Written by
Hart Crane |
How many dawns, chill from his rippling rest
The seagull's wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty--
Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
--Till elevators drop us from our day . . .
I think of cinemas, panoramic sleights
With multitudes bent toward some flashing scene
Never disclosed, but hastened to again,
Foretold to other eyes on the same screen;
And Thee, across the harbor, silver-paced
As though the sun took step of thee, yet left
Some motion ever unspent in thy stride,--
Implicitly thy freedom staying thee!
Out of some subway scuttle, cell or loft
A bedlamite speeds to thy parapets,
Tilting there momently, shrill shirt ballooning,
A jest falls from the speechless caravan.
Down Wall, from girder into street noon leaks,
A rip-tooth of the sky's acetylene;
All afternoon the cloud-flown derricks turn . . .
Thy cables breathe the North Atlantic still.
And obscure as that heaven of the Jews,
Thy guerdon . . . Accolade thou dost bestow
Of anonymity time cannot raise:
Vibrant reprieve and pardon thou dost show.
O harp and altar, of the fury fused,
(How could mere toil align thy choiring strings!)
Terrific threshold of the prophet's pledge,
Prayer of pariah, and the lover's cry,--
Again the traffic lights that skim thy swift
Unfractioned idiom, immaculate sigh of stars,
Beading thy path--condense eternity:
And we have seen night lifted in thine arms.
Under thy shadow by the piers I waited;
Only in darkness is thy shadow clear.
The City's fiery parcels all undone,
Already snow submerges an iron year . . .
O Sleepless as the river under thee,
Vaulting the sea, the prairies' dreaming sod,
Unto us lowliest sometime sweep, descend
And of the curveship lend a myth to God.
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Written by
Quincy Troupe |
in brussels, eye sat in the grand place cafe & heard
duke's place, played after salsa
between the old majestic architecture, jazz bouncing off
all that gilded gold history snoring complacently there
flowers all over the ground, up inside the sound
the old white band jammin the music
tight & heavy, like some food
pushin pedal to the metal
gettin all the way down
under the scaffolding surrounding
l'hotel de ville, chattanooga choochoo
choo choing all the way home, upside walls, under gold eagles
& a gold vaulting girl, naked on a rooftop holding a flag over
her head, like skip rope, surrounded by all manner
of saints & gold madmen, riding emblazoned stallions
snorting like crazed demons at their nostrils
the music swirling like a dancing bear
a beautiful girl, flowers in her hair
the air woven with lilting voices in this grand place of parepets
& crowns, jewels & golden torches streaming
like a horse's mane, antiquity riding through in a wheel carriage
here, through gargoyles & gothic towers rocketing swordfish lanced crosses
pointing up at a God threatening rain
& it is stunning at this moment when raised beer steins cheer
the music on, hot & heavy, still humming & cooking
basic african-american rhythms alive here
in this ancient grand place of europe
this confluence point of nations & cultures
jumping off place for beer & cuisines
fused with music, poetry & stone
here in this blinding, beautiful square
sunlit now as the golden eye of God shoots through
flowers all over the cobbled ground, up in the music
the air brightly cool as light after jeweled rain
still, there are these hats slicing foreheads off in the middle
of crowds that need explaining, the calligraphy of this penumbra
slanting ace-deuce, cocked, carrying the perforated legacy of bebop
these bold, peccadillo, pirouetting pellagras
razor-sharp clean, they cut into our rip-tiding dreams carrying
their whirlpooling imaginations, their rivers of schemes
assaulted by pellets of raindrops
these broken mirrors catching fragments
of sonorous words, entrapping us between parentheses
two bat wings curved, imprisoning the world
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Written by
Mary Darby Robinson |
O THOU, whose sober precepts can controul
The wild impatience of the troubled soul,
Sweet Nymph serene ! whose all-consoling pow'r
Awakes to calm delight the ling'ring hour;
O hear thy suppliant's ardent pray'r !
Chase from my pensive mind corroding care,
Steal thro' the heated pulses of the brain,
Charm sorrow to reposeand lull the throb of pain.
O, tell me, what are life's best joys?
Are they not visions that decay,
Sweet honey'd poisons, gilded toys,
Vain glitt'ring baubles of a day?
O say what shadow do they leave behind,
Save the sad vacuum of the sated mind?
