by
Robert Browning
(PETER RONSARD _loquitur_.)
``Heigho!'' yawned one day King Francis,
``Distance all value enhances!
``When a man's busy, why, leisure
``Strikes him as wonderful pleasure:
`` 'Faith, and at leisure once is he?
``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm
``Caught thinking war the true pastime.
``Is there a reason in metre?
``Give us your speech, master Peter!''
I who, if mortal dare say so,
Ne'er am at loss with my Naso,
``Sire,'' I replied, ``joys prove cloudlets:
``Men are the merest Ixions''---
Here the King whistled aloud, ``Let's
``---Heigho---go look at our lions!''
Such are the sorrowful chances
If you talk fine to King Francis.
And so, to the courtyard proceeding,
Our company, Francis was leading,
Increased by new followers tenfold
Before be arrived at the penfold;
Lords, ladies, like clouds which bedizen
At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost
With the dame he professed to adore most.
Oh, what a face! One by fits eyed
Her, and the horrible pitside;
For the penfold surrounded a hollow
Which led where the eye scarce dared follow,
And shelved to the chamber secluded
Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab
As glossy and black as a scarab,*1
And bade him make sport and at once stir
Up and out of his den the old monster.
They opened a hole in the wire-work
Across it, and dropped there a firework,
And fled: one's heart's beating redoubled;
A pause, while the pit's mouth was troubled,
The blackness and silence so utter,
By the firework's slow sparkling and sputter;
Then earth in a sudden contortion
Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot
(Whose experience of nature's but narrow,
And whose faculties move in no small mist
When he versifies David the Psalmist)
I should study that brute to describe you
_Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy
To see the black mane, vast and heapy,
The tail in the air stiff and straining,
The wide eyes, nor waxing nor waning,
As over the barrier which bounded
His platform, and us who surrounded
The barrier, they reached and they rested
On space that might stand him in best stead:
For who knew, he thought, what the amazement,
The eruption of clatter and blaze meant,
And if, in this minute of wonder,
No outlet, 'mid lightning and thunder,
Lay broad, and, his shackles all shivered,
The lion at last was delivered?
Ay, that was the open sky o'erhead!
And you saw by the flash on his forehead,
By the hope in those eyes wide and steady,
He was leagues in the desert already,
Driving the flocks up the mountain,
Or catlike couched hard by the fountain
To waylay the date-gathering negress:
So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear,
(``No novice, we've won our spurs elsewhere
``And so can afford the confession,)
``We exercise wholesome discretion
``In keeping aloof from his threshold;
``Once hold you, those jaws want no fresh hold,
``Their first would too pleasantly purloin
``The visitor's brisket or surloin:
``But who's he would prove so fool-hardy?
``Not the best man of Marignan, pardie!''
The sentence no sooner was uttered,
Than over the rails a glove flattered,
Fell close to the lion, and rested:
The dame 'twas, who flung it and jested
With life so, De Lorge had been wooing
For months past; he sat there pursuing
His suit, weighing out with nonchalance
Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier!
De Lorge made one leap at the barrier,
Walked straight to the glove,---while the lion
Neer moved, kept his far-reaching eye on
The palm-tree-edged desert-spring's sapphire,
And the musky oiled skin of the Kaffir,---
Picked it up, and as calmly retreated,
Leaped back where the lady was seated,
And full in the face of its owner
Flung the glove.
``Your heart's queen, you dethrone her?
``So should I!''---cried the King---``'twas mere vanity,
``Not love, set that task to humanity!''
Lords and ladies alike turned with loathing
From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression
In her brow's undisturbed self-possession
Amid the Court's scoffing and merriment,---
As if from no pleasing experiment
She rose, yet of pain not much heedful
So long as the process was needful,---
As if she had tried in a crucible,
To what ``speeches like gold'' were reducible,
And, finding the finest prove copper,
Felt the smoke in her face was but proper;
To know what she had _not_ to trust to,
Was worth all the ashes and dust too.
