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Best Famous Unusual Poems

Here is a collection of the all-time best famous Unusual poems. This is a select list of the best famous Unusual poetry. Reading, writing, and enjoying famous Unusual poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of unusual poems.

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Written by Nikki Giovanni | Create an image from this poem

Life Cycles

Life Cycles

she realized she wasn't one of life's winners when she wasn't sure life to her was some dark dirty secret that like some unwanted child too late for an abortion was to be borne alone

she had so many private habits she would masturbate sometimes she always picked her nose when upset she liked to sit with silence in the dark sadness is not an unusual state for the black woman or writers

she took to sneaking drinks a habit which displeased her both for its effects and taste yet eventually sleep would wrestle her in triumph onto the bed



Written by Anne Sexton | Create an image from this poem

Angels Of The Love Affair

 "Angels of the love affair, do you know that other,
the dark one, that other me?"

1. ANGEL OF FIRE AND GENITALS

Angel of fire and genitals, do you know slime,
that green mama who first forced me to sing,
who put me first in the latrine, that pantomime
of brown where I was beggar and she was king?
I said, "The devil is down that festering hole."
Then he bit me in the buttocks and took over my soul.
Fire woman, you of the ancient flame, you
of the Bunsen burner, you of the candle,
you of the blast furnace, you of the barbecue,
you of the fierce solar energy, Mademoiselle,
take some ice, take come snow, take a month of rain
and you would gutter in the dark, cracking up your brain.

Mother of fire, let me stand at your devouring gate
as the sun dies in your arms and you loosen it's terrible weight.



2. ANGEL OF CLEAN SHEETS

Angel of clean sheets, do you know bedbugs?
Once in the madhouse they came like specks of cinnamon
as I lay in a choral cave of drugs,
as old as a dog, as quiet as a skeleton.
Little bits of dried blood. One hundred marks
upon the sheet. One hundred kisses in the dark.
White sheets smelling of soap and Clorox
have nothing to do with this night of soil,
nothing to do with barred windows and multiple locks
and all the webbing in the bed, the ultimate recoil.
I have slept in silk and in red and in black.
I have slept on sand and, on fall night, a haystack.

I have known a crib. I have known the tuck-in of a child
but inside my hair waits the night I was defiled.



3. ANGEL OF FLIGHT AND SLEIGH BELLS

Angel of flight and sleigh bells, do you know paralysis,
that ether house where your arms and legs are cement?
You are as still as a yardstick. You have a doll's kiss.
The brain whirls in a fit. The brain is not evident.
I have gone to that same place without a germ or a stroke.
A little solo act--that lady with the brain that broke.

In this fashion I have become a tree.
I have become a vase you can pick up or drop at will,
inanimate at last. What unusual luck! My body
passively resisting. Part of the leftovers. Part of the kill.
Angels of flight, you soarer, you flapper, you floater,
you gull that grows out of my back in the drreams I prefer,

stay near. But give me the totem. Give me the shut eye
where I stand in stone shoes as the world's bicycle goes by.



4. ANGEL OF HOPE AND CALENDARS

Angel of hope and calendars, do you know despair?
That hole I crawl into with a box of Kleenex,
that hole where the fire woman is tied to her chair,
that hole where leather men are wringing their necks,
where the sea has turned into a pond of urine.
There is no place to wash and no marine beings to stir in.

In this hole your mother is crying out each day.
Your father is eating cake and digging her grave.
In this hole your baby is strangling. Your mouth is clay.
Your eyes are made of glass. They break. You are not brave.
You are alone like a dog in a kennel. Your hands
break out in boils. Your arms are cut and bound by bands

of wire. Your voice is out there. Your voice is strange.
There are no prayers here. Here there is no change.



5. ANGEL OF BLIZZARDS AND BLACKOUTS

Angle of blizzards and blackouts, do you know raspberries,
those rubies that sat in the gree of my grandfather's garden?
You of the snow tires, you of the sugary wings, you freeze
me out. Leet me crawl through the patch. Let me be ten.
Let me pick those sweet kisses, thief that I was,
as the sea on my left slapped its applause.

Only my grandfather was allowed there. Or the maid
who came with a scullery pan to pick for breakfast.
She of the rols that floated in the air, she of the inlaid
woodwork all greasy with lemon, she of the feather and dust,
not I. Nonetheless I came sneaking across the salt lawn
in bare feet and jumping-jack pajamas in the spongy dawn.

