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Best Famous Warmest Poems

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Written by Robert Burns | Create an image from this poem

83. The Cotter's Saturday Night

 MY lov’d, my honour’d, much respected friend!
 No mercenary bard his homage pays;
With honest pride, I scorn each selfish end,
 My dearest meed, a friend’s esteem and praise:
 To you I sing, in simple Scottish lays,
The lowly train in life’s sequester’d scene,
 The native feelings strong, the guileless ways,
What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there I ween!


November chill blaws loud wi’ angry sugh;
 The short’ning winter-day is near a close;
The miry beasts retreating frae the pleugh;
 The black’ning trains o’ craws to their repose:
 The toil-worn Cotter frae his labour goes,—
This night his weekly moil is at an end,
 Collects his spades, his mattocks, and his hoes,
Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.


At length his lonely cot appears in view,
 Beneath the shelter of an aged tree;
Th’ expectant wee-things, toddlin, stacher through
 To meet their dead, wi’ flichterin noise and glee.
 His wee bit ingle, blinkin bonilie,
His clean hearth-stane, his thrifty wifie’s smile,
 The lisping infant, prattling on his knee,
Does a’ his weary kiaugh and care beguile,
And makes him quite forget his labour and his toil.


Belyve, the elder bairns come drapping in,
 At service out, amang the farmers roun’;
Some ca’ the pleugh, some herd, some tentie rin
 A cannie errand to a neibor town:
 Their eldest hope, their Jenny, woman-grown,
In youthfu’ bloom-love sparkling in her e’e—
 Comes hame, perhaps to shew a braw new gown,
Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.


With joy unfeign’d, brothers and sisters meet,
 And each for other’s weelfare kindly speirs:
The social hours, swift-wing’d, unnotic’d fleet:
 Each tells the uncos that he sees or hears.
 The parents, partial, eye their hopeful years;
Anticipation forward points the view;
 The mother, wi’ her needle and her shears,
Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.


Their master’s and their mistress’ command,
 The younkers a’ are warned to obey;
And mind their labours wi’ an eydent hand,
 And ne’er, tho’ out o’ sight, to jauk or play;
 “And O! be sure to fear the Lord alway,
And mind your duty, duly, morn and night;
 Lest in temptation’s path ye gang astray,
Implore His counsel and assisting might:
They never sought in vain that sought the Lord aright.”


But hark! a rap comes gently to the door;
 Jenny, wha kens the meaning o’ the same,
Tells how a neibor lad came o’er the moor,
 To do some errands, and convoy her hame.
 The wily mother sees the conscious flame
Sparkle in Jenny’s e’e, and flush her cheek;
 With heart-struck anxious care, enquires his name,
While Jenny hafflins is afraid to speak;
Weel-pleased the mother hears, it’s nae wild, worthless rake.


Wi’ kindly welcome, Jenny brings him ben;
 A strappin youth, he takes the mother’s eye;
Blythe Jenny sees the visit’s no ill ta’en;
 The father cracks of horses, pleughs, and kye.
 The youngster’s artless heart o’erflows wi’ joy,
But blate an’ laithfu’, scarce can weel behave;
 The mother, wi’ a woman’s wiles, can spy
What makes the youth sae bashfu’ and sae grave,
Weel-pleas’d to think her bairn’s respected like the lave.


O happy love! where love like this is found:
 O heart-felt raptures! bliss beyond compare!
I’ve paced much this weary, mortal round,
 And sage experience bids me this declare,—
 “If Heaven a draught of heavenly pleasure spare—
One cordial in this melancholy vale,
 ’Tis when a youthful, loving, modest pair
In other’sarms, breathe out the tender tale,
Beneath the milk-white thorn that scents the evening gale.”


Is there, in human form, that bears a heart,
 A wretch! a villain! lost to love and truth!
That can, with studied, sly, ensnaring art,
 Betray sweet Jenny’s unsuspecting youth?
 Curse on his perjur’d arts! dissembling smooth!
Are honour, virtue, conscience, all exil’d?
 Is there no pity, no relenting ruth,
Points to the parents fondling o’er their child?
Then paints the ruin’d maid, and their distraction wild?


