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Best Famous Veer Poems

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Written by Bliss Carman | Create an image from this poem

On Love

 TO the assembled folk 
At great St. Kavin’s spoke 
Young Brother Amiel on Christmas Eve; 
I give you joy, my friends, 
That as the round year ends, 
We meet once more for gladness by God’s leave. 

On other festal days 
For penitence or praise 
Or prayer we meet, or fullness of thanksgiving; 
To-night we calendar 
The rising of that star 
Which lit the old world with new joy of living. 

Ah, we disparage still 
The Tidings of Good Will, 
Discrediting Love’s gospel now as then! 
And with the verbal creed 
That God is love indeed, 
Who dares make Love his god before all men? 

Shall we not, therefore, friends, 
Resolve to make amends 
To that glad inspiration of the heart; 
To grudge not, to cast out 
Selfishness, malice, doubt, 
Anger and fear; and for the better part, 

To love so much, so well, 
The spirit cannot tell 
The range and sweep of her own boundary! 
There is no period 
Between the soul and God; 
Love is the tide, God the eternal sea.… 

To-day we walk by love; 
To strive is not enough, 
Save against greed and ignorance and might. 
We apprehend peace comes 
Not with the roll of drums, 
But in the still processions of the night. 

And we perceive, not awe 
But love is the great law 
That binds the world together safe and whole. 
The splendid planets run 
Their courses in the sun; 
Love is the gravitation of the soul. 

In the profound unknown, 
Illumined, fair, and lone, 
Each star is set to shimmer in its place. 
In the profound divine 
Each soul is set to shine, 
And its unique appointed orbit trace. 

There is no near nor far, 
Where glorious Algebar 
Swings round his mighty circuit through the night, 
Yet where without a sound 
The winged seed comes to ground, 
And the red leaf seems hardly to alight. 

One force, one lore, one need 
For satellite and seed, 
In the serene benignity for all. 
Letting her time-glass run 
With star-dust, sun by sun, 
In Nature’s thought there is no great nor small. 

There is no far nor near 
Within the spirit’s sphere. 
The summer sunset’s scarlet-yellow wings 
Are tinged with the same dye 
That paints the tulip’s ply. 
And what is colour but the soul of things? 

(The earth was without form; 
God moulded it with storm, 
Ice, flood, and tempest, gleaming tint and hue; 
Lest it should come to ill 
For lack of spirit still, 
He gave it colour,—let the love shine through.)… 

Of old, men said, ‘Sin not; 
By every line and jot 
Ye shall abide; man’s heart is false and vile.’ 
Christ said, ‘By love alone 
In man’s heart is God known; 
Obey the word no falsehood can defile.’… 

And since that day we prove 
Only how great is love, 
Nor to this hour its greatness half believe. 
For to what other power 
Will life give equal dower, 
Or chaos grant one moment of reprieve! 

Look down the ages’ line, 
Where slowly the divine 
Evinces energy, puts forth control; 
See mighty love alone 
Transmuting stock and stone, 
Infusing being, helping sense and soul. 

And what is energy, 
In-working, which bids be 
The starry pageant and the life of earth? 
What is the genesis 
Of every joy and bliss, 
Each action dared, each beauty brought to birth? 

What hangs the sun on high? 
What swells the growing rye? 
What bids the loons cry on the Northern lake? 
What stirs in swamp and swale, 
When April winds prevail, 
And all the dwellers of the ground awake?… 

What lurks in the deep gaze 
Of the old wolf? Amaze, 
Hope, recognition, gladness, anger, fear. 
But deeper than all these 
Love muses, yearns, and sees, 
And is the self that does not change nor veer. 

Not love of self alone, 
Struggle for lair and bone, 
But self-denying love of mate and young, 
Love that is kind and wise, 
Knows trust and sacrifice, 
And croons the old dark universal tongue.… 

And who has understood 
Our brothers of the wood, 
Save he who puts off guile and every guise 
Of violence,—made truce 
With panther, bear, and moose, 
As beings like ourselves whom love makes wise? 

For they, too, do love’s will, 
Our lesser clansmen still; 
The House of Many Mansions holds us all; 
Courageous, glad and hale, 
They go forth on the trail, 
Hearing the message, hearkening to the call.… 

Open the door to-night 
Within your heart, and light 
The lantern of love there to shine afar. 
On a tumultuous sea 
Some straining craft, maybe, 
With bearings lost, shall sight love’s silver star.


