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Best Famous Undertaker Poems

Here is a collection of the all-time best famous Undertaker poems. This is a select list of the best famous Undertaker poetry. Reading, writing, and enjoying famous Undertaker poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of undertaker poems.

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Written by Wendell Berry | Create an image from this poem

Testament

 1.
Dear relatives and friends, when my last breath Grows large and free in air, don't call it death -- A word to enrich the undertaker and inspire His surly art of imitating life; conspire Against him.
Say that my body cannot now Be improved upon; it has no fault to show To the sly cosmetician.
Say that my flesh Has a perfect compliance with the grass Truer than any it could have striven for.
You will recognize the earth in me, as before I wished to know it in myself: my earth That has been my care and faithful charge from birth, And toward which all my sorrows were surely bound, And all my hopes.
Say that I have found A good solution, and am on my way To the roots.
And say I have left my native clay At last, to be a traveler; that too will be so.
Traveler to where? Say you don't know.
2.
But do not let your ignorance Of my spirit's whereabouts dismay You, or overwhelm your thoughts.
Be careful not to say Anything too final.
Whatever Is unsure is possible, and life is bigger Than flesh.
Beyond reach of thought Let imagination figure Your hope.
That will be generous To me and to yourselves.
Why settle For some know-it-all's despair When the dead may dance to the fiddle Hereafter, for all anybody knows? And remember that the Heavenly soil Need not be too rich to please One who was happy in Port Royal.
I may be already heading back, A new and better man, toward That town.
The thought's unreasonable, But so is life, thank the Lord! 3.
So treat me, even dead, As a man who has a place To go, and something to do.
Don't muck up my face With wax and powder and rouge As one would prettify An unalterable fact To give bitterness the lie.
Admit the native earth My body is and will be, Admit its freedom and Its changeability.
Dress me in the clothes I wore in the day's round.
Lay me in a wooden box.
Put the box in the ground.
4.
Beneath this stone a Berry is planted In his home land, as he wanted.
He has come to the gathering of his kin, Among whom some were worthy men, Farmers mostly, who lived by hand, But one was a cobbler from Ireland, Another played the eternal fool By riding on a circus mule To be remembered in grateful laughter Longer than the rest.
After Doing that they had to do They are at ease here.
Let all of you Who yet for pain find force and voice Look on their peace, and rejoice.


Written by Carl Sandburg | Create an image from this poem

Broken-face Gargoyles

 ALL I can give you is broken-face gargoyles.
It is too early to sing and dance at funerals, Though I can whisper to you I am looking for an undertaker humming a lullaby and throwing his feet in a swift and mystic buck-and-wing, now you see it and now you don’t.
Fish to swim a pool in your garden flashing a speckled silver, A basket of wine-saps filling your room with flame-dark for your eyes and the tang of valley orchards for your nose, Such a beautiful pail of fish, such a beautiful peck of apples, I cannot bring you now.
It is too early and I am not footloose yet.
I shall come in the night when I come with a hammer and saw.
I shall come near your window, where you look out when your eyes open in the morning, And there I shall slam together bird-houses and bird-baths for wing-loose wrens and hummers to live in, birds with yellow wing tips to blur and buzz soft all summer, So I shall make little fool homes with doors, always open doors for all and each to run away when they want to.
I shall come just like that even though now it is early and I am not yet footloose, Even though I am still looking for an undertaker with a raw, wind-bitten face and a dance in his feet.
I make a date with you (put it down) for six o’clock in the evening a thousand years from now.
All I can give you now is broken-face gargoyles.
All I can give you now is a double gorilla head with two fish mouths and four eagle eyes hooked on a street wall, spouting water and looking two ways to the ends of the street for the new people, the young strangers, coming, coming, always coming.
It is early.
I shall yet be footloose.
Written by Anne Sexton | Create an image from this poem