But now the supper crowns their simple board,
 The halesome parritch, chief of Scotia’s food;
The sowp their only hawkie does afford,
 That, ’yont the hallan snugly chows her cood:
 The dame brings forth, in complimental mood,
To grace the lad, her weel-hain’d kebbuck, fell;
 And aft he’s prest, and aft he ca’s it guid:
The frugal wifie, garrulous, will tell
How t’was a towmond auld, sin’ lint was i’ the bell.


The cheerfu’ supper done, wi’ serious face,
 They, round the ingle, form a circle wide;
The sire turns o’er, with patriarchal grace,
 The big ha’bible, ance his father’s pride:
 His bonnet rev’rently is laid aside,
His lyart haffets wearing thin and bare;
 Those strains that once did sweet in Zion glide,
He wales a portion with judicious care;
And “Let us worship God!” he says with solemn air.


They chant their artless notes in simple guise,
 They tune their hearts, by far the noblest aim;
Perhaps Dundee’s wild-warbling measures rise;
 Or plaintive Martyrs, worthy of the name;
 Or noble Elgin beets the heaven-ward flame;
The sweetest far of Scotia’s holy lays:
 Compar’d with these, Italian trills are tame;
The tickl’d ears no heart-felt raptures raise;
Nae unison hae they with our Creator’s praise.


The priest-like father reads the sacred page,
 How Abram was the friend of God on high;
Or Moses bade eternal warfare wage
 With Amalek’s ungracious progeny;
 Or how the royal bard did groaning lie
Beneath the stroke of Heaven’s avenging ire;
 Or Job’s pathetic plaint, and wailing cry;
Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.


Perhaps the Christian volume is the theme,
 How guiltless blood for guilty man was shed;
How He, who bore in Heaven the second name,
 Had not on earth whereon to lay His head:
 How His first followers and servants sped;
The precepts sage they wrote to many a land:
 How he, who lone in Patmos banished,
Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.


Then, kneeling down to Heaven’s Eternal King,
 The saint, the father, and the husband prays:
Hope “springs exulting on triumphant wing,” 1
 That thus they all shall meet in future days,
 There, ever bask in uncreated rays,
No more to sigh, or shed the bitter tear,
 Together hymning their Creator’s praise,
In such society, yet still more dear;
While circling Time moves round in an eternal sphere


Compar’d with this, how poor Religion’s pride,
 In all the pomp of method, and of art;
When men display to congregations wide
 Devotion’s ev’ry grace, except the heart!
 The Power, incens’d, the pageant will desert,
The pompous strain, the sacerdotal stole;
 But haply, in some cottage far apart,
May hear, well-pleas’d, the language of the soul;
And in His Book of Life the inmates poor enroll.


Then homeward all take off their sev’ral way;
 The youngling cottagers retire to rest:
The parent-pair their secret homage pay,
 And proffer up to Heaven the warm request,
 That he who stills the raven’s clam’rous nest,
And decks the lily fair in flow’ry pride,
 Would, in the way His wisdom sees the best,
For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.


From scenes like these, old Scotia’s grandeur springs,
 That makes her lov’d at home, rever’d abroad:
Princes and lords are but the breath of kings,
 “An honest man’s the noblest work of God;”
 And certes, in fair virtue’s heavenly road,
The cottage leaves the palace far behind;
 What is a lordling’s pomp? a cumbrous load,
Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!


O Scotia! my dear, my native soil!
 For whom my warmest wish to Heaven is sent,
Long may thy hardy sons of rustic toil
 Be blest with health, and peace, and sweet content!
 And O! may Heaven their simple lives prevent
From luxury’s contagion, weak and vile!
 Then howe’er crowns and coronets be rent,
A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.


O Thou! who pour’d the patriotic tide,
 That stream’d thro’ Wallace’s undaunted heart,
Who dar’d to nobly stem tyrannic pride,
 Or nobly die, the second glorious part:
 (The patriot’s God peculiarly thou art,
His friend, inspirer, guardian, and reward!)
 O never, never Scotia’s realm desert;
But still the patriot, and the patriot-bard
In bright succession raise, her ornament and guard!


