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Best Famous Wanderings Poems

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Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.  Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone. 

                               These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love.  Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. 

                                           If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee! 

  And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years.  And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved.  For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense.  For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.  And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air, 
And the blue sky, and in the mind of man:
A motion and a spirit, that impels 
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse, 
The guide, the guardian of my heart, and soul
Of all my moral being. 

                                   Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes.  Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings.  Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love.  Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!


Written by Rudyard Kipling | Create an image from this poem

A Song of Travel

 Where's the lamp that Hero lit
 Once to call Leander home?
Equal Time hath shovelled it
 'Neath the wrack of Greece and Rome.
Neither wait we any more
That worn sail which Argo bore.

Dust and dust of ashes close
 All the Vestal Virgin's care;
And the oldest altar shows
 But an older darkness there.
Age-encamped Oblivion
Tenteth every light that shone.

Yet shall we, for Suns that die,
 Wall our wanderings from desire?
Or, because the Moon is high,
 Scorn to use a nearer fire?
Lest some envious Pharaoh stir,
Make our lives our sepulcher?

Nay! Though Time with petty Fate
 Prison us and Emperors,
By our Arts do we create 
 That which Time himself devours--
Such machines as well may run
'Gainst the Horses of the Sun.

When we would a new abode,
 Space, our tyrant King no more,
Lays the long lance of the road 
 At our feet and flees before,
Breathless, ere we overwhelm,
To submit a further realm!
Written by Percy Bysshe Shelley | Create an image from this poem

Ode to the West Wind

O WILD West Wind, thou breath of Autumn's being¡ª 
Thou from whose unseen presence the leaves dead 
Are driven, like ghosts from an enchanter fleeing, 
Yellow, and black, and pale, and hectic red, 
Pestilence-stricken multitudes!¡ªO thou 5 
Who chariotest to their dark wintry bed 
The wing¨¨d seeds, where they lie cold and low, 
Each like a corpse within its grave, until 
Thine azure sister of the Spring shall blow 
Her clarion o'er the dreaming earth, and fill 10 
(Driving sweet buds like flocks to feed in air) 
With living hues and odours plain and hill¡ª 
Wild Spirit, which art moving everywhere¡ª 
Destroyer and Preserver¡ªhear, O hear! 

Thou on whose stream, 'mid the steep sky's commotion, 15 
Loose clouds like earth's decaying leaves are shed, 
Shook from the tangled boughs of Heaven and Ocean, 
Angels of rain and lightning! they are spread 
On the blue surface of thine airy surge, 
Like the bright hair uplifted from the head 20 
Of some fierce M?nad, ev'n from the dim verge 
Of the horizon to the zenith's height¡ª 
The locks of the approaching storm. Thou dirge 
Of the dying year, to which this closing night 
Will be the dome of a vast sepulchre, 25 
Vaulted with all thy congregated might 
Of vapours, from whose solid atmosphere 
Black rain, and fire, and hail will burst:¡ªO hear! 

Thou who didst waken from his summer-dreams 
The blue Mediterranean, where he lay, 30 
Lull'd by the coil of his crystalline streams, 
Beside a pumice isle in Bai?'s bay, 
And saw in sleep old palaces and towers 
Quivering within the wave's intenser day, 
All overgrown with azure moss, and flowers 35 
So sweet, the sense faints picturing them! Thou 
For whose path the Atlantic's level powers 
Cleave themselves into chasms, while far below 
The sea-blooms and the oozy woods which wear 
The sapless foliage of the ocean, know 40 
Thy voice, and suddenly grow gray with fear 
And tremble and despoil themselves:¡ªO hear! 