The Frog Prince

 Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out of the sky like rain.
Frogs arrive With an ugly fury.
You are my judge.
You are my jury.
My guilts are what we catalogue.
I'll take a knife and chop up frog.
Frog has not nerves.
Frog is as old as a cockroach.
Frog is my father's genitals.
Frog is a malformed doorknob.
Frog is a soft bag of green.
The moon will not have him.
The sun wants to shut off like a light bulb.
At the sight of him the stone washes itself in a tub.
The crow thinks he's an apple and drops a worm in.
At the feel of frog the touch-me-nots explode like electric slugs.
Slime will have him.
Slime has made him a house.
Mr.
Poison is at my bed.
He wants my sausage.
He wants my bread.
Mama Brundig, he wants my beer.
He wants my Christ for a souvenir.
Frog has boil disease and a bellyful of parasites.
He says: Kiss me.
Kiss me.
And the ground soils itself.
Why should a certain quite adorable princess be walking in her garden at such a time and toss her golden ball up like a bubble and drop it into the well? It was ordained.
Just as the fates deal out the plague with a tarot card.
Just as the Supreme Being drills holes in our skulls to let the Boston Symphony through.
But I digress.
A loss has taken place.
The ball has sunk like a cast-iron pot into the bottom of the well.
Lost, she said, my moon, my butter calf, my yellow moth, my Hindu hare.
Obviously it was more than a ball.
Balls such as these are not for sale in Au Bon Marché.
I took the moon, she said, between my teeth and now it is gone and I am lost forever.
A thief had robbed by day.
Suddenly the well grew thick and boiling and a frog appeared.
His eyes bulged like two peas and his body was trussed into place.
Do not be afraid, Princess, he said, I am not a vagabond, a cattle farmer, a shepherd, a doorkeeper, a postman or a laborer.
I come to you as a tradesman.
I have something to sell.
Your ball, he said, for just three things.
Let me eat from your plate.
Let me drink from your cup.
Let me sleep in your bed.
She thought, Old Waddler, those three you will never do, but she made the promises with hopes for her ball once more.
He brought it up in his mouth like a tricky old dog and she ran back to the castle leaving the frog quite alone.
That evening at dinner time a knock was heard on the castle door and a voice demanded: King's youngest daughter, let me in.
You promised; now open to me.
I have left the skunk cabbage and the eels to live with you.
The kind then heard her promise and forced her to comply.
The frog first sat on her lap.
He was as awful as an undertaker.
Next he was at her plate looking over her bacon and calves' liver.
We will eat in tandem, he said gleefully.
Her fork trembled as if a small machine had entered her.
He sat upon the liver and partook like a gourmet.
The princess choked as if she were eating a puppy.
From her cup he drank.
It wasn't exactly hygienic.
From her cup she drank as if it were Socrates' hemlock.
Next came the bed.
The silky royal bed.
Ah! The penultimate hour! There was the pillow with the princess breathing and there was the sinuous frog riding up and down beside her.
I have been lost in a river of shut doors, he said, and I have made my way over the wet stones to live with you.
She woke up aghast.
I suffer for birds and fireflies but not frogs, she said, and threw him across the room.
Kaboom! Like a genie coming out of a samovar, a handsome prince arose in the corner of her bedroom.
He had kind eyes and hands and was a friend of sorrow.
Thus they were married.
After all he had compromised her.
He hired a night watchman so that no one could enter the chamber and he had the well boarded over so that never again would she lose her ball, that moon, that Krishna hair, that blind poppy, that innocent globe, that madonna womb.
Written by Henry Lawson | Create an image from this poem

