Written by
Walt Whitman |
1
TO conclude—I announce what comes after me;
I announce mightier offspring, orators, days, and then, for the present, depart.
I remember I said, before my leaves sprang at all,
I would raise my voice jocund and strong, with reference to consummations.
When America does what was promis’d,
When there are plentiful athletic bards, inland and seaboard,
When through These States walk a hundred millions of superb persons,
When the rest part away for superb persons, and contribute to them,
When breeds of the most perfect mothers denote America,
Then to me and mine our due fruition.
I have press’d through in my own right,
I have sung the Body and the Soul—War and Peace have I sung,
And the songs of Life and of Birth—and shown that there are many births:
I have offer’d my style to everyone—I have journey’d with confident step;
While my pleasure is yet at the full, I whisper, So long!
And take the young woman’s hand, and the young man’s hand, for the last time.
2
I announce natural persons to arise;
I announce justice triumphant;
I announce uncompromising liberty and equality;
I announce the justification of candor, and the justification of pride.
I announce that the identity of These States is a single identity only;
I announce the Union more and more compact, indissoluble;
I announce splendors and majesties to make all the previous politics of the earth
insignificant.
I announce adhesiveness—I say it shall be limitless, unloosen’d;
I say you shall yet find the friend you were looking for.
I announce a man or woman coming—perhaps you are the one, (So long!)
I announce the great individual, fluid as Nature, chaste, affectionate, compassionate,
fully
armed.
I announce a life that shall be copious, vehement, spiritual, bold;
I announce an end that shall lightly and joyfully meet its translation;
I announce myriads of youths, beautiful, gigantic, sweet-blooded;
I announce a race of splendid and savage old men.
3
O thicker and faster! (So long!)
O crowding too close upon me;
I foresee too much—it means more than I thought;
It appears to me I am dying.
Hasten throat, and sound your last!
Salute me—salute the days once more. Peal the old cry once more.
Screaming electric, the atmosphere using,
At random glancing, each as I notice absorbing,
Swiftly on, but a little while alighting,
Curious envelop’d messages delivering,
Sparkles hot, seed ethereal, down in the dirt dropping,
Myself unknowing, my commission obeying, to question it never daring,
To ages, and ages yet, the growth of the seed leaving,
To troops out of me, out of the army, the war arising—they the tasks I have set
promulging,
To women certain whispers of myself bequeathing—their affection me more clearly
explaining,
To young men my problems offering—no dallier I—I the muscle of their brains
trying,
So I pass—a little time vocal, visible, contrary;
Afterward, a melodious echo, passionately bent for—(death making me really undying;)
The best of me then when no longer visible—for toward that I have been incessantly
preparing.
What is there more, that I lag and pause, and crouch extended with unshut mouth?
Is there a single final farewell?
4
My songs cease—I abandon them;
From behind the screen where I hid I advance personally, solely to you.
Camerado! This is no book;
Who touches this, touches a man;
(Is it night? Are we here alone?)
It is I you hold, and who holds you;
I spring from the pages into your arms—decease calls me forth.
O how your fingers drowse me!
Your breath falls around me like dew—your pulse lulls the tympans of my ears;
I feel immerged from head to foot;
Delicious—enough.
Enough, O deed impromptu and secret!
Enough, O gliding present! Enough, O summ’d-up past!
5
Dear friend, whoever you are, take this kiss,
I give it especially to you—Do not forget me;
I feel like one who has done work for the day, to retire awhile;
I receive now again of my many translations—from my avataras ascending—while
others
doubtless await me;
An unknown sphere, more real than I dream’d, more direct, darts awakening rays about
me—So long!
Remember my words—I may again return,
I love you—I depart from materials;
I am as one disembodied, triumphant, dead.
|
Written by
Mark Doty |
Over the terminal,
the arms and chest
of the god
brightened by snow.
Formerly mercury,
formerly silver,
surface yellowed
by atmospheric sulphurs
acid exhalations,
and now the shining
thing's descendant.
