Written by
Sylvia Plath |
This is the light of the mind, cold and planetary
The trees of the mind are black. The light is blue.
The grasses unload their griefs on my feet as if I were God
Prickling my ankles and murmuring of their humility
Fumy, spiritous mists inhabit this place.
Separated from my house by a row of headstones.
I simply cannot see where there is to get to.
The moon is no door. It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair. I live here.
Twice on Sunday, the bells startle the sky ----
Eight great tongues affirming the Resurrection
At the end, they soberly bong out their names.
The yew tree points up, it has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother. She is not sweet like Mary.
Her blue garments unloose small bats and owls.
How I would like to believe in tenderness ----
The face of the effigy, gentled by candles,
Bending, on me in particular, its mild eyes.
I have fallen a long way. Clouds are flowering
Blue and mystical over the face of the stars
Inside the church, the saints will all be blue,
Floating on their delicate feet over the cold pews,
Their hands and faces stiff with holiness.
The moon sees nothing of this. She is bald and wild.
And the message of the yew tree is blackness -- blackness and silence
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Written by
Robert Frost |
Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.
I make a great noise
Of rustling all day
Like rabbit and deer
Running away.
But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.
I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?
Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.
Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?
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Written by
Philip Larkin |
Always too eager for the future, we
Pick up bad habits of expectancy.
Something is always approaching; every day
Till then we say,
Watching from a bluff the tiny, clear
Sparkling armada of promises draw near.
How slow they are! And how much time they waste,
Refusing to make haste!
Yet still they leave us holding wretched stalks
Of disappointment, for, though nothing balks
Each big approach, leaning with brasswork prinked,
Each rope distinct,
Flagged, and the figurehead wit golden ****
Arching our way, it never anchors; it's
No sooner present than it turns to past.
Right to the last
We think each one will heave to and unload
All good into our lives, all we are owed
For waiting so devoutly and so long.
But we are wrong:
Only one ship is seeking us, a black-
Sailed unfamiliar, towing at her back
A huge and birdless silence. In her wake
No waters breed or break.
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Written by
Marge Piercy |
And thus the people every year
in the valley of humid July
did sacrifice themselves
to the long green phallic god
and eat and eat and eat.
They're coming, they're on us,
the long striped gourds, the silky
babies, the hairy adolescents,
the lumpy vast adults
like the trunks of green elephants.
Recite fifty zucchini recipes!
Zucchini tempura; creamed soup;
sauté with olive oil and cumin,
tomatoes, onion; frittata;
casserole of lamb; baked
topped with cheese; marinated;
stuffed; stewed; driven
through the heart like a stake.
Get rid of old friends: they too
have gardens and full trunks.
Look for newcomers: befriend
them in the post office, unload
on them and run. Stop tourists
in the street. Take truckloads
to Boston. Give to your Red Cross.
Beg on the highway: please
take my zucchini, I have a crippled
mother at home with heartburn.
Sneak out before dawn to drop
them in other people's gardens,
in baby buggies at churchdoors.
Shot, smuggling zucchini into
mailboxes, a federal offense.
With a suave reptilian glitter
you bask among your raspy
fronds sudden and huge as
alligators. You give and give
too much, like summer days
limp with heat, thunderstorms
bursting their bags on our heads,
as we salt and freeze and pickle
for the too little to come.
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Written by
Richard Crashaw |
LO here a little volume, but great Book
A nest of new-born sweets;
Whose native fires disdaining
To ly thus folded, and complaining
Of these ignoble sheets,
Affect more comly bands
(Fair one) from the kind hands
And confidently look
To find the rest
Of a rich binding in your Brest.
It is, in one choise handfull, heavenn; and all
Heavn’s Royall host; incamp’t thus small
To prove that true schooles use to tell,
Ten thousand Angels in one point can dwell.
It is love’s great artillery
Which here contracts itself, and comes to ly
Close couch’t in their white bosom: and from thence
As from a snowy fortresse of defence,
Against their ghostly foes to take their part,
And fortify the hold of their chast heart.
It is an armory of light
Let constant use but keep it bright,
You’l find it yeilds
To holy hands and humble hearts
More swords and sheilds
Then sin hath snares, or Hell hath darts.
Only be sure
The hands be pure
That hold these weapons; and the eyes
Those of turtles, chast and true;
Wakefull and wise;
Here is a freind shall fight for you,
Hold but this book before their heart;
Let prayer alone to play his part,
But ? the heart
That studyes this high Art
Must be a sure house-keeper
And yet no sleeper.
Dear soul, be strong.
Mercy will come e’re long
And bring his bosom fraught with blessings,
Flowers of never fading graces
To make immortall dressings
For worthy soules, whose wise embraces
Store up themselves for Him, who is alone
The Spouse of Virgins and the Virgin’s son.
But if the noble Bridegroom, when he come
Shall find the loytering Heart from home;
Leaving her chast aboad
To gadde abroad
Among the gay mates of the god of flyes;
To take her pleasure and to play
And keep the devill’s holyday;
To dance th’sunshine of some smiling
But beguiling
Spheares of sweet and sugred Lyes,
Some slippery Pair
Of false, perhaps as fair,
Flattering but forswearing eyes;
Doubtlesse some other heart
Will gett the start
Mean while, and stepping in before
Will take possession of that sacred store
Of hidden sweets and holy ioyes.
