*** 
Our losses: between two and eight martyrs each day. 
And ten wounded. 
And twenty homes. 
And fifty olive trees... 
Added to this the structural flaw that 
Will arrive at the poem, the play, and the unfinished canvas. 

*** 
A woman told the cloud: cover my beloved 
For my clothing is drenched with his blood. 

*** 
If you are not rain, my love 
Be tree 
Sated with fertility, be tree 
If you are not tree, my love 
Be stone 
Saturated with humidity, be stone 
If you are not stone, my love 
Be moon 
In the dream of the beloved woman, be moon 
[So spoke a woman 
to her son at his funeral] 

*** 
Oh watchmen! Are you not weary 
Of lying in wait for the light in our salt 
And of the incandescence of the rose in our wound 
Are you not weary, oh watchmen? 

*** 

A little of this absolute and blue infinity 
Would be enough 
To lighten the burden of these times 
And to cleanse the mire of this place. 

*** 
It is up to the soul to come down from its mount 
And on its silken feet walk 
By my side, hand in hand, like two longtime 
Friends who share the ancient bread 
And the antique glass of wine 
May we walk this road together 
And then our days will take different directions: 
I, beyond nature, which in turn 
Will choose to squat on a high-up rock. 

*** 
On my rubble the shadow grows green, 
And the wolf is dozing on the skin of my goat 
He dreams as I do, as the angel does 
That life is here...not over there. 

*** 
In the state of siege, time becomes space 
Transfixed in its eternity 
In the state of siege, space becomes time 
That has missed its yesterday and its tomorrow. 

*** 
The martyr encircles me every time I live a new day 
And questions me: Where were you? Take every word 
You have given me back to the dictionaries 
And relieve the sleepers from the echo’s buzz. 

*** 
The martyr enlightens me: beyond the expanse 
I did not look 
For the virgins of immortality for I love life 
On earth, amid fig trees and pines, 
But I cannot reach it, and then, too, I took aim at it 
With my last possession: the blood in the body of azure. 

*** 
The martyr warned me: Do not believe their ululations 
Believe my father when, weeping, he looks at my photograph 
How did we trade roles, my son, how did you precede me. 
I first, I the first one! 

*** 
The martyr encircles me: my place and my crude furniture are all that I have changed. 
I put a gazelle on my bed, 
And a crescent of moon on my finger 
To appease my sorrow. 

*** 
The siege will last in order to convince us we must choose an enslavement that does no harm, in fullest liberty! 

*** 
Resisting means assuring oneself of the heart’s health, 
The health of the testicles and of your tenacious disease: 
The disease of hope. 

*** 
And in what remains of the dawn, I walk toward my exterior 
And in what remains of the night, I hear the sound of footsteps inside me. 

*** 
Greetings to the one who shares with me an attention to 
The drunkenness of light, the light of the butterfly, in the 
Blackness of this tunnel! 

*** 
Greetings to the one who shares my glass with me 
In the denseness of a night outflanking the two spaces: 
Greetings to my apparition. 

*** 
My friends are always preparing a farewell feast for me, 
A soothing grave in the shade of oak trees 
A marble epitaph of time 
And always I anticipate them at the funeral: 
Who then has died...who? 

*** 
Writing is a puppy biting nothingness 
Writing wounds without a trace of blood. 

*** 
Our cups of coffee. Birds green trees 
In the blue shade, the sun gambols from one wall 
To another like a gazelle 
The water in the clouds has the unlimited shape of what is left to us 
Of the sky. And other things of suspended memories 
Reveal that this morning is powerful and splendid, 
And that we are the guests of eternity.


Written by Alexander Pushkin | Create an image from this poem

Remembrance

 When the loud day for men who sow and reap
Grows still, and on the silence of the town
The unsubstantial veils of night and sleep,
The meed of the day's labour, settle down,
Then for me in the stillness of the night
The wasting, watchful hours drag on their course,
And in the idle darkness comes the bite
Of all the burning serpents of remorse;
Dreams seethe; and fretful infelicities
Are swarming in my over-burdened soul,
And Memory before my wakeful eyes
With noiseless hand unwinds her lengthy scroll.
Then, as with loathing I peruse the years,
I tremble, and I curse my natal day,
Wail bitterly, and bitterly shed tears,
But cannot wash the woeful script away.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Ghosts