Obscure passages,
dim apertures:
these clouded windows
show a few faces
or some empty car's
filmstrip of lit flames
--remember them
from school,
how they were supposed
to teach us something?--
waxy light hurrying
inches away from the phantom
smudge of us, vague
in spattered glass. Then
daylight's soft charcoal
lusters stone walls
and we ascend to what
passes for brightness,
this February,
scumbled sky
above graduated zones
of decline:
dead rowhouses,
charred windows'
wet frames
around empty space,
a few chipboard polemics
nailed over the gaps,
speeches too long
and obsessive for anyone
on this train to read,
sealing the hollowed interiors
--some of them grand once,
you can tell by
the fillips of decoration,
stone leaves, the frieze
of sunflowers.
Desolate fields--open spaces,
in a city where you
can hardly turn around!--
seem to center
on little flames,
something always burning
in a barrel or can
As if to represent
inextinguishable,
dogged persistence?
Though whether what burns
is will or rage or
harsh amalgam
I couldn't say.
But I can tell you this,
what I've seen that
won my allegiance most,
though it was also
the hallmark of our ruin,
and quick as anything
seen in transit:
where Manhattan ends
in the narrowing
geographical equivalent
of a sigh (asphalt,
arc of trestle, dull-witted
industrial tanks
and scaffoldings, ancient now,
visited by no one)
on the concrete
embankment just
above the river,
a sudden density
and concentration
of trash, so much
I couldn't pick out
any one thing
from our rising track
as it arced onto the bridge
over the fantastic
accumulation of jetsam
and contraband
strewn under
the uncompromising
vault of heaven.
An unbelievable mess,
so heaped and scattered
it seemed the core
of chaos itself--
but no, the junk was arranged
in rough aisles,
someone's intimate
clutter and collection,
no walls but still
a kind of apartment
and a fire ribboned out
of a ruined stove,
and white plates
were laid out
on the table beside it.
White china! Something
was moving, and
--you understand
it takes longer to tell this
than to see it, only
a train window's worth
of actuality--
I knew what moved
was an arm,
the arm of the (man
or woman?) in the center
of that hapless welter
in layer upon layer
of coats blankets scarves
until the form
constituted one more
gray unreadable;
whoever
was lifting a hammer,
and bringing it down
again, tapping at
what work
I couldn't say;
whoever, under
the great exhausted dome
of winter light,
which the steep
and steel surfaces of the city
made both more soft
and more severe,
was making something,
or repairing,
was in the act
(sheer stubborn nerve of it)
of putting together.
Who knows what.
(And there was more,
more I'd take all spring
to see. I'd pick my seat
and set my paper down
to study him again
--he, yes, some days not
at home though usually
in, huddled
by the smoldering,
and when my eye wandered
--five-second increments
of apprehension--I saw
he had a dog!
Who lay half in
half out his doghouse
in the rain, golden head
resting on splayed paws.
He had a ruined car,
and heaps of clothes,
and things to read--
was no emblem,
in other words,
but a citizen,
who'd built a citizen's
household, even
on the literal edge,
while I watched
from my quick,
high place, hurtling
over his encampment
by the waters of Babylon.)
Then we were gone,
in the heat and draft
of our silver, rattling
over the river
into the South Bronx,
against whose greasy
skyline rose that neoned
billboard for cigarettes
which hostages
my attention, always,
as it is meant to do,
its motto ruby
in the dark morning:
ALIVE WITH PLEASURE.
|
Written by
John Williams |
In every presence there is absence.
When we're together, the spaces between
Threaten to enclose our bodies
And isolate our spirits.
The mirror reflects what we are not,
And we wonder if our mate
Suspects a fatal misreading
Of our original text,
Not to mention the dreaded subtext.
Reality, we fear, mocks appearance.
Or is trapped in a hall of mirrors
Where infinite regress prevents
A grateful egress. That is,
We can never know the meaning
Of being two-in-one,
Or if we are one-in-two.