Words which are not heard with Eares
(Those tumultuous shops of noise)
Effectuall wispers, whose still voice
The soul it selfe more feeles then heares;
Amorous languishments; luminous trances;
Sights which are not seen with eyes;
Spirituall and soul-peircing glances
Whose pure and subtil lightning flyes
Home to the heart, and setts the house on fire
And melts it down in sweet desire
Yet does not stay
To ask the windows leave to passe that way;
Delicious Deaths; soft exalations
Of soul; dear and divine annihilations;
A thousand unknown rites
Of ioyes and rarefy’d delights;
A hundred thousand goods, glories, and graces,
And many a mystick thing
Which the divine embraces
Of the deare spouse of spirits with them will bring
For which it is no shame
That dull mortality must not know a name.
Of all this store
Of blessings and ten thousand more
(If when he come
He find the Heart from home)
Doubtlesse he will unload
Himself some other where,
And poure abroad
His pretious sweets
On the fair soul whom first he meets.
O fair, ? fortunate! O riche, ? dear!
O happy and thrice happy she
Selected dove
Who ere she be,
Whose early love
With winged vowes
Makes hast to meet her morning spouse
And close with his immortall kisses.
Happy indeed, who never misses
To improve that pretious hour,
And every day
Seize her sweet prey
All fresh and fragrant as he rises
Dropping with a baulmy Showr
A delicious dew of spices;
O let the blissfull heart hold fast
Her heavnly arm-full, she shall tast
At once ten thousand paradises;
She shall have power
To rifle and deflour
The rich and roseall spring of those rare sweets
Which with a swelling bosome there she meets
Boundles and infinite
Bottomles treasures
Of pure inebriating pleasures
Happy proof! she shal discover
What ioy, what blisse,
How many Heav’ns at once it is
To have her God become her Lover.
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Written by
John Betjeman |
With one consuming roar along the shingle
The long wave claws and rakes the pebbles down
To where its backwash and the next wave mingle,
A mounting arch of water weedy-brown
Against the tide the off-shore breezes blow.
Oh wind and water, this is Felixstowe.
In winter when the sea winds chill and shriller
Than those of summer, all their cold unload
Full on the gimcrack attic of the villa
Where I am lodging off the Orwell Road,
I put my final shilling in the meter
And only make my loneliness completer.
In eighteen ninety-four when we were founded,
Counting our Reverend Mother we were six,
How full of hope we were and prayer-surrounded
"The Little Sisters of the Hanging Pyx".
We built our orphanage. We built our school.
Now only I am left to keep the rule.
Here in the gardens of the Spa Pavillion
Warm in the whisper of the summer sea,
The cushioned scabious, a deep vermillion,
With white pins stuck in it, looks up at me
A sun-lit kingdom touched by butterflies
And so my memory of the winter dies.
Across the grass the poplar shades grow longer
And louder clang the waves along the coast.
The band packs up. The evening breeze is stronger
And all the world goes home to tea and toast.
I hurry past a cakeshop's tempting scones
Bound for the red brick twilight of St.John's.
"Thou knowest my down sitting and mine uprising"
Here where the white light burns with steady glow
Safe from the vain world's silly sympathising,
Safe with the love I was born to know,
Safe from the surging of the lonely sea
My heart finds rest, my heart finds rest in Thee.
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Written by
William Strode |
Could any shewe where Plynyes people dwell
Whose head stands in their breast; who cannot tell
A smoothing lye because their open hart
And lippes are joyn'd so neare, I would depart
As quick as thought, and there forgett the wrongs
Which I have suffer'd by deceitfull tongues.
I should depart where soules departed bee,
Who being freed from cloudy flesh, can see
Each other so immediately, so cleare
That none needs tongue to speak, nor ears to hear.
Were tongues intended to express the soule,
And can wee better doe't with none at all?
Were words first made our meaning to reveale,
And are they usde our meaning to conceale?
The ayre by which wee see, will that turne fogg?
Our breath turne mist? Will that become a clogg
That should unload the mynde? Fall we upon
Another Babell's sub-confusion?
And in the self-same language must wee finde
A diverse faction of the words and minde?
Dull as I am, that hugg'd such emptie ayre,
And never mark't the deede (a phrase more faire,
More trusty and univocall): joyne well
Three or foure actions, we may quickly spell
A hollow hart: if those no light can lend
Read the whole sentence, and observe the end:
I will not wayte so long: the guilded man
On whom I ground my speech, no longer can
Delude my sense; nor can the gracefull arte
Of kind dissembling button upp his hart.
His well-spoke wrongs are such as hurtfull words
Writt in a comely hand; or bloody swords
Sheath'd upp in velvett; if hee draw on mee
My armour proofe is incredulity.
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Written by
Constantine P Cavafy |
Kimos, son of Menedoros, a young Greek-Italian,
devotes his life to amusing himself,
like most young men in Greater Greece
brought up in the lap of luxury.
But today, in spite of his nature,
he is preoccupied, dejected. Near the shore
he watched, deeply distressed, as they unload
ships with booty taken from the Peloponnese.
G r e e k l o o t: b o o t y f r o m C o r i n t h.
Today certainly it is not right,
it is not possible for the young Greek-Italian
to want to amuse himself in any way.
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