by
Walt Whitman
1
TO conclude—I announce what comes after me;
I announce mightier offspring, orators, days, and then, for the present, depart.
I remember I said, before my leaves sprang at all,
I would raise my voice jocund and strong, with reference to consummations.
When America does what was promis’d,
When there are plentiful athletic bards, inland and seaboard,
When through These States walk a hundred millions of superb persons,
When the rest part away for superb persons, and contribute to them,
When breeds of the most perfect mothers denote America,
Then to me and mine our due fruition.
I have press’d through in my own right,
I have sung the Body and the Soul—War and Peace have I sung,
And the songs of Life and of Birth—and shown that there are many births:
I have offer’d my style to everyone—I have journey’d with confident step;
While my pleasure is yet at the full, I whisper, So long!
And take the young woman’s hand, and the young man’s hand, for the last time.
2
I announce natural persons to arise;
I announce justice triumphant;
I announce uncompromising liberty and equality;
I announce the justification of candor, and the justification of pride.
I announce that the identity of These States is a single identity only;
I announce the Union more and more compact, indissoluble;
I announce splendors and majesties to make all the previous politics of the earth
insignificant.
I announce adhesiveness—I say it shall be limitless, unloosen’d;
I say you shall yet find the friend you were looking for.
I announce a man or woman coming—perhaps you are the one, (So long!)
I announce the great individual, fluid as Nature, chaste, affectionate, compassionate,
fully
armed.
I announce a life that shall be copious, vehement, spiritual, bold;
I announce an end that shall lightly and joyfully meet its translation;
I announce myriads of youths, beautiful, gigantic, sweet-blooded;
I announce a race of splendid and savage old men.
3
O thicker and faster! (So long!)
O crowding too close upon me;
I foresee too much—it means more than I thought;
It appears to me I am dying.
Hasten throat, and sound your last!
Salute me—salute the days once more. Peal the old cry once more.
Screaming electric, the atmosphere using,
At random glancing, each as I notice absorbing,
Swiftly on, but a little while alighting,
Curious envelop’d messages delivering,
Sparkles hot, seed ethereal, down in the dirt dropping,
Myself unknowing, my commission obeying, to question it never daring,
To ages, and ages yet, the growth of the seed leaving,
To troops out of me, out of the army, the war arising—they the tasks I have set
promulging,
To women certain whispers of myself bequeathing—their affection me more clearly
explaining,
To young men my problems offering—no dallier I—I the muscle of their brains
trying,
So I pass—a little time vocal, visible, contrary;
Afterward, a melodious echo, passionately bent for—(death making me really undying;)
The best of me then when no longer visible—for toward that I have been incessantly
preparing.
What is there more, that I lag and pause, and crouch extended with unshut mouth?
Is there a single final farewell?
4
My songs cease—I abandon them;
From behind the screen where I hid I advance personally, solely to you.
Camerado! This is no book;
Who touches this, touches a man;
(Is it night? Are we here alone?)
It is I you hold, and who holds you;
I spring from the pages into your arms—decease calls me forth.
O how your fingers drowse me!
Your breath falls around me like dew—your pulse lulls the tympans of my ears;
I feel immerged from head to foot;
Delicious—enough.
Enough, O deed impromptu and secret!
Enough, O gliding present! Enough, O summ’d-up past!
5
Dear friend, whoever you are, take this kiss,
I give it especially to you—Do not forget me;
I feel like one who has done work for the day, to retire awhile;
I receive now again of my many translations—from my avataras ascending—while
others
doubtless await me;
An unknown sphere, more real than I dream’d, more direct, darts awakening rays about
me—So long!
Remember my words—I may again return,
I love you—I depart from materials;
I am as one disembodied, triumphant, dead.
|
by
Phillis Wheatley
Apollo's wrath to man the dreadful spring
Of ills innum'rous, tuneful goddess, sing!
Thou who did'st first th' ideal pencil give,
And taught'st the painter in his works to live,
Inspire with glowing energy of thought,
What Wilson painted, and what Ovid wrote.
Muse! lend thy aid, nor let me sue in vain,
Tho' last and meanest of the rhyming train!
O guide my pen in lofty strains to show
The Phrygian queen, all beautiful in woe.