What-I-Am is grieved at What-I'm-Not.
What-We-Should-Be is numbed by What-We-Are.
Yes, I'm playing word games
With the idea of marriage,
Musing over how even we can
Secularize Holy wedlock.
Or to figure it another way,
To wonder why two televisions
In the same house seem natural symbols
Of the family in decline.
Yet you are present to me now.
I sense you keenly, at work,
Bending red in face to reach
A last defiant spot of yellow
On those horrific kitchen cabinets.
Your honey hair flecked with paint;
Your large soft hidden breasts
Pushing down against your shirt.
The hemispheres of those buttocks
Curving into uncompromising hips.
To embrace you would be to take hold
Of my life in all its substance.
Without romance, I say that if
I were to deconstruct myself
And fling the pieces at random,
They would compose themselves
Into your shape.
But I guess that is romantic,
The old mystification-
Cramming two bodies
Into a single space.
Amen!
Our separation has taught me
That, dwelling in mind,
The corporeality
Of mates has spiritual mass
Which may be formulated:
Memory times desire over distance
Yields a bodying forth.
Thus I project into the
Deadly space between us
A corposant,Pulsating a language
That will cleave to you
In the coolness of sleep
With insubstantiality
So fierce as to leave its dampness
On the morning sheets,
Or so gentle
As to fan your brow
While you paint the kitchen.
A body like a breath,
Whispering the axiom
By which all religions are blessed:
In every absence there is presence.
Bene
Bene
Benedictus.
|
Written by
Thomas Hardy |
I
I saw a slowly-stepping train --
Lined on the brows, scoop-eyed and bent and hoar --
Following in files across a twilit plain
A strange and mystic form the foremost bore.
II
And by contagious throbs of thought
Or latent knowledge that within me lay
And had already stirred me, I was wrought
To consciousness of sorrow even as they.
III
The fore-borne shape, to my blurred eyes,
At first seemed man-like, and anon to change
To an amorphous cloud of marvellous size,
At times endowed with wings of glorious range.
IV
And this phantasmal variousness
Ever possessed it as they drew along:
Yet throughout all it symboled none the less
Potency vast and loving-kindness strong.
V
Almost before I knew I bent
Towards the moving columns without a word;
They, growing in bulk and numbers as they went,
Struck out sick thoughts that could be overheard: --
VI
'O man-projected Figure, of late
Imaged as we, thy knell who shall survive?
Whence came it we were tempted to create
One whom we can no longer keep alive?
VII
'Framing him jealous, fierce, at first,
We gave him justice as the ages rolled,
Will to bless those by circumstance accurst,
And longsuffering, and mercies manifold.
VIII
'And, tricked by our own early dream
And need of solace, we grew self-deceived,
Our making soon our maker did we deem,
And what we had imagined we believed,
IX
'Till, in Time's stayless stealthy swing,
Uncompromising rude reality
Mangled the Monarch of our fashioning,
Who quavered, sank; and now has ceased to be.
X
'So, toward our myth's oblivion,
Darkling, and languid-lipped, we creep and grope
Sadlier than those who wept in Babylon,
Whose Zion was a still abiding hope.
XI
'How sweet it was in years far hied
To start the wheels of day with trustful prayer,
To lie down liegely at the eventide
And feel a blest assurance he was there!
XII
'And who or what shall fill his place?
Whither will wanderers turn distracted eyes
For some fixed star to stimulate their pace
Towards the goal of their enterprise?'...
XIII
Some in the background then I saw,
Sweet women, youths, men, all incredulous,
Who chimed as one: 'This is figure is of straw,
This requiem mockery! Still he lives to us!'
XIV
I could not prop their faith: and yet
Many I had known: with all I sympathized;
And though struck speechless, I did not forget
That what was mourned for, I, too, once had prized.