If I were a dead leaf thou mightest bear; 
If I were a swift cloud to fly with thee; 
A wave to pant beneath thy power, and share 45 
The impulse of thy strength, only less free 
Than thou, O uncontrollable!¡ªif even 
I were as in my boyhood, and could be 
The comrade of thy wanderings over heaven, 
As then, when to outstrip thy skiey speed 50 
Scarce seem'd a vision,¡ªI would ne'er have striven 
As thus with thee in prayer in my sore need. 
O lift me as a wave, a leaf, a cloud! 
I fall upon the thorns of life! I bleed! 
A heavy weight of hours has chain'd and bow'd 55 
One too like thee¡ªtameless, and swift, and proud. 

Make me thy lyre, ev'n as the forest is: 
What if my leaves are falling like its own! 
The tumult of thy mighty harmonies 
Will take from both a deep autumnal tone, 60 
Sweet though in sadness. Be thou, Spirit fierce, 
My spirit! be thou me, impetuous one! 
Drive my dead thoughts over the universe, 
Like wither'd leaves, to quicken a new birth; 
And, by the incantation of this verse, 65 
Scatter, as from an unextinguish'd hearth 
Ashes and sparks, my words among mankind! 
Be through my lips to unawaken'd earth 
The trumpet of a prophecy! O Wind, 
If Winter comes, can Spring be far behind? 70 
Written by Lewis Carroll | Create an image from this poem

All In The Golden Afternoon

 All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretense
Our wanderings to guide.

Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet what can one poor voice avail
Against three tongues together?

Imperious Prima flashes forth
Her edict to "begin it"--
In gentler tones Secunda hopes
"There will be nonsense in it"--
While Tertia interrupts the tale
Not more than once a minute.

Anon, to sudden silence won,
In fancy they pursue
The dream-child moving through a land
Of wonders wild and new,
In friendly chat with bird or beast--
And half believe it true.

And ever, as the story drained
The wells of fancy dry,
And faintly strove that weary one
To put the subject by,
"The rest next time"--"It is next time!"
The happy voices cry.

Thus grew the tale of Wonderland:
Thus slowly, one by one,
Its quaint events were hammered out--
And now the tale is done,
And home we steer, a merry crew,
Beneath the setting sun.

Alice! a childish story take,
And with a gentle hand
Lay it where Childhood's dreams are twined
In Memory's mystic band,
Like pilgrim's withered wreath of flowers
Plucked in a far-off land.
Written by Lucy Maud Montgomery | Create an image from this poem

Companioned

 I walked to-day, but not alone,
Adown a windy, sea-girt lea,
For memory, spendthrift of her charm,
Peopled the silent lands for me. 

The faces of old comradeship
In golden youth were round my way,
And in the keening wind I heard
The songs of many an orient day. 

And to me called, from out the pines
And woven grasses, voices dear,
As if from elfin lips should fall
The mimicked tones of yesteryear. 

Old laughter echoed o'er the leas
And love-lipped dreams the past had kept,
From wayside blooms like honeyed bees
To company my wanderings crept. 

And so I walked, but not alone,
Right glad companionship had I,
On that gray meadow waste between
Dim-litten sea and winnowed sky.


Written by Alfred Lord Tennyson | Create an image from this poem

The Lotos-eaters

 "Courage!" he said, and pointed toward the land, 
"This mounting wave will roll us shoreward soon."
In the afternoon they came unto a land 
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream 
Along the cliff to fall and pause and fall did seem.

A land of streams! some, like a downward smoke,
Slow-dropping veils of thinnest lawn, did go;
And some thro' wavering lights and shadows broke,
Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow
From the inner land: far off, three mountain-tops,
Three silent pinnacles of aged snow,
Stood sunset-flush'd: and, dew'd with showery drops, 
Up-clomb the shadowy pine above the woven copse. 

The charmed sunset linger'd low adown
In the red West: thro' mountain clefts the dale
Was seen far inland, and the yellow down
Border'd with palm, and many a winding vale
And meadow, set with slender galingale;
A land where all things always seem'd the same!
And round about the keel with faces pale,
Dark faces pale against that rosy flame,
The mild-eyed melancholy Lotos-eaters came.

