Written by
Majeed Amjad |
Who can say
Why her eyes,
Those playmates of the hamlet where Beauty dwells,
Why her eyes smile that way ?
When notes arising from her soul,
That Temple-Palace of Music,
And traipsing through the land of glad tidings,
Mirthfully smothering the tinkling of their anklets,
Tip toe up, haltingly, secretively,
To the gates of her lips,
Why her gaze sparkles and smiles ?
Leaping over islands of silence
And wastelands of sealed lip pining,
When the silhouettes of desire
Come waltzing in
To nestle in an intimate moment’s nest,
Why her gaze sparkles and smiles ?
Her soul, that Sprite-Princess,
Neither lifts her veil
Nor voices her song
And when her heart’s ballad
Passes through distant, unexplored worlds
As the faint, lingering sounds of a flute …
Why her gaze sparkles and smiles !
|
Written by
Anne Sexton |
A young man is afraid of his demon and puts his hand
over the demon's mouth sometimes.
.
.
-- D.
H.
Lawrence
I mentioned my demon to a friend
and the friend swam in oil and came forth to me
greasy and cryptic
and said,
"I'm thinking of taking him out of hock.
I pawned him years ago.
"
Who would buy?
The pawned demon,
Yellowing with forgetfulness
and hand at his throat?
Take him out of hock, my friend,
but beware of the grief
that will fly into your mouth like a bird.
My demon,
too often undressed,
too often a crucifix I bring forth,
too often a dead daisy I give water to
too often the child I give birth to
and then abort, nameless, nameless.
.
.
earthless.
Oh demon within,
I am afraid and seldom put my hand up
to my mouth and stitch it up
covering you, smothering you
from the public voyeury eyes
of my typewriter keys.
If I should pawn you,
what bullion would they give for you,
what pennies, swimming in their copper kisses
what bird on its way to perishing?
No.
No.
I accept you,
you come with the dead who people my dreams,
who walk all over my desk
(as in Mother, cancer blossoming on her
Best & Co.
****--
waltzing with her tissue paper ghost)
the dead, who give sweets to the diabetic in me,
who give bolts to the seizure of roses
that sometimes fly in and out of me.
Yes.
Yes.
I accept you, demon.
I will not cover your mouth.
If it be man I love, apple laden and foul
or if it be woman I love, sick unto her blood
and its sugary gasses and tumbling branches.
Demon come forth,
even if it be God I call forth
standing like a carrion,
wanting to eat me,
starting at the lips and tongue.
And me wanting to glide into His spoils,
I take bread and wine,
and the demon farts and giggles,
at my letting God out of my mouth
anonymous woman
at the anonymous altar.
|
Written by
Sylvia Plath |
"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.
)
The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.
I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.
)
God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.
I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.
)
I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.
)"
|
Written by
Laurie Lee |
Behold the apples’ rounded worlds:
juice-green of July rain,
the black polestar of flowers, the rind
mapped with its crimson stain.
The russet, crab and cottage red
burn to the sun’s hot brass,
then drop like sweat from every branch
and bubble in the grass.
They lie as wanton as they fall,
and where they fall and break,
the stallion clamps his crunching jaws,
the starling stabs his beak.
In each plump gourd the cidery bite
of boys’ teeth tears the skin;
the waltzing wasp consumes his share,
the bent worm enters in.
I, with as easy hunger, take
entire my season’s dole;
welcome the ripe, the sweet, the sour,
the hollow and the whole.
|
Written by
Chris Tusa |
Marie Laveau, a colored woman who eventually became
known as the Voodoo Queen of New Orleans, often used
her knowledge of Voodoo to manipulate and acquire power.
--Enigma
In one quick lick I waved my mojo hand,
made the Mississippi’s muddy spine
run crooked as a crow’s foot,
scared politicians into my pocket
with lizard tongues and buzzard bones,
convinced the governor to sing my name
under a sharp crescent moon
white as a gator’s tooth.
Now my magic got the whole Vieux Carré
waltzing with redfish and rooster heads,
got Protestants blessing okra and cayenne,
Catholics chasing black cats down Dumaine,
even got Creoles two-stepping with pythons
along the banks of Bayou St.
John.
They say soon my powers gonna fade,
that there’s a noose aloose in the streets
looking for a neck to blame.
But I’m just a lowly colored woman
and ain’t nobody gonna blame a worm
for scaring a catfish onto a hook.
|
Written by
Thomas Hardy |
A forward rush by the lamp in the gloom,
And we clasped, and almost kissed;
But she was not the woman whom
I had promised to meet in the thawing brume
On that harbour-bridge; nor was I he of her tryst.