 Never stoops the soaring vulture
On his quarry in the desert,
On the sick or wounded bison,
But another vulture, watching
From his high aerial look-out,
Sees the downward plunge, and follows;
And a third pursues the second,
Coming from the invisible ether,
First a speck, and then a vulture,
Till the air is dark with pinions.
So disasters come not singly;
But as if they watched and waited,
Scanning one another's motions,
When the first descends, the others
Follow, follow, gathering flock-wise
Round their victim, sick and wounded,
First a shadow, then a sorrow,
Till the air is dark with anguish.
Now, o'er all the dreary North-land,
Mighty Peboan, the Winter,
Breathing on the lakes and rivers,
Into stone had changed their waters.
From his hair he shook the snow-flakes,
Till the plains were strewn with whiteness,
One uninterrupted level,
As if, stooping, the Creator
With his hand had smoothed them over.
Through the forest, wide and wailing,
Roamed the hunter on his snow-shoes;
In the village worked the women,
Pounded maize, or dressed the deer-skin;
And the young men played together
On the ice the noisy ball-play,
On the plain the dance of snow-shoes.
One dark evening, after sundown,
In her wigwam Laughing Water
Sat with old Nokomis, waiting
For the steps of Hiawatha
Homeward from the hunt returning.
On their faces gleamed the firelight,
Painting them with streaks of crimson,
In the eyes of old Nokomis
Glimmered like the watery moonlight,
In the eyes of Laughing Water
Glistened like the sun in water;
And behind them crouched their shadows
In the corners of the wigwam,
And the smoke In wreaths above them
Climbed and crowded through the smoke-flue.
Then the curtain of the doorway
From without was slowly lifted;
Brighter glowed the fire a moment,
And a moment swerved the smoke-wreath,
As two women entered softly,
Passed the doorway uninvited,
Without word of salutation,
Without sign of recognition,
Sat down in the farthest corner,
Crouching low among the shadows.
From their aspect and their garments,
Strangers seemed they in the village;
Very pale and haggard were they,
As they sat there sad and silent,
Trembling, cowering with the shadows.
Was it the wind above the smoke-flue,
Muttering down into the wigwam?
Was it the owl, the Koko-koho,
Hooting from the dismal forest?
Sure a voice said in the silence:
"These are corpses clad in garments,
These are ghosts that come to haunt you,
From the kingdom of Ponemah,
From the land of the Hereafter!"
Homeward now came Hiawatha
From his hunting in the forest,
With the snow upon his tresses,
And the red deer on his shoulders.
At the feet of Laughing Water
Down he threw his lifeless burden;
Nobler, handsomer she thought him,
Than when first he came to woo her,
First threw down the deer before her,
As a token of his wishes,
As a promise of the future.
Then he turned and saw the strangers,
Cowering, crouching with the shadows;
Said within himself, "Who are they?
What strange guests has Minnehaha?"
But he questioned not the strangers,
Only spake to bid them welcome
To his lodge, his food, his fireside.
When the evening meal was ready,
And the deer had been divided,
Both the pallid guests, the strangers,
Springing from among the shadows,
Seized upon the choicest portions,
Seized the white fat of the roebuck,
Set apart for Laughing Water,
For the wife of Hiawatha;
Without asking, without thanking,
Eagerly devoured the morsels,
Flitted back among the shadows
In the corner of the wigwam.
Not a word spake Hiawatha,
Not a motion made Nokomis,
Not a gesture Laughing Water;
Not a change came o'er their features;
Only Minnehaha softly
Whispered, saying, "They are famished;
Let them do what best delights them;
Let them eat, for they are famished."