Oh Angel of the blizzard and blackout, Madam white face,
take me back to that red mouth, that July 21st place.



6. ANGEL OF BEACH HOUSES AND PICNICS

Angel of beach houses and picnics, do you know solitaire?
Fifty-two reds and blacks and only myslef to blame.
My blood buzzes like a hornet's nest. I sit in a kitchen chair
at a table set for one. The silverware is the same
and the glass and the sugar bowl. I hear my lungs fill and expel
as in an operation. But I have no one left to tell.

Once I was a couple. I was my own king and queen
with cheese and bread and rosé on the rocks of Rockport.
Once I sunbathed in the buff, all brown and lean,
watching the toy sloops go by, holding court
for busloads of tourists. Once I called breakfast the sexiest
meal of the day. Once I invited arrest

at the peace march in Washington. Once I was young and bold
and left hundreds of unmatched people out in the cold.
Written by John Keats | Create an image from this poem

To Hope

 When by my solitary hearth I sit,
 And hateful thoughts enwrap my soul in gloom;
When no fair dreams before my "mind's eye" flit,
 And the bare heath of life presents no bloom;
 Sweet Hope, ethereal balm upon me shed,
 And wave thy silver pinions o'er my head!

Whene'er I wander, at the fall of night,
 Where woven boughs shut out the moon's bright ray,
Should sad Despondency my musings fright,
 And frown, to drive fair Cheerfulness away,
 Peep with the moonbeams through the leafy roof,
 And keep that fiend Despondence far aloof!

Should Disappointment, parent of Despair,
 Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
 Preparing on his spell-bound prey to dart:
 Chase him away, sweet Hope, with visage bright,
 And fright him as the morning frightens night!

Whene'er the fate of those I hold most dear
 Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbidfancy cheer;
 Let me awhile thy sweetest comforts borrow:
 Thy heaven-born radiance around me shed,
 And wave thy silver pinions o'er my head!

Should e'er unhappy love my bosom pain,
 From cruel parents, or relentless fair;
O let me think it is not quite in vain
 To sigh out sonnets to the midnight air!
 Sweet Hope, ethereal balm upon me shed,
 And wave thy silver pinions o'er my head!

In the long vista of the years to roll,
 Let me not see our country's honour fade:
O let me see our land retain her soul,
 Her pride, her freedom; and not freedom's shade.
 From thy bright eyes unusual brightness shed---
 Beneath thy pinions canopy my head!

Let me not see the patriot's high bequest,
 Great Liberty! how great in plain attire!
With the base purple of a court oppress'd,
 Bowing her head, and ready to expire:
 But let me see thee stoop from heaven on wings
 That fill the skies with silver glitterings!

And as, in sparkling majesty, a star
 Gilds the bright summit of some gloomy cloud;
Brightening the half veil'd face of heaven afar:
 So, when dark thoughts my boding spirit shroud,
 Sweet Hope, celestial influence round me shed,
 Waving thy silver pinions o'er my head!
Written by Constantine P Cavafy | Create an image from this poem

The First Step

 The young poet Evmenis
complained one day to Theocritus:
"I've been writing for two years now
and I've composed only one idyll.
It's my single completed work.
I see, sadly, that the ladder
of Poetry is tall, extremely tall;
and from this first step I'm standing on now
I'll never climb any higher."
Theocritus retorted: "Words like that
are improper, blasphemous.
Just to be on the first step
should make you happy and proud.
To have reached this point is no small achievement:
what you've done already is a wonderful thing.
Even this first step
is a long way above the ordinary world.
To stand on this step
you must be in your own right
a member of the city of ideas.
And it's a hard, unusual thing
to be enrolled as a citizen of that city.
Its councils are full of Legislators
no charlatan can fool.
To have reached this point is no small achievement:
what you've done already is a wonderful thing."
Written by Anne Sexton | Create an image from this poem

Rumpelstiltskin

 Inside many of us
is a small old man
who wants to get out.
No bigger than a two-year-old
whom you'd call lamb chop
yet this one is old and malformed.
His head is okay
but the rest of him wasn't Sanforized?
He is a monster of despair.
He is all decay.
He speaks up as tiny as an earphone
with Truman's asexual voice:
I am your dwarf.
I am the enemy within.
I am the boss of your dreams.
No. I am not the law in your mind,
the grandfather of watchfulness.
I am the law of your members,
the kindred of blackness and impulse.
See. Your hand shakes.
It is not palsy or booze.
It is your Doppelganger
trying to get out.
Beware . . . Beware . . .