So loosening from me swift she said:
"O why, why feign to be
The one I had meant - to whom I have sped
To fly with, being so sorrily wed,"
'Twas thus and thus that she upbraided me.
My assignation had struck upon
Some others' like it, I found.
And her lover rose on the night anon;
And then her husband entered on
The lamplit, snowflaked, sloppiness around.
"Take her and welcome, man!" he cried:
"I wash my hands of her.
I'll find me twice as good a bride!"
- All this to me, whom he had eyed,
Plainly, as his wife's planned deliverer.
And next the lover: "Little I knew,
Madam, you had a third!
Kissing here in my very view!"
- Husband and lover then withdrew.
I let them; and I told them not they erred.
Why not? Well, there faced she and I -
Two strangers who'd kissed, or near,
Chancewise.
To see stand weeping by
A woman once embraced, will try
The tension of a man the most austere.
So it began; and I was young,
She pretty, by the lamp,
As flakes came waltzing down among
The waves of her clinging hair, that hung
Heavily on her temples, dark and damp.
And there alone still stood we two;
She once cast off for me,
Or so it seemed: while night ondrew,
Forcing a parley what should do
We twain hearts caught in one catastrophe.
In stranded souls a common strait
Wakes latencies unknown,
Whose impulse may precipitate
A life-long leap.
The hour was late,
And there was the Jersey boat with its funnel agroan.
"Is wary walking worth much pother?"
It grunted, as still it stayed.
"One pairing is as good as another
Where is all venture! Take each other,
And scrap the oaths that you have aforetime made.
"
- Of the four involved there walks but one
On earth at this late day.
And what of the chapter so begun?
In that odd complex what was done?
Well; happiness comes in full to none:
Let peace lie on lulled lips: I will not say.
|
Written by
Rudyard Kipling |
We have another viceroy now, -- those days are dead and done
Of Delilah Aberyswith and depraved Ulysses Gunne.
Delilah Aberyswith was a lady -- not too young --
With a perfect taste in dresses and a badly-bitted tongue,
With a thirst for information, and a greater thirst for praise,
And a little house in Simla in the Prehistoric Days.
By reason of her marriage to a gentleman in power,
Delilah was acquainted with the gossip of the hour;
And many little secrets, of the half-official kind,
Were whispered to Delilah, and she bore them all in mind.
She patronized extensively a man, Ulysses Gunne,
Whose mode of earning money was a low and shameful one.
He wrote for certain papers, which, as everybody knows,
Is worse than serving in a shop or scaring off the crows.
He praised her "queenly beauty" first; and, later on, he hinted
At the "vastness of her intellect" with compliment unstinted.
He went with her a-riding, and his love for her was such
That he lent her all his horses and -- she galled them very much.
One day, THEY brewed a secret of a fine financial sort;
It related to Appointments, to a Man and a Report.
'Twas almost wortth the keeping, -- only seven people knew it --
And Gunne rose up to seek the truth and patiently ensue it.
It was a Viceroy's Secret, but -- perhaps the wine was red --
Perhaps an Aged Concillor had lost his aged head --
Perhaps Delilah's eyes were bright -- Delilah's whispers sweet --
The Aged Member told her what 'twere treason to repeat.
Ulysses went a-riding, and they talked of love and flowers;
Ulysses went a-calling, and he called for several hours;
Ulysses went a-waltzing, and Delilah helped him dance --
Ulysses let the waltzes go, and waited for his chance.
The summer sun was setting, and the summer air was still,
The couple went a-walking in the shade of Summer Hill.
The wasteful sunset faded out in turkis-green and gold,
Ulysses pleaded softly, and .
.
.
that bad Delilah told!
Next morn, a startled Empire learnt the all-important news;
Next week, the Aged Councillor was shaking in his shoes.
Next month, I met Delilah and she did not show the least
Hesitation in affirming that Ulysses was a "beast.
"
* * * * *
We have another Viceroy now, those days are dead and done --
Off, Delilah Aberyswith and most mean Ulysses Gunne!
|
Written by
Elizabeth Bishop |
This is the house of Bedlam.
This is the man
that lies in the house of Bedlam.
This is the time
of the tragic man
that lies in the house of Bedlam.
This is a wristwatch
telling the time
of the talkative man
that lies in the house of Bedlam.
This is a sailor
wearing the watch
that tells the time
of the honored man
that lies in the house of Bedlam.
This is the roadstead all of board
reached by the sailor
wearing the watch
that tells the time
of the old, brave man
that lies in the house of Bedlam.
