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Best Famous Vespers Poems

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Written by Percy Bysshe Shelley | Create an image from this poem

Julian and Maddalo (excerpt)

 I rode one evening with Count Maddalo 
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heap'd from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepair'd, and the tide makes
A narrow space of level sand thereon,
Where 'twas our wont to ride while day went down.
This ride was my delight. I love all waste
And solitary places; where we taste
The pleasure of believing what we see
Is boundless, as we wish our souls to be:
And such was this wide ocean, and this shore
More barren than its billows; and yet more
Than all, with a remember'd friend I love
To ride as then I rode; for the winds drove
The living spray along the sunny air
Into our faces; the blue heavens were bare,
Stripp'd to their depths by the awakening north;
And, from the waves, sound like delight broke forth
Harmonizing with solitude, and sent
Into our hearts aëreal merriment.
So, as we rode, we talk'd; and the swift thought,
Winging itself with laughter, linger'd not,
But flew from brain to brain--such glee was ours,
Charg'd with light memories of remember'd hours,
None slow enough for sadness: till we came
Homeward, which always makes the spirit tame.
This day had been cheerful but cold, and now
The sun was sinking, and the wind also.
Our talk grew somewhat serious, as may be
Talk interrupted with such raillery
As mocks itself, because it cannot scorn
The thoughts it would extinguish: 'twas forlorn,
Yet pleasing, such as once, so poets tell,
The devils held within the dales of Hell
Concerning God, freewill and destiny:
Of all that earth has been or yet may be,
All that vain men imagine or believe,
Or hope can paint or suffering may achieve,
We descanted, and I (for ever still
Is it not wise to make the best of ill?)
Argu'd against despondency, but pride
Made my companion take the darker side.
The sense that he was greater than his kind
Had struck, methinks, his eagle spirit blind
By gazing on its own exceeding light.
Meanwhile the sun paus'd ere it should alight,
Over the horizon of the mountains--Oh,
How beautiful is sunset, when the glow
Of Heaven descends upon a land like thee,
Thou Paradise of exiles, Italy!
Thy mountains, seas, and vineyards, and the towers
Of cities they encircle! It was ours
To stand on thee, beholding it: and then,
Just where we had dismounted, the Count's men
Were waiting for us with the gondola.
As those who pause on some delightful way
Though bent on pleasant pilgrimage, we stood
Looking upon the evening, and the flood
Which lay between the city and the shore,
Pav'd with the image of the sky.... The hoar
And aëry Alps towards the North appear'd
Through mist, an heaven-sustaining bulwark rear'd
Between the East and West; and half the sky
Was roof'd with clouds of rich emblazonry
Dark purple at the zenith, which still grew
Down the steep West into a wondrous hue
Brighter than burning gold, even to the rent
Where the swift sun yet paus'd in his descent
Among the many-folded hills: they were
Those famous Euganean hills, which bear,
As seen from Lido thro' the harbour piles,
The likeness of a clump of peakèd isles--
And then--as if the Earth and Sea had been
Dissolv'd into one lake of fire, were seen
Those mountains towering as from waves of flame
Around the vaporous sun, from which there came
The inmost purple spirit of light, and made
Their very peaks transparent. "Ere it fade,"
Said my companion, "I will show you soon
A better station"--so, o'er the lagune
We glided; and from that funereal bark
I lean'd, and saw the city, and could mark
How from their many isles, in evening's gleam,
Its temples and its palaces did seem
Like fabrics of enchantment pil'd to Heaven.
I was about to speak, when--"We are even
Now at the point I meant," said Maddalo,
And bade the gondolieri cease to row.
"Look, Julian, on the west, and listen well
If you hear not a deep and heavy bell."
I look'd, and saw between us and the sun
A building on an island; such a one
As age to age might add, for uses vile,
A windowless, deform'd and dreary pile;
And on the top an open tower, where hung
A bell, which in the radiance sway'd and swung;
We could just hear its hoarse and iron tongue:
The broad sun sunk behind it, and it toll'd
In strong and black relief. "What we behold
Shall be the madhouse and its belfry tower,"
Said Maddalo, "and ever at this hour
Those who may cross the water, hear that bell
Which calls the maniacs, each one from his cell,
To vespers." "As much skill as need to pray
In thanks or hope for their dark lot have they
To their stern Maker," I replied. "O ho!
You talk as in years past," said Maddalo.
" 'Tis strange men change not. You were ever still
Among Christ's flock a perilous infidel,
A wolf for the meek lambs--if you can't swim
Beware of Providence." I look'd on him,
But the gay smile had faded in his eye.
"And such," he cried, "is our mortality,
And this must be the emblem and the sign
Of what should be eternal and divine!
And like that black and dreary bell, the soul,
Hung in a heaven-illumin'd tower, must toll
Our thoughts and our desires to meet below
Round the rent heart and pray--as madmen do
For what? they know not--till the night of death,
As sunset that strange vision, severeth
Our memory from itself, and us from all
We sought and yet were baffled." I recall
The sense of what he said, although I mar
The force of his expressions. The broad star
Of day meanwhile had sunk behind the hill,
And the black bell became invisible,
And the red tower look'd gray, and all between
The churches, ships and palaces were seen
Huddled in gloom;--into the purple sea
The orange hues of heaven sunk silently.
We hardly spoke, and soon the gondola
Convey'd me to my lodgings by the way.