XV
Still, how to bear such loss I deemed
The insistent question for each animate mind,
And gazing, to my growing sight there seemed
A pale yet positive gleam low down behind,
XVI
Whereof, to lift the general night,
A certain few who stood aloof had said,
'See you upon the horizon that small light --
Swelling somewhat?' Each mourner shook his head.
XVII
And they composed a crowd of whom
Some were right good, and many nigh the best....
Thus dazed and puzzled 'twixt the gleam and gloom
Mechanically I followed with the rest.
|
Written by
Paul Laurence Dunbar |
Heart of the Southland, heed me pleading now,
Who bearest, unashamed, upon my brow
The long kiss of the loving tropic sun,
And yet, whose veins with thy red current run.
Borne on the bitter winds from every hand,
Strange tales are flying over all the land,
And Condemnation, with his pinions foul,
Glooms in the place where broods the midnight owl.
What art thou, that the world should point at thee,
And vaunt and chide the weakness that they see?
There was a time they were not wont to chide;
Where is thy old, uncompromising pride?
Blood-washed, thou shouldst lift up thine honored head,
White with the sorrow for thy loyal dead[Pg 217]
Who lie on every plain, on every hill,
And whose high spirit walks the Southland still:
Whose infancy our mother's hands have nursed.
Thy manhood, gone to battle unaccursed,
Our fathers left to till th' reluctant field,
To rape the soil for what she would not yield;
Wooing for aye, the cold unam'rous sod,
Whose growth for them still meant a master's rod;
Tearing her bosom for the wealth that gave
The strength that made the toiler still a slave.
Too long we hear the deep impassioned cry
That echoes vainly to the heedless sky;
Too long, too long, the Macedonian call
Falls fainting far beyond the outward wall,
Within whose sweep, beneath the shadowing trees,
A slumbering nation takes its dangerous ease;
Too long the rumors of thy hatred go
For those who loved thee and thy children so.
Thou must arise forthwith, and strong, thou must
Throw off the smirching of this baser dust,
Lay by the practice of this later creed,
And be thine honest self again indeed.
There was a time when even slavery's chain
Held in some joys to alternate with pain,
Some little light to give the night relief,
Some little smiles to take the place of grief.
There was a time when, jocund as the day,
The toiler hoed his row and sung his lay,
Found something gleeful in the very air,
And solace for his toiling everywhere.
Now all is changed, within the rude stockade,
A bondsman whom the greed of men has made
Almost too brutish to deplore his plight,
Toils hopeless on from joyless morn till night.[Pg 218]
For him no more the cabin's quiet rest,
The homely joys that gave to labor zest;
No more for him the merry banjo's sound,
Nor trip of lightsome dances footing round.
For him no more the lamp shall glow at eve,
Nor chubby children pluck him by the sleeve;
No more for him the master's eyes be bright,—
He has nor freedom's nor a slave's delight.
What, was it all for naught, those awful years
That drenched a groaning land with blood and tears?
Was it to leave this sly convenient hell,
That brother fighting his own brother fell?
When that great struggle held the world in awe,
And all the nations blanched at what they saw,
Did Sanctioned Slavery bow its conquered head
That this unsanctioned crime might rise instead?
Is it for this we all have felt the flame,—
This newer bondage and this deeper shame?
Nay, not for this, a nation's heroes bled,
And North and South with tears beheld their dead.
Oh, Mother South, hast thou forgot thy ways,
Forgot the glory of thine ancient days,
Forgot the honor that once made thee great,
And stooped to this unhallowed estate?
It cannot last, thou wilt come forth in might,
A warrior queen full armored for the fight;
And thou wilt take, e'en with thy spear in rest,
Thy dusky children to thy saving breast.