Written by Christina Rossetti | Create an image from this poem

From 'Later Life'

 VI
We lack, yet cannot fix upon the lack: 
Not this, nor that; yet somewhat, certainly. 
We see the things we do not yearn to see 
Around us: and what see we glancing back? 
Lost hopes that leave our hearts upon the rack, 
Hopes that were never ours yet seem’d to be, 
For which we steer’d on life’s salt stormy sea 
Braving the sunstroke and the frozen pack. 
If thus to look behind is all in vain, 
And all in vain to look to left or right, 
Why face we not our future once again, 
Launching with hardier hearts across the main, 
Straining dim eyes to catch the invisible sight, 
And strong to bear ourselves in patient pain? 

IX
Star Sirius and the Pole Star dwell afar 
Beyond the drawings each of other’s strength: 
One blazes through the brief bright summer’s length 
Lavishing life-heat from a flaming car; 
While one unchangeable upon a throne 
Broods o’er the frozen heart of earth alone, 
Content to reign the bright particular star 
Of some who wander or of some who groan. 
They own no drawings each of other’s strength, 
Nor vibrate in a visible sympathy, 
Nor veer along their courses each toward 
Yet are their orbits pitch’d in harmony 
Of one dear heaven, across whose depth and length 
Mayhap they talk together without speech.
Written by William Vaughn Moody | Create an image from this poem

Gloucester Moods

 A mile behind is Gloucester town 
Where the flishing fleets put in, 
A mile ahead the land dips down 
And the woods and farms begin. 
Here, where the moors stretch free 
In the high blue afternoon, 
Are the marching sun and talking sea, 
And the racing winds that wheel and flee 
On the flying heels of June. 

Jill-o'er-the-ground is purple blue, 
Blue is the quaker-maid, 
The wild geranium holds its dew 
Long in the boulder's shade. 
Wax-red hangs the cup 
From the huckleberry boughs, 
In barberry bells the grey moths sup, 
Or where the choke-cherry lifts high up 
Sweet bowls for their carouse. 

Over the shelf of the sandy cove 
Beach-peas blossom late. 
By copse and cliff the swallows rove 
Each calling to his mate. 
Seaward the sea-gulls go, 
And the land-birds all are here; 
That green-gold flash was a vireo, 
And yonder flame where the marsh-flags grow 
Was a scarlet tanager. 

This earth is not the steadfast place 
We landsmen build upon; 
From deep to deep she varies pace, 
And while she comes is gone. 
Beneath my feet I feel 
Her smooth bulk heave and dip; 
With velvet plunge and soft upreel 
She swings and steadies to her keel 
Like a gallant, gallant ship. 

These summer clouds she sets for sail, 
The sun is her masthead light, 
She tows the moon like a pinnace frail 
Where her phosphor wake churns bright. 
Now hid, now looming clear, 
On the face of the dangerous blue 
The star fleets tack and wheel and veer, 
But on, but on does the old earth steer 
As if her port she knew. 

God, dear God! Does she know her port, 
Though she goes so far about? 
Or blind astray, does she make her sport 
To brazen and chance it out? 
I watched when her captains passed: 
She were better captainless. 
Men in the cabin, before the mast, 
But some were reckless and some aghast, 
And some sat gorged at mess. 

By her battened hatch I leaned and caught 
Sounds from the noisome hold,-- 
Cursing and sighing of souls distraught 
And cries too sad to be told. 
Then I strove to go down and see; 
But they said, "Thou art not of us!" 
I turned to those on the deck with me 
And cried, "Give help!" But they said, "Let be: 
Our ship sails faster thus." 

Jill-o'er-the-ground is purple blue, 
Blue is the quaker-maid, 
The alder-clump where the brook comes through 
Breeds cresses in its shade. 
To be out of the moiling street 
With its swelter and its sin! 
Who has given to me this sweet, 
And given my brother dust to eat? 
And when will his wage come in? 

Scattering wide or blown in ranks, 
Yellow and white and brown, 
Boats and boats from the fishing banks 
Come home to Gloucester town. 
There is cash to purse and spend, 
There are wives to be embraced, 
Hearts to borrow and hearts to lend, 
And hearts to take and keep to the end;-- 
O little sails, make haste! 

