Written by
Anne Kingsmill Finch |
Through ev'ry Age some Tyrant Passion reigns:
Now Love prevails, and now Ambition gains
Reason's lost Throne, and sov'reign Rule maintains.
Tho' beyond Love's, Ambition's Empire goes;
For who feels Love, Ambition also knows,
And proudly still aspires to be possest
Of Her, he thinks superior to the rest.
As cou'd be prov'd, but that our plainer Task
Do's no such Toil, or Definitions ask;
But to be so rehears'd, as first 'twas told,
When such old Stories pleas'd in Days of old.
A King, observing how a Shepherd's Skill
Improv'd his Flocks, and did the Pastures fill,
That equal Care th' assaulted did defend,
And the secur'd and grazing Part attend,
Approves the Conduct, and from Sheep and Curs
Transfers the Sway, and changed his Wool to Furrs.
Lord-Keeper now, as rightly he divides
His just Decrees, and speedily decides;
When his sole Neighbor, whilst he watch'd the Fold,
A Hermit poor, in Contemplation old,
Hastes to his Ear, with safe, but lost Advice,
Tells him such Heights are levell'd in a trice,
Preferments treach'rous, and her Paths of Ice:
And that already sure 't had turn'd his Brain,
Who thought a Prince's Favour to retain.
Nor seem'd unlike, in this mistaken Rank,
The sightless Wretch, who froze upon a Bank
A Serpent found, which for a Staff he took,
And us'd as such (his own but lately broke)
Thanking the Fates, who thus his Loss supply'd,
Nor marking one, that with amazement cry'd,
Throw quickly from thy Hand that sleeping Ill;
A Serpent 'tis, that when awak'd will kill.
A Serpent this! th' uncaution'd Fool replies:
A Staff it feels, nor shall my want of Eyes
Make me believe, I have no Senses left,
And thro' thy Malice be of this bereft;
Which Fortune to my Hand has kindly sent
To guide my Steps, and stumbling to prevent.
No Staff, the Man proceeds; but to thy harm
A Snake 'twill prove: The Viper, now grown warm
Confirm'd it soon, and fasten'd on his Arm.
Thus wilt thou find, Shepherd believe it true,
Some Ill, that shall this seeming Good ensue;
Thousand Distastes, t' allay thy envy'd Gains,
Unthought of, on the parcimonious Plains.
So prov'd the Event, and Whisp'rers now defame
The candid Judge, and his Proceedings blame.
By Wrongs, they say, a Palace he erects,
The Good oppresses, and the Bad protects.
To view this Seat the King himself prepares,
Where no Magnificence or Pomp appears,
But Moderation, free from each Extream,
Whilst Moderation is the Builder's Theme.
Asham'd yet still the Sycophants persist,
That Wealth he had conceal'd within a Chest,
Which but attended some convenient Day,
To face the Sun, and brighter Beams display.
The Chest unbarr'd, no radiant Gems they find,
No secret Sums to foreign Banks design'd,
But humble Marks of an obscure Recess,
Emblems of Care, and Instruments of Peace;
The Hook, the Scrip, and for unblam'd Delight
The merry Bagpipe, which, ere fall of Night,
Cou'd sympathizing Birds to tuneful Notes invite.
Welcome ye Monuments of former Joys!
Welcome! to bless again your Master's Eyes,
And draw from Courts, th' instructed Shepherd cries.
No more dear Relicks! we no more will part,
You shall my Hands employ, who now revive my Heart.
No Emulations, nor corrupted Times
Shall falsely blacken, or seduce to Crimes
Him, whom your honest Industry can please,
Who on the barren Down can sing from inward Ease.
How's this! the Monarch something mov'd rejoins.
With such low Thoughts, and Freedom from Designs,
What made thee leave a Life so fondly priz'd,
To be in Crouds, or envy'd, or despis'd?
Forgive me, Sir, and Humane Frailty see,
The Swain replies, in my past State and Me;
All peaceful that, to which I vow return.
But who alas! (tho' mine at length I mourn)
Was e'er without the Curse of some Ambition born.
|
Written by
John Ashbery |
The first of the undecoded messages read: "Popeye sits
in thunder,
Unthought of. From that shoebox of an apartment,
From livid curtain's hue, a tangram emerges: a country."