These are the years and the walls of the ward,
the winds and clouds of the sea of board
sailed by the sailor
wearing the watch
that tells the time
of the cranky man
that lies in the house of Bedlam.
This is a Jew in a newspaper hat
that dances weeping down the ward
over the creaking sea of board
beyond the sailor
winding his watch
that tells the time
of the cruel man
that lies in the house of Bedlam.
This is a world of books gone flat.
This is a Jew in a newspaper hat
that dances weeping down the ward
over the creaking sea of board
of the batty sailor
that winds his watch
that tells the time
of the busy man
that lies in the house of Bedlam.
This is a boy that pats the floor
to see if the world is there, is flat,
for the widowed Jew in the newspaper hat
that dances weeping down the ward
waltzing the length of a weaving board
by the silent sailor
that hears his watch
that ticks the time
of the tedious man
that lies in the house of Bedlam.
These are the years and the walls and the door
that shut on a boy that pats the floor
to feel if the world is there and flat.
This is a Jew in a newspaper hat
that dances joyfully down the ward
into the parting seas of board
past the staring sailor
that shakes his watch
that tells the time
of the poet, the man
that lies in the house of Bedlam.
This is the soldier home from the war.
These are the years and the walls and the door
that shut on a boy that pats the floor
to see if the world is round or flat.
This is a Jew in a newspaper hat
that dances carefully down the ward,
walking the plank of a coffin board
with the crazy sailor
that shows his watch
that tells the time
of the wretched man
that lies in the house of Bedlam.
|
Written by
Federico García Lorca |
In Vienna there are ten little girls,
a shoulder for death to cry on,
and a forest of dried pigeons.
There is a fragment of tomorrow
in the museum of winter frost.
There is a thousand-windowed dance hall.
Ay, ay, ay, ay!
Take this close-mouthed waltz.
Little waltz, little waltz, little waltz,
of itself of death, and of brandy
that dips its tail in the sea.
I love you, I love you, I love you,
with the armchair and the book of death,
down the melancholy hallway,
in the iris's darkened garret,
Ay, ay, ay, ay!
Take this broken-waisted waltz.
In Vienna there are four mirrors
in which your mouth and the ehcoes play.
There is a death for piano
that paints little boys blue.
There are beggars on the roof.
There are fresh garlands of tears.
Ay, ay, ay, ay!
Take this waltz that dies in my arms.
Because I love you, I love you, my love,
in the attic where the children play,
dreaming ancient lights of Hungary
through the noise, the balmy afternoon,
seeing sheep and irises of snow
through the dark silence of your forehead
Ay, ay, ay, ay!
Take this " I will always love you" waltz
In Vienna I will dance with you
in a costume with
a river's head.
See how the hyacinths line my banks!
I will leave my mouth between your legs,
my soul in a photographs and lilies,
and in the dark wake of your footsteps,
my love, my love, I will have to leave
violin and grave, the waltzing ribbons
|
Written by
Michael Ondaatje |
Catch, my Uncle Jack said
and oh I caught this huge apple
red as Mrs Kelly's bum.
It's red as Mrs Kelly's bum, I said
and Daddy roared
and swung me on his stomach with a heave.
Then I hid the apple in my room
till it shrunk like a face
growing eyes and teeth ribs.
Then Daddy took me to the zoo
he knew the man there
they put a snake around my neck
and it crawled down the front of my dress
I felt its flicking tongue
dripping onto me like a shower.
Daddy laughed and said Smart Snake
and Mrs Kelly with us scowled.
In the pond where they kept the goldfish
Philip and I broke the ice with spades
and tried to spear the fishes;
we killed one and Philip ate it,
then he kissed me
with the raw saltless fish in his mouth.
My sister Mary's got bad teeth
and said I was lucky, hen she said
I had big teeth, but Philip said I was pretty.
He had big hands that smelled.
I would speak of Tom', soft laughing,
who danced in the mornings round the sundial
teaching me the steps of France, turning
with the rhythm of the sun on the warped branches,
who'd hold my breast and watch it move like a snail
leaving his quick urgent love in my palm.
And I kept his love in my palm till it blistered.
When they axed his shoulders and neck
the blood moved like a branch into the crowd.
And he staggered with his hanging shoulder
cursing their thrilled cry, wheeling,
waltzing in the French style to his knees
holding his head with the ground,
blood settling on his clothes like a blush;
this way
when they aimed the thud into his back.
And I find cool entertainment now
with white young Essex, and my nimble rhymes.
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