There once was a miller
with a daughter as lovely as a grape.
He told the king that she could
spin gold out of common straw.
The king summoned the girl
and locked her in a room full of straw
and told her to spin it into gold
or she would die like a criminal.
Poor grape with no one to pick.
Luscious and round and sleek.
Poor thing.
To die and never see Brooklyn.

She wept,
of course, huge aquamarine tears.
The door opened and in popped a dwarf.
He was as ugly as a wart.
Little thing, what are you? she cried.
With his tiny no-sex voice he replied:
I am a dwarf.
I have been exhibited on Bond Street
and no child will ever call me Papa.
I have no private life.
If I'm in my cups the whole town knows by breakfast
and no child will ever call me Papa
I am eighteen inches high.
I am no bigger than a partridge.
I am your evil eye
and no child will ever call me Papa.
Stop this Papa foolishness,
she cried. Can you perhaps
spin straw into gold?
Yes indeed, he said,
that I can do.
He spun the straw into gold
and she gave him her necklace
as a small reward.
When the king saw what she had done
he put her in a bigger room of straw
and threatened death once more.
Again she cried.
Again the dwarf came.
Again he spun the straw into gold.
She gave him her ring
as a small reward.
The king put her in an even bigger room
but this time he promised
to marry her if she succeeded.
Again she cried.
Again the dwarf came.
But she had nothing to give him.
Without a reward the dwarf would not spin.
He was on the scent of something bigger.
He was a regular bird dog.
Give me your first-born
and I will spin.
She thought: Piffle!
He is a silly little man.
And so she agreed.
So he did the trick.
Gold as good as Fort Knox.

The king married her
and within a year
a son was born.
He was like most new babies,
as ugly as an artichoke
but the queen thought him in pearl.
She gave him her dumb lactation,
delicate, trembling, hidden,
warm, etc.
And then the dwarf appeared
to claim his prize.
Indeed! I have become a papa!
cried the little man.
She offered him all the kingdom
but he wanted only this -
a living thing 
to call his own.
And being mortal
who can blame him?

The queen cried two pails of sea water.
She was as persistent
as a Jehovah's Witness.
And the dwarf took pity.
He said: I will give you
three days to guess my name
and if you cannot do it
I will collect your child.
The queen sent messengers
throughout the land to find names
of the most unusual sort.
When he appeared the next day
she asked: Melchior?
Balthazar?
But each time the dwarf replied:
No! No! That's not my name.
The next day she asked:
Spindleshanks? Spiderlegs?
But it was still no-no.
On the third day the messenger
came back with a strange story.
He told her:
As I came around the corner of the wood
where the fox says good night to the hare
I saw a little house with a fire
burning in front of it.
Around that fire a ridiculous little man
was leaping on one leg and singing:
Today I bake.
Tomorrow I brew my beer.
The next day the queen's only child will be mine.
Not even the census taker knows
that Rumpelstiltskin is my name . . .
The queen was delighted.
She had the name!
Her breath blew bubbles.

When the dwarf returned
she called out:
Is your name by any chance Rumpelstiltskin?
He cried: The devil told you that!
He stamped his right foot into the ground
and sank in up to his waist.
Then he tore himself in two.
Somewhat like a split broiler.
He laid his two sides down on the floor,
one part soft as a woman,
one part a barbed hook,
one part papa,
one part Doppelganger.


