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Best Famous Uplift Poems

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Written by Luis G. Dato | Create an image from this poem

Pagan Passion

I am sweetly perplexed by love sallies, releases,
By the countless retreats and the numberless captures,
By the petulant coldness and agreeable raptures,
By the whisper of phrases that hurts and then pleases,
I am drunk by the prodigal total of leases
From her body and spirit, her soul and her senses,
I revel in approaches and artless offenses,
In her challenging taunts and her tenderly teases.
Now will I disengage a red flower from her tresses,
And uplift her lithe form from a divan of roses,
For the zephyr of night too much passion opposes,
And in delicate folds now has rumpled her dresses.
On tomorrow’s new ventures the heart eager presses,
I repose now to ponder on life-soothing losses.


Written by Ralph Waldo Emerson | Create an image from this poem

Dæmonic Love

 Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright,
All were foreign in their light.
It was ever the self-same tale,
The old experience will not fail,—
Only two in the garden walked,
And with snake and seraph talked.

But God said;
I will have a purer gift,
There is smoke in the flame;
New flowerets bring, new prayers uplift,
And love without a name.
Fond children, ye desire
To please each other well;
Another round, a higher,
Ye shall climb on the heavenly stair,
And selfish preference forbear;
And in right deserving,
And without a swerving
Each from your proper state,
Weave roses for your mate.

Deep, deep are loving eyes,
Flowed with naphtha fiery sweet,
And the point is Paradise
Where their glances meet:
Their reach shall yet be more profound,
And a vision without bound:
The axis of those eyes sun-clear
Be the axis of the sphere;
Then shall the lights ye pour amain
Go without check or intervals,
Through from the empyrean walls,
Unto the same again.

Close, close to men,
Like undulating layer of air,
Right above their heads,
The potent plain of Dæmons spreads.
Stands to each human soul its own,
For watch, and ward, and furtherance
In the snares of nature's dance;
And the lustre and the grace
Which fascinate each human heart,
Beaming from another part,
Translucent through the mortal covers,
Is the Dæmon's form and face.
To and fro the Genius hies,
A gleam which plays and hovers
Over the maiden's head,
And dips sometimes as low as to her eyes.

Unknown, — albeit lying near, —
To men the path to the Dæmon sphere,
And they that swiftly come and go,
Leave no track on the heavenly snow.
Sometimes the airy synod bends,
And the mighty choir descends,
And the brains of men thenceforth,
In crowded and in still resorts,
Teem with unwonted thoughts.
As when a shower of meteors
Cross the orbit of the earth,
And, lit by fringent air,
Blaze near and far.
Mortals deem the planets bright
Have slipped their sacred bars,
And the lone seaman all the night
Sails astonished amid stars.

Beauty of a richer vein,
Graces of a subtler strain,
Unto men these moon-men lend,
And our shrinking sky extend.
So is man's narrow path
By strength and terror skirted,
Also (from the song the wrath
Of the Genii be averted!
The Muse the truth uncolored speaking),
The Dæmons are self-seeking;
Their fierce and limitary will
Draws men to their likeness still.

