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Written by Tupac Shakur | Create an image from this poem

When Ure Hero Falls

when your hero falls from grace
all fairy tales r uncovered
myths exposed and pain magnified
the greatest pain discovered
u taught me 2 be strong
but im confused 2 c u so weak
u said never 2 give up
and it hurts 2 c u welcome defeat

when ure hero falls so do the stars
and so does the perception of tomorrow
without my hero there is only
me alone 2 deal with my sorrow
your heart ceases 2 work
and your soul is not happy at all
what r u expected 2 do
when ure only hero falls


Written by John Greenleaf Whittier | Create an image from this poem

The Sycamores

 In the outskirts of the village 
On the river's winding shores 
Stand the Occidental plane-trees, 
Stand the ancient sycamores.
One long century hath been numbered, And another half-way told Since the rustic Irish gleeman Broke for them the virgin mould.
Deftly set to Celtic music At his violin's sound they grew, Through the moonlit eves of summer, Making Amphion's fable true.
Rise again, thou poor Hugh Tallant! Pass in erkin green along With thy eyes brim full of laughter, And thy mouth as full of song.
Pioneer of Erin's outcasts With his fiddle and his pack- Little dreamed the village Saxons Of the myriads at his back.
How he wrought with spade and fiddle, Delved by day and sang by night, With a hand that never wearied And a heart forever light,--- Still the gay tradition mingles With a record grave and drear Like the rollic air of Cluny With the solemn march of Mear.
When the box-tree, white with blossoms, Made the sweet May woodlands glad, And the Aronia by the river Lighted up the swarming shad, And the bulging nets swept shoreward With their silver-sided haul, Midst the shouts of dripping fishers, He was merriest of them all.
When, among the jovial huskers Love stole in at Labor's side With the lusty airs of England Soft his Celtic measures vied.
Songs of love and wailing lyke-wake And the merry fair's carouse; Of the wild Red Fox of Erin And the Woman of Three Cows, By the blazing hearths of winter Pleasant seemed his simple tales, Midst the grimmer Yorkshire legends And the mountain myths of Wales.
How the souls in Purgatory Scrambled up from fate forlorn On St.
Keven's sackcloth ladder Slyly hitched to Satan's horn.
Of the fiddler who at Tara Played all night to ghosts of kings; Of the brown dwarfs, and the fairies Dancing in their moorland rings! Jolliest of our birds of singing Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies! Hear the little folks in drink!" Merry-faced, with spade and fiddle, Singing through the ancient town, Only this, of poor Hugh Tallant Hath Tradtion handed down.
Not a stone his grave discloses; But if yet his spirit walks Tis beneath the trees he planted And when Bob-o-Lincoln talks.
Green memorials of the gleeman! Linking still the river-shores, With their shadows cast by sunset Stand Hugh Tallant's sycamores! When the Father of his Country Through the north-land riding came And the roofs were starred with banners, And the steeples rang acclaim,--- When each war-scarred Continental Leaving smithy, mill,.
and farm, Waved his rusted sword in welcome, And shot off his old king's-arm,--- Slowly passed that august Presence Down the thronged and shouting street; Village girls as white as angels Scattering flowers around his feet.
Midway, where the plane-tree's shadow Deepest fell, his rein he drew: On his stately head, uncovered, Cool and soft the west-wind blew.
And he stood up in his stirrups, Looking up and looking down On the hills of Gold and Silver Rimming round the little town,--- On the river, full of sunshine, To the lap of greenest vales Winding down from wooded headlands, Willow-skirted, white with sails.
And he said, the landscape sweeping Slowly with his ungloved hand "I have seen no prospect fairer In this goodly Eastern land.
" Then the bugles of his escort Stirred to life the cavalcade: And that head, so bare and stately Vanished down the depths of shade.
Ever since, in town and farm-house, Life has had its ebb and flow; Thrice hath passed the human harvest To its garner green and low.
But the trees the gleeman planted, Through the changes, changeless stand; As the marble calm of Tadmor Mocks the deserts shifting sand.
Still the level moon at rising Silvers o'er each stately shaft; Still beneath them, half in shadow, Singing, glides the pleasure craft; Still beneath them, arm-enfolded, Love and Youth together stray; While, as heart to heart beats faster, More and more their feet delay.
Where the ancient cobbler, Keezar, On the open hillside justice wrought, Singing, as he drew his stitches, Songs his German masters taught.
Singing, with his gray hair floating Round a rosy ample face,--- Now a thousand Saxon craftsmen Stitch and hammer in his place.
All the pastoral lanes so grassy Now are Traffic's dusty streets; From the village, grown a city, Fast the rural grace retreats.
But, still green and tall and stately, On the river's winding shores, Stand the occidental plane-trees, Stand Hugh Tallant's sycamores.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Lamentation