'Twas where Maeonia spreads her wide domain
Niobe dwelt, and held her potent reign:
See in her hand the regal sceptre shine,
The wealthy heir of Tantalus divine,
He most distinguish'd by Dodonean Jove,
To approach the tables of the gods above:
Her grandsire Atlas, who with mighty pains
Th' ethereal axis on his neck sustains:
Her other grandsire on the throne on high
Rolls the loud-pealing thunder thro' the sky.
Her spouse, Amphion, who from Jove too springs,
Divinely taught to sweep the sounding strings.
Seven sprightly sons the royal bed adorn,
Seven daughters beauteous as the op'ning morn,
As when Aurora fills the ravish'd sight,
And decks the orient realms with rosy light
From their bright eyes the living splendors play,
Nor can beholders bear the flashing ray.
Wherever, Niobe, thou turn'st thine eyes,
New beauties kindle, and new joys arise!
But thou had'st far the happier mother prov'd,
If this fair offspring had been less belov'd:
What if their charms exceed Aurora's teint.
No words could tell them, and no pencil paint,
Thy love too vehement hastens to destroy
Each blooming maid, and each celestial boy.
Now Manto comes, endu'd with mighty skill,
The past to explore, the future to reveal.
Thro' Thebes' wide streets Tiresia's daughter came,
Divine Latona's mandate to proclaim:
The Theban maids to hear the orders ran,
When thus Maeonia's prophetess began:
"Go, Thebans! great Latona's will obey,
"And pious tribute at her altars pay:
"With rights divine, the goddess be implor'd,
"Nor be her sacred offspring unador'd."
Thus Manto spoke. The Theban maids obey,
And pious tribute to the goddess pay.
The rich perfumes ascend in waving spires,
And altars blaze with consecrated fires;
The fair assembly moves with graceful air,
And leaves of laurel bind the flowing hair.
Niobe comes with all her royal race,
With charms unnumber'd, and superior grace:
Her Phrygian garments of delightful hue,
Inwove with gold, refulgent to the view,
Beyond description beautiful she moves
Like heav'nly Venus, 'midst her smiles and loves:
She views around the supplicating train,
And shakes her graceful head with stern disdain,
Proudly she turns around her lofty eyes,
And thus reviles celestial deities:
"What madness drives the Theban ladies fair
"To give their incense to surrounding air?
"Say why this new sprung deity preferr'd?
"Why vainly fancy your petitions heard?
"Or say why Cæus offspring is obey'd,
"While to my goddesship no tribute's paid?
"For me no altars blaze with living fires,
"No bullock bleeds, no frankincense transpires,
"Tho' Cadmus' palace, not unknown to fame,
"And Phrygian nations all revere my name.
"Where'er I turn my eyes vast wealth I find,
"Lo! here an empress with a goddess join'd.
"What, shall a Titaness be deify'd,
"To whom the spacious earth a couch deny'd!
"Nor heav'n, nor earth, nor sea receiv'd your queen,
"Till pitying Delos took the wand'rer in.
"Round me what a large progeny is spread!
"No frowns of fortune has my soul to dread.
"What if indignant she decrease my train
"More than Latona's number will remain;
"Then hence, ye Theban dames, hence haste away,
"Nor longer off'rings to Latona pay;
"Regard the orders of Amphion's spouse,
"And take the leaves of laurel from your brows."
Niobe spoke. The Theban maids obey'd,
Their brows unbound, and left the rights unpaid.
The angry goddess heard, then silence broke
On Cynthus' summit, and indignant spoke;
"Phoebus! behold, thy mother in disgrace,
"Who to no goddess yields the prior place
"Except to Juno's self, who reigns above,
"The spouse and sister of the thund'ring Jove.
"Niobe, sprung from Tantalus, inspires
"Each Theban bosom with rebellious fires;
"No reason her imperious temper quells,
"But all her father in her tongue rebels;
"Wrap her own sons for her blaspheming breath,
"Apollo! wrap them in the shades of death."
Latona ceas'd, and ardent thus replies
The God, whose glory decks th' expanded skies.
"Cease thy complaints, mine be the task assign'd
"To punish pride, and scourge the rebel mind."