The erring painter made Love blind,
Highest Love who shines on all;
Him radiant, sharpest-sighted god
None can bewilder;
Whose eyes pierce
The Universe,
Path-finder, road-builder,
Mediator, royal giver,
Rightly-seeing, rightly-seen,
Of joyful and transparent mien.
'Tis a sparkle passing
From each to each, from me to thee,
Perpetually,
Sharing all, daring all,
Levelling, misplacing
Each obstruction, it unites
Equals remote, and seeming opposites.
And ever and forever Love
Delights to build a road;
Unheeded Danger near him strides,
Love laughs, and on a lion rides.
But Cupid wears another face
Born into Dæmons less divine,
His roses bleach apace,
His nectar smacks of wine.
The Dæmon ever builds a wall,
Himself incloses and includes,
Solitude in solitudes:
In like sort his love doth fall.
He is an oligarch,
He prizes wonder, fame, and mark,
He loveth crowns,
He scorneth drones;
He doth elect
The beautiful and fortunate,
And the sons of intellect,
And the souls of ample fate,
Who the Future's gates unbar,
Minions of the Morning Star.
In his prowess he exults,
And the multitude insults.
His impatient looks devour
Oft the humble and the poor,
And, seeing his eye glare,
They drop their few pale flowers
Gathered with hope to please
Along the mountain towers,
Lose courage, and despair.
He will never be gainsaid,
Pitiless, will not be stayed.
His hot tyranny
Burns up every other tie;
Therefore comes an hour from Jove
Which his ruthless will defies,
And the dogs of Fate unties.
Shiver the palaces of glass,
Shrivel the rainbow-colored walls
Where in bright art each god and sibyl dwelt
Secure as in the Zodiack's belt;
And the galleries and halls
Wherein every Siren sung,
Like a meteor pass.
For this fortune wanted root
In the core of God's abysm,
Was a weed of self and schism:
And ever the Dæmonic Love
Is the ancestor of wars,
And the parent of remorse.
Written by Ezra Pound | Create an image from this poem

Hugh Selwyn Mauberly (Part I)

 "Vocat aestus in umbram" 
Nemesianus Es. IV. 

E. P. Ode pour l'élection de son sépulchre 

For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --

No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:

"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.

His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.

Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.

II.

The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;

Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!

The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.

III. 

The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.

Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.

All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.

Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.

Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.

All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.

A bright Apollo,

tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?

IV. 

These fought, in any case,
and some believing, pro domo, in any case ..

Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later ...

some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" ..

walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;

usury age-old and age-thick
and liars in public places.

Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;

fortitude as never before 

frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.


V. 

There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.

Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,

For two gross of broken statues,
For a few thousand battered books.

Yeux Glauques

Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.

Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.

The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;

Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.

The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive ....
"Ah, poor Jenny's case" ...

Bewildered that a world
Shows no surprise
At her last maquero's 
Adulteries.

"Siena Mi Fe', Disfecemi Maremma" 

Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.

For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub ...

But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.

Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",

M. Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.

Brennbaum. 

The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;

The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".

Mr. Nixon 

In the cream gilded cabin of his steam yacht
Mr. Nixon advised me kindly, to advance with fewer
Dangers of delay. "Consider
Carefully the reviewer.

"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr. Nixon,
"Follow me, and take a column,
"Even if you have to work free.

"Butter reviewers. From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr. Dundas.

"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure."

And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it."

* * * 

Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion. The "Nineties" tried your game
And died, there's nothing in it.

X. 

Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter

Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.

The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.

XI. 

"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly. But in Ealing
With the most bank-clerkly of Englishmen?

No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.

XII. 

"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively. In the stuffed-satin drawing-room
I await The Lady Valentine's commands,

Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;

Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:

Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;

A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.

* * * 

Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St. where
Dr. Johnson flourished;

Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.
Written by Thomas Hardy | Create an image from this poem

The Sick God

 I 

 In days when men had joy of war, 
A God of Battles sped each mortal jar; 
 The peoples pledged him heart and hand, 
 From Israel's land to isles afar. 

II 

 His crimson form, with clang and chime, 
Flashed on each murk and murderous meeting-time, 
 And kings invoked, for rape and raid, 
 His fearsome aid in rune and rhyme. 

III 

 On bruise and blood-hole, scar and seam, 
On blade and bolt, he flung his fulgid beam: 
 His haloes rayed the very gore, 
 And corpses wore his glory-gleam. 

IV 

 Often an early King or Queen, 
And storied hero onward, knew his sheen; 
 'Twas glimpsed by Wolfe, by Ney anon, 
 And Nelson on his blue demesne. 

V 

 But new light spread. That god's gold nimb 
And blazon have waned dimmer and more dim; 
 Even his flushed form begins to fade, 
 Till but a shade is left of him. 

VI 

 That modern meditation broke 
His spell, that penmen's pleadings dealt a stroke, 
 Say some; and some that crimes too dire 
 Did much to mire his crimson cloak. 

