Written by
Anne Sexton |
I was tired of being a woman,
tired of the spoons and the post,
tired of my mouth and my breasts,
tired of the cosmetics and the silks.
There were still men who sat at my table,
circled around the bowl I offered up.
The bowl was filled with purple grapes
and the flies hovered in for the scent
and even my father came with his white bone.
But I was tired of the gender things.
Last night I had a dream
and I said to it...
"You are the answer.
You will outlive my husband and my father."
In that dream there was a city made of chains
where Joan was put to death in man's clothes
and the nature of the angels went unexplained,
no two made in the same species,
one with a nose, one with an ear in its hand,
one chewing a star and recording its orbit,
each one like a poem obeying itself,
performing God's functions,
a people apart.
"You are the answer,"
I said, and entered,
lying down on the gates of the city.
Then the chains were fastened around me
and I lost my common gender and my final aspect.
Adam was on the left of me
and Eve was on the right of me,
both thoroughly inconsistent with the world of reason.
We wove our arms together
and rode under the sun.
I was not a woman anymore,
not one thing or the other.
O daughters of Jerusalem,
the king has brought me into his chamber.
I am black and I am beautiful.
I've been opened and undressed.
I have no arms or legs.
I'm all one skin like a fish.
I'm no more a woman
than Christ was a man.
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Written by
Stephen Crane |
Do not weep, maiden, for war is kind.
Because the lover threw wild hands toward the sky
And the affrighted steed ran on alone,
Do not weep.
War is kind.
Hoarse, booming drums of the regiment,
Little souls who thirst for fight,
These men were born to drill and die.
The unexplained glory flies above them,
Great is the Battle-God, great, and his Kingdom -
A field wher a thousand corpses lie.
Do not weep, babe, for war is kind.
Because your father tumbled in the yellow trenches,
Raged at his breast, gulped and died,
Do not weep.
War is kind.
Swift blazing flag of the regiment,
Eagle with crest of red and gold,
These men were born to drill and die.
Point for them the virtue of slaughter,
Make plain to them the excellence of killing
And a field where a thousand corpses lie.
Mother whose heart hung humble as a button
On the bright splendid shroud of your son,
Do not weep.
War is kind.
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Written by
Sor Juana Inés de la Cruz |
My Lady (Español)
Perdite, señora, quiero
de mi silencio perdón,
si lo que ha sido atención
le hace parecer grosero.
Y no me podrás culpar
si hasta aquí mi proceder,
por ocuparse en querer,
se ha olvidado de explicar.
Que en mi amorosa pasión
no fue desuido, ni mengua,
quitar el uso a la lengua
por dárselo al corazón.
Ni de explicarme dejaba:
que, como la pasión mía
acá en el alma te vía,
acá en el alma te hablaba.
Y en esta idea notable
dichosamenta vivía,
porque en mi mano tenia
el fingirte favorable.
Con traza tan peregrina
vivió mi esperanza vana,
pues te pudo hacer humana
concibiéndote divina.
¡Oh, cuán loca llegué a verme
en tus dichosos amores,
que, aun fingidos, tus favroes
pudieron enloquecerme!
¡Oh, cómo, en tu sol hermoso
mi ardiente afecto encendido,
por cebarse en lo lucido,
olvidó lo peligroso!
Perdona, si atrevimiento
fue atreverme a tu ardor puro;
que no hay sagrado seguro
de culpas de pensamiento.
De esta manera engañaba
la loca esperanza mía,
y dentro de mí tenía
todo el bien que deseaba.
Mas ya tu precepto grave
rompe mi silencio mudo;
que él solamente ser pudo
de mi respeto la llave.
Y aunque el amar tu belleza
es delito sin disculpa
castígueseme la culpa
primero que la tibieza.
No quieras, pues, rigurosa,
que, estando ya declarada,
sea de veras desdichada
quien fue de burlas dichosa.
Si culpas mi desacato,
culpa también tu licencia;
que si es mala mi obediencia,
no fue justo tu mandato
Y si es culpable mi intento,
será mi afecto precito,
porque es amarte un delito
de que nunca me arrepiento.
Esto en mis afectos hallo,
y más, que explicar no sé;
mas tú, de lo que callé,
inferirás lo que callo.
Top of page
My Lady (English)
My lady, I must implore
forgiveness for keeping still,
if what I meant as tribute
ran contrary to your will.
Please do not reproach me
if the course I have maintained
in the eagerness of my love
left my silence unexplained.
I love you with so much passion,
neither rudeness nor neglect
can explain why I tied my tongue,
yet left my heart unchecked.
The matter to me was simple:
love for you was so strong,
I could see you in my soul
and talk to you all day long.
With this idea in mind,
I lived in utter delight,
pretending my subterfuge
found favor in your sight.
In this strange, ingenious fashion,
I allowed the hope to be mine
that I still might see as human
what I really conceived as divine.
Oh, how mad I became
in my blissful love of you,
for even though feigned, your favor
made all my madness seem true!
How unwisely my ardent love,
which your glorious sun inflamed,
sought to feed upon your brightness,
though the risk of your fire was plain!
Forgive me if, thus emboldened,
I made bold with that sacred fire:
there's no sanctuary secure
when thought's transgressions conspire.
Thus it was I kept indulging
these foolhardy hopes of mine,
enjoying within myself
a happiness sublime.
But now, at your solemn bidding,
this silence I herewith suspend,
for your summons unlocks in me
a respect no time can end.