She went out 'mid hooting and laughter;
Clement Marot stayed; I followed after,
And asked, as a grace, what it all meant?
If she wished not the rash deed's recalment?
``For I''---so I spoke---``am a poet:
``Human nature,---behoves that I know it!''
She told me, ``Too long had I heard
``Of the deed proved alone by the word:
``For my love---what De Lorge would not dare!
``With my scorn---what De Lorge could compare!
``And the endless descriptions of death
``He would brave when my lip formed a breath,
``I must reckon as braved, or, of course,
``Doubt his word---and moreover, perforce,
``For such gifts as no lady could spurn,
``Must offer my love in return.
``When I looked on your lion, it brought
``All the dangers at once to my thought,
``Encountered by all sorts of men,
``Before he was lodged in his den,---
``From the poor slave whose club or bare hands
``Dug the trap, set the snare on the sands,
``With no King and no Court to applaud,
``By no shame, should he shrink, overawed,
``Yet to capture the creature made shift,
``That his rude boys might laugh at the gift,
``---To the page who last leaped o'er the fence
``Of the pit, on no greater pretence
``Than to get back the bonnet he dropped,
``Lest his pay for a week should be stopped.
``So, wiser I judged it to make
``One trial what `death for my sake'
``Really meant, while the power was yet mine,
``Than to wait until time should define
``Such a phrase not so simply as I,
``Who took it to mean just `to die.'
``The blow a glove gives is but weak:
``Does the mark yet discolour my cheek?
``But when the heart suffers a blow,
``Will the pain pass so soon, do you know?''
I looked, as away she was sweeping,
And saw a youth eagerly keeping
As close as he dared to the doorway.
No doubt that a noble should more weigh
His life than befits a plebeian;
And yet, had our brute been Nemean---
(I judge by a certain calm fervour
The youth stepped with, forward to serve her)
---He'd have scarce thought you did him the worst turn
If you whispered ``Friend, what you'd get, first earn!''
And when, shortly after, she carried
Her shame from the Court, and they married,
To that marriage some happiness, maugre
The voice of the Court, I dared augur.
For De Lorge, he made women with men vie,
Those in wonder and praise, these in envy;
And in short stood so plain a head taller
That he wooed and won ... how do you call her?
The beauty, that rose in the sequel
To the King's love, who loved her a week well.
And 'twas noticed he never would honour
De Lorge (who looked daggers upon her)
With the easy commission of stretching
His legs in the service, and fetching
His wife, from her chamber, those straying
Sad gloves she was always mislaying,
While the King took the closet to chat in,---
But of course this adventure came pat in.
And never the King told the story,
How bringing a glove brought such glory,
But the wife smiled---``His nerves are grown firmer:
``Mine he brings now and utters no murmur.''
_Venienti occurrite morbo!_
With which moral I drop my theorbo.
*1 A beetle.
|
by
Louise Gluck
I'll tell you something: every day
people are dying. And that's just the beginning.
Every day, in funeral homes, new widows are born,
new orphans. They sit with their hands folded,
trying to decide about this new life.
Then they're in the cemetery, some of them
for the first time. They're frightened of crying,
sometimes of not crying. Someone leans over,
tells them what to do next, which might mean
saying a few words, sometimes
throwing dirt in the open grave.
And after that, everyone goes back to the house,
which is suddenly full of visitors.
The widow sits on the couch, very stately,
so people line up to approach her,
sometimes take her hand, sometimes embrace her.
She finds something to say to everbody,
thanks them, thanks them for coming.
In her heart, she wants them to go away.
She wants to be back in the cemetery,
back in the sickroom, the hospital. She knows
it isn't possible. But it's her only hope,
the wish to move backward. And just a little,
not so far as the marriage, the first kiss.
|
by
Anthony Hecht
I'm mighty glad to see you, Mrs. Curtis,
And thank you very kindly for this visit--
Especially now when all the others here
Are having holiday visitors, and I feel
A little conspicuous and in the way.
