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Best Famous Uncurling Poems

Here is a collection of the all-time best famous Uncurling poems. This is a select list of the best famous Uncurling poetry. Reading, writing, and enjoying famous Uncurling poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of uncurling poems.

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Written by Robert Pinsky | Create an image from this poem

Ginza Samba

 A monosyllabic European called Sax
Invents a horn, walla whirledy wah, a kind of twisted
Brazen clarinet, but with its column of vibrating
Air shaped not in a cylinder but in a cone
Widening ever outward and bawaah spouting
Infinitely upward through an upturned
Swollen golden bell rimmed
Like a gloxinia flowering
In Sax's Belgian imagination

And in the unfathomable matrix
Of mothers and fathers as a genius graven
Humming into the cells of the body
Or cupped in the resonating grail
Of memory changed and exchanged
As in the trading of brasses,
Pearls and ivory, calicos and slaves,
Laborers and girls, two

Cousins in a royal family
Of Niger known as the Birds or Hawks.
In Christendom one cousin's child
Becomes a "favorite *****" ennobled
By decree of the Czar and founds
A great family, a line of generals,
Dandies and courtiers including the poet
Pushkin, killed in a duel concerning
His wife's honor, while the other cousin sails

In the belly of a slaveship to the port
Of Baltimore where she is raped
And dies in childbirth, but the infant
Will marry a Seminole and in the next
Chorus of time their child fathers
A great Hawk or Bird, with many followers
Among them this great-grandchild of the Jewish
Manager of a Pushkin estate, blowing

His American breath out into the wiggly
Tune uncurling its triplets and sixteenths--the Ginza
Samba of breath and brass, the reed
Vibrating as a valve, the aether, the unimaginable
Wires and circuits of an ingenious box
Here in my room in this house built
A hundred years ago while I was elsewhere:

It is like falling in love, the atavistic
Imperative of some one
Voice or face--the skill, the copper filament,
The golden bellful of notes twirling through
Their invisible element from
Rio to Tokyo and back again gathering
Speed in the variations as they tunnel
The twin haunted labyrinths of stirrup
And anvil echoing here in the hearkening
Instrument of my skull.


Written by Robert Pinsky | Create an image from this poem

Poem With Refrains

 The opening scene. The yellow, coal-fed fog
Uncurling over the tainted city river,
A young girl rowing and her anxious father
Scavenging for corpses. Funeral meats. The clever
Abandoned orphan. The great athletic killer
Sulking in his tent. As though all stories began
With someone dying.

 When her mother died,
My mother refused to attend the funeral--
In fact, she sulked in her tent all through the year
Of the old lady's dying. I don't know why:
She said, because she loved her mother so much
She couldn't bear to see the way the doctors,
Or her father, or--someone--was letting her mother die.
"Follow your saint, follow with accents sweet;
Haste you, sad notes, fall at her flying feet."

She fogs things up, she scavenges the taint.
Possibly that's the reason I write these poems.

But they did speak: on the phone. Wept and argued,
So fiercely one or the other often cut off
A sentence by hanging up in rage--like lovers,
But all that year she never saw her face.

They lived on the same block, four doors apart.
"Absence my presence is; strangeness my grace;
With them that walk against me is my sun."

"Synagogue" is a word I never heard,
We called it shul, the Yiddish word for school.
Elms, terra-cotta, the ocean a few blocks east.
"Lay institution": she taught me we didn't think
God lived in it. The rabbi is just a teacher.

But what about the hereditary priests,
Descendants of the Cohanes of the Temple,
Like Walter Holtz--I called him Uncle Walter,
When I was small. A big man with a face
Just like a boxer dog or a cartoon sergeant.
She told me whenever he helped a pretty woman
Try on a shoe in his store, he'd touch her calf
And ask her, "How does that feel?" I was too little
To get the point but pretended to understand.
"Desire, be steady; hope is your delight,
An orb wherein no creature can ever be sorry."