Borne on the eagle wings of Fame,
MAN soars above calm Reason's sway,
"Vaulting AMBITION" mocks each tender claim,
Plucks the dear bonds of social life away;
As o'er the vanquish'd slave she wields her spear,
COMPASSION turns aside---REFLECTlON drops a tear.
Behold the wretch, whose sordid heart,
Steep'd in Content's oblivious balm,
Secure in Luxury's bewitching calm,
Repels pale Mis'ry's touch, and mocks Affliction's smart;
Unmov'd he marks the bitter tear,
In vain the plaints of woe his thoughts assail,
The bashful mourner's pitious tale
Nor melts his flinty soul, nor vibrates on his ear,
O blest REFLECTION ! let thy magic pow'r
Awake his torpid sense, his slumb'ring thought,
Tel1 him ADVERSITY'S unpitied hour
A brighter lesson gives, than Stoics taught:
Tell him that WEALTH no blessing can impart
So sweet as PITY'S tearthat bathes the wounded Heart.
Go tell the vain, the insolent, and fair,
That life's best days are only days of care;
That BEAUTY, flutt'ring like a painted fly,
Owes to the spring of youth its rarest die;
When Winter comes, its charms shall fade away,
And the poor insect wither in decay:
Go bid the giddy phantom learn from thee,
That VIRTUE only braves mortality.
Then come, REFLECTION, soft-ey'd maid!
I know thee, and I prize thy charms;
Come, in thy gentlest smiles array'd,
And I will press thee in my eager arms:
Keep from my aching heart the "fiend DESPAIR,"
Pluck from my brow her THORN, and plant the OLIVE there.
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Written by
Yves Bonnefoy |
And then life; and once again
A house where I was born. Around us
The granary above what once had been a church,
The gentle play of shadow from the dawn clouds,
And in us that smell of the dry straw
That had seemed to be waiting for us
From the moment the last sack, of wheat or rye,
Had been brought in so long ago,
In the eternity of former summers
Whose light was filtered through the warm tiles.
I could sense that day was about to break,
I was waking, and now I turn once more
Toward the one who dreamed beside me
In the lonely house. To her silence
I dedicate, at night,
The words that only seem to be speaking of something else.
(I was waking,
I loved those days we had, days preserved
The way a river flows slowly, though already
Caught in the vaulting rumbling of the sea.
They were passing through us, with the majesty of simple things,
The mighty sails of what is were kind enough to take
Precarious human life on board the ship
That the mountain spread out around us.
O memory,
They covered with the flapping of their silence
The sound, of water on the stones, of our voices,
And up ahead, there might well be death,
But with that milky color you find at the end of beaches
In the evening, when far off
The children still touch bottom, and laugh in the peaceful water,
And keep on playing.)
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Written by
Barry Tebb |
It brings to mind Swift leaving a fortune to Dublin
‘For the founding of a lunatic asylum - no place needs it more’.
The breathing beauty of the moors and cheap accommodation
Drew me but the total barbarity of the town stopped me from
Writing a single line: from the hideous facade of its railway
Station - Betjeman must have been drunk or mad to praise it -
To that lump of stone on Castle Hill - her savage spirit broods.
I remember trying to teach there, at Bradley, where the head
Was some kind of ex-P.T. teacher, who thought poetry something
You did to children and his workaholic jackass deputy, obsessed
With practical science and lesson preparation and team teaching
And everything on, above and beneath the earth except ‘The Education
Of the Poetic Spirit’ and without that and as an example of what
Pound meant about how a country treats its poets "is a measure
Of its civilisation". I once had a holiday job in a mill and the
Nightwatchman’s killer alsatian had more civilisation than
Huddersfield’s Deputy Direction of Education.
For a while I was granted temporary asylum at Royds Hall -
At least some of the staff there had socialism if not art -
But soon it was spoilt for everyone when Jenks came to head
English, sweating for his OU degree and making us all suffer,
The kids hating his sarcasm and the staff his vaulting ambition
And I was the only one not afraid of him. His Achilles’ heel was
Culture - he was a yob through and through - and the Head said to me
"I’ve had enough of him throwing his weight around, if it comes
To a showdown I’ll back you against him any day" but he got
The degree and the job and the dollars - my old T.C. took him
But that was typical, after Roy Rich went came a fat appointee
Who had written nothing and knew nothing but knew everyone on
The appointing committee.