It's mainly because of Thanksgiving. All these mothers
And wives and husbands gaze at me soulfully
And feel they should break up their box of chocolates
For a donation, or hand me a chunk of fruitcake.
What they don't understand and never guess
Is that it's better for me without a family;
It's a great blessing. Though I mean no harm.
And as for visitors, why, I have you,
All cheerful, brisk and punctual every Sunday,
Like church, even if the aisles smell of phenol.
And you always bring even better gifts than any
On your book-trolley. Though they mean only good,
Families can become a sort of burden.
I've only got my father, and he won't come,
Poor man, because it would be too much for him.
And for me, too, so it's best the way it is.
He knows, you see, that I will predecease him,
Which is hard enough. It would take a callous man
To come and stand around and watch me failing.
(Now don't you fuss; we both know the plain facts.)
But for him it's even harder. He loved my mother.
They say she looked like me; I suppose she may have.
Or rather, as I grew older I came to look
More and more like she must one time have looked,
And so the prospect for my father now
Of losing me is like having to lose her twice.
I know he frets about me. Dr. Frazer
Tells me he phones in every single day,
Hoping that things will take a turn for the better.
But with leukemia things don't improve.
It's like a sort of blizzard in the bloodstream,
A deep, severe, unseasonable winter,
Burying everything. The white blood cells
Multiply crazily and storm around,
Out of control. The chemotherapy
Hasn't helped much, and it makes my hair fall out.
I know I look a sight, but I don't care.
I care about fewer things; I'm more selective.
It's got so I can't even bring myself
To read through any of your books these days.
It's partly weariness, and partly the fact
That I seem not to care much about the endings,
How things work out, or whether they even do.
What I do instead is sit here by this window
And look out at the trees across the way.
You wouldn't think that was much, but let me tell you,
It keeps me quite intent and occupied.
Now all the leaves are down, you can see the spare,
Delicate structures of the sycamores,
The fine articulation of the beeches.
I have sat here for days studying them,
And I have only just begun to see
What it is that they resemble. One by one,
They stand there like magnificent enlargements
Of the vascular system of the human brain.
I see them there like huge discarnate minds,
Lost in their meditative silences.
The trunks, branches and twigs compose the vessels
That feed and nourish vast immortal thoughts.
So I've assigned them names. There, near the path,
Is the great brain of Beethoven, and Kepler
Haunts the wide spaces of that mountain ash.
This view, you see, has become my Hall of Fame,
It came to me one day when I remembered
Mary Beth Finley who used to play with me
When we were girls. One year her parents gave her
A birthday toy called "The Transparent Man."
It was made of plastic, with different colored organs,
And the circulatory system all mapped out
In rivers of red and blue. She'd ask me over
And the two of us would sit and study him
Together, and do a powerful lot of giggling.
I figure he's most likely the only man
Either of us would ever get to know
Intimately, because Mary Beth became
A Sister of Mercy when she was old enough.
She must be thirty-one; she was a year
Older than I, and about four inches taller.
I used to envy both those advantages
Back in those days. Anyway, I was struck
Right from the start by the sea-weed intricacy,
The fine-haired, silken-threaded filiations
That wove, like Belgian lace, throughout the head.
But this last week it seems I have found myself
Looking beyond, or through, individual trees
At the dense, clustered woodland just behind them,
Where those great, nameless crowds patiently stand.
It's become a sort of complex, ultimate puzzle
And keeps me fascinated. My eyes are twenty-twenty,
Or used to be, but of course I can't unravel
The tousled snarl of intersecting limbs,
That mackled, cinder grayness. It's a riddle
Beyond the eye's solution. Impenetrable.
If there is order in all that anarchy
Of granite mezzotint, that wilderness,
It takes a better eye than mine to see it.