This Phoebe join'd.--They wing their instant flight;
Thebes trembled as th' immortal pow'rs alight.
With clouds incompass'd glorious Phoebus stands;
The feather'd vengeance quiv'ring in his hands.
Near Cadmus' walls a plain extended lay,
Where Thebes' young princes pass'd in sport the day:
There the bold coursers bounded o'er the plains,
While their great masters held the golden reins.
Ismenus first the racing pastime led,
And rul'd the fury of his flying steed.
"Ah me," he sudden cries, with shrieking breath,
While in his breast he feels the shaft of death;
He drops the bridle on his courser's mane,
Before his eyes in shadows swims the plain,
He, the first-born of great Amphion's bed,
Was struck the first, first mingled with the dead.
Then didst thou, Sipylus, the language hear
Of fate portentous whistling in the air:
As when th' impending storm the sailor sees
He spreads his canvas to the fav'ring breeze,
So to thine horse thou gav'st the golden reins,
Gav'st him to rush impetuous o'er the plains:
But ah! a fatal shaft from Phoebus' hand
Smites thro' thy neck, and sinks thee on the sand.
Two other brothers were at wrestling found,
And in their pastime claspt each other round:
A shaft that instant from Apollo's hand
Transfixt them both, and stretcht them on the sand:
Together they their cruel fate bemoan'd,
Together languish'd, and together groan'd:
Together too th' unbodied spirits fled,
And sought the gloomy mansions of the dead.
Alphenor saw, and trembling at the view,
Beat his torn breast, that chang'd its snowy hue.
He flies to raise them in a kind embrace;
A brother's fondness triumphs in his face:
Alphenor fails in this fraternal deed,
A dart dispatch'd him (so the fates decreed
Soon as the arrow left the deadly wound,
His issuing entrails smoak'd upon the ground.
What woes on blooming Damasichon wait!
His sighs portend his near impending fate.
Just where the well-made leg begins to be,
And the soft sinews form the supple knee,
The youth sore wounded by the Delian god
Attempts t' extract the crime-avenging rod,
But, whilst he strives the will of fate t' avert,
Divine Apollo sends a second dart;
Swift thro' his throat the feather'd mischief flies,
Bereft of sense, he drops his head, and dies.
Young Ilioneus, the last, directs his pray'r,
And cries, "My life, ye gods celestial! spare."
Apollo heard, and pity touch'd his heart,
But ah! too late, for he had sent the dart:
Thou too, O Ilioneus, art doom'd to fall,
The fates refuse that arrow to recal.
On the swift wings of ever flying Fame
To Cadmus' palace soon the tidings came:
Niobe heard, and with indignant eyes
She thus express'd her anger and surprise:
"Why is such privilege to them allow'd?
"Why thus insulted by the Delian god?
"Dwells there such mischief in the pow'rs above?
"Why sleeps the vengeance of immortal Jove?"
For now Amphion too, with grief oppress'd,
Had plung'd the deadly dagger in his breast.
Niobe now, less haughty than before,
With lofty head directs her steps no more
She, who late told her pedigree divine,
And drove the Thebans from Latona's shrine,
How strangely chang'd!--yet beautiful in woe,
She weeps, nor weeps unpity'd by the foe.
On each pale corse the wretched mother spread
Lay overwhelm'd with grief, and kiss'd her dead,
Then rais'd her arms, and thus, in accents slow,
"Be sated cruel Goddess! with my woe;
"If I've offended, let these streaming eyes,
"And let this sev'nfold funeral suffice:
"Ah! take this wretched life you deign'd to save,
"With them I too am carried to the grave.
"Rejoice triumphant, my victorious foe,
"But show the cause from whence your triumphs flow?
"Tho' I unhappy mourn these children slain,
"Yet greater numbers to my lot remain."
She ceas'd, the bow string twang'd with awful sound,
Which struck with terror all th' assembly round,
Except the queen, who stood unmov'd alone,
By her distresses more presumptuous grown.
Near the pale corses stood their sisters fair
In sable vestures and dishevell'd hair;
One, while she draws the fatal shaft away,
Faints, falls, and sickens at the light of day.
To sooth her mother, lo! another flies,
And blames the fury of inclement skies,
And, while her words a filial pity show,
Struck dumb--indignant seeks the shades below.
