Written by
Walt Whitman |
1
OF these years I sing,
How they pass and have pass’d, through convuls’d pains as through parturitions;
How America illustrates birth, muscular youth, the promise, the sure fulfillment, the
Absolute
Success, despite of people—Illustrates evil as well as good;
How many hold despairingly yet to the models departed, caste, myths, obedience,
compulsion, and
to infidelity;
How few see the arrived models, the Athletes, the Western States—or see freedom or
spirituality—or hold any faith in results,
(But I see the Athletes—and I see the results of the war glorious and
inevitable—and
they again leading to other results;)
How the great cities appear—How the Democratic masses, turbulent, wilful, as I love
them;
How the whirl, the contest, the wrestle of evil with good, the sounding and resounding,
keep on
and on;
How society waits unform’d, and is for awhile between things ended and things begun;
How America is the continent of glories, and of the triumph of freedom, and of the
Democracies,
and of the fruits of society, and of all that is begun;
And how The States are complete in themselves—And how all triumphs and glories are
complete in themselves, to lead onward,
And how these of mine, and of The States, will in their turn be convuls’d, and serve
other
parturitions and transitions,
And how all people, sights, combinations, the Democratic masses, too, serve—and how
every
fact, and war itself, with all its horrors, serves,
And how now, or at any time, each serves the exquisite transition of death.
2
OF seeds dropping into the ground—of birth,
Of the steady concentration of America, inland, upward, to impregnable and swarming
places,
Of what Indiana, Kentucky, Ohio and the rest, are to be,
Of what a few years will show there in Nebraska, Colorado, Nevada, and the rest;
(Or afar, mounting the Northern Pacific to Sitka or Aliaska;)
Of what the feuillage of America is the preparation for—and of what all sights,
North,
South, East and West, are;
Of This Union, soak’d, welded in blood—of the solemn price paid—of the
unnamed
lost, ever present in my mind;
—Of the temporary use of materials, for identity’s sake,
Of the present, passing, departing—of the growth of completer men than any yet,
Of myself, soon, perhaps, closing up my songs by these shores,
Of California, of Oregon—and of me journeying to live and sing there;
Of the Western Sea—of the spread inland between it and the spinal river,
Of the great pastoral area, athletic and feminine,
of all sloping down there where the fresh free giver, the mother, the Mississippi flows,
Of future women there—of happiness in those high plateaus, ranging three thousand
miles,
warm and cold;
Of mighty inland cities yet unsurvey’d and unsuspected, (as I am also, and as it must
be;)
Of the new and good names—of the modern developments—of inalienable homesteads;
Of a free and original life there—of simple diet and clean and sweet blood;
Of litheness, majestic faces, clear eyes, and perfect physique there;
Of immense spiritual results, future years, far west, each side of the Anahuacs;
Of these leaves, well understood there, (being made for that area;)
Of the native scorn of grossness and gain there;
(O it lurks in me night and day—What is gain, after all, to savageness and freedom?)
|
Written by
William Stafford |
When I face north a lost Cree
on some new shore puts a moccasin down,
rock in the light and noon for seeing,
he in a hurry and I beside him
It will be a long trip; he will be a new chief;
we have drunk new water from an unnamed stream;
under little dark trees he is to find a path
we both must travel because we have met.
Henceforth we gesture even by waiting;
there is a grain of sand on his knifeblade
so small he blows it and while his breathing
darkens the steel his become set
And start a new vision: the rest of his life.
We will mean what he does.
Back of this page
the path turns north.
We are looking for a sign.
Our moccasins do not mark the ground.
|
Written by
Ella Wheeler Wilcox |
How does Love speak?
In the faint flush upon the tell-tale cheek,
And in the pallor that succeeds it; by
The quivering lid of an averted eye –
The smile that proves the parent to a sigh –
Thus doth Love speak.
How does Love speak?