Everyday I was in Huddersfield I thought I was in hell and
Sartre was right and so was Jonson - "Hell’s a grammar school
To this" - too (Peter Porter I salute you!) and always I dreamed
Of Leeds and my beautiful gifted ten-year olds and Sheila, my
Genius-child-poet and a head who left me alone to teach poetry
And painting day in, day out and Dave Clark and Diane and I,
In the staffroom discussing phenomenology and daseinanalysis
Applied to Dewey’s theory of education and the essence of the
Forms in Plato and Plotinus and plaiting a rose in Sheila’s
Hair and Johns, the civilised HMI, asking for a copy of my poems
And Horovitz putting me in ‘Children of Albion’ and ‘The
Statesman’ giving me good reviews.
Decades later, in Byram Arcade, I am staring at the facade of
‘The Poetry Business’ and its proprietors sitting on the steps
Outside, trying to look civilised and their letter, "Your poetry
Is good but its not our kind" and I wondered what their kind was
And besides they’re not my kind of editor and I’m back in Leeds
With a letter from Seamus Heaney - thank you, Nobel Laureate, for
Liking ‘My Perfect Rose’ and yes, you’re right about my wanting
To get those New Generation Poets into my classroom at Wyther
Park and show them a thing or two and a phone call from
Horovitz who is my kind of editor still, after thirty years,
His mellifluous voice with its blend of an Oxford accent and
American High Camp, so warm and full of knowledge and above all
PASSIONATE ABOUT POETRY and I remember someone saying,
"If Oxford is the soul of England, Huddersfield is its arsehole".
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Written by
Gerard Manley Hopkins |
Denis, whose motionable, alert, most vaulting wit
Caps occasion with an intellectual fit.
Yet Arthur is a Bowman: his three-heeled timber ’ll hit
The bald and b?ld bl?nking gold when ?ll ’s d?ne
Right rooting in the bare butt’s wincing navel in the sight of the sun.
. . . . . . . .
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Written by
Robinson Jeffers |
The bird with the dark plumes in my blood,
That never for one moment however I patched my truces
Consented to make peace with the people,
It is pitiful now to watch her pleasure In a breath of
tempest
Breaking the sad promise of spring.
Are these that morose hawk's wings, vaulting, a mere
mad swallow's,
The snow-shed peak, the violent precipice?
Poor outlaw that would not value their praise do you
prize their blame?
"Their liking" she said "was a long creance,
But let them be kind enough to hate me that opens the
sky."
It is almost as foolish my poor falcon
To want hatred as to want love; and harder to win.
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Written by
Gerard Manley Hopkins |
What being in rank-old nature should earlier have that breath been
That h?re p?rsonal tells off these heart-song powerful peals?—
A bush-browed, beetle-br?wed b?llow is it?
With a so?th-w?sterly w?nd bl?stering, with a tide rolls reels
Of crumbling, fore-foundering, thundering all-surfy seas in; seen
?nderneath, their glassy barrel, of a fairy green.
. . . . . . . .
Or a jaunting vaunting vaulting assaulting trumpet telling
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Written by
Robert William Service |
What would I choose to see when I
To this bright earth shall bid good-bye?
When fades forever from my sight
The world I've loved with long delight?
What would I pray to look on last,
When Death shall draw the Curtain fast?
I've loved the farewell of the Sun,
Low-lapsing after work well done;
Or leaping from a sea forlorn,
Gold-glad to greet a day new born. . . .
Shall I elect to round my dream
The Sun I hail as Lord Supreme?
Ah no! Of Heaven's shining host,
It is the Moon I love the most;
And if, when I shall cease to be,
God lets me keep one memory
Of loveliness that held me thrall,
The Moon's the one I would recall.
. . . The new Moon fine as pearly clip
From Cleopatra's finger-tip;
. . . The ripe Moon vaulting o'er the trees
As ruddy as a Cheddar cheese;
. . . The late Moon, frail and wanly fair,
Relaxed on silver rocking chair. . . .
But most of all, the Moon intense
With radiant indifference;
So placid, glacid, pure, serene,
Of all perfection proudly Queen. . . .
Oh Mistress Mine, let me adore
Your beauty but one moment more!
One last look . . . Let the Curtain fall,
Then let me look no more at all.
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