 In those days the Evil Spirits,
All the Manitos of mischief,
Fearing Hiawatha's wisdom,
And his love for Chibiabos,
Jealous of their faithful friendship,
And their noble words and actions,
Made at length a league against them,
To molest them and destroy them.
Hiawatha, wise and wary, Often said to Chibiabos, "O my brother! do not leave me, Lest the Evil Spirits harm you!" Chibiabos, young and heedless, Laughing shook his coal-black tresses, Answered ever sweet and childlike, "Do not fear for me, O brother! Harm and evil come not near me!" Once when Peboan, the Winter, Roofed with ice the Big-Sea-Water, When the snow-flakes, whirling downward, Hissed among the withered oak-leaves, Changed the pine-trees into wigwams, Covered all the earth with silence, Armed with arrows, shod with snow-shoes, Heeding not his brother's warning, Fearing not the Evil Spirits, Forth to hunt the deer with antlers All alone went Chibiabos.
Right across the Big-Sea-Water Sprang with speed the deer before him.
With the wind and snow he followed, O'er the treacherous ice he followed, Wild with all the fierce commotion And the rapture of the hunting.
But beneath, the Evil Spirits Lay in ambush, waiting for him, Broke the treacherous ice beneath him, Dragged him downward to the bottom, Buried in the sand his body.
Unktahee, the god of water, He the god of the Dacotahs, Drowned him in the deep abysses Of the lake of Gitche Gumee.
From the headlands Hiawatha Sent forth such a wail of anguish, Such a fearful lamentation, That the bison paused to listen, And the wolves howled from the prairies, And the thunder in the distance Starting answered "Baim-wawa!" Then his face with black he painted, With his robe his head he covered, In his wigwam sat lamenting, Seven long weeks he sat lamenting, Uttering still this moan of sorrow: "He is dead, the sweet musician! He the sweetest of all singers! He has gone from us forever, He has moved a little nearer To the Master of all music, To the Master of all singing! O my brother, Chibiabos!" And the melancholy fir-trees Waved their dark green fans above him, Waved their purple cones above him, Sighing with him to console him, Mingling with his lamentation Their complaining, their lamenting.
Came the Spring, and all the forest Looked in vain for Chibiabos; Sighed the rivulet, Sebowisha, Sighed the rushes in the meadow.
From the tree-tops sang the bluebird, Sang the bluebird, the Owaissa, "Chibiabos! Chibiabos! He is dead, the sweet musician!" From the wigwam sang the robin, Sang the robin, the Opechee, "Chibiabos! Chibiabos! He is dead, the sweetest singer!" And at night through all the forest Went the whippoorwill complaining, Wailing went the Wawonaissa, "Chibiabos! Chibiabos! He is dead, the sweet musician! He the sweetest of all singers!" Then the Medicine-men, the Medas, The magicians, the Wabenos, And the Jossakeeds, the Prophets, Came to visit Hiawatha; Built a Sacred Lodge beside him, To appease him, to console him, Walked in silent, grave procession, Bearing each a pouch of healing, Skin of beaver, lynx, or otter, Filled with magic roots and simples, Filled with very potent medicines.
When he heard their steps approaching~, Hiawatha ceased lamenting, Called no more on Chibiabos; Naught he questioned, naught he answered, But his mournful head uncovered, From his face the mourning colors Washed he slowly and in silence, Slowly and in silence followed Onward to the Sacred Wigwam.
There a magic drink they gave him, Made of Nahma-wusk, the spearmint, And Wabeno-wusk, the yarrow, Roots of power, and herbs of healing; Beat their drums, and shook their rattles; Chanted singly and in chorus, Mystic songs like these, they chanted.
"I myself, myself! behold me! `T Is the great Gray Eagle talking; Come, ye white crows, come and hear him! The loud-speaking thunder helps me; All the unseen spirits help me; I can hear their voices calling, All around the sky I hear them! I can blow you strong, my brother, I can heal you, Hiawatha!" "Hi-au-ha!" replied the chorus, "Wayha-way!" the mystic chorus.
Friends of mine are all the serpents! Hear me shake my skin of hen-hawk! Mahng, the white loon, I can kill him; I can shoot your heart and kill it! I can blow you strong, my brother, I can heal you, Hiawatha !" "Hi-au-ha!" replied the chorus, "Wayhaway!" the mystic chorus.
"I myself, myself! the prophet! When I speak the wigwam trembles, Shakes the Sacred Lodge with terror, Hands unseen begin to shake it! When I walk, the sky I tread on Bends and makes a noise beneath me! I can blow you strong, my brother! Rise and speak, O Hiawatha!" "Hi-au-ha!" replied the chorus, "Way-ha-way!" the mystic chorus.
Then they shook their medicine-pouches O'er the head of Hiawatha, Danced their medicine-dance around him; And upstarting wild and haggard, Like a man from dreams awakened, He was healed of all his madness.
As the clouds are swept from heaven, Straightway from his brain departed All his moody melancholy; As the ice is swept from rivers, Straightway from his heart departed All his sorrow and affliction.
Then they summoned Chibiabos From his grave beneath the waters, From the sands of Gitche Gumee Summoned Hiawatha's brother.
And so mighty was the magic Of that cry and invocation, That he heard it as he lay there Underneath the Big-Sea-Water; From the sand he rose and listened, Heard the music and the singing, Came, obedient to the summons, To the doorway of the wigwam, But to enter they forbade him.
Through a chink a coal they gave him, Through the door a burning fire-brand; Ruler in the Land of Spirits, Ruler o'er the dead, they made him, Telling him a fire to kindle For all those that died thereafter, Camp-fires for their night encampments On their solitary journey To the kingdom of Ponemah, To the land of the Hereafter.
From the village of his childhood, From the homes of those who knew him, Passing silent through the forest, Like a smoke-wreath wafted sideways, Slowly vanished Chibiabos! Where he passed, the branches moved not, Where he trod, the grasses bent not, And the fallen leaves of last year Made no sound beneath his footstep.
Four whole days he journeyed onward Down the pathway of the dead men; On the dead-man's strawberry feasted, Crossed the melancholy river, On the swinging log he crossed it, Came unto the Lake of Silver, In the Stone Canoe was carried To the Islands of the Blessed, To the land of ghosts and shadows.
On that journey, moving slowly, Many weary spirits saw he, Panting under heavy burdens, Laden with war-clubs, bows and arrows, Robes of fur, and pots and kettles, And with food that friends had given For that solitary journey.
"Ay! why do the living," said they, "Lay such heavy burdens on us! Better were it to go naked, Better were it to go fasting, Than to bear such heavy burdens On our long and weary journey!" Forth then issued Hiawatha, Wandered eastward, wandered westward, Teaching men the use of simples And the antidotes for poisons, And the cure of all diseases.
Thus was first made known to mortals All the mystery of Medamin, All the sacred art of healing.
Written by Yehuda Amichai | Create an image from this poem

