Written by
D. H. Lawrence |
The earth again like a ship steams out of the dark sea over
The edge of the blue, and the sun stands up to see us glide
Slowly into another day; slowly the rover
Vessel of darkness takes the rising tide.
I, on the deck, am startled by this dawn confronting
Me who am issued amazed from the darkness, stripped
And quailing here in the sunshine, delivered from haunting
The night unsounded whereon our days are shipped.
Feeling myself undawning, the day’s light playing upon me,
I who am substance of shadow, I all compact
Of the stuff of the night, finding myself all wrongly
Among the crowds of things in the sunshine jostled and racked.
I with the night on my lips, I sigh with the silence of death;
And what do I care though the very stones should cry me unreal, though the clouds
Shine in conceit of substance upon me, who am less than the rain.
Do I know the darkness within them? What are they but shrouds?
The clouds go down the sky with a wealthy ease
Casting a shadow of scorn upon me for my share in death; but I
Hold my own in the midst of them, darkling, defy
The whole of the day to extinguish the shadow I lift on the breeze.
Yea, though the very clouds have vantage over me,
Enjoying their glancing flight, though my love is dead,
I still am not homeless here, I’ve a tent by day
Of darkness where she sleeps on her perfect bed.
And I know the host, the minute sparkling of darkness
Which vibrates untouched and virile through the grandeur of night,
But which, when dawn crows challenge, assaulting the vivid motes
Of living darkness, bursts fretfully, and is bright:
Runs like a fretted arc-lamp into light,
Stirred by conflict to shining, which else
Were dark and whole with the night.
Runs to a fret of speed like a racing wheel,
Which else were aslumber along with the whole
Of the dark, swinging rhythmic instead of a-reel.
Is chafed to anger, bursts into rage like thunder;
Which else were a silent grasp that held the heavens
Arrested, beating thick with wonder.
Leaps like a fountain of blue sparks leaping
In a jet from out of obscurity,
Which erst was darkness sleeping.
Runs into streams of bright blue drops,
Water and stones and stars, and myriads
Of twin-blue eyes, and crops
Of floury grain, and all the hosts of day,
All lovely hosts of ripples caused by fretting
The Darkness into play.
|
Written by
Robert William Service |
The English and the French were met
Upon the field of future battle;
The foes were formidably set
And waiting for the guns to rattle;
When from the serried ranks of France
The English saw with woeful presage
Under a flaming flag advance
A trumpeter who bore a message.
'Twas from their Marshal, quite polite,
Yet made the English leader shiver.
"We're perched," said he, "upon the height,
While you're exposed beside the river.
We have the vantage, you'll agree,
And your look-out is melancholy;
But being famed for courtesy
We'll let you fire the starting volley.
"
The English General was moved,
In fact his eyes were almost tearful;
Then he too his politeness proved
By writing back: "We are not fearful.
Our England is too proud to take
The privilege you thrust upon her;
So let your guns in thunder break:
To you, M'sieu, shall be the houour.
"
Again a note the Marshall sent
By envoy for his battle station:
"Your spirit wins my compliment,
Your courage my appreciation.
Yet you are weak and we are strong,
And though your faith is most inspiring,
Don't let us linger all day long -
Mon General, begin the firing.
"
"How chivalrous the soul of France.
"
The English General reflected.
"I hate to take this happy chance,
But I suppose it's what's expected.
Politeness is a platitude
In this fair land of gallant foemen.
"
So with a heart of gratitude
He primed his guns and cried: "Let's go men!"
The General was puzzled when
No answer came, said he: "What is it?
Why don't they give us hell?" And then
The herald paid another visit.
The Marshall wrote: "to your salute
Please pardon us for not replying;
To shatter you we cannot shoot .
.
.
My men are dead and I am dying.
"
|
Written by
John Greenleaf Whittier |
The firmament breaks up.
In black eclipse
Light after light goes out.
One evil star,
Luridly glaring through the smoke of war,
As in the dream of the Apocalypse,
Drags others down.
Let us not weakly weep
Nor rashly threaten.
Give us grace to keep
Our faith and patience; wherefore should we leap
On one hand into fratricidal fight,
Or, on the other, yield eternal right,
Frame lies of laws, and good and ill confound?
What fear we? Safe on freedom's vantage ground
Our feet are planted; let us there remain
In unrevengeful calm, no means untried
Which truth can sanction, no just claim denied,
The sad spectators of a suicide!