Branches they bore of that enchanted stem,
Laden with flower and fruit, whereof they gave
To each, but whoso did receive of them,
And taste, to him the gushing of the wave
Far far away did seem to mourn and rave
On alien shores; and if his fellow spake,
His voice was thin, as voices from the grave;
And deep-asleep he seem'd, yet all awake,
And music in his ears his beating heart did make.

They sat them down upon the yellow sand,
Between the sun and moon upon the shore;
And sweet it was to dream of Fatherland,
Of child, and wife, and slave; but evermore
Most weary seem'd the sea, weary the oar,
Weary the wandering fields of barren foam.
Then some one said, "We will return no more";
And all at once they sang, "Our island home
Is far beyond the wave; we will no longer roam."CHORIC SONGI

There is sweet music here that softer falls
Than petals from blown roses on the grass,
Or night-dews on still waters between walls
Of shadowy granite, in a gleaming pass;
Music that gentlier on the spirit lies,
Than tir'd eyelids upon tir'd eyes;
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep, 
And thro' the moss the ivies creep,
And in the stream the long-leaved flowers weep,
And from the craggy ledge the poppy hangs in sleep."II

Why are we weigh'd upon with heaviness,
And utterly consumed with sharp distress,
While all things else have rest from weariness?
All things have rest: why should we toil alone,
We only toil, who are the first of things,
And make perpetual moan,
Still from one sorrow to another thrown:
Nor ever fold our wings,
And cease from wanderings,
Nor steep our brows in slumber's holy balm;
Nor harken what the inner spirit sings,
"There is no joy but calm!"
Why should we only toil, the roof and crown of things?III

Lo! in the middle of the wood,
The folded leaf is woo'd from out the bud
With winds upon the branch, and there
Grows green and broad, and takes no care,
Sun-steep'd at noon, and in the moon
Nightly dew-fed; and turning yellow
Falls, and floats adown the air.
Lo! sweeten'd with the summer light,
The full-juiced apple, waxing over-mellow,
Drops in a silent autumn night.
All its allotted length of days
The flower ripens in its place,
Ripens and fades, and falls, and hath no toil,
Fast-rooted in the fruitful soil.IV

Hateful is the dark-blue sky,
Vaulted o'er the dark-blue sea.
Death is the end of life; ah, why
Should life all labour be?
Let us alone. Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone. What is it that will last?
All things are taken from us, and become
Portions and parcels of the dreadful past.
Let us alone. What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave?
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.V

How sweet it were, hearing the downward stream,
With half-shut eyes ever to seem
Falling asleep in a half-dream!
To dream and dream, like yonder amber light,
Which will not leave the myrrh-bush on the height;
To hear each other's whisper'd speech;
Eating the Lotos day by day,
To watch the crisping ripples on the beach,
And tender curving lines of creamy spray;
To lend our hearts and spirits wholly
To the influence of mild-minded melancholy;
To muse and brood and live again in memory,
With those old faces of our infancy
Heap'd over with a mound of grass,
Two handfuls of white dust, shut in an urn of brass!VI


Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears: but all hath suffer'd change:
For surely now our household hearths are cold,
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years' war in Troy,
And our great deeds, as half-forgotten things.
Is there confusion in the little isle?
Let what is broken so remain.
The Gods are hard to reconcile:
'Tis hard to settle order once again.
There is confusion worse than death,
Trouble on trouble, pain on pain,
Long labour unto aged breath,
Sore task to hearts worn out by many wars
And eyes grown dim with gazing on the pilot-stars.VII


But, propt on beds of amaranth and moly,
How sweet (while warm airs lull us, blowing lowly)
With half-dropt eyelid still,
Beneath a heaven dark and holy,
To watch the long bright river drawing slowly
His waters from the purple hill--
To hear the dewy echoes calling
From cave to cave thro' the thick-twined vine--
To watch the emerald-colour'd water falling
Thro' many a wov'n acanthus-wreath divine!
Only to hear and see the far-off sparkling brine,
Only to hear were sweet, stretch'd out beneath the pine.VIII