The following morn was rainy, cold and dim:
Ere Maddalo arose, I call'd on him,
And whilst I waited with his child I play'd;
A lovelier toy sweet Nature never made,
A serious, subtle, wild, yet gentle being,
Graceful without design and unforeseeing,
With eyes--Oh speak not of her eyes!--which seem
Twin mirrors of Italian Heaven, yet gleam
With such deep meaning, as we never see
But in the human countenance: with me
She was a special favourite: I had nurs'd
Her fine and feeble limbs when she came first
To this bleak world; and she yet seem'd to know
On second sight her ancient playfellow,
Less chang'd than she was by six months or so;
For after her first shyness was worn out
We sate there, rolling billiard balls about,
When the Count enter'd. Salutations past--
"The word you spoke last night might well have cast
A darkness on my spirit--if man be
The passive thing you say, I should not see
Much harm in the religions and old saws
(Though I may never own such leaden laws)
Which break a teachless nature to the yoke:
Mine is another faith"--thus much I spoke
And noting he replied not, added: "See
This lovely child, blithe, innocent and free;
She spends a happy time with little care,
While we to such sick thoughts subjected are
As came on you last night. It is our will
That thus enchains us to permitted ill.
We might be otherwise. We might be all
We dream of happy, high, majestical.
Where is the love, beauty, and truth we seek
But in our mind? and if we were not weak
Should we be less in deed than in desire?"
"Ay, if we were not weak--and we aspire
How vainly to be strong!" said Maddalo:
"You talk Utopia." "It remains to know,"
I then rejoin'd, "and those who try may find
How strong the chains are which our spirit bind;
Brittle perchance as straw.... We are assur'd
Much may be conquer'd, much may be endur'd,
Of what degrades and crushes us. We know
That we have power over ourselves to do
And suffer--what, we know not till we try;
But something nobler than to live and die:
So taught those kings of old philosophy
Who reign'd, before Religion made men blind;
And those who suffer with their suffering kind
Yet feel their faith, religion." "My dear friend,"
Said Maddalo, "my judgement will not bend
To your opinion, though I think you might
Make such a system refutation-tight
As far as words go. I knew one like you
Who to this city came some months ago,
With whom I argu'd in this sort, and he
Is now gone mad--and so he answer'd me--
Poor fellow! but if you would like to go
We'll visit him, and his wild talk will show
How vain are such aspiring theories."
"I hope to prove the induction otherwise,
And that a want of that true theory, still,
Which seeks a 'soul of goodness' in things ill
Or in himself or others, has thus bow'd
His being. There are some by nature proud,
Who patient in all else demand but this--
To love and be belov'd with gentleness;
And being scorn'd, what wonder if they die
Some living death? this is not destiny
But man's own wilful ill."

As thus I spoke
Servants announc'd the gondola, and we
Through the fast-falling rain and high-wrought sea
Sail'd to the island where the madhouse stands.


Written by Alan Seeger | Create an image from this poem

The Rendezvous

 He faints with hope and fear. It is the hour. 
Distant, across the thundering organ-swell, 
In sweet discord from the cathedral-tower, 
Fall the faint chimes and the thrice-sequent bell. 
Over the crowd his eye uneasy roves. 
He sees a plume, a fur; his heart dilates -- 
Soars . . . and then sinks again. It is not hers he loves. 
She will not come, the woman that he waits. 


Braided with streams of silver incense rise 
The antique prayers and ponderous antiphones. 
`Gloria Patri' echoes to the skies; 
`Nunc et in saecula' the choir intones. 
He marks not the monotonous refrain, 
The priest that serves nor him that celebrates, 
But ever scans the aisle for his blonde head. . . . In vain! 
She will not come, the woman that he waits. 


