Written by
Jane Austen |
My dearest Frank, I wish you joy
Of Mary's safety with a Boy,
Whose birth has given little pain
Compared with that of Mary Jane.
--
May he a growing Blessing prove,
And well deserve his Parents' Love!--
Endow'd with Art's and Nature's Good,
Thy Name possessing with thy Blood,
In him, in all his ways, may we
Another Francis WIlliam see!--
Thy infant days may he inherit,
THey warmth, nay insolence of spirit;--
We would not with one foult dispense
To weaken the resemblance.
May he revive thy Nursery sin,
Peeping as daringly within,
His curley Locks but just descried,
With 'Bet, my be not come to bide.
'--
Fearless of danger, braving pain,
And threaten'd very oft in vain,
Still may one Terror daunt his Soul,
One needful engine of Controul
Be found in this sublime array,
A neigbouring Donkey's aweful Bray.
So may his equal faults as Child,
Produce Maturity as mild!
His saucy words and fiery ways
In early Childhood's pettish days,
In Manhood, shew his Father's mind
Like him, considerate and Kind;
All Gentleness to those around,
And anger only not to wound.
Then like his Father too, he must,
To his own former struggles just,
Feel his Deserts with honest Glow,
And all his self-improvement know.
A native fault may thus give birth
To the best blessing, conscious Worth.
As for ourselves we're very well;
As unaffected prose will tell.
--
Cassandra's pen will paint our state,
The many comforts that await
Our Chawton home, how much we find
Already in it, to our mind;
And how convinced, that when complete
It will all other Houses beat
The ever have been made or mended,
With rooms concise, or rooms distended.
You'll find us very snug next year,
Perhaps with Charles and Fanny near,
For now it often does delight us
To fancy them just over-right us.
--
|
Written by
Ezra Pound |
"Vocat aestus in umbram"
Nemesianus Es.
IV.
E.
P.
Ode pour l'élection de son sépulchre
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense.
Wrong from the start --
No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:
"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.
II.
The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;
Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III.
The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.
Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.
A bright Apollo,
tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?
IV.
These fought, in any case,
and some believing, pro domo, in any case .
.
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later .
.
.
some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" .
.
walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V.
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
Yeux Glauques
Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.
Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.
The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;
Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.
The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive .
.
.
.
"Ah, poor Jenny's case" .
.
.
Bewildered that a world
Shows no surprise
At her last maquero's
Adulteries.
"Siena Mi Fe', Disfecemi Maremma"
Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub .
.
.
But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",
M.
Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.
Brennbaum.
The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;
The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".
Mr.
Nixon
In the cream gilded cabin of his steam yacht
Mr.
Nixon advised me kindly, to advance with fewer
Dangers of delay.
"Consider
Carefully the reviewer.
"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr.
Nixon,
"Follow me, and take a column,
"Even if you have to work free.
"Butter reviewers.
From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr.
Dundas.
"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure.
"
And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it.
"
* * *
Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion.
The "Nineties" tried your game
And died, there's nothing in it.
X.
Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter
Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.
The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.
XI.
"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly.
But in Ealing
With the most bank-clerkly of Englishmen?
No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.
XII.
"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively.
In the stuffed-satin drawing-room
I await The Lady Valentine's commands,
Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;
Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:
Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;
A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.
* * *
Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St.
where
Dr.
Johnson flourished;
Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.
|
Written by
Lady Mary Chudleigh |
Melissa: I've still rever'd your Order [she is responding to a Parson] as Divine;
And when I see unblemish'd Virtue shine,
When solid Learning, and substantial Sense,
Are joyn'd with unaffected Eloquence;
When Lives and Doctrices of a Piece are made,
And holy Truths with humble Zeal convey'd;
When free from Passion, Bigottry, and Pride,
Not sway'd by Int'rest, nor to Parties ty'd,
Contemning Riches, and abhorring strife,
And shunning all the noisy Pomps of Life,
You live the aweful Wonders of your time,
Without the least Suspicion of a Crime:
I shall with Joy the highest Deference pay,
and heedfully attend to all you say.