The Lotos blooms below the barren peak:
The Lotos blows by every winding creek:
All day the wind breathes low with mellower tone:
Thro' every hollow cave and alley lone
Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we,
Roll'd to starboard, roll'd to larboard, when the surge was seething free,
Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind,
In the hollow Lotos-land to live and lie reclined
On the hills like Gods together, careless of mankind.
For they lie beside their nectar, and the bolts are hurl'd
Far below them in the valleys, and the clouds are lightly curl'd
Round their golden houses, girdled with the gleaming world:
Where they smile in secret, looking over wasted lands,
Blight and famine, plague and earthquake, roaring deeps and fiery sands,
Clanging fights, and flaming towns, and sinking ships, and praying hands.
But they smile, they find a music centred in a doleful song
Steaming up, a lamentation and an ancient tale of wrong,
Like a tale of little meaning tho' the words are strong;
Chanted from an ill-used race of men that cleave the soil,
Sow the seed, and reap the harvest with enduring toil,
Storing yearly little dues of wheat, and wine and oil;
Till they perish and they suffer--some, 'tis whisper'd--down in hell
Suffer endless anguish, others in Elysian valleys dwell,
Resting weary limbs at last on beds of asphodel.
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the deep mid-ocean, wind and wave and oar;
O, rest ye, brother mariners, we will not wander more.Credits and CopyrightTogether with the editors, the Department ofEnglish (University of Toronto), and the University of Toronto Press,the following individuals share copyright for the work that wentinto this edition:Screen Design (Electronic Edition): Sian Meikle (University ofToronto Library)Scanning: Sharine Leung (Centre for Computing in the Humanities) 





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Information about The Lotos-eaters 
Poet: Alfred Lord Tennyson 
Poem: The Lotos-eaters 





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The Lotos-eaters 

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Written by Alfred Lord Tennyson | Create an image from this poem

Song of the Lotos-Eaters

THERE is sweet music here that softer falls 
Than petals from blown roses on the grass, 
Or night-dews on still waters between walls 
Of shadowy granite, in a gleaming pass; 
Music that gentlier on the spirit lies, 5 
Than tired eyelids upon tired eyes; 
Music that brings sweet sleep down from the blissful skies. 
Here are cool mosses deep, 
And thro' the moss the ivies creep, 
And in the stream the long-leaved flowers weep, 10 
And from the craggy ledge the poppy hangs in sleep. 

Why are we weigh'd upon with heaviness, 
And utterly consumed with sharp distress, 
While all things else have rest from weariness? 
All things have rest: why should we toil alone, 15 
We only toil, who are the first of things, 
And make perpetual moan, 
Still from one sorrow to another thrown: 
Nor ever fold our wings, 
And cease from wanderings, 20 
Nor steep our brows in slumber's holy balm; 
Nor harken what the inner spirit sings, 
'There is no joy but calm!'¡ª 
Why should we only toil, the roof and crown of things? 

Lo! in the middle of the wood, 25 
The folded leaf is woo'd from out the bud 
With winds upon the branch, and there 
Grows green and broad, and takes no care, 
Sun-steep'd at noon, and in the moon 
Nightly dew-fed; and turning yellow 30 
Falls, and floats adown the air. 
Lo! sweeten'd with the summer light, 
The full-juiced apple, waxing over-mellow, 
Drops in a silent autumn night. 
All its allotted length of days, 35 
The flower ripens in its place, 
Ripens and fades, and falls, and hath no toil, 
Fast-rooted in the fruitful soil. 