Written by Wystan Hugh (W H) Auden | Create an image from this poem

In Memory of W. B. Yeats

I

He disappeared in the dead of winter:The brooks were frozen, the airports almost deserted,And snow disfigured the public statues;The mercury sank in the mouth of the dying day.What instruments we have agreeThe day of his death was a dark cold day. Far from his illnessThe wolves ran on through the evergreen forests,The peasant river was untempted by the fashionable quays;By mourning tonguesThe death of the poet was kept from his poems. But for him it was his last afternoon as himself,An afternoon of nurses and rumours;The provinces of his body revolted,The squares of his mind were empty,Silence invaded the suburbs,The current of his feeling failed; he became his admirers. Now he is scattered among a hundred citiesAnd wholly given over to unfamiliar affections,To find his happiness in another kind of woodAnd be punished under a foreign code of conscience.The words of a dead manAre modified in the guts of the living. But in the importance and noise of to-morrowWhen the brokers are roaring like beasts on the floor of the Bourse,And the poor have the sufferings to which they are fairly accustomed,And each in the cell of himself is almost convinced of his freedom,A few thousand will think of this dayAs one thinks of a day when one did something slightly unusual. What instruments we have agreeThe day of his death was a dark cold day.
 You were silly like us; your gift survived it all:The parish of rich women, physical decay,Yourself. Mad Ireland hurt you into poetry.Now Ireland has her madness and her weather still,For poetry makes nothing happen: it survivesIn the valley of its making where executivesWould never want to tamper, flows on southFrom ranches of isolation and the busy griefs,Raw towns that we believe and die in; it survives,A way of happening, a mouth.
 Earth, receive an honoured guest:William Yeats is laid to rest.Let the Irish vessel lieEmptied of its poetry.In the nightmare of the darkAll the dogs of Europe bark,And the living nations wait,Each sequestered in its hate;Intellectual disgraceStares from every human face,And the seas of pity lieLocked and frozen in each eye.Follow, poet, follow rightTo the bottom of the night,With your unconstraining voiceStill persuade us to rejoice;With the farming of a verseMake a vineyard of the curse,Sing of human unsuccessIn a rapture of distress;In the deserts of the heartLet the healing fountain start,In the prison of his daysTeach the free man how to praise.
Written by Edgar Allan Poe | Create an image from this poem

Israfel

In Heaven a spirit doth dwell
"Whose heart-strings are a lute";
None sing so wildly well
As the angel Israfel 
And the giddy stars (so legends tell) 
Ceasing their hymns attend the spell
Of his voice all mute.

Tottering above
In her highest noon 
The enamored moon
Blushes with love 
While to listen the red levin
(With the rapid Pleiads even 
Which were seven )
Pauses in Heaven.

And they say (the starry choir
And the other listening things)
That Israfeli's fire
Is owing to that lyre
By which he sits and sings-
The trembling living wire
Of those unusual strings.

But the skies that angel trod 
Where deep thoughts are a duty-
Where Love's a grown-up God-
Where the Houri glances are
Imbued with all the beauty
Which we worship in a star.

Therefore thou art not wrong 
Israfeli who despisest
An unimpassioned song;
To thee the laurels belong 
Best bard because the wisest!
Merrily live and long!

The ecstasies above
With thy burning measures suit-
Thy grief thy joy thy hate thy love 
With the fervor of thy lute-
Well may the stars be mute!

Yes Heaven is thine; but this
Is a world of sweets and sours;
Our flowers are merely- flowers 
And the shadow of thy perfect bliss
Is the sunshine of ours.

If I could dwell
Where Israfel
Hath dwelt and he where I 
He might not sing so wildly well
A mortal melody 
While a bolder note than this might swell
From my lyre within the sky.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Mungojerrie And Rumpelteazer

 Mungojerrie and Rumpelteazer were a very notorious couple 
 of cats.
As knockabout clown, quick-change comedians, tight-rope 
 walkers and acrobats
They had extensive reputation. They made their home in 
 Victoria Grove--
That was merely their centre of operation, for they were 
 incurably given to rove.
They were very well know in Cornwall Gardens, in Launceston 
 Place and in Kensington Square--
They had really a little more reputation than a couple of 
 cats can very well bear.

If the area window was found ajar
And the basement looked like a field of war,
If a tile or two came loose on the roof,
Which presently ceased to be waterproof,
If the drawers were pulled out from the bedroom chests,
And you couldn't find one of your winter vests,
Or after supper one of the girls
Suddenly missed her Woolworth pearls:

Then the family would say: "It's that horrible cat!
It was Mungojerrie--or Rumpelteazer!"-- And most of the time 
 they left it at that.

Mungojerrie and Rumpelteazer had a very unusual gift of the 
 gab.
They were highly efficient cat-burglars as well, and 
 remarkably smart at smash-and-grab.
They made their home in Victoria Grove. They had no regular 
 occupation.
They were plausible fellows, and liked to engage a friendly 
 policeman in conversation.

When the family assembled for Sunday dinner,
With their minds made up that they wouldn't get thinner
On Argentine joint, potatoes and greens,
And the cook would appear from behind the scenes
And say in a voice that was broken with sorrow:
"I'm afraid you must wait and have dinner tomorrow!
For the joint has gone from the oven-like that!"
Then the family would say: "It's that horrible cat!
It was Mungojerrie--or Rumpelteazer!"-- And most of the time 
 they left it at that.