 Note 1. Pope’s “Windsor Forest.”—R. B. [back]


Written by Ogden Nash | Create an image from this poem

The Clean Plater

 Some singers sing of ladies' eyes,
And some of ladies lips,
Refined ones praise their ladylike ways,
And course ones hymn their hips.
The Oxford Book of English Verse
Is lush with lyrics tender;
A poet, I guess, is more or less
Preoccupied with gender.
Yet I, though custom call me crude,
Prefer to sing in praise of food.
Food,
Yes, food,
Just any old kind of food.
Pheasant is pleasant, of course,
And terrapin, too, is tasty,
Lobster I freely endorse,
In pate or patty or pasty.
But there's nothing the matter with butter,
And nothing the matter with jam,
And the warmest greetings I utter
To the ham and the yam and the clam.
For they're food,
All food,
And I think very fondly of food.
Through I'm broody at times
When bothered by rhymes,
I brood
On food.
Some painters paint the sapphire sea,
And some the gathering storm.
Others portray young lambs at play,
But most, the female form.
“Twas trite in that primeval dawn
When painting got its start,
That a lady with her garments on
Is Life, but is she Art?
By undraped nymphs
I am not wooed;
I'd rather painters painted food.
Food,
Just food,
Just any old kind of food.
Go purloin a sirloin, my pet,
If you'd win a devotion incredible;
And asparagus tips vinaigrette,
Or anything else that is edible.
Bring salad or sausage or scrapple,
A berry or even a beet.
Bring an oyster, an egg, or an apple,
As long as it's something to eat.
If it's food,
It's food;
Never mind what kind of food.
When I ponder my mind
I consistently find
It is glued
On food.
Written by Christina Rossetti | Create an image from this poem

In Progress

 Ten years ago it seemed impossible
That she should ever grow so calm as this,
With self-remembrance in her warmest kiss
And dim dried eyes like an exhausted well.
Slow-speaking when she had some fact to tell,
Silent with long-unbroken silences,
Centered in self yet not unpleased to please,
Gravely monotonous like a passing bell.
Mindful of drudging daily common things,
Patient at pastime, patient at her work,
Wearied perhaps but strenuous certainly.
Sometimes I fancy we may one day see
Her head shoot forth seven stars from where they lurk
And her eyes lightnings and her shoulders wings.
Written by Robert Southey | Create an image from this poem

Sappho - A Monodrama

 Argument.

To leap from the promontory of LEUCADIA was believed by the Greeks to be
a remedy for hopeless love, if the self-devoted victim escaped with
life. Artemisia lost her life in the dangerous experiment: and Sappho is
said thus to have perished, in attempting to cure her passion for Phaon.


SAPPHO

(Scene the promontory of Leucadia.)

This is the spot:--'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.
Oh 'tis a giddy height! my dizzy head
Swims at the precipice--'tis death to fall!

Lie still, thou coward heart! this is no time
To shake with thy strong throbs the frame convuls'd.
To die,--to be at rest--oh pleasant thought!
Perchance to leap and live; the soul all still,
And the wild tempest of the passions husht
In one deep calm; the heart, no more diseas'd
By the quick ague fits of hope and fear,
Quietly cold!
Presiding Powers look down!
In vain to you I pour'd my earnest prayers,
In vain I sung your praises: chiefly thou
VENUS! ungrateful Goddess, whom my lyre
Hymn'd with such full devotion! Lesbian groves,
Witness how often at the languid hour
Of summer twilight, to the melting song
Ye gave your choral echoes! Grecian Maids
Who hear with downcast look and flushing cheek
That lay of love bear witness! and ye Youths,
Who hang enraptur'd on the empassion'd strain
Gazing with eloquent eye, even till the heart
Sinks in the deep delirium! and ye too
Shall witness, unborn Ages! to that song
Of warmest zeal; ah witness ye, how hard,
Her fate who hymn'd the votive hymn in vain!
Ungrateful Goddess! I have hung my lute
In yonder holy pile: my hand no more
Shall wake the melodies that fail'd to move
The heart of Phaon--yet when Rumour tells
How from Leucadia Sappho hurl'd her down
A self-devoted victim--he may melt
Too late in pity, obstinate to love.

