Written by
John Berryman |
As a kid I believed in democracy: I
'saw no alternative'—teaching at The Big Place I ah
put it in practice:
we'd time for one long novel: to a vote—
Gone with the Wind they voted: I crunched 'No'
and we sat down with War & Peace.
As a man I believed in democracy (nobody
ever learns anything): only one lazy day
my assistant, called James Dow,
& I were chatting, in a failure of meeting of minds,
and I said curious 'What are your real politics?'
'Oh, I'm a monarchist.'
Finishing his dissertation, in Political Science.
I resign. The universal contempt for Mr Nixon,
whom never I liked but who
alert & gutsy served us years under a dope,
since dynasty K swarmed in. Let's have a King
maybe, before a few mindless votes.
|
Written by
Rudyard Kipling |
"The Village That Voted the Earth Was Flat"-- A Diversity of Creatures
The Soldier may forget his Sword,
The Sailorman the Sea,
The Mason may forget the Word
And the Priest his Litany:
The Maid may forget both jewel and gem,
And the Bride her wedding-dress--
But the Jew shall forget Jerusalem
Ere we forget the Press!
Who once hath stood through the loaded hour
Ere, roaring like the gale,
The Harrild and the Hoe devour
Their league-long paper-bale,
And has lit his pipe in the morning calm
That follows the midnight stress--
He hath sold his heart to the old Black Art
We call the daily Press.
Who once hath dealt in the widest game
That all of a man can play,
No later love, no larger fame
Will lure him long away.
As the war-horse snuffeth the battle afar,
The entered Soul, no less,
He saith: "Ha! Ha!" where the trumpets are
And the thunders of the Press!
Canst thou number the days that we fulfill,
Or the Times that we bring forth?
Canst thou send the lightnings to do thy will,
And cause them reign on earth?
Hast thou given a peacock goodly wings,
To please his foolishness?
Sit down at the heart of men and things,
Companion of the Press!
The Pope may launch his Interdict,
The Union its decree,
But the bubble is blown and the bubble is pricked
By Us and such as We.
Remember the battle and stand aside
While Thrones and Powers confess
That King over all the children of pride
Is the Press--the Press--the Press!
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Written by
Vachel Lindsay |
I am unjust, but I can strive for justice.
My life's unkind, but I can vote for kindness.
I, the unloving, say life should be lovely.
I, that am blind, cry out against my blindness.
Man is a curious brute — he pets his fancies —
Fighting mankind, to win sweet luxury.
So he will be, tho' law be clear as crystal,
Tho' all men plan to live in harmony.
Come, let us vote against our human nature,
Crying to God in all the polling places
To heal our everlasting sinfulness
And make us sages with transfigured faces.
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Written by
Amy Clampitt |
The West Village by then was changing; before long
the rundown brownstones at its farthest edge
would have slipped into trendier hands. She lived,
impervious to trends, behind a potted hedge of
rubber trees, with three cats, a canary—refuse
from whose cage kept sifting down and then
germinating, a yearning seedling choir, around
the saucers on the windowsill—and an inexorable
cohort of roaches she was too nearsighted to deal
with, though she knew they were there, and would
speak of them, ruefully, as of an affliction that
might once, long ago, have been prevented.
Unclassifiable castoffs, misfits, marginal cases:
when you're one yourself, or close to it, there's
a reassurance in proving you haven't quite gone
under by taking up with somebody odder than you are.
Or trying to. "They're my friends," she'd say of
her cats—Mollie, Mitzi and Caroline, their names were,
and she was forever taking one or another in a cab
to the vet—as though she had no others. The roommate
who'd become a nun, the one who was Jewish, the couple
she'd met on a foliage tour, one fall, were all people
she no longer saw. She worked for a law firm, said all
the judges were alcoholic, had never voted.
But would sometimes have me to dinner—breaded veal,
white wine, strawberry Bavarian—and sometimes, from
what she didn't know she was saying, I'd snatch a shred
or two of her threadbare history. Baltic cold. Being
sent home in a troika when her feet went numb. In
summer, carriage rides. A swarm of gypsy children
driven off with whips. An octogenarian father, bishop
of a dying schismatic sect. A very young mother
who didn't want her. A half-brother she met just once.
Cousins in Wisconsin, one of whom phoned her from a candy
store, out of the blue, while she was living in Chicago.
What had brought her there, or when, remained unclear.