But thou, vast outbound ship of souls, 
What harbor town for thee? 
What shapes, when thy arriving tolls, 
Shall crowd the banks to see? 
Shall all the happy shipmates then 
Stand singing brotherly? 
Or shall a haggard ruthless few 
Warp her over and bring her to, 
While the many broken souls of men 
Fester down in the slaver's pen 
And nothing to say or do?
Written by Bliss Carman | Create an image from this poem

Behind the Arras

 I like the old house tolerably well, 
Where I must dwell 
Like a familiar gnome; 
And yet I never shall feel quite at home. 
I love to roam. 
Day after day I loiter and explore 
From door to door; 
So many treasures lure 
The curious mind. What histories obscure 
They must immure! 

I hardly know which room I care for best; 
This fronting west, 
With the strange hills in view, 
Where the great sun goes,—where I may go too, 
When my lease is through,— 

Or this one for the morning and the east, 
Where a man may feast 
His eyes on looming sails, 
And be the first to catch their foreign hails 
Or spy their bales 

Then the pale summer twilights towards the pole! 
It thrills my soul 
With wonder and delight, 
When gold-green shadows walk the world at night, 
So still, so bright. 

There at the window many a time of year, 
Strange faces peer, 
Solemn though not unkind, 
Their wits in search of something left behind 
Time out of mind; 

As if they once had lived here, and stole back 
To the window crack 
For a peep which seems to say, 
"Good fortune, brother, in your house of clay!" 
And then, "Good day!" 

I hear their footsteps on the gravel walk, 
Their scraps of talk, 
And hurrying after, reach 
Only the crazy sea-drone of the beach 
In endless speech. 

And often when the autumn noons are still, 
By swale and hill 
I see their gipsy signs, 
Trespassing somewhere on my border lines; 
With what designs? 

I forth afoot; but when I reach the place, 
Hardly a trace, 
Save the soft purple haze 
Of smouldering camp-fires, any hint betrays 
Who went these ways. 

Or tatters of pale aster blue, descried 
By the roadside, 
Reveal whither they fled; 
Or the swamp maples, here and there a shred 
Of Indian red. 

But most of all, the marvellous tapestry 
Engrosses me, 
Where such strange things are rife, 
Fancies of beasts and flowers, and love and strife, 
Woven to the life; 

Degraded shapes and splendid seraph forms, 
And teeming swarms 
Of creatures gauzy dim 
That cloud the dusk, and painted fish that swim, 
At the weaver's whim; 

And wonderful birds that wheel and hang in the air; 
And beings with hair, 
And moving eyes in the face, 
And white bone teeth and hideous grins, who race 
From place to place; 

They build great temples to their John-a-nod, 
And fume and plod 
To deck themselves with gold, 
And paint themselves like chattels to be sold, 
Then turn to mould. 

Sometimes they seem almost as real as I; 
I hear them sigh; 
I see them bow with grief, 
Or dance for joy like any aspen leaf; 
But that is brief. 

They have mad wars and phantom marriages; 
Nor seem to guess 
There are dimensions still, 
Beyond thought's reach, though not beyond love's will, 
For soul to fill. 

And some I call my friends, and make believe 
Their spirits grieve, 
Brood, and rejoice with mine; 
I talk to them in phrases quaint and fine 
Over the wine; 

I tell them all my secrets; touch their hands; 
One understands 
Perhaps. How hard he tries 
To speak! And yet those glorious mild eyes, 
His best replies! 

I even have my cronies, one or two, 
My cherished few. 
But ah, they do not stay! 
For the sun fades them and they pass away, 
As I grow gray. 


Yet while they last how actual they seem! 
Their faces beam; 
I give them all their names, 
Bertram and Gilbert, Louis, Frank and James, 
Each with his aims; 


One thinks he is a poet, and writes verse 
His friends rehearse; 
Another is full of law; 
A third sees pictures which his hand can draw 
Without a flaw. 


Strangest of all, they never rest. Day long 
They shift and throng, 
Moved by invisible will, 
Like a great breath which puffs across my sill, 
And then is still; 


It shakes my lovely manikins on the wall; 
Squall after squall, 
Gust upon crowding gust, 
It sweeps them willy nilly like blown dust 
With glory or lust. 


It is the world-ghost, the time-spirit, come 
None knows wherefrom, 
The viewless draughty tide 
And wash of being. I hear it yaw and glide, 
And then subside, 


Along these ghostly corridors and halls 
Like faint footfalls; 
The hangings stir in the air; 
And when I start and challenge, "Who goes there?" 
It answers, "Where?" 