Meanwhile the Sea Hag was relaxing on a green couch: "How
pleasant
To spend one's vacation en la casa de Popeye," she
scratched
Her cleft chin's solitary hair. She remembered spinach
And was going to ask Wimpy if he had bought any spinach.
"M'love," he intercepted, "the plains are decked out
in thunder
Today, and it shall be as you wish." He scratched
The part of his head under his hat. The apartment
Seemed to grow smaller. "But what if no pleasant
Inspiration plunge us now to the stars? For this is my
country."
Suddenly they remembered how it was cheaper in the country.
Wimpy was thoughtfully cutting open a number 2 can of spinach
When the door opened and Swee'pea crept in. "How pleasant!"
But Swee'pea looked morose. A note was pinned to his bib.
"Thunder
And tears are unavailing," it read. "Henceforth shall
Popeye's apartment
Be but remembered space, toxic or salubrious, whole or
scratched."
Olive came hurtling through the window; its geraniums scratched
Her long thigh. "I have news!" she gasped. "Popeye, forced as
you know to flee the country
One musty gusty evening, by the schemes of his wizened,
duplicate father, jealous of the apartment
And all that it contains, myself and spinach
In particular, heaves bolts of loving thunder
At his own astonished becoming, rupturing the pleasant
Arpeggio of our years. No more shall pleasant
Rays of the sun refresh your sense of growing old, nor the
scratched
Tree-trunks and mossy foliage, only immaculate darkness and
thunder."
She grabbed Swee'pea. "I'm taking the brat to the country."
"But you can't do that--he hasn't even finished his spinach,"
Urged the Sea Hag, looking fearfully around at the apartment.
But Olive was already out of earshot. Now the apartment
Succumbed to a strange new hush. "Actually it's quite pleasant
Here," thought the Sea Hag. "If this is all we need fear from
spinach
Then I don't mind so much. Perhaps we could invite Alice the Goon
over"--she scratched
One dug pensively--"but Wimpy is such a country
Bumpkin, always burping like that." Minute at first, the thunder
Soon filled the apartment. It was domestic thunder,
The color of spinach. Popeye chuckled and scratched
His balls: it sure was pleasant to spend a day in the country.
|
Written by
Wislawa Szymborska |
Four billion people on this earth,
but my imagination is the way it's always been:
bad with large numbers.
It is still moved by particularity.
It flits about the darkness like a flashlight beam,
disclosing only random faces,
while the rest go blindly by,
unthought of, unpitied.
Not even a Dante could have stopped that.
So what do you do when you're not,
even with all the muses on your side?
Non omnis moriar—a premature worry.
Yet am I fully alive, and is that enough?
It never has been, and even less so now.
I select by rejecting, for there's no other way,
but what I reject, is more numerous,
more dense, more intrusive than ever.
At the cost of untold losses—a poem, a sigh.
I reply with a whisper to a thunderous calling.
How much I am silent about I can't say.
A mouse at the foot of mother mountain.
Life lasts as long as a few lines of claws in the sand.
My dreams—even they are not as populous as they should be.
There is more solitude in them than crowds or clamor.
Sometimes someone long dead will drop by for a bit.
A single hand turns a knob.
Annexes of echo overgrow the empty house.
I run from the threshold down into the quiet
valley seemingly no one's—an anachronism by now.
Where does all this space still in me come from—
that I don't know.
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Written by
Rudyard Kipling |
Oh, glorious are the guarded heights
Where guardian souls abide--
Self-exiled from our gross delights--
Above, beyond, outside:
An ampler arc their spirit swings--
Commands a juster view--
We have their word for all these things,
No doubt their words are true.
Yet we, the bond slaves of our day,
Whom dirt and danger press--
Co-heirs of insolence, delay,
And leagued unfaithfulness--
Such is our need must seek indeed
And, having found, engage
The men who merely do the work
For which they draw the wage.
From forge and farm and mine and bench,
Deck, altar, outpost lone--
Mill, school, battalion, counter, trench,
Rail, senate, sheepfold, throne--
Creation's cry goes up on high
From age to cheated age:
"Send us the men who do the work
"For which they draw the wage!"
Words cannot help nor wit achieve,
Nor e'en the all-gifted fool,
Too weak to enter, bide, or leave
The lists he cannot rule.
Beneath the sun we count on none
Our evil to assuage,
Except the men that do the work
For which they draw the wage.