By the uneven heart-throbs, and the freak
Of bounding pulses that stand still and ache,
While new emotions, like strange barques, make
Along vein-channels their disturbing course;
Still as the dawn, and with the dawn’s swift force –
Thus doth Love speak.
How does Love speak?
In the avoidance of that which we seek –
The sudden silence and reserve when near –
The eye that glistens with an unshed tear –
The joy that seems the counterpart of fear,
As the alarmed heart leaps in the breast,
And knows, and names, the greets its god-like guest –
Thus doth Love speak.
How doth Love speak?
In the proud spirit suddenly grown meek –
The haughty heart grown humble; in the tender
And unnamed light that floods the world with splendour,
In the resemblance which the fond eyes trace
In all things to one beloved face;
In the shy touch of hands that thrill and tremble;
In looks and lips that can no more dissemble –
Thus doth Love speak.
How doth Love speak?
In the wild words that uttered seem so weak
They shrink ashamed to silence; in the fire
Glance strikes with glance, swift flashing high and higher,
Like lightnings that precede the mighty storm;
In the deep, soulful stillness; in the warm,
Impassioned tide that sweeps through throbbing veins,
Between the shores of keen delights and pains;
In the embrace where madness melts in bliss,
And in convulsive rapture of a kiss –
Thus doth Love speak.
|
Written by
Walt Whitman |
NATIONS ten thousand years before These States, and many times ten thousand years before
These
States;
Garner’d clusters of ages, that men and women like us grew up and travel’d their
course, and pass’d on;
What vast-built cities—what orderly republics—what pastoral tribes and nomads;
What histories, rulers, heroes, perhaps transcending all others;
What laws, customs, wealth, arts, traditions;
What sort of marriage—what costumes—what physiology and phrenology;
What of liberty and slavery among them—what they thought of death and the soul;
Who were witty and wise—who beautiful and poetic—who brutish and
undevelop’d;
Not a mark, not a record remains—And yet all remains.
O I know that those men and women were not for nothing, any more than we are for nothing;
I know that they belong to the scheme of the world every bit as much as we now belong to
it,
and as all will henceforth belong to it.
Afar they stand—yet near to me they stand,
Some with oval countenances, learn’d and calm,
Some naked and savage—Some like huge collections of insects,
Some in tents—herdsmen, patriarchs, tribes, horsemen,
Some prowling through woods—Some living peaceably on farms, laboring, reaping,
filling
barns,
Some traversing paved avenues, amid temples, palaces, factories, libraries, shows, courts,
theatres, wonderful monuments.
Are those billions of men really gone?
Are those women of the old experience of the earth gone?
Do their lives, cities, arts, rest only with us?
Did they achieve nothing for good, for themselves?
I believe of all those billions of men and women that fill’d the unnamed lands, every
one
exists this hour, here or elsewhere, invisible to us, in exact proportion to what he or
she
grew from in life, and out of what he or she did, felt, became, loved, sinn’d, in
life.
I believe that was not the end of those nations, or any person of them, any more than this
shall be the end of my nation, or of me;
Of their languages, governments, marriage, literature, products, games, wars, manners,
crimes,
prisons, slaves, heroes, poets, I suspect their results curiously await in the yet unseen
world—counterparts of what accrued to them in the seen world.
I suspect I shall meet them there,
I suspect I shall there find each old particular of those unnamed lands.
|
Written by
Walt Whitman |
ASHES of soldiers!
As I muse, retrospective, murmuring a chant in thought,
Lo! the war resumes—again to my sense your shapes,
And again the advance of armies.
Noiseless as mists and vapors,
From their graves in the trenches ascending,
From the cemeteries all through Virginia and Tennessee,
From every point of the compass, out of the countless unnamed graves,
In wafted clouds, in myraids large, or squads of twos or threes, or single ones, they
come,
And silently gather round me.
Now sound no note, O trumpeters!
Not at the head of my cavalry, parading on spirited horses,
With sabres drawn and glist’ning, and carbines by their thighs—(ah, my brave
horsemen!