Now from the fatal place another flies,
Falls in her flight, and languishes, and dies.
Another on her sister drops in death;
A fifth in trembling terrors yields her breath;
While the sixth seeks some gloomy cave in vain,
Struck with the rest, and mingled with the slain.
One only daughter lives, and she the least;
The queen close clasp'd the daughter to her breast:
"Ye heav'nly pow'rs, ah spare me one," she cry'd,
"Ah! spare me one," the vocal hills reply'd:
In vain she begs, the Fates her suit deny,
In her embrace she sees her daughter die.
*"The queen of all her family bereft,
"Without or husband, son, or daughter left,
"Grew stupid at the shock. The passing air
"Made no impression on her stiff'ning hair.
"The blood forsook her face: amidst the flood
"Pour'd from her cheeks, quite fix'd her eye-balls stood.
"Her tongue, her palate both obdurate grew,
"Her curdled veins no longer motion knew;
"The use of neck, and arms, and feet was gone,
"And ev'n her bowels hard'ned into stone:
"A marble statue now the queen appears,
"But from the marble steal the silent tears."
|
by
Walt Whitman
1
WITH antecedents;
With my fathers and mothers, and the accumulations of past ages;
With all which, had it not been, I would not now be here, as I am:
With Egypt, India, Phenicia, Greece and Rome;
With the Kelt, the Scandinavian, the Alb, and the Saxon;
With antique maritime ventures,—with laws, artizanship, wars and journeys;
With the poet, the skald, the saga, the myth, and the oracle;
With the sale of slaves—with enthusiasts—with the troubadour, the crusader, and
the
monk;
With those old continents whence we have come to this new continent;
With the fading kingdoms and kings over there;
With the fading religions and priests;
With the small shores we look back to from our own large and present shores;
With countless years drawing themselves onward, and arrived at these years;
You and Me arrived—America arrived, and making this year;
This year! sending itself ahead countless years to come.
2
O but it is not the years—it is I—it is You;
We touch all laws, and tally all antecedents;
We are the skald, the oracle, the monk, and the knight—we easily include them, and
more;
We stand amid time, beginningless and endless—we stand amid evil and good;
All swings around us—there is as much darkness as light;
The very sun swings itself and its system of planets around us;
Its sun, and its again, all swing around us.
As for me, (torn, stormy, even as I, amid these vehement days,)
I have the idea of all, and am all, and believe in all;
I believe materialism is true, and spiritualism is true—I reject no part.
Have I forgotten any part?
Come to me, whoever and whatever, till I give you recognition.
I respect Assyria, China, Teutonia, and the Hebrews;
I adopt each theory, myth, god, and demi-god;
I see that the old accounts, bibles, genealogies, are true, without exception;
I assert that all past days were what they should have been;
And that they could no-how have been better than they were,
And that to-day is what it should be—and that America is,
And that to-day and America could no-how be better than they are.
3
In the name of These States, and in your and my name, the Past,
And in the name of These States, and in your and my name, the Present time.
I know that the past was great, and the future will be great,
And I know that both curiously conjoint in the present time,
(For the sake of him I typify—for the common average man’s sake—your sake,
if
you are
he;)
And that where I am, or you are, this present day, there is the centre of all days, all
races,
And there is the meaning, to us, of all that has ever come of races and days, or ever will
come.
|
by
John Donne
O might those sighs and tears return again
Into my breast and eyes, which I have spent,
That I might in this holy discontent
Mourn with some fruit, as I have mourned in vain;
In mine Idolatry what showers of rain
Mine eyes did waste! what griefs my heart did rent!
That sufferance was my sin; now I repent;
'Cause I did suffer I must suffer pain.
Th' hydropic drunkard, and night-scouting thief,
The itchy lecher, and self-tickling proud
Have the remembrance of past joys for relief
Of comming ills. To (poor) me is allowed
No ease; for long, yet vehement grief hath been
Th' effect and cause, the punishment and sin.
|
by
William Butler Yeats
I
Her Courtesy
With the old kindness, the old distinguished grace,
She lies, her lovely piteous head amid dull red hair
propped upon pillows, rouge on the pallor of her face.