As did much else. We'd met in church. I noticed first
a big, soaring soprano with a wobble in it, then
the thickly wreathed and braided crimp in the mouse-
gold coiffure. Old? Young? She was of no age.
Through rimless lenses she looked out of a child's,
or a doll's, globular blue. Wore Keds the year round,
tended otherwise to overdress. Owned a mandolin. Once
I got her to take it down from the mantel and plink out,
through a warm fuddle of sauterne, a lot of giddy Italian
airs from a songbook whose pages had started to crumble.
The canary fluffed and quivered, and the cats, amazed,
came out from under the couch and stared.
What could the offspring of the schismatic age and a
reluctant child bride expect from life? Not much.
Less and less. A dream she'd had kept coming back,
years after. She'd taken a job in Washington with
some right-wing lobby, and lived in one of those
bow-windowed mansions that turn into roominghouses,
and her room there had a full-length mirror: oval,
with a molding, is the way I picture it. In her dream
something woke her, she got up to look, and there
in the glass she'd had was covered over—she gave it
a wondering emphasis—with gray veils.
The West Village was changing. I was changing. The last
time I asked her to dinner, she didn't show. Hours—
or was it days?—later, she phoned to explain: she hadn't
been able to find my block; a patrolman had steered her home.
I spent my evenings canvassing for Gene McCarthy. Passing,
I'd see her shades drawn, no light behind the rubber trees.
She wasn't out, she didn't own a TV. She was in there,
getting gently blotto. What came next, I wasn't brave
enough to know. Only one day, passing, I saw
new shades, quick-chic matchstick bamboo, going up where
the waterstained old ones had been, and where the seedlings—
O gray veils, gray veils—had risen and gone down.
|
Written by
David Lehman |
Ithaca, October 1993: Jorie went on a lingerie
tear, wanting to look like a moll
in a Chandler novel. Dinner, consisting of three parts gin
and one part lime juice cordial, was a prelude to her hair.
There are, she said, poems that can be written
only when the poet is clad in black underwear.
But that's Jorie for you. Always cracking wise, always where
the action is, the lights, and the sexy lingerie.
Poems, she said, were meant to be written
on the run, like ladders on the stockings of a gun moll
at a bar. Jorie had to introduce the other poet with the fabulous hair
that night. She'd have preferred to work out at the gym.
She'd have preferred to work out with Jim.
She'd have preferred to be anywhere
but here, where young men gawked at her hair
and old men swooned at the thought of her lingerie.
"If you've seen one, you've seen the moll,"
Jorie said when asked about C. "Everything she's written
is an imitation of E." Some poems can be written
only when the poet has fortified herself with gin.
Others come easily to one as feckless as Moll
Flanders. Jorie beamed. "It happened here,"
she said. She had worn her best lingerie,
and D. made the expected pass at her. "My hair
was big that night, not that I make a fetish of hair,
but some poems must not be written
by bald sopranos." That night she lectured on lingerie
to an enthusiastic audience of female gymnasts and gin-
drinking males. "Utopia," she said, "is nowhere."
This prompted one critic to declare that, of them all,
all the poets with hair, Jorie was the fairest moll.
The New York Times voted her "best hair."
Iowa City was said to be the place where
all aspiring poets went, their poems written
on water, with blanks instead of words, a tonic
of silence in the heart of noise, and a vision of lingerie
in the bright morning -- the lingerie to be worn by a moll
holding a tumbler of gin, with her hair
wet from the shower and her best poems waiting to be written.
|
Written by
G K Chesterton |
John Grubby who was short and stout
And troubled with religious doubt,
Refused about the age of three
To sit upon the curate's knee;
(For so the eternal strife must rage
Between the spirit of the age
And Dogma, which, as is well known,
Does simply hate to be outgrown).
Grubby, the young idea that shoots,
Outgrew the ages like old boots;
While still, to all appearance, small,
Would have no Miracles at all;
And just before the age of ten
Firmly refused Free Will to men.
The altars reeled, the heavens shook,
Just as he read of in the book;
Flung from his house went forth the youth
Alone with tempests and the Truth.
Up to the distant city and dim
Where his papa had bought for him
A partnership in Chepe and Deer
Worth, say twelve hundred pounds a year.