Peter Anderson And Co

 He had offices in Sydney, not so many years ago, 
And his shingle bore the legend `Peter Anderson and Co.
', But his real name was Careless, as the fellows understood -- And his relatives decided that he wasn't any good.
'Twas their gentle tongues that blasted any `character' he had -- He was fond of beer and leisure -- and the Co.
was just as bad.
It was limited in number to a unit, was the Co.
-- 'Twas a bosom chum of Peter and his Christian name was Joe.
'Tis a class of men belonging to these soul-forsaken years: Third-rate canvassers, collectors, journalists and auctioneers.
They are never very shabby, they are never very spruce -- Going cheerfully and carelessly and smoothly to the deuce.
Some are wanderers by profession, `turning up' and gone as soon, Travelling second-class, or steerage (when it's cheap they go saloon); Free from `ists' and `isms', troubled little by belief or doubt -- Lazy, purposeless, and useless -- knocking round and hanging out.
They will take what they can get, and they will give what they can give, God alone knows how they manage -- God alone knows how they live! They are nearly always hard-up, but are cheerful all the while -- Men whose energy and trousers wear out sooner than their smile! They, no doubt, like us, are haunted by the boresome `if' or `might', But their ghosts are ghosts of daylight -- they are men who live at night! Peter met you with the comic smile of one who knows you well, And is mighty glad to see you, and has got a joke to tell; He could laugh when all was gloomy, he could grin when all was blue, Sing a comic song and act it, and appreciate it, too.
Only cynical in cases where his own self was the jest, And the humour of his good yarns made atonement for the rest.
Seldom serious -- doing business just as 'twere a friendly game -- Cards or billiards -- nothing graver.
And the Co.
was much the same.
They tried everything and nothing 'twixt the shovel and the press, And were more or less successful in their ventures -- mostly less.
Once they ran a country paper till the plant was seized for debt, And the local sinners chuckle over dingy copies yet.
They'd been through it all and knew it in the land of Bills and Jims -- Using Peter's own expression, they had been in `various swims'.
Now and then they'd take an office, as they called it, -- make a dash Into business life as `agents' -- something not requiring cash.
(You can always furnish cheaply, when your cash or credit fails, With a packing-case, a hammer, and a pound of two-inch nails -- And, maybe, a drop of varnish and sienna, too, for tints, And a scrap or two of oilcloth, and a yard or two of chintz).
They would pull themselves together, pay a week's rent in advance, But it never lasted longer than a month by any chance.
The office was their haven, for they lived there when hard-up -- A `daily' for a table cloth -- a jam tin for a cup; And if the landlord's bailiff happened round in times like these And seized the office-fittings -- well, there wasn't much to seize -- They would leave him in possession.
But at other times they shot The moon, and took an office where the landlord knew them not.
And when morning brought the bailiff there'd be nothing to be seen Save a piece of bevelled cedar where the tenant's plate had been; There would be no sign of Peter -- there would be no sign of Joe Till another portal boasted `Peter Anderson and Co.
' And when times were locomotive, billiard-rooms and private bars -- Spicy parties at the cafe -- long cab-drives beneath the stars; Private picnics down the Harbour -- shady campings-out, you know -- No one would have dreamed 'twas Peter -- no one would have thought 'twas Joe! Free-and-easies in their `diggings', when the funds began to fail, Bosom chums, cigars, tobacco, and a case of English ale -- Gloriously drunk and happy, till they heard the roosters crow -- And the landlady and neighbours made complaints about the Co.
But that life! it might be likened to a reckless drinking-song, For it can't go on for ever, and it never lasted long.
