Written by
D. H. Lawrence |
The Cross, the Cross
Goes deeper in than we know,
Deeper into life;
Right into the marrow
And through the bone.
Along the back of the baby tortoise
The scales are locked in an arch like a bridge,
Scale-lapping, like a lobster's sections
Or a bee's.
Then crossways down his sides
Tiger-stripes and wasp-bands.
Five, and five again, and five again,
And round the edges twenty-five little ones,
The sections of the baby tortoise shell.
Four, and a keystone;
Four, and a keystone;
Four, and a keystone;
Then twenty-four, and a tiny little keystone.
It needed Pythagoras to see life playing with counters on the living back
Of the baby tortoise;
Life establishing the first eternal mathematical tablet,
Not in stone, like the Judean Lord, or bronze, but in life-clouded, life-rosy tortoise shell.
The first little mathematical gentleman
Stepping, wee mite, in his loose trousers
Under all the eternal dome of mathematical law.
Fives, and tens,
Threes and fours and twelves,
All the volte face of decimals,
The whirligig of dozens and the pinnacle of seven.
Turn him on his back,
The kicking little beetle,
And there again, on his shell-tender, earth-touching belly,
The long cleavage of division, upright of the eternal cross
And on either side count five,
On each side, two above, on each side, two below
The dark bar horizontal.
The Cross!
It goes right through him, the sprottling insect,
Through his cross-wise cloven psyche,
Through his five-fold complex-nature.
So turn him over on his toes again;
Four pin-point toes, and a problematical thumb-piece,
Four rowing limbs, and one wedge-balancing head,
Four and one makes five, which is the clue to all mathematics.
The Lord wrote it all down on the little slate
Of the baby tortoise.
Outward and visible indication of the plan within,
The complex, manifold involvednes,s of an individual creature
Plotted out
On this small bird, this rudiment,
This little dome, this pediment
Of all creation,
This slow one.
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Written by
Rg Gregory |
when they look into his mind they find a hill town
somewhat surprised they go off to their learned books
outside (architecturally) he’d seems a little wind-blown
not special – a common sort of shackman by his looks
not the sure kind to want the sun to get its hooks
into his self-containment (his bunched-up notions)
thoughts crammed like the heads of ripened corn in stooks
who has a well-stocked feel – runs deep but no commotions
cool as a many-crypted church at its devotions
the learned books do say something about deception
how when you pass him in the street his back is turned
as if (of who you are) he harbours no conception
so you (of him) though wary cannot be that concerned
appearances appearances (its kudos earned)
the book crows - being too aware of inside-outs
knowing full well the volte-face nature of the scorned
the dullest horses may best play havoc with the touts
nor hillside towns dispel the speeding tourist’s doubts
you have to turn off - want to know what’s their attraction
to nose into narrow ways (climb through streaks of sun
and deep sharp shadow - such a lung’s exaction)
to catch a sense of busy life close to the bone
worn tracks between doors (waft of voices) eyes in stone
smells of food (enticing) splashes of unleashed wine
water rills carrying old bridges (a faint drone
descending like a bee-swarm) courtyards – a cool shrine
a sudden market’s noise (a local-produce mine)
and then the topmost square with church or water towers
a dance of bustling shops and sparkling language banter
and every crevice cranny bosoming out with flowers
a busy-ness of purpose and a heart’s enchanter
(the sun distributes gold – allows the blood to saunter)
the bricks of buildings glow with centuries of nous
as though the wisest grape best pours from this decanter
both tempered peace and passion welter in its throes
and fountain sprays refract what such life knows
so with the man – whose innerness the world at large
shuts out or rushes past (its own deep rifts demanding)
but to himself (in that dark realm where he’s in charge)
with all his senses geared to sapience longstanding
there’s not a day goes by without his flairs expanding
in every passageway his mind has set up stalls
and diverse thoughts and voices do their blending
so what that he (from outside rush and guff) withdraws
he and the hilltown share each other’s stilled applause
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Written by
Francesco Petrarch |
SONNET CXXXVII. Più volte già dal bel sembiante umano. LOVE UNMANS HIS RESOLUTION. Oft as her angel face compassion wore,With tears whose eloquence scarce fails to move,With bland and courteous speech, I boldly stroveTo soothe my foe, and in meek guise implore:But soon her eyes inspire vain hopes no more;For all my fortune, all my fate in love,My life, my death, the good, the ills I prove,To her are trusted by one sovereign power.Hence 'tis, whene'er my lips would silence break,Scarce can I hear the accents which I vent,By passion render'd spiritless and weak.Ah! now I find that fondness to excessFetters the tongue, and overpowers intent:Faint is the flame that language can express! Nott. Oft have I meant my passion to declare,When fancy read compliance in her eyes;And oft with courteous speech, with love-lorn sighs,Have wish'd to soften my obdurate fair:But let that face one look of anger wear,The intention fades; for all that fate supplies,Or good, or ill, all, all that I can prize,My life, my death, Love trusts to her dear care.E'en I can scarcely hear my amorous moan,So much my voice by passion is confined;So faint, so timid are my accents grown![Pg 161]Ah! now the force of love I plainly see;What can the tongue, or what the impassion'd mind?He that could speak his love, ne'er loved like me. Anon. 1777.
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Written by
Francesco Petrarch |
SONNET LXXVIII. Poi che voi ed io più volte abbiam provato. TO A FRIEND, COUNSELLING HIM TO ABANDON EARTHLY PLEASURES. Still has it been our bitter lot to proveHow hope, or e'er it reach fruition, flies!Up then to that high good, which never dies,Lift we the heart—to heaven's pure bliss above.[Pg 95]On earth, as in a tempting mead, we rove,Where coil'd 'mid flowers the traitor serpent lies;And, if some casual glimpse delight our eyes,'Tis but to grieve the soul enthrall'd by Love.Oh! then, as thou wouldst wish ere life's last dayTo taste the sweets of calm unbroken rest,Tread firm the narrow, shun the beaten way—Ah! to thy friend too well may be address'd:"Thou show'st a path, thyself most apt to stray,Which late thy truant feet, fond youth, have never press'd." Wrangham. Friend, as we both in confidence complainTo see our ill-placed hopes return in vain,Let that chief good which must for ever pleaseExalt our thought and fix our happiness.This world as some gay flowery field is spread,Which hides a serpent in its painted bed,And most it wounds when most it charms our eyes,At once the tempter and the paradise.And would you, then, sweet peace of mind restore,And in fair calm expect your parting hour,Leave the mad train, and court the happy few.Well may it be replied, "O friend, you showOthers the path, from which so often youHave stray'd, and now stray farther than before." Basil Kennet.
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Written by
Francesco Petrarch |
SONNET LXXII. Più volte Amor m' avea già detto: scrivi. HE WRITES WHAT LOVE BIDS HIM. White—to my heart Love oftentimes had said—Write what thou seest in letters large of gold,That livid are my votaries to behold,And in a moment made alive and dead.Once in thy heart my sovran influence spreadA public precedent to lovers told;Though other duties drew thee from my fold,I soon reclaim'd thee as thy footsteps fled.And if the bright eyes which I show'd thee first,If the fair face where most I loved to stay,Thy young heart's icy hardness when I burst,Restore to me the bow which all obey,Then may thy cheek, which now so smooth appears,Be channell'd with my daily drink of tears.
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