Temporary Poem Of My Time

 Hebrew writing and Arabic writing go from east to west,
Latin writing, from west to east.
Languages are like cats: You must not stroke their hair the wrong way.
The clouds come from the sea, the hot wind from the desert, The trees bend in the wind, And stones fly from all four winds, Into all four winds.
They throw stones, Throw this land, one at the other, But the land always falls back to the land.
They throw the land, want to get rid of it.
Its stones, its soil, but you can't get rid of it.
They throw stones, throw stones at me In 1936, 1938, 1948, 1988, Semites throw at Semites and anti-Semites at anti-Semites, Evil men throw and just men throw, Sinners throw and tempters throw, Geologists throw and theologists throw, Archaelogists throw and archhooligans throw, Kidneys throw stones and gall bladders throw, Head stones and forehead stones and the heart of a stone, Stones shaped like a screaming mouth And stones fitting your eyes Like a pair of glasses, The past throws stones at the future, And all of them fall on the present.
Weeping stones and laughing gravel stones, Even God in the Bible threw stones, Even the Urim and Tumim were thrown And got stuck in the beastplate of justice, And Herod threw stones and what came out was a Temple.
Oh, the poem of stone sadness Oh, the poem thrown on the stones Oh, the poem of thrown stones.
Is there in this land A stone that was never thrown And never built and never overturned And never uncovered and never discovered And never screamed from a wall and never discarded by the builders And never closed on top of a grave and never lay under lovers And never turned into a cornerstone? Please do not throw any more stones, You are moving the land, The holy, whole, open land, You are moving it to the sea And the sea doesn't want it The sea says, not in me.
Please throw little stones, Throw snail fossils, throw gravel, Justice or injustice from the quarries of Migdal Tsedek, Throw soft stones, throw sweet clods, Throw limestone, throw clay, Throw sand of the seashore, Throw dust of the desert, throw rust, Throw soil, throw wind, Throw air, throw nothing Until your hands are weary And the war is weary And even peace will be weary and will be.
Written by John Clare | Create an image from this poem

