Written by
Pablo Neruda |
The street
filled with tomatoes,
midday,
summer,
light is
halved
like
a
tomato,
its juice
runs
through the streets.
In December,
unabated,
the tomato
invades
the kitchen,
it enters at lunchtime,
takes
its ease
on countertops,
among glasses,
butter dishes,
blue saltcellars.
It sheds
its own light,
benign majesty.
Unfortunately, we must
murder it:
the knife
sinks
into living flesh,
red
viscera
a cool
sun,
profound,
inexhaustible,
populates the salads
of Chile,
happily, it is wed
to the clear onion,
and to celebrate the union
we
pour
oil,
essential
child of the olive,
onto its halved hemispheres,
pepper
adds
its fragrance,
salt, its magnetism;
it is the wedding
of the day,
parsley
hoists
its flag,
potatoes
bubble vigorously,
the aroma
of the roast
knocks
at the door,
it's time!
come on!
and, on
the table, at the midpoint
of summer,
the tomato,
star of earth, recurrent
and fertile
star,
displays
its convolutions,
its canals,
its remarkable amplitude
and abundance,
no pit,
no husk,
no leaves or thorns,
the tomato offers
its gift
of fiery color
and cool completeness.
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Written by
Barry Tebb |
Would ‘any woman’ find me difficult to live with?
My tastes are simple: space for several thousand books,
The smoke from my pipe stuffed with aromatic Balkan Sobranie,
A leftover from the Sixties, frequent brief absences to fulfil
My duties as a carer, unending phone calls
And the unenviable reputation as England’s worst or best complainer,
"Treading on toes or keeping people on their toes"
Also a warm and welcoming vagina, an insatiable need
For ******** and cunnilingus, a bed with clean sheets
I can retire to by five with a hot water bottle
To calm my churning viscera while I read
Endless analytic texts, tomes of French poems to translate,
A notorious weekly newsletter to edit, a quarterly to write reviews for
And – I must confess – cable TV so I can access Starsky and Hutch.
I need a cottage in Haworth to go with the wife,
Companion or whatever, to see with me the changing
Seasons of heather from purple September glory
To the browns of winter and wisps of summer green
And meet with Michael Haslam, fellow poet,
Maestro of the moors and shape-shifter supreme.
I write these verses sitting in the marble hall
Of City Station’s restored art deco glory,
The rats and debris of decades swept away,
How much I need the kindness of strangers,
The welcome from my son’s nurses on the
Ward with the highest security rating Leeds possesses,
A magnificent rotunda among lawns and wooded glades,
Air conditioned with more staff than patients-
When visiting times are readily extended to encompass
My moorland walks and journeys to the capital
When I visit Brenda Williams, England’s leading protest poet.
In an Eden garden which spreads its lawned sleeves
To envelop my tobacco smoke which irritates everyone
Or is it a displacement onto the smoker
As I ecstasise the red and yellow splendour of the red hot poker
Defiantly erect among the flowering robes of magnolia?
Here we reminisce of long ago days when our children
Blossomed with talent and showed no signs
Of the unending torment of their adult years,
Depot injections, Red clouds which whirl as in end-on sections, absconding,
Liasing, losing and finding…
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Written by
Robert Lowell |
(For Warren Winslow, Dead At Sea)
Let man have dominion over the fishes of the sea and
the fowls of the air and the beasts and the whole earth,
and every creeping creature that moveth upon the earth.
I
A brackish reach of shoal off Madaket--
The sea was still breaking violently and night
Had steamed into our North Atlantic Fleet,
When the drowned sailor clutched the drag-net. Light
Flashed from his matted head and marble feet,
He grappled at the net
With the coiled, hurdling muscles of his thighs:
The corpse was bloodless, a botch of reds and whites,
Its open, staring eyes
Were lustreless dead-lights
Or cabin-windows on a stranded hulk
Heavy with sand. We weight the body, close
Its eyes and heave it seaward whence it came,
Where the heel-headed dogfish barks it nose
On Ahab's void and forehead; and the name
Is blocked in yellow chalk.
Sailors, who pitch this portent at the sea
Where dreadnaughts shall confess
Its heel-bent deity,
When you are powerless
To sand-bag this Atlantic bulwark, faced
By the earth-shaker, green, unwearied, chaste
In his steel scales: ask for no Orphean lute
To pluck life back. The guns of the steeled fleet
Recoil and then repeat
The hoarse salute.