It set me on to wondering how to deal
With such a thickness of particulars,
Deal with it faithfully, you understand,
Without blurring the issue. Of course I know
That within a month the sleeving snows will come
With cold, selective emphases, with massings
And arbitrary contrasts, rendering things
Deceptively simple, thickening the twigs
To frosty veins, bestowing epaulets
And decorations on every birch and aspen.
And the eye, self-satisfied, will be misled,
Thinking the puzzle solved, supposing at last
It can look forth and comprehend the world.
That's when you have to really watch yourself.
So I hope that you won't think me plain ungrateful
For not selecting one of your fine books,
And I take it very kindly that you came
And sat here and let me rattle on this way.
|
by
William Matthews
"First, do no harm," the Hippocratic
Oath begins, but before she might enjoy
such balm, the docs had to harm her tumor.
It was large, rare, and so anomalous
in its behavior that at first they mis-
diagnosed it. "Your wife will die of it
within a year." But in ten days or so
I sat beside her bed with hot-and-sour
soup and heard an intern congratulate
her on her new diagnosis: a children's
cancer (doesn't that possessive break
your heart?) had possessed her. I couldn't stop
personifying it. Devious, dour,
it had a clouded heart, like Iago's.
It loved disguise. It was a garrison
in a captured city, a bad horror film
(The Blob), a stowaway, an inside job.
If I could make it be like something else,
I wouldn't have to think of it as what,
in fact, it was: part of my lovely wife.
Next, then, chemotherapy. Her hair fell
out in tufts, her color dulled, she sat laced
to bags of poison she endured somewhat
better than her cancer cells could, though not
by much. And indeed, the cancer cells waned
more slowly than the chemical "cocktails"
(one the bright color of Campari), as the chemo
nurses called them, dripped into her. There were
three hundred days of this: a week inside
the hospital and two weeks out, the fierce
elixirs percolating all the while.
She did five weeks of radiation, too,
Monday to Friday like a stupid job.
She wouldn't eat the food the hospital
wheeled in. "Pureed fish" and "minced fish" were worth,
I thought, a sharp surge of food snobbery,
but she'd grown averse to it all -- the nurses'
crepe soles' muffled squeaks along the hall,
the filtered air, the smothered urge to read,
the fear, the perky visitors, flowers
she'd not been sent when she was well, the room-
mate (what do "semiprivate" and "extra
virgin" have in common?) who died, the nights
she wept and sweated faster than the tubes
could moisten her with lurid poison.
One chemotherapy veteran, six
years in remission, chanced on her former
chemo nurse at a bus stop and threw up.
My wife's tumor has not come back.
I like to think of it in Tumor Hell
strapped to a dray, flat as a deflated
football, bleak and nubbled like a poorly
ironed truffle. There's one tense in Tumor Hell:
forever, or what we call the present.
For that long the flaccid tumor marinates
in lurid toxins. Tumor Hell Clinic
is, it turns out, a teaching hospital.
Every century or so, the way
we'd measure it, a chief doc brings a pack
of students round. They run some simple tests:
surge current through the tumor, batter it
with mallets, push a wood-plane across its
pebbled hide and watch a scurf of tumor-
pelt kink loose from it, impale it, strafe it
with lye and napalm. There might be nothing
left in there but a still space surrounded
by a carapace. "This one is nearly
dead," the chief doc says. "What's the cure for that?"
The students know: "Kill it slower, of course."
They sprinkle it with rock salt and move on.
Here on the aging earth the tumor's gone:
My wife is hale, though wary, and why not?
Once you've had cancer, you don't get headaches
anymore, you get brain tumors, at least
until the aspirin kicks in. Her hair's back,
her weight, her appetite. "And what about you?"
friends ask me. First the fear felt like sudden
weightlessness: I couldn't steer and couldn't stay.
I couldn't concentrate: surely my spit would
dry before I could slather a stamp.