She would not have us sad because she is lying there,
And when she meets our gaze her eyes are laughter-lit,
Her speech a wicked tale that we may vie with her,
Matching our broken-hearted wit against her wit,
Thinking of saints and of petronius Arbiter.
II
Curtain Artist bring her Dolls and Drawings
Bring where our Beauty lies
A new modelled doll, or drawing,
With a friend's or an enemy's
Features, or maybe showing
Her features when a tress
Of dull red hair was flowing
Over some silken dress
Cut in the Turkish fashion,
Or, it may be, like a boy's.
We have given the world our passion,
We have naught for death but toys.
III
She turns the Dolls' Faces to the Wall
Because to-day is some religious festival
They had a priest say Mass, and even the Japanese,
Heel up and weight on toe, must face the wall
- Pedant in passion, learned in old courtesies,
Vehement and witty she had seemed - ; the Venetian lady
Who had seemed to glide to some intrigue in her red shoes,
Her domino, her panniered skirt copied from Longhi;
The meditative critic; all are on their toes,
Even our Beauty with her Turkish trousers on.
Because the priest must have like every dog his day
Or keep us all awake with baying at the moon,
We and our dolls being but the world were best away.
IV
The End of Day
She is playing like a child
And penance is the play,
Fantastical and wild
Because the end of day
Shows her that some one soon
Will come from the house, and say --
Though play is but half done --
"Come in and leave the play.'
V
Her Race
She has not grown uncivil
As narrow natures would
And called the pleasures evil
Happier days thought good;
She knows herself a woman,
No red and white of a face,
Or rank, raised from a common
Vnreckonable race;
And how should her heart fail her
Or sickness break her will
With her dead brother's valour
For an example still?
VI
Her Courage
When her soul flies to the predestined dancing-place
(I have no speech but symbol, the pagan speech I made
Amid the dreams of youth) let her come face to face,
Amid that first astonishment, with Grania's shade,
All but the terrors of the woodland flight forgot
That made her Diatmuid dear, and some old cardinal
Pacing with half-closed eyelids in a sunny spot
Who had murmured of Giorgione at his latest breath -
Aye, and Achilles, Timor, Babar, Barhaim, all
Who have lived in joy and laughed into the face of Death.
VII
Her Friends bring her a Christmas Tree
pardon, great enemy,
Without an angry thought
We've carried in our tree,
And here and there have bought
Till all the boughs are gay,
And she may look from the bed
On pretty things that may
please a fantastic head.
Give her a little grace,
What if a laughing eye
Have looked into your face?
It is about to die.
|
by
William Vaughn Moody
This, then, is she,
My mother as she looked at seventeen,
When she first met my father. Young incredibly,
Younger than spring, without the faintest trace
Of disappointment, weariness, or tean
Upon the childlike earnestness and grace
Of the waiting face.
Those close-wound ropes of pearl
(Or common beads made precious by their use)
Seem heavy for so slight a throat to wear;
But the low bodice leaves the shoulders bare
And half the glad swell of the breast, for news
That now the woman stirs within the girl.
And yet,
Even so, the loops and globes
Of beaten gold
And jet
Hung, in the stately way of old,
From the ears' drooping lobes
On festivals and Lord's-day of the week,
Show all too matron-sober for the cheek, --
Which, now I look again, is perfect child,
Or no -- or no -- 't is girlhood's very self,
Moulded by some deep, mischief-ridden elf
So meek, so maiden mild,
But startling the close gazer with the sense
Of passions forest-shy and forest-wild,
And delicate delirious merriments.
As a moth beats sidewise
And up and over, and tries
To skirt the irresistible lure
Of the flame that has him sure,
My spirit, that is none too strong to-day,
Flutters and makes delay, --
Pausing to wonder on the perfect lips,
Lifting to muse upon the low-drawn hair
And each hid radiance there,
But powerless to stem the tide-race bright,
The vehement peace which drifts it toward the light
Where soon -- ah, now, with cries
Of grief and giving-up unto its gain
It shrinks no longer nor denies,
But dips
Hurriedly home to the exquisite heart of pain, --
And all is well, for I have seen them plain,
The unforgettable, the unforgotten eyes!