But he was resolute. Lord Brute
Had found him useful; and Lord Loot,
With whom few other men would act,
Valued his promptitude and tact;
Never did even philanthrophy
Enrich a man more rapidly:
'Twas he that stopped the Strike in Coal,
For hungry children racked his soul;
To end their misery there and then
He filled the mines with Chinamen
Sat in that House that broke the Kings,
And voted for all sorts of things --
And rose from Under-Sec. to Sec.
With scarce a murmur or a check.
Some grumbled. Growlers who gave less
Than generous worship to success,
The little printers in Dundee,
Who got ten years for blasphemy,
(Although he let them off with seven)
Respect him rather less than heaven.
No matter. This can still be said:
Never to supernatural dread
Never to unseen deity,
Did Sir John Grubby bend the knee;
Nor was he bribed by fabled bliss
To kneel to any world but this.
The curate lives in Camden Town,
His lap still empty of renown,
And still across the waste of years
John Grubby, in the House of Peers,
Faces that curate, proud and free,
And never sits upon his knee.
|
Written by
Carl Sandburg |
BY day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)
Elevators slide on their cables and tubes catch letters and
parcels and iron pipes carry gas and water in and
sewage out.
Wires climb with secrets, carry light and carry words,
and tell terrors and profits and loves--curses of men
grappling plans of business and questions of women
in plots of love.
Hour by hour the caissons reach down to the rock of the
earth and hold the building to a turning planet.
Hour by hour the girders play as ribs and reach out and
hold together the stone walls and floors.
Hour by hour the hand of the mason and the stuff of the
mortar clinch the pieces and parts to the shape an
architect voted.
Hour by hour the sun and the rain, the air and the rust,
and the press of time running into centuries, play
on the building inside and out and use it.
Men who sunk the pilings and mixed the mortar are laid
in graves where the wind whistles a wild song
without words
And so are men who strung the wires and fixed the pipes
and tubes and those who saw it rise floor by floor.
Souls of them all are here, even the hod carrier begging
at back doors hundreds of miles away and the brick-
layer who went to state's prison for shooting another
man while drunk.
(One man fell from a girder and broke his neck at the
end of a straight plunge--he is here--his soul has
gone into the stones of the building.)
On the office doors from tier to tier--hundreds of names
and each name standing for a face written across
with a dead child, a passionate lover, a driving
ambition for a million dollar business or a lobster's
ease of life.
Behind the signs on the doors they work and the walls
tell nothing from room to room.
Ten-dollar-a-week stenographers take letters from
corporation officers, lawyers, efficiency engineers,
and tons of letters go bundled from the building to all
ends of the earth.
Smiles and tears of each office girl go into the soul of
the building just the same as the master-men who
rule the building.
Hands of clocks turn to noon hours and each floor
empties its men and women who go away and eat
and come back to work.
Toward the end of the afternoon all work slackens and
all jobs go slower as the people feel day closing on
them.
One by one the floors are emptied. . . The uniformed
elevator men are gone. Pails clang. . . Scrubbers
work, talking in foreign tongues. Broom and water
and mop clean from the floors human dust and spit,
and machine grime of the day.
Spelled in electric fire on the roof are words telling
miles of houses and people where to buy a thing for
money. The sign speaks till midnight.
Darkness on the hallways. Voices echo. Silence
holds. . . Watchmen walk slow from floor to floor
and try the doors. Revolvers bulge from their hip
pockets. . . Steel safes stand in corners. Money
is stacked in them.
A young watchman leans at a window and sees the lights
of barges butting their way across a harbor, nets of
red and white lanterns in a railroad yard, and a span
of glooms splashed with lines of white and blurs of
crosses and clusters over the sleeping city.
By night the skyscraper looms in the smoke and the stars
and has a soul.
|
Written by
Robert William Service |
A prisoner speaks:
Majority of twenty-three,
I face the Judge with joy and glee;
For am I not a lucky chap -
No more hanging, no more cap;
A "lifer," yes, but well I know
In fifteen years they'll let me go;
For I'll be pious in my prison,
Sing with gusto: Christ Is Risen;
Serve the hymn-books out on Sunday,
Sweep the chapel clean on Monday:
Such a model lag I'll be
In fifteen years they'll set me free.
Majority of twenty three,
You've helped me cheat the gallows tree.
I'm twenty now, at thirty-five
How I will laugh to be alive!