I made a list of things to do next day
before I went to bed, slept like a cork,
woke to no more memory of last night's
list than smoke has of fire, made a new list,
began to do the things on it, wept, paced,
berated myself, drove to the hospital,
and brought my wife food from the takeout joints
that ring a hospital as surely as
brothels surround a gold strike. I drove home
rancid with anger at her luck and mine --
anger that filled me the same way nature
hates a vacuum. "This must be hell for you,"
some said. Hell's not other people: Sartre
was wrong about that, too. L'enfer, c'est moi?
I've not got the ego for it. There'd be
no hell if Dante hadn't built a model
of his rage so well, and he contrived to
get exiled from it, for it was Florence.
Why would I live in hell? I love New York.
Some even said the tumor and fierce cure
were harder on the care giver -- yes, they
said "care giver" -- than on the "sick person."
They were wrong who said those things. Of course
I hated it, but some of "it" was me --
the self-pity I allowed myself,
the brave poses I struck. The rest was dire
threat my wife met with moral stubbornness,
terror, rude jokes, nausea, you name it.
No, let her think of its name and never
say it, as if it were the name of God.
|
by
Spike Milligan
Unaware of my crime
they stood me in the dock.
I was sentenced to life....
without her.
Strange trial.
No judge.
No jury.
I wonder who my visitors will be.
|
by
William Topaz McGonagall
All ye tourists who wish to be away
From the crowded city for a brief holiday;
The town of Nairn is worth a visit, I do confess,
And it's only about fifteen miles from Inverness.
And in the summer season it's a very popular bathing-place,
And the visitors from London and Edinburgh finds solace,
As they walk along the yellow sand beach inhaling fresh air;
Besides, there's every accommodation for ladies and gentlemen there.
Then there's a large number of bathing coaches there,
And the climate is salubrious, and very warm the air;
And every convenience is within the bathers' reach,
Besides, there's very beautiful walks by the sea beach.
The visitors to Nairn can pass away the time agreeably,
By viewing Tarbetness, which slopes downwards to the sea;
And Queen Street is one of the prettiest thoroughfares,
Because there's splendid shops in it, and stocked with different wares.
And there's ornamental grounds, and lovely shady nooks,
Which is a great advantage to visitors while reading their books;
And there's a certain place known as the Ladies' Beach,
So private that no intruder can them reach.
And there's many neat cottages with gardens very nice,
And picturesque villas, which can be rented at a reasonable price;
Besides, there's a golf course for those that such a game seeks,
Which would prove a great attraction to the knights of clubs and cleeks.
The surrounding scenery of Nairn is magnificent to be seen,
Especially its fertile fields and woodlands so green;
Besides, not far from Nairn, there's Cawdor Castle, the ancient seat
Of the noble Thanes of Cawdor, with its bold turrets so neat.
And its massive proportions is very imposing to see,
Because the arched entrance is secured by a drawbridge and a fosse;
And visitors will be allowed all over the grounds to roam,
Besides shown over the castle if the Earl is not at home.
The scenery surrounding the castle is charming in the summertime,
And the apples in the orchard there is very fine,
Also the flower-beds are most beautiful to see,
Especially in the month of June, when the birds sing merrily.
Then there's the ancient stronghold of the Bays of Lochloy,
And visitors when they see it will it heartily enjoy;
And a little further on there's the blasted heath of Macbeth,
And a hillock where the witches are wont to dance till out of breath.
And as the visitors to Nairn walk along the yellow sand,
They can see, right across the Moray Firth, the Black Island so grand,
With its productive fields and romantic scenery,
And as the tourist gazes thereon his heart fills with ecstasy.
And Darnaway Castle is well worthy of praise,
And to oblige all visitors there are open days,
When they can see the castle where one thousand warriors in all
Oft have assembled in the Earl of Randolph's Hall.
And in conclusion I will say for good bathing Nairn is the best,
And besides its pleasant scenery is of historical interest;
And the climate gives health to many visitors while there,
Therefore I would recommend Nairn for balmy pure air.
|
by
William Topaz McGonagall
The mountains and glens of Aberfoyle are beautiful to sight,
Likewise the rivers and lakes are sparkling and bright;
And its woods were frequented by the Lady of the Lake,
And on its Lakes many a sail in her boat she did take.
