Written by
Ogden Nash |
Husbands are things that wives have to get used to putting up with.
And with whom they breakfast with and sup with.
They interfere with the discipline of nurseries,
And forget anniversaries,
And when they have been particularly remiss
They think they can cure everything with a great big kiss,
And when you tell them about something awful they have done they just
look unbearably patient and smile a superior smile,
And think, Oh she'll get over it after a while.
And they always drink cocktails faster than they can assimilate them,
And if you look in their direction they act as if they were martyrs and
you were trying to sacrifice, or immolate them,
And when it's a question of walking five miles to play golf they are very
energetic but if it's doing anything useful around the house they are
very lethargic,
And then they tell you that women are unreasonable and don't know
anything about logic,
And they never want to get up or go to bed at the same time as you do,
And when you perform some simple common or garden rite like putting
cold cream on your face or applying a touch of lipstick they seem to
think that you are up to some kind of black magic like a priestess of Voodoo.
And they are brave and calm and cool and collected about the ailments
of the person they have promised to honor and cherish,
But the minute they get a sniffle or a stomachache of their own, why
you'd think they were about to perish,
And when you are alone with them they ignore all the minor courtesies
and as for airs and graces, they uttlerly lack them,
But when there are a lot of people around they hand you so many chairs
and ashtrays and sandwiches and butter you with such bowings and
scrapings that you want to smack them.
Husbands are indeed an irritating form of life,
And yet through some quirk of Providence most of them are really very
deeply ensconced in the affection of their wife.
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Written by
Ruth Padel |
He's gone.
She can't believe it, can't go on.
She's going to give up painting.
So she paints Her final canvas, total-turn-off
Black.
One long
Obsidian goodbye.
A charcoal-burner's Smirnoff, The mirror of Loch Ness Reflecting the monster back to its own eye.
But something's wrong.
Those mad Black-body particles don't sing Her story of despair, the steel and
Garnet spindle
Of the storm.
This black has everything its own sweet way, Where's the I'd-like-to-kill-You conflict? Try once more, but this time add
A curve to all that straight.
And opposition White.
She paints black first.
A grindstone belly Hammering a smaller shape
Beneath a snake
Of in-betweening light.
"I feel like this.
I hope that you do, too, Black crater.
Screw you.
Kiss" And sees a voodoo flicker, where two worlds nearly touch
And miss.
That flash, where white
Lets black get close, that dagger of not-quite contact,
Catspaw panic, quiver on the wheat
Field before thunder -
There.
That's it.
That's her own self, in paint, Splitting what she was from what she is.
As if everything that separates, unites.
Copyright
from Voodoo Shop (Chatto, 2002), copyright © Ruth Padel 2002, used by permission of the author and the publisher
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Written by
Eugene Field |
TO MISS GRACE KING
Down in the old French quarter,
Just out of Rampart street,
I wend my way
At close of day
Unto the quaint retreat
Where lives the Voodoo Doctor
By some esteemed a sham,
Yet I'll declare there's none elsewhere
So skilled as Doctor Sam
With the claws of a deviled crawfish,
The juice of the prickly prune,
And the quivering dew
From a yarb that grew
In the light of a midnight moon!
I never should have known him
But for the colored folk
That here obtain
And ne'er in vain
That wizard's art invoke;
For when the Eye that's Evil
Would him and his'n damn,
The *****'s grief gets quick relief
Of Hoodoo-Doctor Sam.
With the caul of an alligator,
The plume of an unborn loon,
And the poison wrung
From a serpent's tongue
By the light of a midnight moon!
In all neurotic ailments
I hear that he excels,
And he insures
Immediate cures
Of weird, uncanny spells;
The most unruly patient
Gets docile as a lamb
And is freed from ill by the potent skill
Of Hoodoo-Doctor Sam;
Feathers of strangled chickens,
Moss from the dank lagoon,
And plasters wet
With spider sweat
In the light of a midnight moon!
They say when nights are grewsome
And hours are, oh! so late,
Old Sam steals out
And hunts about
For charms that hoodoos hate!
That from the moaning river
And from the haunted glen
He silently brings what eerie things
Give peace to hoodooed men:--
The tongue of a piebald 'possum,
The tooth of a senile 'coon,
The buzzard's breath that smells of death,
And the film that lies
On a lizard's eyes
In the light of a midnight moon!
|
Written by
Vachel Lindsay |
The whole world on a raft! A King is here,
The record of his grandeur but a smear.
Is it his deacon-beard, or old bald pate
That makes the band upon his whims to wait?