Summer

 Remember the days of our first happiness,
how strong we were, how dazed by passion,
lying all day, then all night in the narrow bed,
sleeping there, eating there too: it was summer,
it seemed everything had ripened
at once.
And so hot we lay completely uncovered.
Sometimes the wind rose; a willow brushed the window.
But we were lost in a way, didn't you feel that? The bed was like a raft; I felt us drifting far from our natures, toward a place where we'd discover nothing.
First the sun, then the moon, in fragments, stone through the willow.
Things anyone could see.
Then the circles closed.
Slowly the nights grew cool; the pendant leaves of the willow yellowed and fell.
And in each of us began a deep isolation, though we never spoke of this, of the absence of regret.
We were artists again, my husband.
We could resume the journey.


Written by Henry Wadsworth Longfellow | Create an image from this poem

Belisarius

 I am poor and old and blind;
The sun burns me, and the wind
Blows through the city gate
And covers me with dust
From the wheels of the august
Justinian the Great.
It was for him I chased The Persians o'er wild and waste, As General of the East; Night after night I lay In their camps of yesterday; Their forage was my feast.
For him, with sails of red, And torches at mast-head, Piloting the great fleet, I swept the Afric coasts And scattered the Vandal hosts, Like dust in a windy street.
For him I won again The Ausonian realm and reign, Rome and Parthenope; And all the land was mine From the summits of Apennine To the shores of either sea.
For him, in my feeble age, I dared the battle's rage, To save Byzantium's state, When the tents of Zabergan, Like snow-drifts overran The road to the Golden Gate.
And for this, for this, behold! Infirm and blind and old, With gray, uncovered head, Beneath the very arch Of my triumphal march, I stand and beg my bread! Methinks I still can hear, Sounding distinct and near, The Vandal monarch's cry, As, captive and disgraced, With majestic step he paced,-- "All, all is Vanity!" Ah! vainest of all things Is the gratitude of kings; The plaudits of the crowd Are but the clatter of feet At midnight in the street, Hollow and restless and loud.
But the bitterest disgrace Is to see forever the face Of the Monk of Ephesus! The unconquerable will This, too, can bear;--I still Am Belisarius!
Written by Amy Clampitt | Create an image from this poem