Hateful is the dark-blue sky, 
Vaulted o'er the dark-blue sea. 40 
Death is the end of life; ah, why 
Should life all labour be? 
Let us alone. Time driveth onward fast, 
And in a little while our lips are dumb. 
Let us alone. What is it that will last? 45 
All things are taken from us, and become 
Portions and parcels of the dreadful Past. 
Let us alone. What pleasure can we have 
To war with evil? Is there any peace 
In ever climbing up the climbing wave? 50 
All things have rest, and ripen toward the grave 
In silence; ripen, fall and cease: 
Give us long rest or death, dark death, or dreamful ease. 

How sweet it were, hearing the downward stream, 
With half-shut eyes ever to seem 55 
Falling asleep in a half-dream! 
To dream and dream, like yonder amber light, 
Which will not leave the myrrh-bush on the height; 
To hear each other's whisper'd speech; 
Eating the Lotos day by day, 60 
To watch the crisping ripples on the beach, 
And tender curving lines of creamy spray; 
To lend our hearts and spirits wholly 
To the influence of mild-minded melancholy; 
To muse and brood and live again in memory, 65 
With those old faces of our infancy 
Heap'd over with a mound of grass, 
Two handfuls of white dust, shut in an urn of brass! 

Dear is the memory of our wedded lives, 
And dear the last embraces of our wives 70 
And their warm tears: but all hath suffer'd change; 
For surely now our household hearts are cold: 
Our sons inherit us: our looks are strange: 
And we should come like ghosts to trouble joy. 
Or else the island princes over-bold 75 
Have eat our substance, and the minstrel sings 
Before them of the ten years' war in Troy, 
And our great deeds, as half-forgotten things. 
Is there confusion in the little isle? 
Let what is broken so remain. 80 
The Gods are hard to reconcile: 
'Tis hard to settle order once again. 
There is confusion worse than death, 
Trouble on trouble, pain on pain, 
Long labour unto ag¨¨d breath, 85 
Sore task to hearts worn out with many wars 
And eyes grown dim with gazing on the pilot-stars. 

But, propt on beds of amaranth and moly, 
How sweet (while warm airs lull us, blowing lowly) 
With half-dropt eyelids still, 90 
Beneath a heaven dark and holy, 
To watch the long bright river drawing slowly 
His waters from the purple hill¡ª 
To hear the dewy echoes calling 
From cave to cave thro' the thick-twin¨¨d vine¡ª 95 
To watch the emerald-colour'd water falling 
Thro' many a wov'n acanthus-wreath divine! 
Only to hear and see the far-off sparkling brine, 
Only to hear were sweet, stretch'd out beneath the pine. 

The Lotos blooms below the barren peak: 100 
The Lotos blows by every winding creek: 
All day the wind breathes low with mellower tone: 
Thro' every hollow cave and alley lone 
Round and round the spicy downs the yellow Lotos-dust is blown. 
We have had enough of action, and of motion we, 105 
Roll'd to starboard, roll'd to larboard, when the surge was seething free, 
Where the wallowing monster spouted his foam-fountains in the sea. 
Let us swear an oath, and keep it with an equal mind, 
In the hollow Lotos-land to live and lie relined 
On the hills like Gods together, careless of mankind. 110 
For they lie beside their nectar, and the bolts are hurl'd 
Far below them in the valleys, and the clouds are lightly curl'd 
Round their golden houses, girdled with the gleaming world: 
Where the smile in secret, looking over wasted lands, 
Blight and famine, plague and earthquake, roaring deeps and fiery sands, 115 
Clanging fights, and flaming towns, and sinking ships, and praying hands. 
But they smile, they find a music centred in a doleful song 
Steaming up, a lamentation and an ancient tale of wrong, 
Like a tale of little meaning tho' the words are strong; 
Chanted from an ill-used race of men that cleave the soil, 120 
Sow the seed, and reap the harvest with enduring toil, 
Storing yearly little dues of wheat, and wine and oil; 
Till they perish and they suffer¡ªsome, 'tis whisper'd¡ªdown in hell 
Suffer endless anguish, others in Elysian valleys dwell, 
Resting weary limbs at last on beds of asphodel. 125 
Surely, surely, slumber is more sweet than toil, the shore 
Than labour in the deep mid-ocean, wind and wave and oar; 
O rest ye, brother mariners, we will not wander more. 
Written by Barry Tebb | Create an image from this poem

Bridge Over The Aire Book 3

 THE KINGDOM OF MY HEART





1



The halcyon settled on the Aire of our days

Kingfisher-blue it broke my heart in two

Shall I forget you? Shall I forget you?



