Written by
Marianne Moore |
This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind."
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy."
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol."
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire."
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand."
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation."
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad."
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness."
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent."
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools."
He says, "You know so many fools
who are not artists."
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command."
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science."
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:
"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:
`Liberty and union
now and forever;'
the book on the writing-table;
the hand in the breast-pocket."
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Written by
Andrew Barton Paterson |
Wargeilah town is very small,
There's no cathedral nor a club,
In fact the township, all in all,
Is just one unpretentious pub;
And there, from all the stations round,
The local sportsmen can be found.
The sportsmen of Wargeilah-side
Are very few but very fit;
There's scarcely any sport been tried
But they can hold their own at it;
In fact, to search their records o'er,
They hold their own and something more.
The precincts of Wargeilah town
An English new-chum did infest:
He used to wander up and down
In baggy English breeches drest;
His mental aspect seemed to be
Just stolid self-sufficiency.
The local sportsmen vainly sought
His tranquil calm to counteract
By urging that he should be brought
Within the Noxious Creatures Act.
"Nay, harm him not," said one more wise,
"He is a blessing in disguise!
"You see, he wants to buy a horse,
To ride, and hunt, and steeplechase,
And carry ladies, too, of course,
And pull a cart, and win a race.
Good gracious! he must be a flat
To think he'll get a horse like that!
"But, since he has so little sense
And such a lot of cash to burn,
We'll sell him some experience
By which alone a fool can learn.
Suppose we let him have The Trap
To win Wargeilah Handicap!"
And her, I must explain to you
That round about Wargeilah run
There lived a very aged screw
Whose days of brilliancy were done.
A grand old warrior in his prime --
But age will beat us any time.
A trooper's horse in seasons past
He did his share to keep the peace,
But took to falling, and at last
Was cast for age from the Police.
A publican at Conroy's Gap
Bought him and christened him The Trap.
When grass was good and horses dear,
He changed his owner now and then
At prices ranging somewhere near
The neighbourhood of two-pound-ten:
And manfully he earned his keep
By yarding cows and ration sheep.
They brought him in from off the grass
And fed and groomed the old horse up;
His coat began to shine like glass --
You'd think he'd win the Melbourne Cup.
And when they'd got him fat and flash
They asked the new chum -- fifty -- cash!
And when he said the price was high,
Their indignation knew no bounds.
They said, "It's seldom you can buy
A horse like that for fifty pounds!
We'll refund twenty if The Trap
Should fail to win the handicap!"
The deed was done, the price was paid,
The new-chum put the horse in train.
The local sports were much afraid
That he would sad experience gain
By racing with some shearer's hack,
Who'd beat him half-way round the track.
So, on this guileless English spark
They did most fervently impress
That he must keep the matter dark,
And not let any person guess
That he was purchasing The Trap
To win Wargeilah Handicap.
They spoke of "spielers from the Bland",
And "champions from the Castlereagh",
And gave the youth to understand
That all of these would stop away,
And spoil the race, if they should hear
That they had got The Trap to fear.
"Keep dark! They'll muster thick as flies
When once the news gets sent around
We're giving such a splendid prize --
A Snowdon horse worth fifty pound!
They'll come right in from Dandaloo,
And find -- that it's a gift for you!"
The race came on -- with no display
Nor any calling of the card,
But round about the pub all day
A crowd of shearers, drinking hard,
And using language in a strain
'Twere flattery to call profane.
Our hero, dressed in silk attire --
Blue jacket and scarlet cap --
With boots that shone like flames of fire,
Now did his canter on The Trap,
And walked him up and round about,
Until other steeds came out.
He eyed them with a haughty look,
But saw a sight that caught his breath!
It was Ah John! the Chinee cook!
In boots and breeches! pale as death!
Tied with a rope, like any sack,
Upon a piebald pony's back!
The next, a colt -- all mud and burrs,
Half-broken, with a black boy up,
Who said, "You gim'me pair o' spurs,
I win the bloomin' Melbourne Cup!"
These two were to oppose The Trap
For the Wargeilah Handicap!
They're off! The colt whipped down his head,
And humped his back, and gave a squeal,
And bucked into the drinking shed,
Revolving like a Catherine wheel!
Men ran like rats! The atmosphere
Was filled with oaths and pints of beer!
But up the course the bold Ah John
Beside The Trap raced neck and neck:
The boys had tied him firmly on,
Which ultimately proved his wreck;
The saddle turned, and, like a clown,
He rode some distance upside-down.
His legs around the horse were tied,
His feet towards the heavens were spread,
He swung and bumped at every stride
And ploughed the ground up with his head!
And when they rescued him, The Trap
Had won Wargeilah Handicap!
And no enquiries we could make
Could tell by what false statements swayed
Ah John was led to undertake
A task so foreign to his trade!
He only smiled and said, "Hoo Ki!
I stop topside, I win all li'!"
But never in Wargeilah Town
Was heard so eloquent a cheer
As when the President came down,
And toasted, in Colonial beer,
"The finest rider on the course!
The winner of the Snowdon Horse!
"You go and get your prize," he said;
"He's with a wild mob, somewhere round
The mountains near the Watershed;
He's honestly worth fifty pound --
A noble horse, indeed, to win,
But none of us can run him in!
"We've chased him poor, we've chased him fat,
We've run him till our horses dropped;
But by such obstacles as that
A man like you will not be stopped;
You'll go and yard him any day,
So here's your health! Hooray! Hooray!"
The day wound up with booze and blow
And fights till all were well content.
But of the new-chum all I know
Is shown by this advertisement --
"For sale, the well-known racehorse Trap.
He won Wargeilah Handicap!"
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