A Hermit Thrush

 Nothing's certain.
Crossing, on this longest day, the low-tide-uncovered isthmus, scrambling up the scree-slope of what at high tide will be again an island, to where, a decade since well-being staked the slender, unpremeditated claim that brings us back, year after year, lugging the makings of another picnic— the cucumber sandwiches, the sea-air-sanctified fig newtons—there's no knowing what the slamming seas, the gales of yet another winter may have done.
Still there, the gust-beleaguered single spruce tree, the ant-thronged, root-snelled moss, grass and clover tuffet underneath it, edges frazzled raw but, like our own prolonged attachment, holding.
Whatever moral lesson might commend itself, there's no use drawing one, there's nothing here to seize on as exemplifying any so-called virtue (holding on despite adversity, perhaps) or any no-more-than-human tendency— stubborn adherence, say, to a wholly wrongheaded tenet.
Though to hold on in any case means taking less and less for granted, some few things seem nearly certain, as that the longest day will come again, will seem to hold its breath, the months-long exhalation of diminishment again begin.
Last night you woke me for a look at Jupiter, that vast cinder wheeled unblinking in a bath of galaxies.
Watching, we traveled toward an apprehension all but impossible to be held onto— that no point is fixed, that there's no foothold but roams untethered save by such snells, such sailor's knots, such stays and guy wires as are mainly of our own devising.
From such an empyrean, aloof seraphic mentors urge us to look down on all attachment, on any bonding, as in the end untenable.
Base as it is, from year to year the earth's sore surface mends and rebinds itself, however and as best it can, with thread of cinquefoil, tendril of the magenta beach pea, trammel of bramble; with easings, mulchings, fragrances, the gray-green bayberry's cool poultice— and what can't finally be mended, the salt air proceeds to buff and rarefy: the lopped carnage of the seaward spruce clump weathers lustrous, to wood-silver.
Little is certain, other than the tide that circumscribes us that still sets its term to every picnic—today we stayed too long again, and got our feet wet— and all attachment may prove at best, perhaps, a broken, a much-mended thing.
Watching the longest day take cover under a monk's-cowl overcast, with thunder, rain and wind, then waiting, we drop everything to listen as a hermit thrush distills its fragmentary, hesitant, in the end unbroken music.
From what source (beyond us, or the wells within?) such links perceived arrive— diminished sequences so uninsistingly not even human—there's hardly a vocabulary left to wonder, uncertain as we are of so much in this existence, this botched, cumbersome, much-mended, not unsatisfactory thing.
Written by Isaac Watts | Create an image from this poem

Hymn 167

 The Divine Perfections.
Great God! thy glories shall employ My holy fear, my humble joy; My lips in songs of honor bring Their tribute to th' eternal King.
[Earth, and the stars, and worlds unknown, Depend precarious on his throne; All nature hangs upon his word, And grace and glory own their Lord.
] [His sovereign power what mortal knows? If be command, who dares oppose? With strength he girds himself around, And treads the rebels to the ground.
] [Who shall pretend to teach him skill, Or guide the counsels of his will? His wisdom, like a sea divine, Flows deep and high beyond our line.
] [His name is holy, and his eye Burns with immortal jealousy He hates the sons of pride, and sheds His fiery vengeance on their heads.
] [The beaming of his piercing sight Bring dark hypocrisy to light; Death and destruction naked lie, And hell uncovered to his eye.
] [Th' eternal law before him stands; His justice, with impartial hands, Divides to all their due reward, Or by the sceptre or the sword.
] [His mercy, like a boundless sea, Washes our load of guilt away; While his own Son came down and died T' engage his justice on our side.
] [Each of his words demands my faith; My soul can rest on all he saith; His truth inviolably keeps The largest promise of his lips.
] O tell me, with a gentle voice, "Thou art my God," and I'll rejoice! Filled with thy love, I dare proclaim The brightest honors of thy name.
Written by Rudyard Kipling | Create an image from this poem