I am the mad poet first love

You never got over

You are my blue-eyed

Madonna virgin bride

I shall carve ‘MG loves BT’

On the bark of every 

Wind-bent tree in 

East End Park



2



The park itself will blossom

And grow in chiaroscuro

The Victorian postcard’s view

Of avenue upon avenue

With palms and pagodas

Lakes and waterfalls and

A fountain from Versailles.





3



You shall be my queen

In the Kingdom of Deira

Land of many rivers

Aire the greatest

Isara the strong one

Robed in stillness

Wide, deep and dark.





4



In Middleton Woods

Margaret and I played

Truth or dare

She bared her breasts

To the watching stars.





5



“Milk, milk,

Lemonade, round

The corner

Chocolate spread”

Nancy chanted at

Ten in the binyard

Touching her ****,

Her ****, her bum,

Margaret joined in

Chanting in unison.





6



The skipping rope

Turned faster

And faster, slapping

The hot pavement,

Margaret skipped

In rhythm, never

Missing a beat,

Lifting the pleat

Of her skirt

Whirling and twirling.





7



Giggling and red

Margaret said

In a whisper

“When we were

Playing at Nancy’s

She pushed a spill

Of paper up her

You-know-what

She said she’d

Let you watch

If you wanted.”





8



Margaret, this Saturday morning in June

There is a queue at the ‘Princess’ for

The matin?e, down the alley by the blank

Concrete of the cinema’s side I hide

With you, we are counting our picture

Money, I am counting the stars in your

Hair, bound with a cheap plastic comb.





9



You have no idea of my need for you

A lifetime long, every wrong decision

I made betrayed my need; forty years on

Hear my song and take my hand and move

Us to the house of love where we belong.





10



Margaret we sat in the cinema dark

Warm with the promise of a secret kiss

The wall lights glowed amber on the



Crumbling plaster, we looked with longing

At the love seats empty in the circle,

Vowing we would share one.



11



There is shouting and echoes

Of wild splashing from York

Road baths; forty years on

It stirs my memory and

Will not be gone.





12



The ghosts of tramtracks

Light up lanes

To nowhere

In Leeds Ten.



Every road

Leads nowhere

In Leeds Nine.



Motorways have cut

The city’s heart

In two; Margaret,

Our home lies buried

Under sixteen feet

Of stone.

13



Our families moved

And we were lost

I was not there to hear

The whispered secret

Of your first period.





14



God is courage’s infinite ground

Tillich said; God, give me enough

To stand another week without her

Every day gets longer, every sleep

Less deep.





15



Why can’t I find you,

Touch you,

Bind your straw-gold hair

The colour of lank

February grass?



16



Under the stone canopy

Of the Grand Arcade

I pass Europa Nightclub;

In black designer glass

I watch the faces pass

But none is like your’s,

No voice, no eyes,

No smile at all

Like your’s.





17



From Kirkstall Lock

The rhubarb crop

To Knostrop’s forcing sheds

The roots ploughed up

Arranged in beds

Of perfect darkness

Where the buds burst

With a pip, rich pink

Stalks and yellow leaves

Hand-picked by

Candle-light to

Keep the colour right

So every night the

Rhubarb train

Could go from Leeds

To Covent Garden.





18



The smell of Saturday morning

Is the smell of freedom

How the bounds may grow

Slowly slowly as I go.