Mungojerrie and Rumpelteazer had a wonderful way of working 
 together.
And some of the time you would say it was luck, and some of 
 the time you would say it was weather.
They would go through the house like a hurricane, and no sober 
 person could take his oath
Was it Mungojerrie--or Rumpelteazer? or could you have sworn 
 that it mightn't be both?

And when you heard a dining-room smash
Or up from the pantry there came a loud crash
Or down from the library came a loud ping
From a vase which was commonly said to be Ming--
Then the family would say: "Now which was which cat?
It was Mungojerrie! AND Rumpelteazer!"-- And there's nothing 
 at all to be done about that!
Written by Alec Derwent (A D) Hope | Create an image from this poem

Conquistador

 I sing of the decline of Henry Clay 
Who loved a white girl of uncommon size. 
Although a small man in a little way, 
He had in him some seed of enterprise. 

Each day he caught the seven-thirty train 
To work, watered his garden after tea, 
Took an umbrella if it looked like rain A 
nd was remarkably like you or me. 

He had his hair cut once a fortnight, tried 
Not to forget the birthday of his wife, 
And might have lived unnoticed till he died 
Had not ambition entered Henry's life. 

He met her in the lounge of an hotel - 
A most unusual place for him to go - 
But there he was and there she was as well 
Sitting alone. He ordered beers for two. 

She was so large a girl that when they came 
He gave the waiter twice the usual tip. 
She smiled without surprise, told him her name, 
And as the name trembled on Henry's lip, 

His parched soul, swelling like a desert root, 
Broke out its delicate dream upon the air; 
The mountains shook with earthquake under foot; 
An angel seized him suddenly by the hair; 

The sky was shrill with peril as he passed; 
A hurricane crushed his senses with its din; 
The wildfire crackled up his reeling mast; 
The trumpet of a maelstrom sucked hirn in; 

The desert shrivelled and burnt off his feet; 
His bones and buttons an enormous snake 
Vomited up; still in the shimmering heat 
The pygmies showed him their forbidden lake 

And then transfixed him with their poison darts; 
He married six black virgins in a bunch, 
Who, when they had drawn out his manly parts, 
Stewed him and ate him lovingly for lunch. 

Adventure opened wide its grisly jaws; 
Henry looked in and knew the Hero's doom. 
The huge white girl drank on without a pause 
And, just at closing time, she asked him home. 

The tram they took was full of Roaring Boys 
Announcing the world's ruin and Judgment Day; 
The sky blared with its grand orchestral voice 
The Gotterdammerung of Henry Clay. 

But in her quiet room they were alone. 
There, towering over Henry by a head, 
She stood and took her clothes off one by one, 
And then she stretched herself upon the bed. 

Her bulk of beauty, her stupendous grace 
Challenged the lion heart in his puny dust. 
Proudly his Moment looked him in the face: 
He rose to meet it as a hero must; 

Climbed the white mountain of unravished snow, 
Planted his tiny flag upon the peak. 
The smooth drifts, scarcely breathing, lay below. 
She did not take the trouble to smile or speak. 

And afterwards, it may have been in play, 
The enormous girl rolled over and squashed him flat; 
And, as she could not send him home that way, 
Used him thereafter as a bedside mat. 

Speaking at large, I will say this of her: S 
he did not spare expense to make him nice. 
Tanned on both sides and neatly edged with fur, 
The job would have been cheap at any price. 

And when, in winter, getting out of bed, 
Her large soft feet pressed warmly on the skin, 
The two glass eyes would sparkle in his head, 
The jaws extend their papier-mache grin. 

Good people, for the soul of Henry Clay 
Offer your prayers, and view his destiny! 
He was the Hero of our Time. He may 
With any luck, one day, be you or me.
Written by Anne Kingsmill Finch | Create an image from this poem