VII 

 Yea, seeds of crescive sympathy 
Were sown by those more excellent than he, 
 Long known, though long contemned till then - 
 The gods of men in amity. 

VIII 

 Souls have grown seers, and thought out-brings 
The mournful many-sidedness of things 
 With foes as friends, enfeebling ires 
 And fury-fires by gaingivings! 

IX 

 He scarce impassions champions now; 
They do and dare, but tensely--pale of brow; 
 And would they fain uplift the arm 
 Of that faint form they know not how. 

X 

 Yet wars arise, though zest grows cold; 
Wherefore, at whiles, as 'twere in ancient mould 
 He looms, bepatched with paint and lath; 
 But never hath he seemed the old! 

XI 

 Let men rejoice, let men deplore. 
The lurid Deity of heretofore 
 Succumbs to one of saner nod; 
 The Battle-god is god no more.
Written by Robert William Service | Create an image from this poem

The Song Of The Camp-Fire

 Heed me, feed me, I am hungry, I am red-tongued with desire;
Boughs of balsam, slabs of cedar, gummy fagots of the pine,
Heap them on me, let me hug them to my eager heart of fire,
Roaring, soaring up to heaven as a symbol and a sign.
Bring me knots of sunny maple, silver birch and tamarack;
Leaping, sweeping, I will lap them with my ardent wings of flame;
I will kindle them to glory, I will beat the darkness back;
Streaming, gleaming, I will goad them to my glory and my fame.
Bring me gnarly limbs of live-oak, aid me in my frenzied fight;
Strips of iron-wood, scaly blue-gum, writhing redly in my hold;
With my lunge of lurid lances, with my whips that flail the night,
They will burgeon into beauty, they will foliate in gold.
Let me star the dim sierras, stab with light the inland seas;
Roaming wind and roaring darkness! seek no mercy at my hands;
I will mock the marly heavens, lamp the purple prairies,
I will flaunt my deathless banners down the far, unhouseled lands.
In the vast and vaulted pine-gloom where the pillared forests frown,
By the sullen, bestial rivers running where God only knows,
On the starlit coral beaches when the combers thunder down,
In the death-spell of the barrens, in the shudder of the snows;
In a blazing belt of triumph from the palm-leaf to the pine,
As a symbol of defiance lo! the wilderness I span;
And my beacons burn exultant as an everlasting sign
Of unending domination, of the mastery of Man;
I, the Life, the fierce Uplifter, I that weaned him from the mire;
I, the angel and the devil, I, the tyrant and the slave;
I, the Spirit of the Struggle; I, the mighty God of Fire;
I, the Maker and Destroyer; I, the Giver and the Grave.

II

Gather round me, boy and grey-beard, frontiersman of every kind.
Few are you, and far and lonely, yet an army forms behind:
By your camp-fires shall they know you, ashes scattered to the wind.

Peer into my heart of solace, break your bannock at my blaze;
Smoking, stretched in lazy shelter, build your castles as you gaze;
Or, it may be, deep in dreaming, think of dim, unhappy days.

Let my warmth and glow caress you, for your trails are grim and hard;
Let my arms of comfort press you, hunger-hewn and battle-scarred:
O my lovers! how I bless you with your lives so madly marred!

For you seek the silent spaces, and their secret lore you glean:
For you win the savage races, and the brutish Wild you wean;
And I gladden desert places, where camp-fire has never been.

From the Pole unto the Tropics is there trail ye have not dared?
And because you hold death lightly, so by death shall you be spared,
(As the sages of the ages in their pages have declared).

On the roaring Arkilinik in a leaky bark canoe;
Up the cloud of Mount McKinley, where the avalanche leaps through;
In the furnace of Death Valley, when the mirage glimmers blue.

Now a smudge of wiry willows on the weary Kuskoquim;
Now a flare of gummy pine-knots where Vancouver's scaur is grim;
Now a gleam of sunny ceiba, when the Cuban beaches dim.