Till then, no more, no more the gladsome song,
Strike only deeper chords, the notes of wrong;
Till then, the sigh, the tear, the oath, the moan,
Till thou, oh, South, and thine, come to thine own.[Pg 219]
|
Written by
Rg Gregory |
yesterday the man was pleased
the sun sat in the tree and all
upon the land held to the harmony
his coming then expected
his gun in his arm
his dog at his heels
a blackbird sang on a high branch
a white horse ambled by the hedge
a brindled cow munched grass - the man
shared his heartbeat with them
his gun in his arm
his dog at his heels
today he was disturbed - a mist
obscured what grew inside and out
a tree loomed upon him like a threat
his walk had nothing safe about it
a gun in his arm
a dog at his heels
a huge crow shrieked from the tree
its wings churning the mist
its beak sharpening for attack
its claws reaching for the man's eyes
shoot said the gun
the dog stayed at his heels
the man shot - once - and the crow
reared backwards from the blast
a thunder cloud dripping red rain
and fell to earth a muted blackbird
good said the gun
the dog stayed at his heels
an elephant (but white as leprosy)
with trunk and tusks upraised crashed
through the hedge trumpeting and causing
earth and man to shudder violently
shoot shoot said the gun
the dog stayed at his heels
the man shot - twice - and the beast
bellowing with a disbelieving pain
exploded (staining the mist deep red)
and fell to earth an old white horse
good good said the gun
the dog stayed at his heels
a mammoth buffalo brindled and bristling
a taste for death snorting from its snout
hurtled towards the man - with flecks
of flesh still hanging from its jaws
shoot shoot shoot said the gun
the dog stayed at his heels
the man shot - thrice - and the monster
spun round with the savagest of roars
drenching the landscape in a hot red spray
then fell to earth a gentle brindled cow
good good good said the gun
the dog barked once
the man stood stunned in the thick mist
alien to the fields he had known
from his first breath - he comprehended
nothing but the gun in his hand
shoot shoot shoot shoot said the gun
the dog barked twice
the man shot - four times - and the dog
with not a sound fell to earth
and rolled on its back - its four
legs sticking stiffly in the air
good good good good said the gun
as the dog lay still
the man looked hard at the dog and saw
an upside down reflection of himself
he hurled the gun (bereft of bullets)
into a pond - it stuck stock-upwards
the gun reverted to the tree
its wood had come from
the dog was lifted skywards
by invisible cords
the man went on walking - for days the man stood stunned in the thick mist
alien to the fields he had known
from his first breath - he comprehended
nothing but the gun in his hand
shoot shoot shoot shoot said the gun
the dog barked twice
the man shot - four times - and the dog
with not a sound fell to earth
and rolled on its back - its four
legs sticking stiffly in the air
good good good good said the gun
as the dog lay still
the man looked hard at the dog and saw
an upside down reflection of himself
he hurled the gun (bereft of bullets)
into a pond - it stuck stock-upwards
the gun reverted to the tree
its wood had come from
the dog was lifted skywards
by invisible cords
the man went on walking - for days
weeks months even till the sun returned -
loving the mist (its near wisdom
its light uncompromising touch)
now he is free of the gun
he understands the dog
a blackbird sings in a high branch
a white horse ambles by the hedge
a brindled cow munches grass - the man
shares his heartbeat with them
|
Written by
Dejan Stojanovic |
Here lies once splendid ancient Roman Villa in ruins. Remnants of a gorgeous mosaic—Venus and a flying dove on the floor—of big gardens, fountains and pools talk about her rich and lively history.
The Roman wealthy patrician did not think of us looking at the mosaic of his Villa. He built it for posterity, yet desired to live longer than his creation. He thought he could deceive the uncompromising ruler—time. Although there was no real stock market then, he had his own treasury; he thought the treasury will live longer even than his Villa to support his posterity—buy them power, fame.
We can almost hear and see the water that once sprinkled from fountains; hear giggles and secret stories shared in the gardens among his children and servants; we can imagine his demeanor at the extravagant parties he loved; bacchanalias in the secret rooms of the Villa.
Here lies the ancient Roman Villa in ruins and little is known of her once larger-than-life owner, and even less about his stock, treasury, and posterity.
|