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Best Famous Vagaries Poems

Here is a collection of the all-time best famous Vagaries poems. This is a select list of the best famous Vagaries poetry. Reading, writing, and enjoying famous Vagaries poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of vagaries poems.

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Written by Judith Skillman | Create an image from this poem

The Vagaries of Fishes

 After they passed beneath us I could tell
more would be coming, beneath the sand,
under the bejeweled sky, under the first
layer of earth where water exists 
in flutes and eddies. I lay there with you,
not wanting to leave your side even
for them, the miraculous creatures of sex
and sediment, the ones who obey currents 
and ladders, blindly seeking out their own
individual deaths, their pink flesh peeling
against the rocks. I saw the spool of eggs,
endless possibilities that would not be.
How they labored to breathe the air that night,
caught under our queen-sized bed, the male
and the female, Silvers and Kings whose pale
eyes saw into the lidless dark. I could tell
they loved each other without speech, circling
there apart from water, and I remembered
a snippet from a French film in which a woman
masturbates with a fish, and thought how progressive
I had become in retrospect. There we were,
left behind by the tides, deserted by 
the institution of wind on a night
so soundless it could have been our first
night together, before we became victims
of those slippery, dirty, messy words.


Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 03: 11: Conversation: Undertones

 What shall we talk of? Li Po? Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little. . . .Outside, the night goes by.
I walk alone in a forest of ghostly trees . . .
Your pale hands rest palm downwards on your knees.

'These lines—converging, they suggest such distance!
The soul is drawn away, beyond horizons.
Lured out to what? One dares not think.
Sometimes, I glimpse these infinite perspectives
In intimate talk (with such as you) and shrink . . .

'One feels so petty!—One feels such—emptiness!—'
You mimic horror, let fall your lifted hand,
And smile at me; with brooding tenderness . . .
Alone on darkened waters I fall and rise;
Slow waves above me break, faint waves of cries.

'And then these colors . . . but who would dare describe them?
This faint rose-coral pink . . this green—pistachio?—
So insubstantial! Like the dim ghostly things
Two lovers find in love's still-twilight chambers . . .
Old peacock-fans, and fragrant silks, and rings . . .

'Rings, let us say, drawn from the hapless fingers
Of some great lady, many centuries nameless,—
Or is that too sepulchral?—dulled with dust;
And necklaces that crumble if you touch them;
And gold brocades that, breathed on, fall to rust.

'No—I am wrong . . . it is not these I sought for—!
Why did they come to mind? You understand me—
You know these strange vagaries of the brain!—'
—I walk alone in a forest of ghostly trees;
Your pale hands rest palm downwards on your knees;
These strange vagaries of yours are all too plain.

'But why perplex ourselves with tedious problems
Of art or . . . such things? . . . while we sit here, living,
With all that's in our secret hearts to say!—'
Hearts?—Your pale hand softly strokes the satin.
You play deep music—know well what you play.
You stroke the satin with thrilling of finger-tips,
You smile, with faintly perfumed lips,
You loose your thoughts like birds,
Brushing our dreams with soft and shadowy words . .
We know your words are foolish, yet sit here bound
In tremulous webs of sound.

'How beautiful is intimate talk like this!—
It is as if we dissolved grey walls between us,
Stepped through the solid portals, become but shadows,
To hear a hidden music . . . Our own vast shadows
Lean to a giant size on the windy walls,
Or dwindle away; we hear our soft footfalls
Echo forever behind us, ghostly clear,
Music sings far off, flows suddenly near,
And dies away like rain . . .
We walk through subterranean caves again,—
Vaguely above us feeling
A shadowy weight of frescos on the ceiling,
Strange half-lit things,
Soundless grotesques with writhing claws and wings . . .
And here a beautiful face looks down upon us;
And someone hurries before, unseen, and sings . . .
Have we seen all, I wonder, in these chambers—
Or is there yet some gorgeous vault, arched low,
Where sleeps an amazing beauty we do not know? . . '

The question falls: we walk in silence together,
Thinking of that deep vault and of its secret . . .
This lamp, these books, this fire
Are suddenly blown away in a whistling darkness.
Deep walls crash down in the whirlwind of desire.

Book: Reflection on the Important Things