“Rag-bone rag-bone

White donkey stone”

Auntie Nellie scoured

Her door step, polished

The brass knocker

Till I saw my face

Bunched like a fist

Complete with goggles

Grinning like a monkey

In a mile of mirrors.





19



Every door step had a stop

A half-stone iron weight

To hold it back and every 

Step was edged with donkey

Stone in yellow or white

From the ragman or the potman

With his covered cart jingling

Jangling as it jerked hundreds

Of cups on hooks pint and

Half pint mugs and stacks of

Willow-patterned plates

From Burmantofts.





20



We heard him a mile off

Nights in summer when

He trundled round the

Corner over the cobbles

Jamming the wood brake

Blocks whoaing the horses

With their gleaming brasses

And our mams were always

Waiting where he stopped.





21



Double summer-time made

The nights go on for ever

And no-one cared any more

How long we played what

Or where and we were left

Alone and that’s all I wanted

Then or now to be left alone

Never to be called in from

The Hollows never to be

Called from Margaret.





22



City of back-to-backs

From Armley Heights

Laid out in rows

Like trees or grass

I watch you pass.



23



The Aire is slow and almost

Still



In the Bridgefield

The Joshua Tetley clock

Over the Atkinson Grimshaw

Print

Is stopped at nineteen fifty

Four

The year I left.





24



Grimshaw’s home was

Half a mile away

In Knostrop Hall

Margaret and I

Climbed the ruined

Walls her hair was

Blowing in the wind

Her eyes were stars

In the green night

Her hands were holding 

My hands.





25



Half a century later

I look out over Leeds Nine

What little’s left is broken

Or changed Saturday night

Is silent and empty

The paths over the Hollows

Deserted the bell

Of St. Hilda’s still.



26



On a single bush

The yellow roses blush

Pink in the amber light

Night settles on the

Fewstons and the Copperfields

No mothers’ voices calling us.



Lilac and velvet clover

Grew all over the Hollows

It was all the luck

We knew and when we left

Our luck went too.





27



Solid black

Velvet basalt

Polished jet

Millstone grit

Leeds Town Hall

Built with it

Soaks up the fog

Is sealed with smog

Battered buttressed

Blackened plinths

White lions’ paws

Were soft their

Smiles like your’s.

28



Narrow lanes, steep inclines,

Steps, blank walls, tight

And secret openings’

The lanes are your hips

The inclines the lines

Of your thighs, the steps

Your breasts, blank walls

Your buttocks, tight and

Secret openings your

Taut vagina’s lips.





29



There is a keening and a honing

And a winnowing in the wind

I am the surge and flow

In Winwaed’s water the last breath

Of Elmete’s King.



I am Penda crossing the Aire

Camping at Killingbeck

Conquered by Aethalwald

Ruler of Deira.





30



Life is a bird hovering

In the Hall of the King

Between darkness and darkness flickering

The stone of Scone at last lifted

And borne on the wind, Dunedin, take it

Hold it hard and fast its light

Is leaping it is freedom’s

Touchstone and firestone.





31



Eir, Ayer or Aire

I’ll still be there

Your wanderings off course

Old Ea, Old Eye, Dead Eye

Make no difference to me.

Eg-an island - is Aire’s

True source, names

Not places matter

With the risings

Of a river

Ea land-by-water

I’ll make my own way

Free, going down river

To the far-off sea.





32



Poetry is my business, my affair.

My cri-de-coeur, jongleur

Of Mercia and Elmete, Margaret,

Open your door I am heaping

Imbroglios of stars on the floor

Meet me by the Office Lock

At midnight or by the Town Hall Clock.



33



Nennius nine times have I knocked

On the door of your grave, nine times

More have I made Pilgrimage to Elmete’s

Wood where long I lay by beck and bank

Waiting for your tongue to flame

With Pentecostal fire.