She didn't go to my bar mitzvah, either.
I can't say why: she was there, and then she wasn't.
I looked around before I mounted the steps
To chant that babble and the speech the rabbi wrote
And there she wasn't, and there was Uncle Walter
The Cohane frowning with his doggy face:
"She's missing her own son's musaf." Maybe she just
Doesn't like rituals. Afterwards, she had a reason
I don't remember. I wasn't upset: the truth
Is, I had decided to be the clever orphan
Some time before. By now, it's all a myth.
What is a myth but something that seems to happen
Always for the first time over and over again?
And ten years later, she missed my brother's, too.
I'm sorry: I think it was something about a hat.
"Hot sun, cool fire, tempered with sweet air,
Black shade, fair nurse, shadow my white hair;
Shine, sun; burn, fire; breathe, air, and ease me."

She sees the minister of the Nation of Islam
On television, though she's half-blind in one eye.
His bow tie is lime, his jacket crocodile green.
Vigorously he denounces the Jews who traded in slaves,
The Jews who run the newspapers and the banks.
"I see what this guy is mad about now," she says,
"It must have been some Jew that sold him the suit."
"And the same wind sang and the same wave whitened,
And or ever the garden's last petals were shed,
In the lips that had whispered, the eyes that had lightened."

But when they unveiled her mother's memorial stone,
Gathered at the graveside one year after the death,
According to custom, while we were standing around
About to begin the prayers, her car appeared.
It was a black car; the ground was deep in snow.
My mother got out and walked toward us, across
The field of gravestones capped with snow, her coat
Black as the car, and they waited to start the prayers
Until she arrived. I think she enjoyed the drama.
I can't remember if she prayed or not,
But that may be the way I'll remember her best:
Dark figure, awaited, attended, aware, apart.
"The present time upon time passëd striketh;
With Phoebus's wandering course the earth is graced.

The air still moves, and by its moving, cleareth;
The fire up ascends, and planets feedeth;
The water passeth on, and all lets weareth;
The earth stands still, yet change of changes breedeth."
Written by Vachel Lindsay | Create an image from this poem

Rhymes for Gloriana

 I. THE DOLL UPON THE TOPMOST BOUGH


This doll upon the topmost bough,
This playmate-gift, in Christmas dress,
Was taken down and brought to me
One sleety night most comfortless. 

Her hair was gold, her dolly-sash 
Was gray brocade, most good to see. 
The dear toy laughed, and I forgot 
The ill the new year promised me.


II. ON SUDDENLY RECEIVING A CURL LONG REFUSED

Oh, saucy gold circle of fairyland silk —
Impudent, intimate, delicate treasure:
A noose for my heart and a ring for my finger: — 
Here in my study you sing me a measure.

Whimsy and song in my little gray study!
Words out of wonderland, praising her fineness,
Touched with her pulsating, delicate laughter,
Saying, "The girl is all daring and kindness!"

Saying, "Her soul is all feminine gameness,
Trusting her insights, ardent for living;
She would be weeping with me and be laughing,
A thoroughbred, joyous receiving and giving!"


III. ON RECEIVING ONE OF GLORIANA'S LETTERS

Your pen needs but a ruffle
To be Pavlova whirling.
It surely is a scalawag
A-scamping down the page.
A pretty little May-wind
The morning buds uncurling.
And then the white sweet Russian,
The dancer of the age.

Your pen's the Queen of Sheba,
Such serious questions bringing,
That merry rascal Solomon
Would show a sober face: —
And then again Pavlova
To set our spirits singing,
The snowy-swan bacchante 
All glamour, glee and grace.


IV. IN PRAISE OF GLORIANA'S REMARKABLE GOLDEN HAIR

The gleaming head of one fine friend 
Is bent above my little song,
So through the treasure-pits of Heaven
In fancy's shoes, I march along. 

I wander, seek and peer and ponder 
In Splendor's last ensnaring lair— 
'Mid burnished harps and burnished crowns 
Where noble chariots gleam and flare:

Amid the spirit-coins and gems,
The plates and cups and helms of fire—
The gorgeous-treasure-pits of Heaven—
Where angel-misers slake desire!

O endless treasure-pits of gold 
Where silly angel-men make mirth—
I think that I am there this hour,
Though walking in the ways of earth!

Book: Reflection on the Important Things