Oh haunt his midnight dreams, black NEMESIS!
Whom, self-conceiving in the inmost depths
Of CHAOS, blackest NIGHT long-labouring bore,
When the stern DESTINIES, her elder brood.
And shapeless DEATH, from that more monstrous birth
Leapt shuddering! haunt his slumbers, Nemesis,
Scorch with the fires of Phlegethon his heart,
Till helpless, hopeless, heaven-abandon'd wretch
He too shall seek beneath the unfathom'd deep
To hide him from thy fury.

How the sea
Far distant glitters as the sun-beams smile,
And gayly wanton o'er its heaving breast
Phoebus shines forth, nor wears one cloud to mourn
His votary's sorrows! God of Day shine on--
By Man despis'd, forsaken by the Gods,
I supplicate no more.

How many a day,
O pleasant Lesbos! in thy secret streams
Delighted have I plung'd, from the hot sun
Screen'd by the o'er-arching groves delightful shade,
And pillowed on the waters: now the waves
Shall chill me to repose.

Tremendous height!
Scarce to the brink will these rebellious limbs
Support me. Hark! how the rude deep below
Roars round the rugged base, as if it called
Its long-reluctant victim! I will come.
One leap, and all is over! The deep rest
Of Death, or tranquil Apathy's dead calm
Welcome alike to me. Away vain fears!
Phaon is cold, and why should Sappho live?
Phaon is cold, or with some fairer one--
Thought worse than death!

(She throws herself from the precipice.)
Written by Isaac Watts | Create an image from this poem

Hymn 76

 Christ dwells in heaven, but visits on earth.

SS 6:1-3,12. 

When strangers stand and hear me tell
What beauties in my Savior dwell,
Where he is gone they fain would know,
That they may seek and love him too.

My best Beloved keeps his throne
On hills of light, in worlds unknown;
But he descends and shows his face
In the young gardens of his grace.

[In vineyards planted by his hand,
Where fruitful trees in order stand;
He feeds among the spicy beds,
Where lilies show their spotless heads.

He has engrossed my warmest love,
No earthly charms my soul can move:
I have a mansion in his heart,
Nor death nor hell shall make us part.]

[He takes my soul ere I'm aware,
And shows me where his glories are;
No chariot of Amminadib
The heav'nly rapture can describe.

O may my spirit daily rise
On wings of faith above the skies,
Till death shall make my last remove,
To dwell for ever with my Love.]


Written by Alfonsina Storni | Create an image from this poem

Theyve Come

 Today my mother and sisters
came to see me.

I had been alone a long time
with my poems, my pride . . . almost nothing.

My sister---the oldest---is grown up,
is blondish. An elemental dream
goes through her eyes: I told the youngest
"Life is sweet. Everything bad comes to an end."

My mother smiled as those who understand souls
tend to do;
She placed two hands on my shoulders.
She's staring at me . . .
and tears spring from my eyes.

We ate together in the warmest room
of the house.
Spring sky . . . to see it
all the windows were opened.

And while we talked together quietly
of so much that is old and forgotten,
My sister---the youngest---interrupts:
"The swallows are flying by us."
Written by George (Lord) Byron | Create an image from this poem

Stanzas To A Lady On Leaving England

 'Tis done---and shivering in the gale
The bark unfurls her snowy sail;
And whistling o'er the bending mast,
Loud sings on high the fresh'ning blast;
And I must from this land be gone,
Because I cannot love but one.

But could I be what I have been,
And could I see what I have seen---
Could I repose upon the breast
Which once my warmest wishes blest---
I should not seek another zone,
Because I cannot love but one.

'Tis long since I beheld that eye
Which gave me bliss or misery;
And I have striven, but in vain,
Never to think of it again:
For though I fly from Albion,
I still can only love but one.