The Poor Mans Lamb

 NOW spent the alter'd King, in am'rous Cares, 
The Hours of sacred Hymns and solemn Pray'rs: 
In vain the Alter waits his slow returns, 
Where unattended Incense faintly burns: 
In vain the whisp'ring Priests their Fears express, 
And of the Change a thousand Causes guess. 
Heedless of all their Censures He retires, 
And in his Palace feeds his secret Fires; 
Impatient, till from Rabbah Tydings tell, 
That near those Walls the poor Uriah fell, 
Led to the Onset by a Chosen Few, 
Who at the treacherous Signal, soon withdrew; 
Nor to his Rescue e'er return'd again, 
Till by fierce Ammon's Sword they saw the Victim slain. 
'Tis pass'd, 'tis done! the holy Marriage-Knot, 
Too strong to be unty'd, at last is cut. 
And now to Bathsheba the King declares, 
That with his Heart, the Kingdom too is hers; 
That Israel's Throne, and longing Monarch's Arms 
Are to be fill'd but with her widow'd Charms. 
Nor must the Days of formal Tears exceed, 
To cross the Living, and abuse the Dead. 
This she denies; and signs of Grief are worn; 
But mourns no more than may her Face adorn, 
Give to those Eyes, which Love and Empire fir'd, 
A melting Softness more to be desir'd; 
Till the fixt Time, tho' hard to be endur'd, 
Was pass'd, and a sad Consort's Name procur'd: 
When, with the Pomp that suits a Prince's Thought, 
By Passion sway'd, and glorious Woman taught, 
A Queen she's made, than Michal seated higher, 
Whilst light unusual Airs prophane the hallow'd Lyre. 

Where art thou Nathan? where's that Spirit now, 
Giv'n to brave Vice, tho' on a Prince's Brow? 
In what low Cave, or on what Desert Coast, 
Now Virtue wants it, is thy Presence lost? 


But lo! he comes, the Rev'rend Bard appears, 
Defil'd with Dust his awful silver Hairs, 
And his rough Garment, wet with falling Tears. 
The King this mark'd, and conscious wou'd have fled, 
The healing Balm which for his Wounds was shed: 
Till the more wary Priest the Serpents Art, 
Join'd to the Dove-like Temper of his Heart, 
And thus retards the Prince just ready now to part. 


Hear me, the Cause betwixt two Neighbors hear, 
Thou, who for Justice dost the Sceptre bear: 
Help the Opprest, nor let me weep alone 
For him, that calls for Succour from the Throne. 
Good Princes for Protection are Ador'd, 
And Greater by the Shield, than by the Sword. 
This clears the Doubt, and now no more he fears 
The Cause his Own, and therefore stays and hears: 
When thus the Prophet: – 
–In a flow'ry Plain 
A King-like Man does in full Plenty reign; 
Casts round his Eyes, in vain, to reach the Bound, 
Which Jordan's Flood sets to his fertile Ground: 
Countless his Flocks, whilst Lebanon contains 
A Herd as large, kept by his numerous Swains, 
That fill with morning Bellowings the cool Air, 
And to the Cedar's shade at scorching Noon repair. 
Near to this Wood a lowly Cottage stands, 
Built by the humble Owner's painful Hands; 
Fenc'd by a Stubble-roof, from Rain and Heat, 
Secur'd without, within all Plain and Neat. 
A Field of small Extent surrounds the Place, 
In which One single Ewe did sport and graze: 
This his whole Stock, till in full time there came, 
To bless his utmost Hopes, a snowy Lamb; 
Which, lest the Season yet too Cold might prove, 
And Northern Blasts annoy it from the Grove, 
Or tow'ring Fowl on the weak Prey might sieze, 
(For with his Store his Fears must too increase) 
He brings it Home, and lays it by his Side, 
At once his Wealth, his Pleasure and his Pride; 
Still bars the Door, by Labour call'd away, 
And, when returning at the Close of Day, 
With One small Mess himself, and that sustains, 
And half his Dish it shares, and half his slender Gains. 
When to the great Man's table now there comes 
A Lord as great, follow'd by hungry Grooms: 

For these must be provided sundry Meats, 
The best for Some, for Others coarser Cates. 
One Servant, diligent above the rest 
To help his Master to contrive the Feast, 
Extols the Lamb was nourished with such Care, 
So fed, so lodg'd, it must be Princely Fare; 
And having this, my Lord his own may spare. 
In haste he sends, led by no Law, but Will, 
Not to entreat, or purchase, but to Kill. 
The Messenger's arriv'd: the harmless Spoil, 
Unus'd to fly, runs Bleating to the Toil: 
Whilst for the Innocent the Owner fear'd, 
And, sure wou'd move, cou'd Poverty be heard. 
Oh spare (he cries) the Product of my Cares, 
My Stock's Encrease, the Blessing on my Pray'rs; 
My growing Hope, and Treasure of my Life! 
More was he speaking, when the murd'ring Knife 
Shew'd him, his Suit, tho' just, must be deny'd, 
And the white Fleece in its own Scarlet dy'd; 
Whilst the poor helpless Wretch stands weeping by, 
And lifts his Hands for Justice to the Sky. 