Always, always God's Great Open: lo! I burn with keener light
In the corridors of silence, in the vestibules of night;
'Mid the ferns and grasses gleaming, was there ever gem so bright?

Not for weaklings, not for women, like my brother of the hearth;
Ring your songs of wrath around me, I was made for manful mirth,
In the lusty, gusty greatness, on the bald spots of the earth.

Men, my masters! men, my lovers! ye have fought and ye have bled;
Gather round my ruddy embers, softly glowing is my bed;
By my heart of solace dreaming, rest ye and be comforted!

III

I am dying, O my masters! by my fitful flame ye sleep;
 My purple plumes of glory droop forlorn.
Grey ashes choke and cloak me, and above the pines there creep
 The stealthy silver moccasins of morn.
There comes a countless army, it's the Legion of the Light;
 It tramps in gleaming triumph round the world;
And before its jewelled lances all the shadows of the night
 Back in to abysmal darknesses are hurled.

Leap to life again, my lovers! ye must toil and never tire;
 The day of daring, doing, brightens clear,
When the bed of spicy cedar and the jovial camp-fire
 Must only be a memory of cheer.
There is hope and golden promise in the vast portentous dawn;
 There is glamour in the glad, effluent sky:
Go and leave me; I will dream of you and love you when you're gone;
 I have served you, O my masters! let me die.

 A little heap of ashes, grey and sodden by the rain,
 Wind-scattered, blurred and blotted by the snow:
Let that be all to tell of me, and glorious again,
 Ye things of greening gladness, leap and glow!
A black scar in the sunshine by the palm-leaf or the pine,
 Blind to the night and dead to all desire;
Yet oh, of life and uplift what a symbol and a sign!
Yet oh, of power and conquest what a destiny is mine!
A little heap of ashes -- Yea! a miracle divine,
 The foot-print of a god, all-radiant Fire.


Written by Robert Browning | Create an image from this poem

Mesmerism

 I.

All I believed is true!
I am able yet
All I want, to get
By a method as strange as new:
Dare I trust the same to you?

II.

If at night, when doors are shut,
And the wood-worm picks,
And the death-watch ticks,
And the bar has a flag of smut,
And a cat's in the water-butt---

III.

And the socket floats and flares,
And the house-beams groan,
And a foot unknown
Is surmised on the garret-stairs,
And the locks slip unawares---

IV.

And the spider, to serve his ends,
By a sudden thread,
Arms and legs outspread,
On the table's midst descends,
Comes to find, God knows what friends!---

V.

If since eve drew in, I say,
I have sat and brought
(So to speak) my thought
To bear on the woman away,
Till I felt my hair turn grey---

VI.

Till I seemed to have and hold,
In the vacancy
'Twixt the wall and me,
From the hair-plait's chestnut gold
To the foot in its muslin fold---

VII.

Have and hold, then and there,
Her, from head to foot,
Breathing and mute,
Passive and yet aware,
In the grasp of my steady stare---

VIII.

Hold and have, there and then,
All her body and soul
That completes my whole,
All that women add to men,
In the clutch of my steady ken---

IX.

Having and holding, till
I imprint her fast
On the void at last
As the sun does whom he will
By the calotypist's skill---

X.

Then,---if my heart's strength serve,
And through all and each
Of the veils I reach
To her soul and never swerve,
Knitting an iron nerve---

XI.

Command her soul to advance
And inform the shape
Which has made escape
And before my countenance
Answers me glance for glance---

XII.

I, still with a gesture fit
Of my hands that best
Do my soul's behest,
Pointing the power from it,
While myself do steadfast sit---

XIII.

Steadfast and still the same
On my object bent,
While the hands give vent
To my ardour and my aim
And break into very flame---

XIV.

Then I reach, I must believe,
Not her soul in vain,
For to me again
It reaches, and past retrieve
Is wound in the toils I weave;

XV.

And must follow as I require,
As befits a thrall,
Bringing flesh and all,
Essence and earth-attire,
To the source of the tractile fire:

XVI.