34



Margaret you rode in the hollow of my hand

In the harp of my heart, searching for you

I wandered in Kirkgate Market’s midnight

Down avenues of shuttered stalls, our secrets

Kept through all the years.

From the Imperial on Beeston Hill

I watch the city spill glass towers

Of light over the horizon’s rim.





35



The railyard’s straights

Are buckled plates

Red bricks for aggregate

All lost like me

Ledsham and Ledston

Both belong to Leeds

But Ledston Luck

Is where Aire leads.



36



Held of the Crown

By seven thanes

In Saxon times

‘In regione Loidis’

Baeda scripsit

Leeds, Leeds,

You answer

All my needs.





37



A horse shoe stuck for luck

Behind a basement window:

Margaret, now we’ll see

What truth there is

In dreams and poetry!



I am at one with everyone

There is poetry

Falling from the air

And you have put it there.





38



The sign for John Eaton Street

Is planted in the back garden

Of the transport caf? between

The strands of a wire mesh fence

Straddling the cobbles of a street

That is no more, a washing line

And an abandoned caravan.



39



‘This open land to let’

Is what you get on the Hollows

Thousands of half-burned tyres

The rusty barrel of a Trumix lorry

Concrete slabs, foxgloves and condoms,

The Go-Kart Arena’s signboards,

Half the wall of Ellerby Lane School.





40



There is a mermaid singing

On East Street on an IBM poster

Her hair is lack-lustre

Her breasts are facing the camera

Her tail is like a worn-out brush.



Chimney stacks

Blind black walls

Of factories

Grimy glass

Flickering firelight

 In black-leaded grates.





41



Hunslet de Ledes

Hop-scotch, hide and seek,

Bogies-on-wheels

Not one tree in Hunslet

Except in the cemetery

The lake filled in

For fifty years,

The bluebell has rung

Its last perfumed peal.





42



I couldn’t play out on Sunday

Mam and dad thought us a cut

Above the rest, it was another

Test I failed, keeping me and

Margaret apart was like the Aztecs

Tearing the heart from the living flesh.





43



Father, your office job

Didn’t save you

From the drugs

They never gave you.





44



Isaiah, my son,

You made it back

From Balliol to Beeston

At a run via the

Playing fields of Eton.



There is a keening and a honing

And a winnowing in the wind

Winwaed’s water with red bluid blent.
Written by Percy Bysshe Shelley | Create an image from this poem

The Moon

I
AND, like a dying lady lean and pale,

Who totters forth, wrapp'd in a gauzy veil, 
Out of her chamber, led by the insane 
And feeble wanderings of her fading brain, 
The mood arose up in the murky east, 5 
A white and shapeless mass. 

II
Art thou pale for weariness

Of climbing heaven and gazing on the earth, 
Wandering companionless 
Among the stars that have a different birth, 10 
And ever changing, like a joyless eye 
That finds no object worth its constancy?  
Written by Robert Graves | Create an image from this poem

In the Wilderness

 Christ of His gentleness 
Thirsting and hungering, 
Walked in the wilderness; 
Soft words of grace He spoke 
Unto lost desert-folk
That listened wondering. 
He heard the bitterns call 
From ruined palace-wall, 
Answered them brotherly. 
He held communion
With the she-pelican 
Of lonely piety. 
Basilisk, cockatrice, 
Flocked to his homilies, 
With mail of dread device,
With monstrous barb?d slings, 
With eager dragon-eyes; 
Great rats on leather wings 
And poor blind broken things, 
Foul in their miseries.
And ever with Him went, 
Of all His wanderings 
Comrade, with ragged coat, 
Gaunt ribs—poor innocent— 
Bleeding foot, burning throat,
The guileless old scapegoat; 
For forty nights and days 
Followed in Jesus’ ways, 
Sure guard behind Him kept, 
Tears like a lover wept.

Book: Radiant Verses: A Journey Through Inspiring Poetry