My handsome, tan-faced horsemen! what life, what joy and pride,
With all the perils, were yours!)
Nor you drummers—neither at reveille, at dawn,
Nor the long roll alarming the camp—nor even the muffled beat for a burial;
Nothing from you, this time, O drummers, bearing my warlike drums.
But aside from these, and the marts of wealth, and the crowded promenade,
Admitting around me comrades close, unseen by the rest, and voiceless,
The slain elate and alive again—the dust and debris alive,
I chant this chant of my silent soul, in the name of all dead soldiers.
Faces so pale, with wondrous eyes, very dear, gather closer yet;
Draw close, but speak not.
Phantoms of countless lost!
Invisible to the rest, henceforth become my companions!
Follow me ever! desert me not, while I live.
Sweet are the blooming cheeks of the living! sweet are the musical voices sounding!
But sweet, ah sweet, are the dead, with their silent eyes.
Dearest comrades! all is over and long gone;
But love is not over—and what love, O comrades!
Perfume from battle-fields rising—up from foetor arising.
Perfume therefore my chant, O love! immortal Love!
Give me to bathe the memories of all dead soldiers,
Shroud them, embalm them, cover them all over with tender pride!
Perfume all! make all wholesome!
Make these ashes to nourish and blossom,
O love! O chant! solve all, fructify all with the last chemistry.
Give me exhaustless—make me a fountain,
That I exhale love from me wherever I go, like a moist perennial dew,
For the ashes of all dead soldiers.
|
Written by
Amy Clampitt |
a stone at dawn
cold water in the basin
these walls' rough plaster
imageless
after the hammering
of so much insistence
on the need for naming
after the travesties
that passed as faces,
grace: the unction
of sheer nonexistence
upwelling in this
hyacinthine freshet
of the unnamed
the faceless
|
Written by
Walt Whitman |
1
COURAGE yet! my brother or my sister!
Keep on! Liberty is to be subserv’d, whatever occurs;
That is nothing, that is quell’d by one or two failures, or any number of failures,
Or by the indifference or ingratitude of the people, or by any unfaithfulness,
Or the show of the tushes of power, soldiers, cannon, penal statutes.
Revolt! and still revolt! revolt!
What we believe in waits latent forever through all the continents, and all the islands
and
archipelagos of the sea;
What we believe in invites no one, promises nothing, sits in calmness and light, is
positive
and composed, knows no discouragement,
Waiting patiently, waiting its time.
(Not songs of loyalty alone are these,
But songs of insurrection also;
For I am the sworn poet of every dauntless rebel, the world over,
And he going with me leaves peace and routine behind him,
And stakes his life, to be lost at any moment.
)
2
Revolt! and the downfall of tyrants!
The battle rages with many a loud alarm, and frequent advance and retreat,
The infidel triumphs—or supposes he triumphs,
Then the prison, scaffold, garrote, hand-cuffs, iron necklace and anklet, lead-balls, do
their
work,
The named and unnamed heroes pass to other spheres,
The great speakers and writers are exiled—they lie sick in distant lands,
The cause is asleep—the strongest throats are still, choked with their own blood,
The young men droop their eyelashes toward the ground when they meet;
—But for all this, liberty has not gone out of the place, nor the infidel
enter’d
into full possession.
When liberty goes out of a place, it is not the first to go, nor the second or third to
go,
It waits for all the rest to go—it is the last.
When there are no more memories of heroes and martyrs,
And when all life, and all the souls of men and women are discharged from any part of the
earth,
Then only shall liberty, or the idea of liberty, be discharged from that part of the
earth,
And the infidel come into full possession.
3
Then courage! European revolter! revoltress!
For, till all ceases, neither must you cease.
I do not know what you are for, (I do not know what I am for myself, nor what anything is
for,)
But I will search carefully for it even in being foil’d,
In defeat, poverty, misconception, imprisonment—for they too are great.
Revolt! and the bullet for tyrants!