Across the blinding gush of these good tears
They shine as in the sweet and heavy years
When by her bed and chair
We children gathered jealously to share
The sunlit aura breathing myrrh and thyme,
Where the sore-stricken body made a clime
Gentler than May and pleasanter than rhyme,
Holier and more mystical than prayer.
God, how thy ways are strange!
That this should be, even this,
The patient head
Which suffered years ago the dreary change!
That these so dewy lips should be the same
As those I stooped to kiss
And heard my harrowing half-spoken name,
A little ere the one who bowed above her,
Our father and her very constant lover,
Rose stoical, and we knew that she was dead.
Then I, who could not understand or share
His antique nobleness,
Being unapt to bear
The insults which time flings us for our proof,
Fled from the horrible roof
Into the alien sunshine merciless,
The shrill satiric fields ghastly with day,
Raging to front God in his pride of sway
And hurl across the lifted swords of fate
That ringed Him where He sat
My puny gage of scorn and desolate hate
Which somehow should undo Him, after all!
That this girl face, expectant, virginal,
Which gazes out at me
Boon as a sweetheart, as if nothing loth
(Save for the eyes, with other presage stored)
To pledge me troth,
And in the kingdom where the heart is lord
Take sail on the terrible gladness of the deep
Whose winds the gray Norns keep, --
That this should be indeed
The flesh which caught my soul, a flying seed,
Out of the to and fro
Of scattering hands where the seedsman Mage,
Stooping from star to star and age to age
Sings as he sows!
That underneath this breast
Nine moons I fed
Deep of divine unrest,
While over and over in the dark she said,
"Blessed! but not as happier children blessed" --
That this should be
Even she . . .
God, how with time and change
Thou makest thy footsteps strange!
Ah, now I know
They play upon me, and it is not so.
Why, 't is a girl I never saw before,
A little thing to flatter and make weep,
To tease until her heart is sore,
Then kiss and clear the score;
A gypsy run-the-fields,
A little liberal daughter of the earth,
Good for what hour of truancy and mirth
The careless season yields
Hither-side the flood of the year and yonder of the neap;
Then thank you, thanks again, and twenty light good-byes. --
O shrined above the skies,
Frown not, clear brow,
Darken not, holy eyes!
Thou knowest well I know that it is thou
Only to save me from such memories
As would unman me quite,
Here in this web of strangeness caught
And prey to troubled thought
Do I devise
These foolish shifts and slight;
Only to shield me from the afflicting sense
Of some waste influence
Which from this morning face and lustrous hair
Breathes on me sudden ruin and despair.
In any other guise,
With any but this girlish depth of gaze,
Your coming had not so unsealed and poured
The dusty amphoras where I had stored
The drippings of the winepress of my days.
I think these eyes foresee,
Now in their unawakened virgin time,
Their mother's pride in me,
And dream even now, unconsciously,
Upon each soaring peak and sky-hung lea
You pictured I should climb.
Broken premonitions come,
Shapes, gestures visionary,
Not as once to maiden Mary
The manifest angel with fresh lilies came
Intelligibly calling her by name;
But vanishingly, dumb,
Thwarted and bright and wild,
As heralding a sin-defiled,
Earth-encumbered, blood-begotten, passionate man-child,
Who yet should be a trump of mighty call
Blown in the gates of evil kings
To make them fall;
Who yet should be a sword of flame before
The soul's inviolate door
To beat away the clang of hellish wings;
Who yet should be a lyre
Of high unquenchable desire
In the day of little things. --
Look, where the amphoras,
The yield of many days,
Trod by my hot soul from the pulp of self,
And set upon the shelf
In sullen pride
The Vineyard-master's tasting to abide --
O mother mine!
Are these the bringings-in, the doings fine,
Of him you used to praise?
Emptied and overthrown
The jars lie strown.
These, for their flavor duly nursed,
Drip from the stopples vinegar accursed;
These, I thought honied to the very seal,
Dry, dry, -- a little acid meal,
A pinch of mouldy dust,
Sole leavings of the amber-mantling must;
These, rude to look upon,
But flasking up the liquor dearest won,
Through sacred hours and hard,
With watching and with wrestlings and with grief,
Even of these, of these in chief,
The stale breath sickens reeking from the shard.
Nothing is left. Aye, how much less than naught!