Till the house called hers, not mine,
With a growing weight
Seems to suffocate
If she break not its leaden line
And escape from its close confine.

XVII.

Out of doors into the night!
On to the maze
Of the wild wood-ways,
Not turning to left nor right
From the pathway, blind with sight---

XVIII.

Making thro' rain and wind
O'er the broken shrubs,
'Twixt the stems and stubs,
With a still, composed, strong mind,
Nor a care for the world behind---

XIX.

Swifter and still more swift,
As the crowding peace
Doth to joy increase
In the wide blind eyes uplift
Thro' the darkness and the drift!

XX.

While I---to the shape, I too
Feel my soul dilate
Nor a whit abate,
And relax not a gesture due,
As I see my belief come true.

XXI.

For, there! have I drawn or no
Life to that lip?
Do my fingers dip
In a flame which again they throw
On the cheek that breaks a-glow?

XXII.

Ha! was the hair so first?
What, unfilleted,
Made alive, and spread
Through the void with a rich outburst,
Chestnut gold-interspersed?

XXTII.

Like the doors of a casket-shrine,
See, on either side,
Her two arms divide
Till the heart betwixt makes sign,
Take me, for I am thine!

XXIV.

``Now---now''---the door is heard!
Hark, the stairs! and near---
Nearer---and here---
``Now!'' and at call the third
She enters without a word.

XXV.

On doth she march and on
To the fancied shape;
It is, past escape,
Herself, now: the dream is done
And the shadow and she are one.

XXVI.

First I will pray. Do Thou
That ownest the soul,
Yet wilt grant control
To another, nor disallow
For a time, restrain me now!

XXVII.

I admonish me while I may,
Not to squander guilt,
Since require Thou wilt
At my hand its price one day
What the price is, who can say?
Written by Bliss Carman | Create an image from this poem

Low Tide on Grand Pré

 The sun goes down, and over all
These barren reaches by the tide
Such unelusive glories fall,
I almost dream they yet will bide
Until the coming of the tide.
And yet I know that not for us,
By any ecstasy of dream,
He lingers to keep luminous
A little while the grievous stream,
Which frets, uncomforted of dream--

A grievous stream, that to and fro
Athrough the fields of Acadie
Goes wandering, as if to know
Why one beloved face should be
So long from home and Acadie.

Was it a year or lives ago
We took the grasses in our hands,
And caught the summer flying low
Over the waving meadow lands,
And held it there between our hands?

The while the river at our feet--
A drowsy inland meadow stream--
At set of sun the after-heat
Made running gold, and in the gleam
We freed our birch upon the stream.

There down along the elms at dusk
We lifted dripping blade to drift,
Through twilight scented fine like musk,
Where night and gloom awhile uplift,
Nor sunder soul and soul adrift.

And that we took into our hands
Spirit of life or subtler thing--
Breathed on us there, and loosed the bands
Of death, and taught us, whispering,
The secret of some wonder-thing.

Then all your face grew light, and seemed
To hold the shadow of the sun;
The evening faltered, and I deemed
That time was ripe, and years had done
Their wheeling underneath the sun.

So all desire and all regret,
And fear and memory, were naught;
One to remember or forget
The keen delight our hands had caught;
Morrow and yesterday were naught.

The night has fallen, and the tide . . .
Now and again comes drifting home,
Across these aching barrens wide,
A sigh like driven wind or foam:
In grief the flood is bursting home.
Written by Rudyard Kipling | Create an image from this poem

The Gods of the Copybook Headings

 1919

As I pass through my incarnations in every age and race,
Make my proper prostrations to the Gods of the Market-Place.
'eering through reverent fingers I watch them flourish and fall,
And the Gods of the Copybook Headings, I notice, outlast them all.

Ne were living in trees when they met us. They showed us each in turn
That Water would certainly wet us, as Fire would certainly bum:
But we found them lacking in Uplift, Vision and Breadth of Mind,
So we left them to teach the Gorillas while we followed the March of Manlund.