The wail and sob and moan of the sea's dirge, 
Its plangor and surge; 
The awful biting sough 
Of drifted snows along some arctic bluff, 
That veer and luff, 


And have the vacant boding human cry, 
As they go by;— 
Is it a banished soul 
Dredging the dark like a distracted mole 
Under a knoll? 


Like some invisible henchman old and gray, 
Day after day 
I hear it come and go, 
With stealthy swift unmeaning to and fro, 
Muttering low, 


Ceaseless and daft and terrible and blind, 
Like a lost mind. 
I often chill with fear 
When I bethink me, What if it should peer 
At my shoulder here! 


Perchance he drives the merry-go-round whose track 
Is the zodiac; 
His name is No-man's-friend; 
And his gabbling parrot-talk has neither trend, 
Beginning, nor end. 


A prince of madness too, I'd cry, "A rat!" 
And lunge thereat,— 
Let out at one swift thrust 
The cunning arch-delusion of the dust 
I so mistrust, 


But that I fear I should disclose a face 
Wearing the trace 
Of my own human guise, 
Piteous, unharmful, loving, sad, and wise 
With the speaking eyes. 


I would the house were rid of his grim pranks, 
Moaning from banks 
Of pine trees in the moon, 
Startling the silence like a demoniac loon 
At dead of noon. 


Or whispering his fool-talk to the leaves 
About my eaves. 
And yet how can I know 
'T is not a happy Ariel masking so 
In mocking woe? 


Then with a little broken laugh I say, 
Snatching away 
The curtain where he grinned 
(My feverish sight thought) like a sin unsinned, 
"Only the wind!" 


Yet often too he steals so softly by. 
With half a sigh, 
I deem he must be mild, 
Fair as a woman, gentle as a child, 
And forest wild. 


Passing the door where an old wind-harp swings, 
With its five strings, 
Contrived long years ago 
By my first predecessor bent to show 
His handcraft so, 


He lay his fingers on the aeolian wire, 
As a core of fire 
Is laid upon the blast 
To kindle and glow and fill the purple vast 
Of dark at last. 


Weird wise, and low, piercing and keen and glad, 
Or dim and sad 
As a forgotten strain 
Born when the broken legions of the rain 
Swept through the plain— 


He plays, like some dread veiled mysteriarch, 
Lighting the dark, 
Bidding the spring grow warm, 
The gendering merge and loosing of spirit in form, 
Peace out of storm. 


For music is the sacrament of love; 
He broods above 
The virgin silence, till 
She yields for rapture shuddering, yearning still 
To his sweet will. 


I hear him sing, "Your harp is like a mesh, 
Woven of flesh 
And spread within the shoal 
Of life, where runs the tide-race of the soul 
In my control. 


"Though my wild way may ruin what it bends, 
It makes amends 
To the frail downy clocks, 
Telling their seed a secret that unlocks 
The granite rocks. 


"The womb of silence to the crave of sound 
Is heaven unfound, 
Till I, to soothe and slake 
Being's most utter and imperious ache, 
Bid rhythm awake. 


"If with such agonies of bliss, my kin, 
I enter in 
Your prison house of sense, 
With what a joyous freed intelligence 
I shall go hence." 


I need no more to guess the weaver's name, 
Nor ask his aim, 
Who hung each hall and room 
With swarthy-tinged vermilion upon gloom; 
I know that loom. 


Give me a little space and time enough, 
From ravelings rough 
I could revive, reweave, 
A fabric of beauty art might well believe 
Were past retrieve. 


O men and women in that rich design, 
Sleep-soft, sun-fine, 
Dew-tenuous and free, 
A tone of the infinite wind-themes of the sea, 
Borne in to me, 


Reveals how you were woven to the might 
Of shadow and light. 
You are the dream of One 
Who loves to haunt and yet appears to shun 
My door in the sun; 


As the white roving sea tern fleck and skim 
The morning's rim; 
Or the dark thrushes clear 
Their flutes of music leisurely and sheer, 
Then hush to hear. 


I know him when the last red brands of day 
Smoulder away, 
And when the vernal showers 
Bring back the heart to all my valley flowers 
In the soft hours. 


O hand of mine and brain of mine, be yours, 
While time endures, 
To acquiesce and learn! 
For what we best may dare and drudge and yearn, 
Let soul discern. 