They break the lines of Union: shall we light
The fires of hell to weld anew the chain
On that red anvil where each blow is pain?
Draw we not even now a freer breath,
As from our shoulders falls a load of death
Loathsome as that the Tuscan's victim bore
When keen with life to a dead horror bound?
Why take we up the accursed thing again?
Pity, forgive, but urge them back no more
Who, drunk with passion, flaunt disunion's rag
With its vile reptile blazon.
Let us press
The golden cluster on our brave old flag
In closer union, and, if numbering less,
Brighter shall shine the stars which still remain.
|
Written by
Raymond Carver |
On the Columbia River near Vantage,
Washington, we fished for whitefish
in the winter months; my dad, Swede-
Mr.
Lindgren-and me.
They used belly-reels,
pencil-length sinkers, red, yellow, or brown
flies baited with maggots.
They wanted distance and went clear out there
to the edge of the riffle.
I fished near shore with a quill bobber and a cane pole.
My dad kept his maggots alive and warm
under his lower lip.
Mr.
Lindgren didn't drink.
I liked him better than my dad for a time.
He lets me steer his car, teased me
about my name "Junior," and said
one day I'd grow into a fine man, remember
all this, and fish with my own son.
But my dad was right.
I mean
he kept silent and looked into the river,
worked his tongue, like a thought, behind the bait.
|
Written by
Sir Walter Raleigh |
Now what is Love, I pray thee, tell?
It is that fountain and that well
Where pleasure and repentance dwell;
It is, perhaps, the sauncing bell
That tolls all into heaven or hell;
And this is Love, as I hear tell.
Yet what is Love, I prithee, say?
It is a work on holiday,
It is December matched with May,
When lusty bloods in fresh array
Hear ten months after of the play;
And this is Love, as I hear say.
Yet what is Love, good shepherd, sain?
It is a sunshine mixed with rain,
It is a toothache or like pain,
It is a game where none hath gain;
The lass saith no, yet would full fain;
And this is Love, as I hear sain.
Yet, shepherd, what is Love, I pray?
It is a yes, it is a nay,
A pretty kind of sporting fray,
It is a thing will soon away.
Then, nymphs, take vantage while ye may;
And this is Love, as I hear say.
Yet what is Love, good shepherd, show?
A thing that creeps, it cannot go,
A prize that passeth to and fro,
A thing for one, a thing for moe,
And he that proves shall find it so;
And shepherd, this is Love, I trow.
|
Written by
Rainer Maria Rilke |
Dedication
These to His Memory--since he held them dear,
Perchance as finding there unconsciously
Some image of himself--I dedicate,
I dedicate, I consecrate with tears--
These Idylls.
And indeed He seems to me
Scarce other than my king's ideal knight,
`Who reverenced his conscience as his king;
Whose glory was, redressing human wrong;
Who spake no slander, no, nor listened to it;
Who loved one only and who clave to her--'
Her--over all whose realms to their last isle,
Commingled with the gloom of imminent war,
The shadow of His loss drew like eclipse,
Darkening the world.
We have lost him: he is gone:
We know him now: all narrow jealousies
Are silent; and we see him as he moved,
How modest, kindly, all-accomplished, wise,
With what sublime repression of himself,
And in what limits, and how tenderly;
Not swaying to this faction or to that;
Not making his high place the lawless perch
Of winged ambitions, nor a vantage-ground
For pleasure; but through all this tract of years
Wearing the white flower of a blameless life,
Before a thousand peering littlenesses,
In that fierce light which beats upon a throne,
And blackens every blot: for where is he,
Who dares foreshadow for an only son
A lovelier life, a more unstained, than his?
Or how should England dreaming of HIS sons
Hope more for these than some inheritance
Of such a life, a heart, a mind as thine,
Thou noble Father of her Kings to be,
Laborious for her people and her poor--
Voice in the rich dawn of an ampler day--
Far-sighted summoner of War and Waste
To fruitful strifes and rivalries of peace--
Sweet nature gilded by the gracious gleam
Of letters, dear to Science, dear to Art,
Dear to thy land and ours, a Prince indeed,
Beyond all titles, and a household name,
Hereafter, through all times, Albert the Good.