II
Whenever winds are moving and their breath
Heaves at the roped-in bulwarks of this pier,
The terns and sea-gulls tremble at your death
In these home waters. Sailor, can you hear
The Pequod's sea wings, beating landward, fall
Headlong and break on our Atlantic wall
Off 'Sconset, where the yawing S-boats splash
The bellbuoy, with ballooning spinnakers,
As the entangled, screeching mainsheet clears
The blocks: off Madaket, where lubbers lash
The heavy surf and throw their long lead squids
For blue-fish? Sea-gulls blink their heavy lids
Seaward. The winds' wings beat upon the stones,
Cousin, and scream for you and the claws rush
At the sea's throat and wring it in the slush
Of this old Quaker graveyard where the bones
Cry out in the long night for the hurt beast
Bobbing by Ahab's whaleboats in the East.
III
All you recovered from Poseidon died
With you, my cousin, and the harrowed brine
Is fruitless on the blue beard of the god,
Stretching beyond us to the castles in Spain,
Nantucket's westward haven. To Cape Cod
Guns, cradled on the tide,
Blast the eelgrass about a waterclock
Of bilge and backwash, roil the salt and sand
Lashing earth's scaffold, rock
Our warships in the hand
Of the great God, where time's contrition blues
Whatever it was these Quaker sailors lost
In the mad scramble of their lives. They died
When time was open-eyed,
Wooden and childish; only bones abide
There, in the nowhere, where their boats were tossed
Sky-high, where mariners had fabled news
Of IS, the whited monster. What it cost
Them is their secret. In the sperm-whale's slick
I see the Quakers drown and hear their cry:
"If God himself had not been on our side,
If God himself had not been on our side,
When the Atlantic rose against us, why,
Then it had swallowed us up quick. "
IV
This is the end of the whaleroad and the whale
Who spewed Nantucket bones on the thrashed swell
And stirred the troubled waters to whirlpools
To send the Pequod packing off to hell:
This is the end of them, three-quarters fools,
Snatching at straws to sail
Seaward and seaward on the turntail whale,
Spouting out blood and water as it rolls,
Sick as a dog to these Atlantic shoals:
Clamavimus, O depths. Let the sea-gulls wail
For water, for the deep where the high tide
Mutters to its hurt self, mutters and ebbs.
Waves wallow in their wash, go out and out,
Leave only the death-rattle of the crabs,
The beach increasing, its enormous snout
Sucking the ocean's side.
This is the end of running on the waves;
We are poured out like water. Who will dance
The mast-lashed master of Leviathans
Up from this field of Quakers in their unstoned graves?
V
When the whale's viscera go and the roll
Of its corruption overruns this world
Beyond tree-swept Nantucket and Wood's Hole
And Martha's Vineyard, Sailor, will your sword
Whistle and fall and sink into the fat?
In the great ash-pit of Jehoshaphat
The bones cry for the blood of the white whale,
The fat flukes arch and whack about its ears,
The death-lance churns into the sanctuary, tears
The gun-blue swingle, heaving like a flail,
And hacks the coiling life out: it works and drags
And rips the sperm-whale's midriff into rags,
Gobbets of blubber spill to wind and weather,
Sailor, and gulls go round the stoven timbers
Where the morning stars sing out together
And thunder shakes the white surf and dismembers
The red flag hammered in the mast-head. Hide,
Our steel, Jonas Messias, in Thy side.
VI
OUR LADY OF WALSINGHAM
There once the penitents took off their shoes
And then walked barefoot the remaining mile;
And the small trees, a stream and hedgerows file
Slowly along the munching English lane,
Like cows to the old shrine, until you lose
Track of your dragging pain.
The stream flows down under the druid tree,
Shiloah's whirlpools gurgle and make glad
The castle of God. Sailor, you were glad
And whistled Sion by that stream. But see:
Our Lady, too small for her canopy,
Sits near the altar. There's no comeliness
at all or charm in that expressionless
Face with its heavy eyelids. As before,
This face, for centuries a memory,
Non est species, neque decor,
Expressionless, expresses God: it goes
Past castled Sion. She knows what God knows,
Not Calvary's Cross nor crib at Bethlehem
Now, and the world shall come to Walsingham.
VII
The empty winds are creaking and the oak
splatters and splatters on the cenotaph,
The boughs are trembling and a gaff
Bobs on the untimely stroke
Of the greased wash exploding on a shoal-bell
In the old mouth of the Atlantic. It's well;
Atlantic, you are fouled with the blue sailors,
sea-monsters, upward angel, downward fish:
Unmarried and corroding, spare of flesh
Mart once of supercilious, wing'd clippers,
Atlantic, where your bell-trap guts its spoil
You could cut the brackish winds with a knife
Here in Nantucket, and cast up the time
When the Lord God formed man from the sea's slime
And breathed into his face the breath of life,
And blue-lung'd combers lumbered to the kill.
The Lord survives the rainbow of His will.
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