So, fellows, we shall reach the gusty gate, 
Early or late, 
And part without remorse, 
A cadence dying down unto its source 
In music's course; 


You to the perfect rhythms of flowers and birds, 
Colors and words, 
The heart-beats of the earth, 
To be remoulded always of one worth 
From birth to birth; 


I to the broken rhythm of thought and man, 
The sweep and span 
Of memory and hope 
About the orbit where they still must grope 
For wider scope, 


To be through thousand springs restored, renewed, 
With love imbrued, 
With increments of will 
Made strong, perceiving unattainment still 
From each new skill. 


Always the flawless beauty, always the chord 
Of the Overword, 
Dominant, pleading, sure, 
No truth too small to save and make endure. 
No good too poor! 


And since no mortal can at last disdain 
That sweet refrain, 
But lets go strife and care, 
Borne like a strain of bird notes on the air, 
The wind knows where; 


Some quiet April evening soft and strange, 
When comes the change 
No spirit can deplore, 
I shall be one with all I was before, 
In death once more.
Written by Henry Lawson | Create an image from this poem

The Vagabond

 White handkerchiefs wave from the short black pier 
As we glide to the grand old sea -- 
But the song of my heart is for none to hear 
If one of them waves for me. 
A roving, roaming life is mine, 
Ever by field or flood -- 
For not far back in my father's line 
Was a dash of the Gipsy blood. 

Flax and tussock and fern, 
Gum and mulga and sand, 
Reef and palm -- but my fancies turn 
Ever away from land; 
Strange wild cities in ancient state, 
Range and river and tree, 
Snow and ice. But my star of fate 
Is ever across the sea. 

A god-like ride on a thundering sea, 
When all but the stars are blind -- 
A desperate race from Eternity 
With a gale-and-a-half behind. 
A jovial spree in the cabin at night, 
A song on the rolling deck, 
A lark ashore with the ships in sight, 
Till -- a wreck goes down with a wreck. 

A smoke and a yarn on the deck by day, 
When life is a waking dream, 
And care and trouble so far away 
That out of your life they seem. 
A roving spirit in sympathy, 
Who has travelled the whole world o'er -- 
My heart forgets, in a week at sea, 
The trouble of years on shore. 

A rolling stone! -- 'tis a saw for slaves -- 
Philosophy false as old -- 
Wear out or break 'neath the feet of knaves, 
Or rot in your bed of mould! 
But I'D rather trust to the darkest skies 
And the wildest seas that roar, 
Or die, where the stars of Nations rise, 
In the stormy clouds of war. 

Cleave to your country, home, and friends, 
Die in a sordid strife -- 
You can count your friends on your finger ends 
In the critical hours of life. 
Sacrifice all for the family's sake, 
Bow to their selfish rule! 
Slave till your big soft heart they break -- 
The heart of the family fool. 

Domestic quarrels, and family spite, 
And your Native Land may be 
Controlled by custom, but, come what might, 
The rest of the world for me. 
I'd sail with money, or sail without! -- 
If your love be forced from home, 
And you dare enough, and your heart be stout, 
The world is your own to roam. 

I've never a love that can sting my pride, 
Nor a friend to prove untrue; 
For I leave my love ere the turning tide, 
And my friends are all too new. 
The curse of the Powers on a peace like ours, 
With its greed and its treachery -- 
A stranger's hand, and a stranger land, 
And the rest of the world for me! 

But why be bitter? The world is cold 
To one with a frozen heart; 
New friends are often so like the old, 
They seem of the past a part -- 
As a better part of the past appears, 
When enemies, parted long, 
Are come together in kinder years, 
With their better nature strong. 

I had a friend, ere my first ship sailed, 
A friend that I never deserved -- 
For the selfish strain in my blood prevailed 
As soon as my turn was served. 
And the memory haunts my heart with shame -- 
Or, rather, the pride that's there; 
In different guises, but soul the same, 
I meet him everywhere. 

I had a chum. When the times were tight 
We starved in Australian scrubs; 
We froze together in parks at night, 
And laughed together in pubs. 
And I often hear a laugh like his 
From a sense of humour keen, 
And catch a glimpse in a passing phiz 
Of his broad, good-humoured grin. 

And I had a love -- 'twas a love to prize -- 
But I never went back again . . . 
I have seen the light of her kind brown eyes 
In many a face since then. 

. . . . . 