Break not, O woman's-heart, but still endure;
Break not, for thou art Royal, but endure,
Remembering all the beauty of that star
Which shone so close beside Thee that ye made
One light together, but has past and leaves
The Crown a lonely splendour.
May all love,
His love, unseen but felt, o'ershadow Thee,
The love of all Thy sons encompass Thee,
The love of all Thy daughters cherish Thee,
The love of all Thy people comfort Thee,
Till God's love set Thee at his side again!
|
Written by
Joyce Kilmer |
Serene he stands, with mist serenely crowned,
And draws a cloak of trees about his breast.
The thunder roars but cannot break his rest
And from his rugged face the tempests bound.
He does not heed the angry lightning's wound,
The raging blizzard is his harmless guest,
And human life is but a passing jest
To him who sees Time spin the years around.
But fragile souls, in skyey reaches find
High vantage-points and view him from afar.
How low he seems to the ascended mind,
How brief he seems where all things endless are;
This little playmate of the mighty wind
This young companion of an ancient star.
|
Written by
Robert Frost |
If tired of trees I seek again mankind,
Well I know where to hie me--in the dawn,
To a slope where the cattle keep the lawn.
There amid lolling juniper reclined,
Myself unseen, I see in white defined
Far off the homes of men, and farther still,
The graves of men on an opposing hill,
Living or dead, whichever are to mind.
And if by noon I have too much of these,
I have but to turn on my arm, and lo,
The sun-burned hillside sets my face aglow,
My breathing shakes the bluet like a breeze,
I smell the earth, I smell the bruisèd plant,
I look into the crater of the ant.
|
Written by
Adela Florence Cory Nicolson |
Sad is the Evening: all the level sand
Lies left and lonely, while the restless sea,
Tired of the green caresses of the land,
Withdraws into its own infinity.
But still more sad this white and chilly Dawn
Filling the vacant spaces of the sky,
While little winds blow here and there forlorn
And all the stars, weary of shining, die.
And more than desolate, to wake, to rise,
Leaving the couch, where softly sleeping still,
What through the past night made my heaven, lies;
And looking out across the window sill
See, from the upper window's vantage ground,
Mankind slip into harness once again,
And wearily resume his daily round
Of love and labour, toil and strife and pain.
How the sad thoughts slip back across the night:
The whole thing seems so aimless and so vain.
What use the raptures, passion and delight,
Burnt out; as though they could not wake again.
The worn-out nerves and weary brain repeat
The question: Whither all these passions tend;—
This curious thirst, so painful and so sweet,
So fierce, so very short-lived, to what end?
Even, if seeking for ourselves, the Race,
The only immortality we know,—
Even if from the flower of our embrace
Some spark should kindle, or some fruit should grow,
What were the use? the gain, to us or it,
That we should cause another You or Me,—
Another life, from our light passion lit,
To suffer like ourselves awhile and die.
What aim, what end indeed? Our being runs
In a closed circle. All we know or see
Tends to assure us that a thousand Suns,
Teeming perchance with life, have ceased to be.
Ah, the grey Dawn seems more than desolate,
And the past night of passion worse than waste,
Love but a useless flower, that soon or late,
Turns to a fruit with bitter aftertaste.
Youth, even Youth, seems futile and forlorn
While the new day grows slowly white above.
Pale and reproachful comes the chilly Dawn
After the fervour of a night of love.
|
Written by
Rg Gregory |
a cold bright sun
two days to christmas
a first-quarter moon
at a good vantage-point
a small white coffin
driven slowly uphill
from the cemetery gate
to the minimal grave
fifty people attending
unexpected collection
of nettle-stung hearts
at a barely-lived dying
a shuffling past yews
thoughts finding rhythm
a lightness that bred
from a silent aceptance
a red-arrowed plane
in single formation
scissored the sky's blue
above the procession
sagittarian arrow
a sizzling of fire
an unconscious dipping
of wings in salute
to a baby whose burning
from birth to departing
took thirteen fast days
from rain into sunshine
till almost the hilltop
the hole with its mound
a circle of people
shared its raw hollow
no vicar no service
a speaking of poems
cotoneaster sprigs
dropped into the grave
the red plane returned
cut its own circle
honoured the sunlight
and passed by the moon
from a treetop nearby
a sharp-singing blackbird
trilled its objective
gold-beaked lullay
the grave was filled in
the high hill deserted
and down in the valley
a rare christmas came
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