Many a daylight dawned and darkened,
Many a night shook off the daylight
As the pine shakes off the snow-flakes
From the midnight of its branches;
Day by day the guests unmoving
Sat there silent in the wigwam;
But by night, in storm or starlight,
Forth they went into the forest,
Bringing fire-wood to the wigwam,
Bringing pine-cones for the burning,
Always sad and always silent.
And whenever Hiawatha
Came from fishing or from hunting,
When the evening meal was ready,
And the food had been divided,
Gliding from their darksome corner,
Came the pallid guests, the strangers,
Seized upon the choicest portions
Set aside for Laughing Water,
And without rebuke or question
Flitted back among the shadows.
Never once had Hiawatha
By a word or look reproved them;
Never once had old Nokomis
Made a gesture of impatience;
Never once had Laughing Water
Shown resentment at the outrage.
All had they endured in silence,
That the rights of guest and stranger,
That the virtue of free-giving,
By a look might not be lessened,
By a word might not be broken.
Once at midnight Hiawatha,
Ever wakeful, ever watchful,
In the wigwam, dimly lighted
By the brands that still were burning,
By the glimmering, flickering firelight
Heard a sighing, oft repeated,
From his couch rose Hiawatha,
From his shaggy hides of bison,
Pushed aside the deer-skin curtain,
Saw the pallid guests, the shadows,
Sitting upright on their couches,
Weeping in the silent midnight.
And he said: "O guests! why is it
That your hearts are so afflicted,
That you sob so in the midnight?
Has perchance the old Nokomis,
Has my wife, my Minnehaha,
Wronged or grieved you by unkindness,
Failed in hospitable duties?"
Then the shadows ceased from weeping,
Ceased from sobbing and lamenting,
And they said, with gentle voices:
"We are ghosts of the departed,
Souls of those who once were with you.
From the realms of Chibiabos
Hither have we come to try you,
Hither have we come to warn you.
"Cries of grief and lamentation
Reach us in the Blessed Islands;
Cries of anguish from the living,
Calling back their friends departed,
Sadden us with useless sorrow.
Therefore have we come to try you;
No one knows us, no one heeds us.
We are but a burden to you,
And we see that the departed
Have no place among the living.
"Think of this, O Hiawatha!
Speak of it to all the people,
That henceforward and forever
They no more with lamentations
Sadden the souls of the departed
In the Islands of the Blessed.
"Do not lay such heavy burdens
In the graves of those you bury,
Not such weight of furs and wampum,
Not such weight of pots and kettles,
For the spirits faint beneath them.
Only give them food to carry,
Only give them fire to light them.
"Four days is the spirit's journey
To the land of ghosts and shadows,
Four its lonely night encampments;
Four times must their fires be lighted.
Therefore, when the dead are buried,
Let a fire, as night approaches,
Four times on the grave be kindled,
That the soul upon its journey
May not lack the cheerful firelight,
May not grope about in darkness.
"Farewell, noble Hiawatha!
We have put you to the trial,
To the proof have put your patience,
By the insult of our presence,
By the outrage of our actions.
We have found you great and noble.
Fail not in the greater trial,
Faint not In the harder struggle."
When they ceased, a sudden darkness
Fell and filled the silent wigwam.
Hiawatha heard a rustle
As of garments trailing by him,
Heard the curtain of the doorway
Lifted by a hand he saw not,
Felt the cold breath of the night air,
For a moment saw the starlight;
But he saw the ghosts no longer,
Saw no more the wandering spirits
From the kingdom of Ponemah,
From the land of the Hereafter.
Written by Joyce Kilmer | Create an image from this poem