The Young British Soldier

 When the 'arf-made recruity goes out to the East
'E acts like a babe an' 'e drinks like a beast,
An' 'e wonders because 'e is frequent deceased
 Ere 'e's fit for to serve as a soldier.
Serve, serve, serve as a soldier, Serve, serve, serve as a soldier, Serve, serve, serve as a soldier, So-oldier OF the Queen! Now all you recruities what's drafted to-day, You shut up your rag-box an' 'ark to my lay, An' I'll sing you a soldier as far as I may: A soldier what's fit for a soldier.
Fit, fit, fit for a soldier .
.
.
First mind you steer clear o' the grog-sellers' huts, For they sell you Fixed Bay'nets that rots out your guts -- Ay, drink that 'ud eat the live steel from your butts -- An' it's bad for the young British soldier.
Bad, bad, bad for the soldier .
.
.
When the cholera comes -- as it will past a doubt -- Keep out of the wet and don't go on the shout, For the sickness gets in as the liquor dies out, An' it crumples the young British soldier.
Crum-, crum-, crumples the soldier .
.
.
But the worst o' your foes is the sun over'ead: You must wear your 'elmet for all that is said: If 'e finds you uncovered 'e'll knock you down dead, An' you'll die like a fool of a soldier.
Fool, fool, fool of a soldier .
.
.
If you're cast for fatigue by a sergeant unkind, Don't grouse like a woman nor crack on nor blind; Be handy and civil, and then you will find That it's beer for the young British soldier.
Beer, beer, beer for the soldier .
.
.
Now, if you must marry, take care she is old -- A troop-sergeant's widow's the nicest I'm told, For beauty won't help if your rations is cold, Nor love ain't enough for a soldier.
'Nough, 'nough, 'nough for a soldier .
.
.
If the wife should go wrong with a comrade, be loath To shoot when you catch 'em -- you'll swing, on my oath! -- Make 'im take 'er and keep 'er: that's Hell for them both, An' you're shut o' the curse of a soldier.
Curse, curse, curse of a soldier .
.
.
When first under fire an' you're wishful to duck, Don't look nor take 'eed at the man that is struck, Be thankful you're livin', and trust to your luck And march to your front like a soldier.
Front, front, front like a soldier .
.
.
When 'arf of your bullets fly wide in the ditch, Don't call your Martini a cross-eyed old *****; She's human as you are -- you treat her as sich, An' she'll fight for the young British soldier.
Fight, fight, fight for the soldier .
.
.
When shakin' their bustles like ladies so fine, The guns o' the enemy wheel into line, Shoot low at the limbers an' don't mind the shine, For noise never startles the soldier.
Start-, start-, startles the soldier .
.
.
If your officer's dead and the sergeants look white, Remember it's ruin to run from a fight: So take open order, lie down, and sit tight, And wait for supports like a soldier.
Wait, wait, wait like a soldier .
.
.
When you're wounded and left on Afghanistan's plains, And the women come out to cut up what remains, Jest roll to your rifle and blow out your brains An' go to your Gawd like a soldier.
Go, go, go like a soldier, Go, go, go like a soldier, Go, go, go like a soldier, So-oldier of the Queen!
Written by William Topaz McGonagall | Create an image from this poem

An Adventure in the Life of King James V of Scotland

 On one occasion King James the Fifth of Scotland, when alone, in disguise,
Near by the Bridge of Cramond met with rather a disagreeable surprise.
He was attacked by five gipsy men without uttering a word, But he manfully defended himself with his sword.
There chanced to be a poor man threshing corn in a barn near by, Who came out on hearing the noise so high; And seeing one man defending himself so gallantly, That he attacked the gipsies with his flail, and made them flee.
Then he took the King into the barn, Saying, "I hope, sir, you've met with no great harm; And for five men to attack you, it's a disgrace; But stay, I'll fetch a towel and water to wash your face.
" And when the King washed the blood off his face and hands, "Now, sir, I wish to know who you are," the King demands.
"My name, sir, is John Howieson, a bondsman on the farm of Braehead.
" "Oh, well," replied the King, "your company I need not dread.
" "And perhaps you'll accompany me a little way towards Edinburgh, Because at present I'm not free from sorrow.
And if you have any particular wish to have gratified, Let me know it, and it shall not be denied.
" Then honest John said, thinking it no harm, "Sir, I would like to be the owner of Braehead farm; But by letting me know who you are it would give my mind relief.
" Then King James he answered that he was the Gudeman of Ballingeich.
"And if you'll meet me at the palace on next Sunday, Believe me, for your manful assistance, I'll you repay.
Nay, honest John, don't think of you I'm making sport, I pledge my word at least you shall see the royal court.
" So on the next Sunday John put on his best clothes, And appeared at the palace gate as~you may suppose.
And he inquired for the Gudeman of Ballingeich; And when he gained admittance his heart was freed from grief.
For John soon found his friend the Gudeman, And the King took John by the han', Then conducted John from one apartment to another, Just as kindly as if he'd been his own brother.
Then the King asked John if he'd like to see His Majesty.
"Oh, yes," replied John, "His Majesty I would really like to see.
" And John looked earnestly into the King's face, And said, "How am I to know His Grace?" "Oh, John, you needn't be the least annoyed about that, For all heads will be uncovered: the King will wear his hat.
" Then he conducted John into a large hall, Which was filled by the nobility, crown officers, and all.
Then said John to the King, when he looked round the room, "Sir, I hope I will see the King very soon.
" Because to see the King, John rather dreaded, At last he said to the King, "'Tis you! the rest are bare-headed.
" Then the King said, "John, I give you Braehead farm as it stands, On condition you provide a towel and basin of water to wash my hands, If ever I chance to come your way.
Then John said, "Thanks to your Majesty, I'll willingly obey.
"

Book: Shattered Sighs