What shall be said or thought
Of the slack hours and waste imaginings,
The cynic rending of the wings,
Known to that froward, that unreckoning heart
Whereof this brewage was the precious part,
Treasured and set away with furtive boast?
O dear and cruel ghost,
Be merciful, be just!
See, I was yours and I am in the dust.
Then look not so, as if all things were well!
Take your eyes from me, leave me to my shame,
Or else, if gaze they must,
Steel them with judgment, darken them with blame;
But by the ways of light ineffable
You bade me go and I have faltered from,
By the low waters moaning out of hell
Whereto my feet have come,
Lay not on me these intolerable
Looks of rejoicing love, of pride, of happy trust!
Nothing dismayed?
By all I say and all I hint not made
Afraid?
O then, stay by me! Let
These eyes afflict me, cleanse me, keep me yet,
Brave eyes and true!
See how the shrivelled heart, that long has lain
Dead to delight and pain,
Stirs, and begins again
To utter pleasant life, as if it knew
The wintry days were through;
As if in its awakening boughs it heard
The quick, sweet-spoken bird.
Strong eyes and brave,
Inexorable to save!
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by
Walt Whitman
TO thee, old Cause!
Thou peerless, passionate, good cause!
Thou stern, remorseless, sweet Idea!
Deathless throughout the ages, races, lands!
After a strange, sad war—great war for thee,
(I think all war through time was really fought, and ever will be really fought,
for thee;)
These chants for thee—the eternal march of thee.
Thou orb of many orbs!
Thou seething principle! Thou well-kept, latent germ! Thou centre!
Around the idea of thee the strange sad war revolving,
With all its angry and vehement play of causes,
(With yet unknown results to come, for thrice a thousand years,)
These recitatives for thee—my Book and the War are one,
Merged in its spirit I and mine—as the contest hinged on thee,
As a wheel on its axis turns, this Book, unwitting to itself,
Around the Idea of thee.
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by
Edwin Arlington Robinson
I—THE LURE
No, no,—forget your Cricket and your Ant,
For I shall never set my name to theirs
That now bespeak the very sons and heirs
Incarnate of Queen Gossip and King Cant.
The case of Leffingwell is mixed, I grant,
And futile Seems the burden that he bears;
But are we sounding his forlorn affairs
Who brand him parasite and sycophant?
I tell you, Leffingwell was more than these;
And if he prove a rather sorry knight,
What quiverings in the distance of what light
May not have lured him with high promises,
And then gone down?—He may have been deceived;
He may have lied,—he did; and he believed.
II—THE QUICKSTEP
The dirge is over, the good work is done,
All as he would have had it, and we go;
And we who leave him say we do not know
How much is ended or how much begun.
So men have said before of many a one;
So men may say of us when Time shall throw
Such earth as may be needful to bestow
On you and me the covering hush we shun.
Well hated, better loved, he played and lost,
And left us; and we smile at his arrears;
And who are we to know what it all cost,
Or what we may have wrung from him, the buyer?
The pageant of his failure-laden years
Told ruin of high price. The place was higher.
III—REQUIESCAT
We never knew the sorrow or the pain
Within him, for he seemed as one asleep—
Until he faced us with a dying leap,
And with a blast of paramount, profane,
And vehement valediction did explain
To each of us, in words that we shall keep,
Why we were not to wonder or to weep,
Or ever dare to wish him back again.
He may be now an amiable shade,
With merry fellow-phantoms unafraid
Around him—but we do not ask. We know
That he would rise and haunt us horribly,
And be with us o’ nights of a certainty.
Did we not hear him when he told us so?
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by
Elizabeth Barrett Browning
I see thine image through my tears to-night,
And yet to-day I saw thee smiling. How
Refer the cause?—Beloved, is it thou
Or I, who makes me sad? The acolyte
Amid the chanted joy and thankful rite
May so fall flat, with pale insensate brow,
On the altar-stair. I hear thy voice and vow,
Perplexed, uncertain, since thou art out of sight,
As he, in his swooning ears, the choir's Amen.
Beloved, dost thou love? or did I see all
The glory as I dreamed, and fainted when
Too vehement light dilated my ideal,
For my soul's eyes? Will that light come again,
As now these tears come—falling hot and real?
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