The Poor Relation
No longer torn by what she knows
And sees within the eyes of others,
Her doubts are when the daylight goes,
Her fears are for the few she bothers.
She tells them it is wholly wrong
Of her to stay alive so long;
And when she smiles her forehead shows
A crinkle that had been her mother’s.
Beneath her beauty, blanched with pain,
And wistful yet for being cheated,
A child would seem to ask again
A question many times repeated;
But no rebellion has betrayed
Her wonder at what she has paid
For memories that have no stain,
For triumph born to be defeated.
To those who come for what she was—
The few left who know where to find her—
She clings, for they are all she has;
And she may smile when they remind her,
As heretofore, of what they know
Of roses that are still to blow
By ways where not so much as grass
Remains of what she sees behind her.
They stay a while, and having done
What penance or the past requires,
They go, and leave her there alone
To count her chimneys and her spires.
Her lip shakes when they go away,
And yet she would not have them stay;
She knows as well as anyone
That Pity, having played, soon tires.
But one friend always reappears,
A good ghost, not to be forsaken;
Whereat she laughs and has no fears
Of what a ghost may reawaken,
But welcomes, while she wears and mends
The poor relation’s odds and ends,
Her truant from a tomb of years—
Her power of youth so early taken.
Poor laugh, more slender than her song
It seems; and there are none to hear it
With even the stopped ears of the strong
For breaking heart or broken spirit.
The friends who clamored for her place,
And would have scratched her for her face,
Have lost her laughter for so long
That none would care enough to fear it.
None live who need fear anything
From her, whose losses are their pleasure;
The plover with a wounded wing
Stays not the flight that others measure;
So there she waits, and while she lives,
And death forgets, and faith forgives,
Her memories go foraging
For bits of childhood song they treasure.
And like a giant harp that hums
On always, and is always blending
The coming of what never comes
With what has past and had an ending,
The City trembles, throbs, and pounds
Outside, and through a thousand sounds
The small intolerable drums
Of Time are like slow drops descending.
Bereft enough to shame a sage
And given little to long sighing,
With no illusion to assuage
The lonely changelessness of dying,—
Unsought, unthought-of, and unheard,
She sings and watches like a bird,
Safe in a comfortable cage
From which there will be no more flying.