The sailors say 'twill be rough to-night, 
As they fasten the hatches down, 
The south is black, and the bar is white, 
And the drifting smoke is brown. 
The gold has gone from the western haze, 
The sea-birds circle and swarm -- 
But we shall have plenty of sunny days, 
And little enough of storm. 

The hill is hiding the short black pier, 
As the last white signal's seen; 
The points run in, and the houses veer, 
And the great bluff stands between. 
So darkness swallows each far white speck 
On many a wharf and quay. 
The night comes down on a restless deck, -- 
Grim cliffs -- and -- The Open Sea!


Written by Gerard Manley Hopkins | Create an image from this poem

The Alchemist in the City

 My window shews the travelling clouds, 
Leaves spent, new seasons, alter'd sky, 
The making and the melting crowds: 
The whole world passes; I stand by.

They do not waste their meted hours, 
But men and masters plan and build: 
I see the crowning of their towers, 
And happy promises fulfill'd.

And I - perhaps if my intent
Could count on prediluvian age, 
The labours I should then have spent
Might so attain their heritage, 

But now before the pot can glow
With not to be discover'd gold, 
At length the bellows shall not blow, 
The furnace shall at last be cold.

Yet it is now too late to heal
The incapable and cumbrous shame
Which makes me when with men I deal
More powerless than the blind or lame.

No, I should love the city less
Even than this my thankless lore; 
But I desire the wilderness
Or weeded landslips of the shore.

I walk my breezy belvedere
To watch the low or levant sun, 
I see the city pigeons veer, 
I mark the tower swallows run

Between the tower-top and the ground
Below me in the bearing air; 
Then find in the horizon-round
One spot and hunger to be there.

And then I hate the most that lore
That holds no promise of success; 
Then sweetest seems the houseless shore, 
Then free and kind the wilderness, 

Or ancient mounds that cover bones, 
Or rocks where rockdoves do repair
And trees of terebinth and stones
And silence and a gulf of air.

There on a long and squared height 
After the sunset I would lie, 
And pierce the yellow waxen light
With free long looking, ere I die.
Written by Rg Gregory | Create an image from this poem

the adventures (from frederick and the enchantress – dance drama)

  (i) introduction

  his home in ruins
  his parents gone
  frederick seeks
  to reclaim his throne

   to the golden mountain
   he sets his path
   the enchantress listening
   schemes with wrath

  four desperate trials
  which she takes from store
  to silence frederick
  for ever more

 (ii) the mist

  softly mist suppress all sight
  swirling stealthily as night
  slur the sureness of his steps
  suffocate his sweetest hopes
  swirling curling slip and slide
  persuasively seduce his stride

  from following its essential course
  seal his senses at its source
  bemuse the soil he stands upon
  till power of choice has wholly gone
  seething surreptitious veil
  across the face of light prevail
  against this taciturn and proud
  insurgent - o smother him swift cloud

  yet if you cannot steal his breath
  thus snuffing him to hasty death
  at least in your umbrageous mask
  stifle his ambitious task
  mystify his restless brain
  sweep him swirl him home again


 (iii) the bog

  once more the muffling mists enclose
  frederick in their vaporous throes
  forcing him with unseeing sway
  to veer from his intended way

  back they push and back
  make him fall
  stumble catch
  his foot become
  emmired snatch
  hopelessly at fog
  no grip slip further back
  into the sucking fingers of the bog
  into the slush

  squelching and splotch-
  ing the marsh
  gushes and gurgles
  engulfing foot leg
  chuckling suckles
  the heaving thigh
  the plush slugged waist
  sucking still and still flushing
  with suggestive slurp
  plop slap
  sluggishly upwards
  unctuous lugubrious
  soaking and enjoying
  with spongy gestures
  the swallowed wallowing
  body - the succulence
  of soft shoulder
  squirming
  elbow
  wrist
  then
  all.......

  but no
  his desperate palm
  struggling to forsake
  the clutches of the swamp
  finds one stark branch overhanging
  to fix glad fingers to and out of the maw
  of the murderous mud safely delivers him



 (iv) the magic forest

  safely - distorted joke
  from bog to twisted forest
  gnarled trees writhe and fork
  asphixiated trunks - angular branches
  hook claw throttle frederick in their creaking
  joints
   jagged weird
  knotted and misshapen
  petrified maniacal
  figures frantically contorted
  grotesque eccentric in the moon-toothed
  half-light
  tug clutch struggle
  with the haggard form
  zigzag he staggers
  awe-plagued giddy
  near-garrotted mind-deranged
  forcing his sagging limbs through the mangled danger

  till almost beyond redemption beyond self-care
  he once again survives to breathe free air