.
.
.
.
.
Debt-collecting ruined Peter -- people talked him round too oft, For his heart was soft as butter (and the Co.
's was just as soft); He would cheer the haggard missus, and he'd tell her not to fret, And he'd ask the worried debtor round with him to have a wet; He would ask him round the corner, and it seemed to him and her, After each of Peter's visits, things were brighter than they were.
But, of course, it wasn't business -- only Peter's careless way; And perhaps it pays in heaven, but on earth it doesn't pay.
They got harder up than ever, and, to make it worse, the Co.
Went more often round the corner than was good for him to go.
`I might live,' he said to Peter, `but I haven't got the nerve -- I am going, Peter, going -- going, going -- no reserve.
Eat and drink and love they tell us, for to-morrow we may die, Buy experience -- and we bought it -- we're experienced, you and I.
' Then, with a weary movement of his hand across his brow: `The death of such philosophy's the death I'm dying now.
Pull yourself together, Peter; 'tis the dying wish of Joe That the business world shall honour Peter Anderson and Co.
`When you feel your life is sinking in a dull and useless course, And begin to find in drinking keener pleasure and remorse -- When you feel the love of leisure on your careless heart take holt, Break away from friends and pleasure, though it give your heart a jolt.
Shun the poison breath of cities -- billiard-rooms and private bars, Go where you can breathe God's air and see the grandeur of the stars! Find again and follow up the old ambitions that you had -- See if you can raise a drink, old man, I'm feelin' mighty bad -- Hot and sweetened, nip o' butter -- squeeze o' lemon, Pete,' he sighed.
And, while Peter went to fetch it, Joseph went to sleep -- and died With a smile -- anticipation, maybe, of the peace to come, Or a joke to try on Peter -- or, perhaps, it was the rum.
.
.
.
.
.
Peter staggered, gripped the table, swerved as some old drunkard swerves -- At a gulp he drank the toddy, just to brace his shattered nerves.
It was awful, if you like.
But then he hadn't time to think -- All is nothing! Nothing matters! Fill your glasses -- dead man's drink.
.
.
.
.
.
Yet, to show his heart was not of human decency bereft, Peter paid the undertaker.
He got drunk on what was left; Then he shed some tears, half-maudlin, on the grave where lay the Co.
, And he drifted to a township where the city failures go.
Where, though haunted by the man he was, the wreck he yet might be, Or the man he might have been, or by each spectre of the three, And the dying words of Joseph, ringing through his own despair, Peter `pulled himself together' and he started business there.
But his life was very lonely, and his heart was very sad, And no help to reformation was the company he had -- Men who might have been, who had been, but who were not in the swim -- 'Twas a town of wrecks and failures -- they appreciated him.
They would ask him who the Co.
was -- that ***** company he kept -- And he'd always answer vaguely -- he would say his partner slept; That he had a `sleeping partner' -- jesting while his spirit broke -- And they grinned above their glasses, for they took it as a joke.
He would shout while he had money, he would joke while he had breath -- No one seemed to care or notice how he drank himself to death; Till at last there came a morning when his smile was seen no more -- He was gone from out the office, and his shingle from the door, And a boundary-rider jogging out across the neighb'ring run Was attracted by a something that was blazing in the sun; And he found that it was Peter, lying peacefully at rest, With a bottle close beside him and the shingle on his breast.
Well, they analysed the liquor, and it would appear that he Qualified his drink with something good for setting spirits free.
Though 'twas plainly self-destruction -- `'twas his own affair,' they said; And the jury viewed him sadly, and they found -- that he was dead.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Aunt Helen