How like a flower seemed the perfumed place 
Where the sweet flesh lay loveliest to kiss; 
And her white hands in what delicious ways, 
With what unfeigned caresses, answered his! 
Each tender charm intolerable to lose, 
Each happy scene his fancy recreates. 
And he calls out her name and spreads his arms . . . No use! 
She will not come, the woman that he waits. 


But the long vespers close. The priest on high 
Raises the thing that Christ's own flesh enforms; 
And down the Gothic nave the crowd flows by 
And through the portal's carven entry swarms. 
Maddened he peers upon each passing face 
Till the long drab procession terminates. 
No princess passes out with proud majestic pace. 
She has not come, the woman that he waits. 


Back in the empty silent church alone 
He walks with aching heart. A white-robed boy 
Puts out the altar-candles one by one, 
Even as by inches darkens all his joy. 
He dreams of the sweet night their lips first met, 
And groans -- and turns to leave -- and hesitates . . . 
Poor stricken heart, he will, he can not fancy yet 
She will not come, the woman that he waits. 


But in an arch where deepest shadows fall 
He sits and studies the old, storied panes, 
And the calm crucifix that from the wall 
Looks on a world that quavers and complains. 
Hopeless, abandoned, desolate, aghast, 
On modes of violent death he meditates. 
And the tower-clock tolls five, and he admits at last, 
She will not come, the woman that he waits. 


Through the stained rose the winter daylight dies, 
And all the tide of anguish unrepressed 
Swells in his throat and gathers in his eyes; 
He kneels and bows his head upon his breast, 
And feigns a prayer to hide his burning tears, 
While the satanic voice reiterates 
`Tonight, tomorrow, nay, nor all the impending years, 
She will not come,' the woman that he waits. 


Fond, fervent heart of life's enamored spring, 
So true, so confident, so passing fair, 
That thought of Love as some sweet, tender thing, 
And not as war, red tooth and nail laid bare, 
How in that hour its innocence was slain, 
How from that hour our disillusion dates, 
When first we learned thy sense, ironical refrain, 
She will not come, the woman that he waits.
Written by Sir Walter Scott | Create an image from this poem

Harp of the North Farewell!

 Harp of the North, farewell! The hills grow dark, 
On purple peaks a deeper shade descending; 
In twilight copse the glow-worm lights her spark, 
The deer, half-seen, are to the covert wending. 
Resume thy wizard elm! the fountain lending, 
And the wild breeze, thy wilder minstrelsy; 
Thy numbers sweet with nature’s vespers blending, 
With distant echo from the fold and lea, 
And herd-boy’s evening pipe, and hum of housing bee. 

Yet, once again, farewell, thou Minstrel Harp! 
Yet, once again, forgive my feeble sway, 
And little reck I of the censure sharp 
May idly cavil at an idle lay. 
Much have I owed thy strains on life’s long way, 
Through secret woes the world has never known, 
When on the weary night dawned wearier day, 
And bitterer was the grief devoured alone.— 
That I o’erlive such woes, Enchantress! is thine own. 

Hark! as my lingering footsteps slow retire, 
Some spirit of the Air has waked thy string! 
’Tis now a seraph bold, with touch of fire, 
’Tis now the brush of Fairy’s frolic wing. 
Receding now, the dying numbers ring 
Fainter and fainter down the rugged dell; 
And now the mountain breezes scarcely bring 
A wandering witch-note of the distant spell— 
And now, ’tis silent all!—Enchantress, fare thee well!
Written by Robert Browning | Create an image from this poem

Soliloquy Of The Spanish Cloister

 I.

Gr-r-r---there go, my heart's abhorrence!
Water your damned flower-pots, do!
If hate killed men, Brother Lawrence,
God's blood, would not mine kill you!
What? your myrtle-bush wants trimming?
Oh, that rose has prior claims---
Needs its leaden vase filled brimming?
Hell dry you up with its flames!

II.

At the meal we sit together:
_Salve tibi!_ I must hear
Wise talk of the kind of weather,
Sort of season, time of year:
_Not a plenteous cork-crop: scarcely
Dare we hope oak-galls, I doubt:
What's the Latin name for ``parsley''?_
What's the Greek name for Swine's Snout?

III.

Whew! We'll have our platter burnished,
Laid with care on our own shelf!
With a fire-new spoon we're furnished,
And a goblet for ourself,
Rinsed like something sacrificial
Ere 'tis fit to touch our chaps---
Marked with L. for our initial!
(He-he! There his lily snaps!)