We moved as the Spirit listed. They never altered their pace,
Being neither cloud nor wind-borne like the Gods of the Market-Place;
But they always caught up with our progress, and presently word would come
That a tribe had been wiped off its icefield, or the lights had gone out in Rome.

Nith the Hopes that our@ World is built on they were utterly out of touch
They denied that the Moon was Stilton; they denied she was even Dutch
They denied that Wishes were Horses; they denied that a Pig had Wings
S we worshipped the Gods of the Market Who promised these beautiful things.

When the Cambrian measurres were forming They pr@omised perpetual peace.
They swore, if we gave them our weapons that the wars of the tribes would cease.
But when we disarmed They sold us and delivered us bound to our foe,
And the Gods of the Copybook Heading said: "Stick to the Devil yox know."

On the first Feminian Sandstones we were promised the Fuller Life
(Which started by loving our neighbour and ended by loving his wife)
Till our women had no more children and the men lost reason and faith,
And the Gods of the Copybook Headings said: "The Wages of Sin is Death."

In the Carboniferous Epoch we were promised abundance for all,
By robbing selected Peter to pay for collective Paul;
But, though we had plenty of money, there was nothing our money could buy,
And the Gods of the Copybook Headings said: "If you don't work you die."

Then the Gods of the Market tumbled, and their@ smooth-tongued wizards withdrew,
And the hearts of the meanest wer@e humbled and began to believe it was true
That All is not Gold that Glitters, and Two and Two make Four --
And the Gods of the Copybook Headings limped up to explain it once more.

 * * * * *

As it will be in the future, it was at the birth of Man --
There are only four things certain since Social Pr@ogress began --
That the Dog returns to his Vomit and the Sow returns to her Mice,
And the burnt Fool's bandaged finger goes wabbling back to the Fire --
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins
As surely as Water will wet us, as surely as Fire will burn
The Gods of the Copybook Headings with terror and slaughter return!
Written by William Lisle Bowles | Create an image from this poem

Sonnet: At Dover Cliffs July 20th 1787

 On these white cliffs, that calm above the flood
Uplift their shadowing heads, and, at their feet,
Scarce hear the surge that has for ages beat,
Sure many a lonely wanderer has stood;
And whilst the lifted murmur met his ear,
And o'er the distant billows the still eve
Sailed slow, has thought of all his heart must leave
Tomorrow; of the friends he loved most dear;
Of social scenes, from which he wept to part;
But if, like me, he knew how fruitless all
The thoughts that would full fain the past recall,
Soon would he quell the risings of his heart,
And brave the wild winds and unhearing tide,
The world his country, and his God his guide.
Written by Emma Lazarus | Create an image from this poem

City Visions

 I

As the blind Milton's memory of light, 
The deaf Beethoven's phantasy of tone, 
Wroght joys for them surpassing all things known 
In our restricted sphere of sound and sight,-- 
So while the glaring streets of brick and stone 
Vix with heat, noise, and dust from morn till night, 
I will give rein to Fancy, taking flight 
From dismal now and here, and dwell alone 
With new-enfranchised senses. All day long, 
Think ye 't is I, who sit 'twixt darkened walls, 
While ye chase beauty over land and sea? 
Uplift on wings of some rare poet's song 
Where the wide billow laughs and leaps and falls, 
I soar cloud-high, free as the winds are free. 


II

Who grasps the substance? who 'mid shadows strays? 
He who within some dark-bright wood reclines, 
'Twixt sleep and waking, where the needled pines 
Have cushioned al his couch with soft brown sprays? 
He notes not how the living water shines, 
Trembling along the cliff, a flickering haze, 
Brimming a wine-bright pool, nor lifts his gaze 
To read the ancient wonders and the signs. 
Does he possess the actual, or do I, 
Who paint on air more than his sense receives, 
The glittering pine-tufts with closed eyes behold, 
Breathe the strong resinous perfume, see the sky 
Quiver like azure flame between the leaves, 
And open unseen gates with key of gold?

Book: Radiant Verses: A Journey Through Inspiring Poetry