 (v) the barrier of thorns

  immediately a barrier of thorns
  springs up to choke his track
  thick brier evil bramble twitch
  stick sharp needles in his skin
  hag's spite inflicts its bitter sting
  frederick (provoked to attack
  stung stabbed by jabbing spines
  wincing with agony and grief) seeks to hack
  a clear way through
     picking swinging at
  the spiky barricade inch by prickly inch
  smarting with anger bristling with a thin
  itch and tingling of success - acute
  with aching glory the afflicted victim
  of a witch's pique frederick
  frederick the king snips hews chops
  rips slashes cracks cleaves rends pierces
  pierces and shatters into pointless pieces
  this mighty barrier of barbs - comes through at last
  (belzivetta's malignant magic smashed)
  to freedom peace of mind and dreamless sleep
Written by Rudyard Kipling | Create an image from this poem

The Rowers

 The banked oars fell an hundred strong,
 And backed and threshed and ground,
But bitter was the rowers' song
 As they brought the war-boat round.


They had no heart for the rally and roar
 That makes the whale-bath smoke --
When the great blades cleave and hold and leave
 As one on the racing stroke.


They sang:--What reckoning do you keep,
 And steer by what star,
If we come unscathed from the Southern deep
 To be wrecked on a Baltic bar?


"Last night you swore our voyage was done,
 But seaward still we go.
And you tell us now of a secret vow
 You have made with an open foe! 


"That we must lie off a lightless coast
 And houl and back and veer
 At the will of the breed that have wrought us most
 For a year and a year and a year!


"There was never a shame in Christendie
 They laid not to our door--
And you say we must take the winter sea
 And sail with them once more?


"Look South! The gale is scarce o'erpast
 That stripped and laid us down,
When we stood forth but they stood fast
 And prayed to see us drown.


"Our dead they mocked are scarcely cold,
 Our wounds are bleeding yet--
And you tell us now that our strength is sold
 To help them press for a debt!


"'Neath all the flags of all mankind
 That use upon the seas,
Was there no other fleet to find
 That you strike bands with these?


"Of evil times that men can choose
 On evil fate to fall,
 What brooding Judgment let you loose
 To pick the worst of all?


"In sight of peace--from the Narrow Seas
 O'er half the world to run--
With a cheated crew, to league anew
 With the Goth and the shameless Hun!"
Written by Barry Tebb | Create an image from this poem

Constructions/reconstructions

 I

Living in a land

Where only the dying correspond

I am borne on the wings of love



II

I cannot join in a poem

The interstices of clouds

I watched a lapwing

Hover in the air

Glide in an arc

Veer from the sheer cliff



III

Who shall I meet

On this journey to eternity?

Alone and yet not alone

The dust of immortality

Lies in strangers’ eyes

Girls in all the beauty

Of their youth, old men with sticks

No one afraid of anyone

‘No strangers here

Just friends we have yet to meet



IV

‘Angels Fine English Lace’

This was the post office

In the time of the Brontes

Here the famous manuscripts

Were posted.



V

Perhaps I’ll meet on the pebbled road

Michael Haslam in elfin form

Shape-shifter or leprechaun



VI

One of a gang of Keighley girls

Going clubbing in Leeds put her arms

Round my neck and sang “Won’t you be my lover?”

Eternities beyond Winnicott’s ‘spontaneous gesture’.
Written by Adam Lindsay Gordon | Create an image from this poem

A Song of Autumn

 ‘WHERE shall we go for our garlands glad 
At the falling of the year, 
When the burnt-up banks are yellow and sad, 
When the boughs are yellow and sere? 
Where are the old ones that once we had, 
And when are the new ones near? 
What shall we do for our garlands glad 
At the falling of the year?’ 
‘Child! can I tell where the garlands go? 
Can I say where the lost leaves veer 
On the brown-burnt banks, when the wild winds blow, 
When they drift through the dead-wood drear? 
Girl! when the garlands of next year glow, 
You may gather again, my dear— 
But I go where the last year’s lost leaves go 
At the falling of the year.’

Book: Radiant Verses: A Journey Through Inspiring Poetry