The Twelve-Forty-Five

 (For Edward J. Wheeler)

Within the Jersey City shed
The engine coughs and shakes its head,
The smoke, a plume of red and white,
Waves madly in the face of night.
And now the grave incurious stars
Gleam on the groaning hurrying cars.
Against the kind and awful reign
Of darkness, this our angry train,
A noisy little rebel, pouts
Its brief defiance, flames and shouts --
And passes on, and leaves no trace.
For darkness holds its ancient place,
Serene and absolute, the king
Unchanged, of every living thing.
The houses lie obscure and still
In Rutherford and Carlton Hill.
Our lamps intensify the dark
Of slumbering Passaic Park.
And quiet holds the weary feet
That daily tramp through Prospect Street.
What though we clang and clank and roar
Through all Passaic's streets? No door
Will open, not an eye will see
Who this loud vagabond may be.
Upon my crimson cushioned seat,
In manufactured light and heat,
I feel unnatural and mean.
Outside the towns are cool and clean;
Curtained awhile from sound and sight
They take God's gracious gift of night.
The stars are watchful over them.
On Clifton as on Bethlehem
The angels, leaning down the sky,
Shed peace and gentle dreams. And I --
I ride, I blasphemously ride
Through all the silent countryside.
The engine's shriek, the headlight's glare,
Pollute the still nocturnal air.
The cottages of Lake View sigh
And sleeping, frown as we pass by.
Why, even strident Paterson
Rests quietly as any nun.
Her foolish warring children keep
The grateful armistice of sleep.
For what tremendous errand's sake
Are we so blatantly awake?
What precious secret is our freight?
What king must be abroad so late?
Perhaps Death roams the hills to-night
And we rush forth to give him fight.
Or else, perhaps, we speed his way
To some remote unthinking prey.
Perhaps a woman writhes in pain
And listens -- listens for the train!
The train, that like an angel sings,
The train, with healing on its wings.
Now "Hawthorne!" the conductor cries.
My neighbor starts and rubs his eyes.
He hurries yawning through the car
And steps out where the houses are.
This is the reason of our quest!
Not wantonly we break the rest
Of town and village, nor do we
Lightly profane night's sanctity.
What Love commands the train fulfills,
And beautiful upon the hills
Are these our feet of burnished steel.
Subtly and certainly I feel
That Glen Rock welcomes us to her
And silent Ridgewood seems to stir
And smile, because she knows the train
Has brought her children back again.
We carry people home -- and so
God speeds us, wheresoe'er we go.
Hohokus, Waldwick, Allendale
Lift sleepy heads to give us hail.
In Ramsey, Mahwah, Suffern stand
Houses that wistfully demand
A father -- son -- some human thing
That this, the midnight train, may bring.
The trains that travel in the day
They hurry folks to work or play.
The midnight train is slow and old
But of it let this thing be told,
To its high honor be it said
It carries people home to bed.
My cottage lamp shines white and clear.
God bless the train that brought me here.
Written by Andrew Marvell | Create an image from this poem