Did we think victory great?
So it is—But now it seems to me, when it cannot be help’d, that defeat is great,
And that death and dismay are great.
|
Written by
Ella Wheeler Wilcox |
As when the old moon lighted by the tender
And radiant crescent of the new is seen,
And for a moment's space suggests the splendor
Of what in its full prime it once has been,
So on my waning years you cast the glory
Of youth and pleasure, for a little hour;
And life again seems like an unread story,
And joy and hope both stir me with their power.
Can blooming June be fond of bleak December?
I dare not wait to hear my heart reply.
I will forget the question-and remember
Alone the priceless feast spread for mine eye,
That radiant hair that flows across the pillows,
Like shimmering sunbeams over drifts of snow;
Those heaving breasts, like undulating billows,
Whose dangers or delights but Love can know,
That crimson mouth from which sly Cupid borrowed
The pattern for his bow, nor asked consent;
That smooth, unruffled brow which has not sorrowed-
All these are mine; should I not be content?
Yet are these treasures mine, or only lent me?
And, who shall claim them when I pass away?
Oh, jealous Fate, to torture and torment me
With thoughts like these in my too fleeting day!
For while I gained the prize which all were seeking,
And won you with the ardor of my quest,
The bitter truth I know without your speaking-
You only let me love you at the best.
E'en while I lean and count my riches over,
And view with gloating eyes your priceless charms,
I know somewhere there dwells the unnamed lover
Who yet shall clasp you, willing, in his arms.
And while my hands stray through your clustering tresses,
And while my lips are pressed upon your own,
This unseen lover waits for such caresses
As my poor hungering clay has never known,
And when some day, between you and your duty
A green grave lies, his love shall make you glad,
And you shall crown him with your splendid beauty-
Ah, God! ah, God! 'tis this way men go mad!
|
Written by
Lewis Carroll |
The Vanishing
They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
They shuddered to think that the chase might fail,
And the Beaver, excited at last,
Went bounding along on the tip of its tail,
For the daylight was nearly past.
"There is Thingumbob shouting!" the Bellman said.
"He is shouting like mad, only hark!
He is waving his hands, he is wagging his head,
He has certainly found a Snark!"
They gazed in delight, while the Butcher exclaimed
"He was always a desperate wag!"
They beheld him--their Baker--their hero unnamed--
On the top of a neighbouring crag,
Erect and sublime, for one moment of time,
In the next, that wild figure they saw
(As if stung by a spasm) plunge into a chasm,
While they waited and listened in awe.
"It's a Snark!" was the sound that first came to their ears,
And seemed almost too good to be true.
Then followed a torrent of laughter and cheers:
Then the ominous words "It's a Boo--"
Then, silence.
Some fancied they heard in the air
A weary and wandering sigh
That sounded like "--jum!" but the others declare
It was only a breeze that went by.
They hunted till darkness came on, but they found
Not a button, or feather, or mark,
By which they could tell that they stood on the ground
Where the Baker had met with the Snark.
In the midst of the word he was trying to say
In the midst of his laughter and glee,
He had softly and suddenly vanished away--
For the Snark was a Boojum, you see.
|
Written by
Wallace Stevens |
There is a great river this side of Stygia
Before one comes to the first black cataracts
And trees that lack the intelligence of trees.
In that river, far this side of Stygia,
The mere flowing of the water is a gayety,
Flashing and flashing in the sun.
On its banks,
No shadow walks.
The river is fateful,
Like the last one.
But there is no ferryman.
He could not bend against its propelling force.
It is not to be seen beneath the appearances
That tell of it.
The steeple at Farmington
Stands glistening and Haddam shines and sways.
It is the third commonness with light and air,
A curriculum, a vigor, a local abstraction .
.
.
Call it, one more, a river, an unnamed flowing,
Space-filled, reflecting the seasons, the folk-lore
Of each of the senses; call it, again and again,
The river that flows nowhere, like a sea.
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