To leap into the world again
And bless the fools miscalled "humane,"
Who say the gibbet's wrong and so
At thirty-five they let me go,
Tat I may sail the across the sea
A killer unsuspect and free,
To change my name, to darkly thrive
By hook or crook at thirty-five.
O silent dark and beastly wood
Where with my bloodied hands I stood!
O piteous child I raped and slew!
Had she been yours, would you and you
Have pardoned me and set me free,
Majority of twenty-three?
Yet by your solemn vote you willed
I shall not die though I have killed;
Although I did no mercy show,
In mercy you will let me go. . . .
That he who kills and does not pay
May live to kill another day.
*By a majority of twenty-three the House of Commons
voted the abolition of the death penalty.
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Written by
Robert Browning |
I sprang to the stirrup, and Joris, and he;
I galloped, Dirck galloped, we galloped all three;
"Good speed!" cried the watch, as the gate-bolts undrew;
"Speed!" echoed the wall to us galloping through;
Behind shut the postern, the lights sank to rest,
And into the midnight we galloped abreast.
Not a word to each other; we kept the great pace
Neck by neck, stride by stride, never changing our place;
I turned in my saddle and made its girths tight,
Then shortened each stirrup, and set the pique right,
Rebuckled the cheek-strap, chained slacker the bit,
Nor galloped less steadily Roland a whit.
'Twas moonset at starting; but while we drew near
Lokeren, the cocks crew and twilight dawned clear;
At Boom, a great yellow star came out to see;
At Duffeld, 'twas morning as plain as could be;
And from Mecheln church-steeple we heard the half-chime,
So Joris broke silence with, "Yet there is time!"
At Aerschot, up leaped of a sudden the sun,
And against him the cattle stood black every one,
To stare through the mist at us galloping past,
And I saw my stout galloper Roland at last,
With resolute shoulders, each butting away
The haze, as some bluff river headland its spray:
And his low head and crest, just one sharp ear bent back
For my voice, and the other pricked out on his track;
And one eye's black intelligence,—ever that glance
O'er its white edge at me, his own master, askance!
And the thick heavy spume-flakes which aye and anon
His fierce lips shook upwards in galloping on.
By Hasselt, Dirck groaned; and cried Joris, "Stay spur!
Your Roos galloped bravely, the fault's not in her,
We'll remember at Aix"—for one heard the quick wheeze
Of her chest, saw the stretched neck and staggering knees,
And sunk tail, and horrible heave of the flank,
As down on her haunches she shuddered and sank.
So, we were left galloping, Joris and I,
Past Looz and past Tongres, no cloud in the sky;
The broad sun above laughed a pitiless laugh,
'Neath our feet broke the brittle bright stubble like chaff;
Till over by Dalhem a dome-spire sprang white,
And "Gallop," gasped Joris, "for Aix is in sight!"
"How they'll greet us!"—and all in a moment his roan
Rolled neck and croup over, lay dead as a stone;
And there was my Roland to bear the whole weight
Of the news which alone could save Aix from her fate,
With his nostrils like pits full of blood to the brim,
And with circles of red for his eye-socket's rim.
Then I cast loose my buffcoat, each holster let fall,
Shook off both my jack-boots, let go belt and all,
Stood up in the stirrup, leaned, patted his ear,
Called my Roland his pet-name, my horse without peer;
Clapped my hands, laughed and sang, any noise, bad or good,
Till at length into Aix Roland galloped and stood.
And all I remember is—friends flocking round
As I sat with his head 'twixt my knees on the ground;
And no voice but was praising this Roland of mine,
As I poured down his throat our last measure of wine,
Which (the burgesses voted by common consent)
Was no more than his due who brought good news from Ghent
|
Written by
Michael Lally |
all the forbidden fruit I ever
dreamt of--or was taught to
resist and fear--ripens and
blossoms under the palms of my
hands as they uncover and explore
you--and in the most secret
corners of my heart as it discovers
and adores you--the forbidden fruit
of forgiveness--the forbidden fruit
of finally feeling the happiness
you were afraid you didn't deserve--
the forbidden fruit of my life's labor
--the just payment I have avoided
since my father taught me how--
the forbidden fruit of the secret
language of our survivors' souls as
they unfold each others secret
ballots--the ones where we voted
for our first secret desires to come
true--there's so much more
I want to say to you--but for
the first time in my life I'm at
a loss for words--because
(I understand at last)
I don't need them
to be heard by you.
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