And, although loving your beauty
is a crime beyond repair,
rather the crime be chastised
than my fervor cease to dare.
With this confession in hand,
I pray, be less stern with me.
Do not condemn to distress
one who fancied bliss so free.
If you blame me for disrespect,
remember, you gave me leave;
thus, if obedience was wrong,
your commanding must be my reprieve.
Let my love be ever doomed
if guilty in its intent,
for loving you is a crime
of which I will never repent.
This much I descry in my feelings--
and more that I cannot explain;
but you, from what I've not said,
may infer what words won't contain.
|
Written by
Anne Sexton |
We sail out of season into on oyster-gray wind,
over a terrible hardness.
Where Dickens crossed with mal de mer
in twenty weeks or twenty days
I cross toward him in five.
Wraped in robes--
not like Caesar but like liver with bacon--
I rest on the stern
burning my mouth with a wind-hot ash,
watching my ship
bypass the swells
as easily as an old woman reads a palm.
I think; as I look North, that a field of mules
lay down to die.
The ship is 27 hours out.
I have entered her.
She might be a whale,
sleeping 2000 and ship's company,
the last 40¢ martini
and steel staterooms where night goes on forever.
Being inside them is, I think,
the way one would dig into a planet
and forget the word light.
I have walked cities,
miles of mole alleys with carpets.
Inside I have been ten girls who speak French.
They languish everywhere like bedsheets.
Oh my Atlantic of the cracked shores,
those blemished gates of Rockport and Boothbay,
those harbor smells like the innards of animals!
Old childish Queen, where did you go,
you bayer at wharfs and Victorian houses?
I have read each page of my mother's voyage.
I have read each page of her mother's voyage.
I have learned their words as they learned Dickens'.
I have swallowed these words like bullets.
But I have forgotten the last guest--terror.
Unlike them, I cannot toss in the cabin
as in childbirth.
Now always leaving me in the West
is the wake,
a ragged bridal veil, unexplained,
seductive, always rushing down the stairs,
never detained, never enough.
The ship goes on
as though nothing else were happening.
Generation after generation,
I go her way.
She will run East, knot by knot, over an old bloodstream,
stripping it clear,
each hour ripping it, pounding, pounding,
forcing through as through a virgin.
Oh she is so quick!
This dead street never stops!
|
Written by
James Tate |
The new ergonomics were delivered
just before lunchtime
so we ignored them.
Without revealing the particulars
let me just say that
lunch was most satisfying.
Jack and Roberta went with
the corned beef for a change.
Jack believes in alien abduction
and Roberta does not,
although she has had
several lost weekends lately
and one or two unexplained scars
on her buttocks. I thought
I recognized someone
from my childhood
at a table across the room,
the same teeth, the same hair,
but when he stood-up,
I wasn't sure, Squid with a red tie?
Impossible. I finished
my quiche lorraine
and returned my thoughts
to Jack's new jag:
"Well, I guess anything's
possible. People disappear
all the time, and most of them
have no explanation
when and if they return.
Look at Tony's daughter
and she's never been the same."
Jack was looking as if
he'd bet on the right horse now.
"And these new ergonomics,
who really designed them?
Does anybody know?
Do they tell us anything?
A name, an address? Hell no."
Squid was paying his bill
in a standard-issue blue blazer.
He looked across the room at me
several times. He looked tired,
like he wanted to sleep for a long time
in a barn somewhere, in Kansas.
I wanted to sleep there, too.
|
Written by
Wallace Stevens |
There it was, word for word,
The poem that took the place of a mountain.
He breathed its oxygen,
Even when the book lay turned in the dust of his table.
It reminded him how he had needed
A place to go to in his own direction,
How he had recomposed the pines,
Shifted the rocks and picked his way among clouds,
For the outlook that would be right,
Where he would be complete in an unexplained completion:
The exact rock where his inexactness
Would discover, at last, the view toward which they had edged,
Where he could lie and, gazing down at the sea,
Recognize his unique and solitary home.
|
Written by
Edward Taylor |
The new ergonomics were delivered
just before lunchtime
so we ignored them.
Without revealing the particulars
let me just say that
lunch was most satisfying.
Jack and Roberta went with
the corned beef for a change.
Jack believes in alien abduction
and Roberta does not,
although she has had
several lost weekends lately
and one or two unexplained scars
on her buttocks. I thought
I recognized someone
from my childhood
at a table across the room,
the same teeth, the same hair,
but when he stood-up,
I wasn't sure, Squid with a red tie?
Impossible. I finished
my quiche lorraine
and returned my thoughts
to Jack's new jag:
"Well, I guess anything's
possible. People disappear
all the time, and most of them
have no explanation
when and if they return.
Look at Tony's daughter
and she's never been the same."
Jack was looking as if
he'd bet on the right horse now.
"And these new ergonomics,
who really designed them?
Does anybody know?
Do they tell us anything?
A name, an address? Hell no."
Squid was paying his bill
in a standard-issue blue blazer.
He looked across the room at me
several times. He looked tired,
like he wanted to sleep for a long time
in a barn somewhere, in Kansas.
I wanted to sleep there, too.
|
Written by
Omar Khayyam |
No one has had access behind the curtain of destiny;
no one has knowledge of the secrets of Providence. For
seventy-two years I have reflected day and night, I have
learned nothing anywhere, and the enigma remains unexplained.
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