IV.

_Saint_, forsooth! While brown Dolores
Squats outside the Convent bank
With Sanchicha, telling stories,
Steeping tresses in the tank,
Blue-black, lustrous, thick like horsehairs,
---Can't I see his dead eye glow,
Bright as 'twere a Barbary corsair's?
(That is, if he'd let it show!)

V.

When he finishes refection,
Knife and fork he never lays
Cross-wise, to my recollection,
As do I, in Jesu's praise.
I the Trinity illustrate,
Drinking watered orange-pulp---
In three sips the Arian frustrate;
While he drains his at one gulp.

VI.

Oh, those melons? If he's able
We're to have a feast! so nice!
One goes to the Abbot's table,
All of us get each a slice.
How go on your flowers? None double
Not one fruit-sort can you spy?
Strange!---And I, too, at such trouble,
Keep them close-nipped on the sly!

VII.

There's a great text in Galatians,
Once you trip on it, entails
Twenty-nine distinct damnations,
One sure, if another fails:
If I trip him just a-dying,
Sure of heaven as sure can be,
Spin him round and send him flying
Off to hell, a Manichee?

VIII.

Or, my scrofulous French novel
On grey paper with blunt type!
Simply glance at it, you grovel
Hand and foot in Belial's gripe:
If I double down its pages
At the woeful sixteenth print,
When he gathers his greengages,
Ope a sieve and slip it in't?

IX.

Or, there's Satan!---one might venture
Pledge one's soul to him, yet leave
Such a flaw in the indenture
As he'd miss till, past retrieve,
Blasted lay that rose-acacia
We're so proud of! _Hy, Zy, Hine ..._
'St, there's Vespers! _Plena grati
Ave, Virgo!_ Gr-r-r---you swine!
Written by Louise Gluck | Create an image from this poem

Vespers

 In your extended absence, you permit me
use of earth, anticipating
some return on investment. I must report
failure in my assignment, principally
regarding the tomato plants.
I think I should not be encouraged to grow
tomatoes. Or, if I am, you should withhold
the heavy rains, the cold nights that come
so often here, while other regions get
twelve weeks of summer. All this
belongs to you: on the other hand,
I planted the seeds, I watched the first shoots
like wings tearing the soil, and it was my heart
broken by the blight, the black spot so quickly
multiplying in the rows. I doubt
you have a heart, in our understanding of
that term. You who do not discriminate
between the dead and the living, who are, in consequence,
immune to foreshadowing, you may not know
how much terror we bear, the spotted leaf,
the red leaves of the maple falling
even in August, in early darkness: I am responsible
for these vines.


Written by Derek Walcott | Create an image from this poem

Sabbaths W.I

 Those villages stricken with the melancholia of Sunday,
in all of whose ocher streets one dog is sleeping

those volcanoes like ashen roses, or the incurable sore
of poverty, around whose puckered mouth thin boys are
selling yellow sulphur stone

the burnt banana leaves that used to dance
the river whose bed is made of broken bottles
the cocoa grove where a bird whose cry sounds green and
yellow and in the lights under the leaves crested with
orange flame has forgotten its flute

gommiers peeling from sunburn still wrestling to escape the sea

the dead lizard turning blue as stone

those rivers, threads of spittle, that forgot the old music

that dry, brief esplanade under the drier sea almonds
where the dry old men sat

watching a white schooner stuck in the branches
and playing draughts with the moving frigate birds

those hillsides like broken pots

those ferns that stamped their skeletons on the skin

and those roads that begin reciting their names at vespers

mention them and they will stop
those crabs that were willing to let an epoch pass
those herons like spinsters that doubted their reflections
inquiring, inquiring

those nettles that waited
those Sundays, those Sundays

those Sundays when the lights at the road's end were an occasion

those Sundays when my mother lay on her back
those Sundays when the sisters gathered like white moths
round their street lantern

and cities passed us by on the horizon
Written by Emily Dickinson | Create an image from this poem

I shall keep singing!

 I shall keep singing!
Birds will pass me
On their way to Yellower Climes --
Each -- with a Robin's expectation --
I -- with my Redbreast --
And my Rhymes --

Late -- when I take my place in summer --
But -- I shall bring a fuller tune --
Vespers -- are sweeter than Matins -- Signor --
Morning -- only the seed of Noon --

Book: Radiant Verses: A Journey Through Inspiring Poetry