As some lone bird, without a mate,
My weary heart is desolate;
I look around, and cannot trace
One friendly smile or welcome face,
And ev'n in crowds am still alone,
Because I cannot love but one.

And I will cross the whitening foam,
And I will seek a foreign home;
Till I forget a false fair face,
I ne'er shall find a resting-place;
My own dark thoughts I cannot shun,
But ever love, and love but one.

The poorest, veriest wretch on earth
Still finds some hospitable hearth,
Where Friendship's or Love's softer glow
May smile in joy or soothe in woe;
But friend or leman I have none,'
Because I cannot love but one.

I go---but wheresoe'er I flee
There's not an eye will weep for me;
There's not a kind congenial heart,
Where I can claim the meanest part;
Nor thou, who hast my hopes undone,
Wilt sigh, although I love but one.

To think of every early scene,
Of what we are, and what we've been,
Would whelm some softer hearts with woe---
But mine, alas! has stood the blow;
Yet still beats on as it begun,
And never truly loves but one.

And who that dear lov'd one may be,
Is not for vulgar eyes to see;
And why that early love was cross'd,
Thou know'st the best, I feel the most;
But few that dwell beneath the sun
Have loved so long, and loved but one.

I've tried another's fetters too,
With charms perchance as fair to view;
And I would fain have loved as well,
But some unconquerable spell
Forbade my bleeding breast to own
A kindred care for aught but one.

'Twould soothe to take one lingering view,
And bless thee in my last adieu;
Yet wish I not those eyes to weep
For him that wanders o'er the deep;
His home, his hope, his youth are gone,
Yet still he loves, and loves but one.
Written by Francesco Petrarch | Create an image from this poem

Sonnet XVIII

[Pg 249]

SONNET XVIII.

Se quell' aura soave de' sospiri.

SHE RETURNS IN PITY TO COMFORT HIM WITH HER ADVICE.

If that soft breath of sighs, which, from above,I hear of her so long my lady here,Who, now in heaven, yet seems, as of our sphere,To breathe, and move, to feel, and live, and love,I could but paint, my passionate verse should moveWarmest desires; so jealous, yet so dearO'er me she bends and breathes, without a fear,That on the way I tire, or turn, or rove.She points the path on high: and I who knowHer chaste anxiety and earnest prayer,In whispers sweet, affectionate, and low,Train, at her will, my acts and wishes there:And find such sweetness in her words aloneAs with their power should melt the hardest stone.
Macgregor.
Written by Carl Sandburg | Create an image from this poem

A. E. F

 THERE will be a rusty gun on the wall, sweetheart,
The rifle grooves curling with flakes of rust.
A spider will make a silver string nest in the darkest, warmest corner of it.
The trigger and the range-finder, they too will be rusty.
And no hands will polish the gun, and it will hang on the wall.
Forefingers and thumbs will point absently and casually toward it.
It will be spoken among half-forgotten, wished-to-be-forgotten things.
They will tell the spider: Go on, you’re doing good work.
Written by Thomas Moore | Create an image from this poem

The Legacy

 When in death I shall calmly recline, 
O bear my heart to my mistress dear, 
Tell her it lived upon smiles and wine 
Of the brightest hue, while it linger'd here. 
Bid her not shed one tear of sorrow 
To sully a heart so brilliant and light; 
But balmy drops of the red grape borrow, 
To bathe the relic from morn till night. 

When the light of my song is o'er, 
Then take my harp to your ancient hall; 
Hang it up at that friendly door, 
Where weary travellers love to call.
Then if some bard, who roams forsaken, 
Revive its soft note in passing along, 
Oh! let one thought of its master waken 
Your warmest smile for the child of song. 

Keep this cup, which is now o'erflowing, 
To grace your revel, when I'm at rest; 
Never, oh! never its balm bestowing 
On lips that beauty hath seldom blest. 
But when some warm devoted lover 
To her he adores shall bathe its brim, 
Then, then my spirit around shall hover, 
And hallow each drop that foams for him.

Book: Radiant Verses: A Journey Through Inspiring Poetry