Which he shall find, th' incensed King replies, 
When for the proud Offence th' Oppressor dies. 
O Nathan! by the Holy Name I swear, 
Our Land such Wrongs unpunished shall not bear 
If, with the Fault, th' Offender thou declare. 

To whom the Prophet, closing with the Time, 
Thou art the Man replies, and thine th' ill-natur'd Crime. 
Nor think, against thy Place, or State, I err; 
A Pow'r above thee does this Charge prefer; 
Urg'd by whose Spirit, hither am I brought 
T' expostulate his Goodness and thy Fault; 
To lead thee back to those forgotten Years, 
In Labour spent, and lowly Rustick Cares, 
When in the Wilderness thy Flocks but few, 
Thou didst the Shepherd's simple Art pursue 
Thro' crusting Frosts, and penetrating Dew: 
Till wondring Jesse saw six Brothers past, 
And Thou Elected, Thou the Least and Last; 
A Sceptre to thy Rural Hand convey'd, 
And in thy Bosom Royal Beauties laid; 
A lovely Princess made thy Prize that Day, 
When on the shaken Ground the Giant lay 
Stupid in Death, beyond the Reach of Cries 
That bore thy shouted Fame to list'ning Skies, 
And drove the flying Foe as fast away, 
As Winds, of old, Locusts to Egypt's Sea. 
Thy Heart with Love, thy Temples with Renown, 
Th' All-giving Hand of Heav'n did largely crown, 
Whilst yet thy Cheek was spread with youthful Down. 
What more cou'd craving Man of God implore? 
Or what for favour'd Man cou'd God do more? 
Yet cou'd not These, nor Israel's Throne, suffice 
Intemp'rate Wishes, drawn thro' wand'ring Eyes. 

One Beauty (not thy own) and seen by chance, 
Melts down the Work of Grace with an alluring Glance; 
Chafes the Spirit, fed by sacred Art, 
And blots the Title AFTER GOD'S OWN HEART; 
Black Murder breeds to level at his Head, 
Who boasts so fair a Part'ner of his Bed, 
Nor longer must possess those envy'd Charms, 
The single Treasure of his House, and Arms: 
Giving, by this thy Fall, cause to Blaspheme 
To all the Heathen the Almighty Name. 
For which the Sword shall still thy Race pursue, 
And, in revolted Israel's scornful View, 
Thy captiv'd Wives shall be in Triumph led 
Unto a bold Usurper's shameful Bed; 
Who from thy Bowels sprung shall seize thy Throne, 
And scourge thee by a Sin beyond thy own. 
Thou hast thy Fault in secret Darkness done; 
But this the World shall see before the Noonday's Sun. 


Enough! the King, enough! the Saint replies, 
And pours his swift Repentance from his Eyes; 
Falls on the Ground, and tears the Nuptial Vest, 
By which his Crime's Completion was exprest: 
Then with a Sigh blasting to Carnal Love, 
Drawn deep as Hell, and piercing Heaven, above 
Let Me (he cries) let Me attend his Rod, 
For I have sinn'd, for I have lost my God. 


Hold! (says the Prophet ) of that Speech beware, 
God ne'er was lost, unless by Man's Despair. 
The Wound that is thus willingly reveal'd, 
Th' Almighty is as willing should be heal'd. 
Thus wash'd in Tears, thy Soul as fair does show 
As the first Fleece, which on the Lamb does grow, 
Or on the Mountain's top the lately fallen Snow. 

Yet to the World that Justice may appear 
Acting her Part impartial, and severe, 
The Offspring of thy Sin shall soon resign 
That Life, for which thou must not once repine; 
But with submissive Grief his Fate deplore, 
And bless the Hand, that does inflict no more. 

Shall I then pay but Part, and owe the Whole? 
My Body's Fruit, for my offending Soul? 
Shall I no more endure (the King demands) 
And 'scape thus lightly his offended Hands? 
Oh! let him All resume, my Crown, my Fame; 
Reduce me to the Nothing, whence I came; 
Call back his Favours, faster than he gave; 
And, if but Pardon'd, strip me to my Grave: 


Since (tho' he seems to Lose ) He surely Wins, 
Who gives but earthly Comforts for his Sins.

Book: Reflection on the Important Things