The scenery there will fill the tourist with joy,
Because 'tis there once lived the bold Rob Roy,
Who spent many happy days with his Helen there,
By chasing the deer in the woods so fair.
The little vale of Aberfoyle and its beautiful river
Is a sight, once seen, forget it you'll never;
And romantic ranges of rock on either side
Form a magnificent background far and wide.
And the numerous lochs there abound with trout
Which can be had for the taking out,
Especially from the Lochs Chon and Ard,
There the angler can make a catch which will his toil reward.
And between the two lochs the Glasgow Water Works are near,
Which convey water of Loch Katrine in copious streams clear
To the inhabitants of the Great Metropolis of the West,
And for such pure water they should think themselves blest.
The oak and birch woods there are beautiful to view,
Also the Ochil hills which are blue in hue,
Likewise the Lake of Menteith can be seen far eastward,
Also Stirling Castle, which long ago the English beseiged very hard.
Then away to Aberfoyle, Rob Roy's country,
And gaze on the magnificent scenery.
A region of rivers and mountains towering majestically
Which is lovely and fascinating to see.
But no words can describe the beautiful scenery.
Aberfoyle must be visited in order to see,
So that the mind may apprehend its beauties around,
Which will charm the hearts of the visitors I'll be bound.
As for the clachan of aberfoyle, little remains but a hotel,
Which for accomodation which will suit the traveller very well.
And the bedding thereis clean and good,
And good cooks there to cook the food.
Then away to the mountains and lakes of bonnie Aberfoyle,
Ye hard-working sons and daughters of daily toil;
And traverse its heathery mountains and viewits lakes so clear,
When the face of Nature's green in the spring of the year.
|
by
Emily Dickinson
I dwell in Possibility --
A fairer House than Prose --
More numerous of Windows --
Superior -- for Doors --
Of Chambers as the Cedars --
Impregnable of Eye --
And for an Everlasting Roof
The Gambrels of the Sky --
Of Visitors -- the fairest --
For Occupation -- This --
The spreading wide of narrow Hands
To gather Paradise --
|
by
Ogden Nash
Though you know it anyhow
Listen to me, darling, now,
Proving what I need not prove
How I know I love you, love.
Near and far, near and far,
I am happy where you are;
Likewise I have never larnt
How to be it where you aren't.
Far and wide, far and wide,
I can walk with you beside;
Furthermore, I tell you what,
I sit and sulk where you are not.
Visitors remark my frown
Where you're upstairs and I am down,
Yes, and I'm afraid I pout
When I'm indoors and you are out;
But how contentedly I view
Any room containing you.
In fact I care not where you be,
Just as long as it's with me.
In all your absences I glimpse
Fire and flood and trolls and imps.
Is your train a minute slothful?
I goad the stationmaster wrothful.
When with friends to bridge you drive
I never know if you're alive,
And when you linger late in shops
I long to telephone the cops.
Yet how worth the waiting for,
To see you coming through the door.
Somehow, I can be complacent
Never but with you adjacent.
Near and far, near and far,
I am happy where you are;
Likewise I have never larnt
How to be it where you aren't.
Then grudge me not my fond endeavor,
To hold you in my sight forever;
Let none, not even you, disparage
Such a valid reason for a marriage.
|
by
W S Merwin
There were years when I knew
the flower in the red stone walls
now in the courtyard where I have returned with you
we drink the wine of visitors
the temperature of the cellars
dusk is welling
out of the dried blood of the masonry
no hour remains on the sundial
by now the owls of the tower corners
are waking on their keepers' fists
but it is still day
out in the air
and three falcons appear there
over the courtyard
no feathers on heads or breasts
and they fly down to us
to our wrists and between them
then hover and perch just above us
keeping us in sight
waiting
they are waiting for us
this time they will come with us
when we leave the island
tonight for the rest of our lives
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