Loot and mud-honey have his soul defiled.
Quack, pig, and priest, he drives camp-meetings wild
Until they shower their pennies like spring rain
That he may preach upon the Spanish main.
What landlord, lawyer, voodoo-man has yet
A better native right to make men sweat?
The whole world on a raft! A Duke is here
At sight of whose lank jaw the muses leer.
Journeyman-printer, lamb with ferret eyes,
In life's skullduggery he takes the prize —
Yet stands at twilight wrapped in Hamlet dreams.
Into his eyes the Mississippi gleams.
The sandbar sings in moonlit veils of foam.
A candle shines from one lone cabin home.
The waves reflect it like a drunken star.
A banjo and a hymn are heard afar.
No solace on the lazy shore excels
The Duke's blue castle with its steamer-bells.
The floor is running water, and the roof
The stars' brocade with cloudy warp and woof.
And on past sorghum fields the current swings.
To Christian Jim the Mississippi sings.
This prankish wave-swept barque has won its place,
A ship of jesting for the human race.
But do you laugh when Jim bows down forlorn
His babe, his deaf Elizabeth to mourn?
And do you laugh, when Jim, from Huck apart
Gropes through the rain and night with breaking heart?
But now that imp is here and we can smile,
Jim's child and guardian this long-drawn while.
With knife and heavy gun, a hunter keen,
He stops for squirrel-meat in islands green.
The eternal gamin, sleeping half the day,
Then stripped and sleek, a river-fish at play.
And then well-dressed, ashore, he sees life spilt.
The river-bank is one bright crazy-quilt
Of patch-work dream, of wrath more red than lust,
Where long-haired feudist Hotspurs bite the dust.
.
.
This Huckleberry Finn is but the race,
America, still lovely in disgrace,
New childhood of the world, that blunders on
And wonders at the darkness and the dawn,
The poor damned human race, still unimpressed
With its damnation, all its gamin breast
Chorteling at dukes and kings with ****** Jim,
Then plotting for their fall, with jestings grim.
Behold a Republic
Where a river speaks to men
And cries to those that love its ways,
Answering again
When in the heart's extravagance
The rascals bend to say
"O singing Mississippi
Shine, sing for us today.
"
But who is this in sweeping Oxford gown
Who steers the raft, or ambles up and down,
Or throws his gown aside, and there in white
Stands gleaming like a pillar of the night?
The lion of high courts, with hoary mane,
Fierce jester that this boyish court will gain —
Mark Twain!
The bad world's idol:
Old Mark Twain!
He takes his turn as watchman with the rest,
With secret transports to the stars addressed,
With nightlong broodings upon cosmic law,
With daylong laughter at this world so raw.
All praise to Emerson and Whitman, yet
The best they have to say, their sons forget.
But who can dodge this genius of the stream,
The Mississippi Valley's laughing dream?
He is the artery that finds the sea
In this the land of slaves, and boys still free.
He is the river, and they one and all
Sail on his breast, and to each other call.
Come let us disgrace ourselves,
Knock the stuffed gods from their shelves,
And cinders at the schoolhouse fling.
Come let us disgrace ourselves,
And live on a raft with gray Mark Twain
And Huck and Jim
And the Duke and the King.
|
Written by
Stephen Vincent Benet |
(A Virginia Legend.
)
The Planting of the Hemp.
Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).
His fear was on the seaport towns,
The weight of his hand held hard the downs.
And the merchants cursed him, bitter and black,
For a red flame in the sea-fog's wrack
Was all of their ships that might come back.
For all he had one word alone,
One clod of dirt in their faces thrown,
"The hemp that shall hang me is not grown!"
His name bestrode the seas like Death.
The waters trembled at his breath.
This is the tale of how he fell,
Of the long sweep and the heavy swell,
And the rope that dragged him down to hell.
The fight was done, and the gutted ship,
Stripped like a shark the sea-gulls strip,
Lurched blindly, eaten out with flame,
Back to the land from where she came,
A skimming horror, an eyeless shame.
And Hawk stood upon his quarter-deck,
And saw the sky and saw the wreck.
Below, a butt for sailors' jeers,
White as the sky when a white squall nears,
Huddled the crowd of the prisoners.
Over the bridge of the tottering plank,
Where the sea shook and the gulf yawned blank,
They shrieked and struggled and dropped and sank,
Pinioned arms and hands bound fast.
One girl alone was left at last.
Sir Henry Gaunt was a mighty lord.