 MISS HELEN SLINGSBY was my maiden aunt,
And lived in a small house near a fashionable square
Cared for by servants to the number of four.
Now when she died there was silence in heaven And silence at her end of the street.
The shutters were drawn and the undertaker wiped his feet— He was aware that this sort of thing had occurred before.
The dogs were handsomely provided for, But shortly afterwards the parrot died too.
The Dresden clock continued ticking on the mantelpiece, And the footman sat upon the dining-table Holding the second housemaid on his knees— Who had always been so careful while her mistress lived.


Written by Carl Sandburg | Create an image from this poem

Legends

 CLOWNS DYINGFIVE circus clowns dying this year, morning newspapers told their lives, how each one horizontal in a last gesture of hands arranged by an undertaker, shook thousands into convulsions of laughter from behind rouge-red lips and powder-white face.
STEAMBOAT BILLWhen the boilers of the Robert E.
Lee exploded, a steamboat winner of many races on the Mississippi went to the bottom of the river and never again saw the wharves of Natchez and New Orleans.
And a legend lives on that two gamblers were blown toward the sky and during their journey laid bets on which of the two would go higher and which would be first to set foot on the turf of the earth again.
FOOT AND MOUTH PLAGUEWhen the mysterious foot and mouth epidemic ravaged the cattle of Illinois, Mrs.
Hector Smith wept bitterly over the government killing forty of her soft-eyed Jersey cows; through the newspapers she wept over her loss for millions of readers in the Great Northwest.
SEVENSThe lady who has had seven lawful husbands has written seven years for a famous newspaper telling how to find love and keep it: seven thousand hungry girls in the Mississippi Valley have read the instructions seven years and found neither illicit loves nor lawful husbands.
PROFITEERI who saw ten strong young men die anonymously, I who saw ten old mothers hand over their sons to the nation anonymously, I who saw ten thousand touch the sunlit silver finalities of undistinguished human glory—why do I sneeze sardonically at a bronze drinking fountain named after one who participated in the war vicariously and bought ten farms?
Written by Carl Sandburg | Create an image from this poem

The Right to Grief

 To Certain Poets About to Die

TAKE your fill of intimate remorse, perfumed sorrow,
Over the dead child of a millionaire,
And the pity of Death refusing any check on the bank
Which the millionaire might order his secretary to
scratch off
And get cashed.
Very well, You for your grief and I for mine.
Let me have a sorrow my own if I want to.
I shall cry over the dead child of a stockyards hunky.
His job is sweeping blood off the floor.
He gets a dollar seventy cents a day when he works And it's many tubs of blood he shoves out with a broom day by day.
Now his three year old daughter Is in a white coffin that cost him a week's wages.
Every Saturday night he will pay the undertaker fifty cents till the debt is wiped out.
The hunky and his wife and the kids Cry over the pinched face almost at peace in the white box.
They remember it was scrawny and ran up high doctor bills.
They are glad it is gone for the rest of the family now will have more to eat and wear.
Yet before the majesty of Death they cry around the coffin And wipe their eyes with red bandanas and sob when the priest says, "God have mercy on us all.
" I have a right to feel my throat choke about this.
You take your grief and I mine--see? To-morrow there is no funeral and the hunky goes back to his job sweeping blood off the floor at a dollar seventy cents a day.
All he does all day long is keep on shoving hog blood ahead of him with a broom.
Written by Thomas Lux | Create an image from this poem

Unlike For Example The Sound Of A Riptooth Saw

 gnawing through a shinbone, a high howl
inside of which a bloody, slashed-by-growls note
is heard, unlike that
sound, and instead, its opposite: a barely sounded
sound (put your nuclear ears
on for it, your giant hearing horn, its cornucopia mouth
wide) -- a slippery whoosh of rain
sliding down a mirror
leaned against a windfallen tree stump, the sound
a child's head makes
falling against his mother's breast,
or the sound, from a mile away, as the town undertaker
lets Grammy's wrist
slip from his grip
and fall to the shiny table.
And, if you turn your head just right and open all your ears, you might hear this finest sound, this lost sound: a plow's silvery prow cleaving the earth (your finger dragging through milk, a razor cutting silk) like a clipper ship cuts the sea.
If you do hear this sound, then follow it with your ear and also your eye as it and the tractor that pulls it disappear over a hill until it is no sound at all, until it comes back over the hill again, again dragging its furrow, its ground-rhythm, its wide open throat, behind it.
Written by Carl Sandburg | Create an image from this poem

Graves

 I dreamed one man stood against a thousand,
One man damned as a wrongheaded fool.
One year and another he walked the streets, And a thousand shrugs and hoots Met him in the shoulders and mouths he passed.
He died alone.
And only the undertaker came to his funeral.
Flowers grow over his grave anod in the wind, And over the graves of the thousand, too, The flowers grow anod in the wind.
Flowers and the wind, Flowers anod over the graves of the dead, Petals of red, leaves of yellow, streaks of white, Masses of purple sagging.
.
.
I love you and your great way of forgetting.

Book: Reflection on the Important Things