When through the Gates of Stress and Strain
Comes forth the vast Event--
The simple, sheer, sufficing, sane
Result of labour spent--
They that have wrought the end unthought
Be neither saint nor sage,
But only men who did the work
For which they drew the wage.
Wherefore to these the Fates shall bend
(And all old idle things )
Werefore on these shall Power attend
Beyond the grip of kings:
Each in his place, by right, not grace,
Shall rule his heritage--
The men who simply do the work
For which they draw the wage.
Not such as scorn the loitering street,
Or waste, to earth its praise,
Their noontide's unreturning heat
About their morning ways;
But such as dower each mortgaged hour
Alike with clean courage--
Even the men who do the work
For which they draw the wage--
Men, like to Gods, that do the work
For which they draw the wage--
Begin-continue-close that work
For which they draw the wage!
|
Written by
Walt Whitman |
ONE hour to madness and joy!
O furious! O confine me not!
(What is this that frees me so in storms?
What do my shouts amid lightnings and raging winds mean?)
O to drink the mystic deliria deeper than any other man!
O savage and tender achings!
(I bequeath them to you, my children,
I tell them to you, for reasons, O bridegroom and bride.)
O to be yielded to you, whoever you are, and you to be yielded to me, in defiance of the
world!
O to return to Paradise! O bashful and feminine!
O to draw you to me—to plant on you for the first time the lips of a determin’d
man!
O the puzzle—the thrice-tied knot—the deep and dark pool! O all untied and
illumin’d!
O to speed where there is space enough and air enough at last!
O to be absolv’d from previous ties and conventions—I from mine, and you from
yours!
O to find a new unthought-of nonchalance with the best of nature!
O to have the gag remov’d from one’s mouth!
O to have the feeling, to-day or any day, I am sufficient as I am!
O something unprov’d! something in a trance!
O madness amorous! O trembling!
O to escape utterly from others’ anchors and holds!
To drive free! to love free! to dash reckless and dangerous!
To court destruction with taunts—with invitations!
To ascend—to leap to the heavens of the love indicated to me!
To rise thither with my inebriate Soul!
To be lost, if it must be so!
To feed the remainder of life with one hour of fulness and freedom!
With one brief hour of madness and joy.
|
Written by
Edwin Arlington Robinson |
No longer torn by what she knows
And sees within the eyes of others,
Her doubts are when the daylight goes,
Her fears are for the few she bothers.
She tells them it is wholly wrong
Of her to stay alive so long;
And when she smiles her forehead shows
A crinkle that had been her mother’s.
Beneath her beauty, blanched with pain,
And wistful yet for being cheated,
A child would seem to ask again
A question many times repeated;
But no rebellion has betrayed
Her wonder at what she has paid
For memories that have no stain,
For triumph born to be defeated.
To those who come for what she was—
The few left who know where to find her—
She clings, for they are all she has;
And she may smile when they remind her,
As heretofore, of what they know
Of roses that are still to blow
By ways where not so much as grass
Remains of what she sees behind her.
They stay a while, and having done
What penance or the past requires,
They go, and leave her there alone
To count her chimneys and her spires.
Her lip shakes when they go away,
And yet she would not have them stay;
She knows as well as anyone
That Pity, having played, soon tires.
But one friend always reappears,
A good ghost, not to be forsaken;
Whereat she laughs and has no fears
Of what a ghost may reawaken,
But welcomes, while she wears and mends
The poor relation’s odds and ends,
Her truant from a tomb of years—
Her power of youth so early taken.
Poor laugh, more slender than her song
It seems; and there are none to hear it
With even the stopped ears of the strong
For breaking heart or broken spirit.
The friends who clamored for her place,
And would have scratched her for her face,
Have lost her laughter for so long
That none would care enough to fear it.
None live who need fear anything
From her, whose losses are their pleasure;
The plover with a wounded wing
Stays not the flight that others measure;
So there she waits, and while she lives,
And death forgets, and faith forgives,
Her memories go foraging
For bits of childhood song they treasure.
And like a giant harp that hums
On always, and is always blending
The coming of what never comes
With what has past and had an ending,
The City trembles, throbs, and pounds
Outside, and through a thousand sounds
The small intolerable drums
Of Time are like slow drops descending.
Bereft enough to shame a sage
And given little to long sighing,
With no illusion to assuage
The lonely changelessness of dying,—
Unsought, unthought-of, and unheard,
She sings and watches like a bird,
Safe in a comfortable cage
From which there will be no more flying.
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