He sat in state at the Council board;
The governors were as nought to him.
From one rim to the other rim
Of his great plantations, flung out wide
Like a purple cloak, was a full month's ride.
Life and death in his white hands lay,
And his only daughter stood at bay,
Trapped like a hare in the toils that day.
He sat at wine in his gold and his lace,
And far away, in a bloody place,
Hawk came near, and she covered her face.
He rode in the fields, and the hunt was brave,
And far away his daughter gave
A shriek that the seas cried out to hear,
And he could not see and he could not save.
Her white soul withered in the mire
As paper shrivels up in fire,
And Hawk laughed, and he kissed her mouth,
And her body he took for his desire.
The Growing of the Hemp.
Sir Henry stood in the manor room,
And his eyes were hard gems in the gloom.
And he said, "Go dig me furrows five
Where the green marsh creeps like a thing alive --
There at its edge, where the rushes thrive.
"
And where the furrows rent the ground,
He sowed the seed of hemp around.
And the blacks shrink back and are sore afraid
At the furrows five that rib the glade,
And the voodoo work of the master's spade.
For a cold wind blows from the marshland near,
And white things move, and the night grows drear,
And they chatter and crouch and are sick with fear.
But down by the marsh, where the gray slaves glean,
The hemp sprouts up, and the earth is seen
Veiled with a tenuous mist of green.
And Hawk still scourges the Caribbees,
And many men kneel at his knees.
Sir Henry sits in his house alone,
And his eyes are hard and dull like stone.
And the waves beat, and the winds roar,
And all things are as they were before.
And the days pass, and the weeks pass,
And nothing changes but the grass.
But down where the fireflies are like eyes,
And the damps shudder, and the mists rise,
The hemp-stalks stand up toward the skies.
And down from the poop of the pirate ship
A body falls, and the great sharks grip.
Innocent, lovely, go in grace!
At last there is peace upon your face.
And Hawk laughs loud as the corpse is thrown,
"The hemp that shall hang me is not grown!"
Sir Henry's face is iron to mark,
And he gazes ever in the dark.
And the days pass, and the weeks pass,
And the world is as it always was.
But down by the marsh the sickles beam,
Glitter on glitter, gleam on gleam,
And the hemp falls down by the stagnant stream.
And Hawk beats up from the Caribbees,
Swooping to pounce in the Northern seas.
Sir Henry sits sunk deep in his chair,
And white as his hand is grown his hair.
And the days pass, and the weeks pass,
And the sands roll from the hour-glass.
But down by the marsh in the blazing sun
The hemp is smoothed and twisted and spun,
The rope made, and the work done.
The Using of the Hemp.
Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).
He sailed in the broad Atlantic track,
And the ships that saw him came not back.
And once again, where the wide tides ran,
He stooped to harry a merchantman.
He bade her stop.
Ten guns spake true
From her hidden ports, and a hidden crew,
Lacking his great ship through and through.
Dazed and dumb with the sudden death,
He scarce had time to draw a breath
Before the grappling-irons bit deep,
And the boarders slew his crew like sheep.
Hawk stood up straight, his breast to the steel;
His cutlass made a bloody wheel.
His cutlass made a wheel of flame.
They shrank before him as he came.
And the bodies fell in a choking crowd,
And still he thundered out aloud,
"The hemp that shall hang me is not grown!"
They fled at last.
He was left alone.
Before his foe Sir Henry stood.
"The hemp is grown, and my word made good!"
And the cutlass clanged with a hissing whir
On the lashing blade of the rapier.
Hawk roared and charged like a maddened buck.
As the cobra strikes, Sir Henry struck,
Pouring his life in a single thrust,
And the cutlass shivered to sparks and dust.
Sir Henry stood on the blood-stained deck,
And set his foot on his foe's neck.
Then from the hatch, where the rent decks slope,
Where the dead roll and the wounded grope,
He dragged the serpent of the rope.
The sky was blue, and the sea was still,
The waves lapped softly, hill on hill,
And between one wave and another wave
The doomed man's cries were little and shrill.
The sea was blue, and the sky was calm;
The air dripped with a golden balm.
Like a wind-blown fruit between sea and sun,
A black thing writhed at a yard-arm.
Slowly then, and awesomely,
The ship sank, and the gallows-tree,
And there was nought between sea and sun --
Nought but the sun and the sky and the sea.
But down by the marsh where the fever breeds,
Only the water chuckles and pleads;
For the hemp clings fast to a dead man's throat,
And blind Fate gathers back her seeds.
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