The Character Of Holland

 Holland, that scarce deserves the name of Land,
As but th'Off-scouring of the Brittish Sand;
And so much Earth as was contributed
By English Pilots when they heav'd the Lead;
Or what by th' Oceans slow alluvion fell,
Of shipwrackt Cockle and the Muscle-shell;
This indigested vomit of the Sea
Fell to the Dutch by just Propriety.
Glad then, as Miners that have found the Oar,
They with mad labour fish'd the Land to Shoar;
And div'd as desperately for each piece
Of Earth, as if't had been of Ambergreece;
Collecting anxiously small Loads of Clay,
Less then what building Swallows bear away;
Transfursing into them their Dunghil Soul.
How did they rivet, with Gigantick Piles,
Thorough the Center their new-catched Miles;
And to the stake a strugling Country bound,
Where barking Waves still bait the forced Ground;
Building their watry Babel far more high
To reach the Sea, then those to scale the Sky.
Yet still his claim the Injur'd Ocean laid,
And oft at Leap-frog ore their Steeples plaid:
As if on purpose it on Land had come
To shew them what's their Mare Liberum.
A daily deluge over them does boyl;
The Earth and Water play at Level-coyl;
The Fish oft-times the Burger dispossest,
And sat not as a Meat but as a Guest;
And oft the Tritons and the Sea-Nymphs saw
Whole sholes of Dutch serv'd up for Cabillan;
Or as they over the new Level rang'd
For pickled Herring, pickled Heeren chang'd.
Nature, it seem'd, asham'd of her mistake,
Would throw their land away at Duck and Drake.
Therefore Necessity, that first made Kings,
Something like Government among them brings.
For as with Pygmees who best kills the Crane,
Among the hungry he that treasures Grain,
Among the blind the one-ey'd blinkard reigns,
So rules among the drowned he that draines.
Not who first see the rising Sun commands,
But who could first discern the rising Lands.
Who best could know to pump an Earth so leak
Him they their Lord and Country's Father speak.
To make a Bank was a great Plot of State;
Invent a Shov'l and be a Magistrate.
Hence some small Dyke-grave unperceiv'd invades
The Pow'r, and grows as 'twere a King of Spades.
But for less envy some Joynt States endures,
Who look like a Commission of the Sewers.
For these Half-anders, half wet, and half dry,
Nor bear strict service, nor pure Liberty.
'Tis probable Religion after this
Came next in order; which they could not miss.
How could the Dutch but be converted, when
Th' Apostles were so many Fishermen?
Besides the Waters of themselves did rise,
And, as their Land, so them did re-baptise.
Though Herring for their God few voices mist,
And Poor-John to have been th' Evangelist.
Faith, that could never Twins conceive before,
Never so fertile, spawn'd upon this shore:
More pregnant then their Marg'ret, that laid down
For Hans-in-Kelder of a whole Hans-Town.
Sure when Religion did it self imbark,
And from the east would Westward steer its Ark,
It struck, and splitting on this unknown ground,
Each one thence pillag'd the first piece he found:
Hence Amsterdam, Turk-Christian-Pagan-Jew,
Staple of Sects and Mint of Schisme grew;
That Bank of Conscience, where not one so strange
Opinion but finds Credit, and Exchange.
In vain for Catholicks our selves we bear;
The Universal Church is onely there.
Nor can Civility there want for Tillage,
Where wisely for their Court they chose a Village.
How fit a Title clothes their Governours,
Themselves the Hogs as all their Subjects Bores
Let it suffice to give their Country Fame
That it had one Civilis call'd by Name,
Some Fifteen hundred and more years ago,
But surely never any that was so.
See but their Mairmaids with their Tails of Fish,
Reeking at Church over the Chafing-Dish.
A vestal Turf enshrin'd in Earthen Ware
Fumes through the loop-holes of wooden Square.
Each to the Temple with these Altars tend,
But still does place it at her Western End:
While the fat steam of Female Sacrifice
Fills the Priests Nostrils and puts out his Eyes.
Or what a Spectacle the Skipper gross,
A Water-Hercules Butter-Coloss,
Tunn'd up with all their sev'ral Towns of Beer;
When Stagg'ring upon some Land, Snick and Sneer,
They try, like Statuaries, if they can,
Cut out each others Athos to a Man:
And carve in their large Bodies, where they please,
The Armes of the United Provinces.
But when such Amity at home is show'd;
What then are their confederacies abroad?
Let this one court'sie witness all the rest;
When their hole Navy they together prest,
Not Christian Captives to redeem from Bands:
Or intercept the Western golden Sands:
No, but all ancient Rights and Leagues must vail,
Rather then to the English strike their sail;
to whom their weather-beaten Province ows
It self, when as some greater Vessal tows
A Cock-boat tost with the same wind and fate;
We buoy'd so often up their Sinking State.
Was this Jus Belli & Pacis; could this be
Cause why their Burgomaster of the Sea
Ram'd with Gun-powder, flaming with Brand wine,
Should raging hold his Linstock to the Mine?
While, with feign'd Treaties, they invade by stealth
Our sore new circumcised Common wealth.
Yet of his vain Attempt no more he sees
Then of Case-Butter shot and Bullet-Cheese.
And the torn Navy stagger'd with him home,
While the Sea laught it self into a foam,
'Tis true since that (as fortune kindly sports,)
A wholesome Danger drove us to our ports.
While half their banish'd keels the Tempest tost,
Half bound at home in Prison to the frost:
That ours mean time at leisure might careen,
In a calm Winter, under Skies Serene.
As the obsequious Air and waters rest,
Till the dear Halcyon hatch out all its nest.
The Common wealth doth by its losses grow;
And, like its own Seas, only Ebbs to flow.
Besides that very Agitation laves,
And purges out the corruptible waves.
And now again our armed Bucentore
Doth yearly their Sea-Nuptials restore.
And how the Hydra of seaven Provinces
Is strangled by our Infant Hercules.
Their Tortoise wants its vainly stretched neck;
Their Navy all our Conquest or our Wreck:
Or, what is left, their Carthage overcome
Would render fain unto our better Rome.
Unless our Senate, lest their Youth disuse,
The War, (but who would) Peace if begg'd refuse.
For now of nothing may our State despair,
Darling of Heaven, and of Men the Care;
Provided that they be what they have been,
Watchful abroad, and honest still within.
For while our Neptune doth a Trident shake, Blake,
Steel'd with those piercing Heads, Dean, Monck and
And while Jove governs in the highest Sphere,
Vainly in Hell let Pluto domineer.
Written by Margaret Atwood | Create an image from this poem

Morning in the Burned House

 In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.

The spoon which was melted scrapes against 
the bowl which was melted also.
No one else is around.

Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,

their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,

every detail clear,
tin cup and rippled mirror.
The day is bright and songless,

the lake is blue, the forest watchful.
In the east a bank of cloud 
rises up silently like dark bread. 

I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.

I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything

in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,

including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,

bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts

and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.

Book: Radiant Verses: A Journey Through Inspiring Poetry