From such, Reproofs shall always welcome prove,
As being th' Effects of Piety and Love.
But those from me can challenge no Respect,
Who on us all without just Cause reflect:
Who without Mercy all the Sex decry,
And into open Defamations fly:
Who think us Creatures for Derision made,
And the Creator with his Works upbraid:
What he call'd good, they proudly think not so,
And with their Malice, their Prophaneness show.
'Tis hard we shou'd be by the Men despis'd,
Yet kept from knowing what wou'd make us priz'd:
Debarr'd from Knowledge, banish'd from the Schools,
And with the utmost Industry bred Fools.
Laugh'd out of Reason, jested out of Sense,
And nothing left but Native Innocence:
Then told we are incapable of Wit,
And only for the meanest Drudgeries fit:
Made Slaves to serve their Luxury and Pride,
And with innumerable Hardships try'd,
'Till Pitying Heav'n release us from our Pain,
Kind Heav'n to whom alone we dare complain.
Th' ill-natur'd World will no Compassion show;
Such as are wretched, it wou'd still have so:
It gratifies its Envy and its Spight;
The most in others Miseries take Delight.
While we are present they some Pity spare,
And feast us on a thin Repast of Air:
Look Grave and Sigh, when we our Wrongs relate,
An in a Compliment accuse our Fate:
Blame those to whom we our Misfortunes owe,
And all the Signs of real Friendship show.
But when we're absent, we their Sport are made,
They fan the Flame, and our Oppressors aid;
Joyn with the Stronger, the Victorious Side,
And all our Suff'ring, all our griefs deride.
Those gen'rous few, whom kinder Thoughts inspire,
And who the Happiness of all desire;
Who wish we were from barb'rous Usage free,
Exempt from Toils, and shameful Slavery,
Yet let us, unreprov'd, mis.
spend our Hours,
And to mean Purposes employ our nobler Pow'rs.
They think, if we our Thoughts can but express,
And know but how to Work, to Dance and Dress,
It is enough, as much as we shou'd mind,
As if we were for nothing else design'd,
But made, like Puppets, to divert Mankind.
O that my Sex wou'd all such Toys despise;
And only study to be Good, and Wise;
Inspect themselves, and every Blemish find,
Search all the close Recesses of the Mind,
And leave no vice, no ruling Passion there,
Nothing to raise a Blush, or cause a Fear:
Their Memories with solid Notions fill,
And let their Reason dictate to their Will,
Instead of Novels, Histories peruse,
And for their Guides the wiser Ancients chuse,
Thro' all the Labyrinths of Learning go,
And grow more humble, as they more do know.
By doing this, they will Respect procure,
Silence the Men, and lasting Fame secure;
And to themselves the best Companions prove,
And neither fear their Malice, nor desire their Love.
|
Written by
Ezra Pound |
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense.
Wrong from the start--
No, hardly, but seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;
Idmen gar toi panth, hos eni troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events,"
He passed from men's memory in l'an trentuniesme
de son eage;the case presents
No adjunct to the Muses' diadem.
II
The age demanded an image
Of its accelerated grimace,
Something for the modern stage
Not, at any rate, an Attic grace;
Not, certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III
The tea-rose tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing
Sage Heracleitus say;
But a tawdry cheapness
Shall outlast our days.
Even the Christian beauty
Defects--after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Pisistratus,
We choose a knave or an eunuch
To rule over us.
O bright Apollo,
Tin andra, tin heroa, tina theon,
What god, man or hero
Shall I place a tin wreath upon!
IV
These fought in any case,
And some believing,
pro domo, in any case.
.
.
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later.
.
.
some in fear, learning love of slaughter;
Died some, pro patria,
non "dulce" not "et decor".
.
.
walked eye-deep in hell
believing old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization,
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
|
Written by
Sylvia Plath |
If the moon smiled, she would resemble you.
You leave the same impression
Of something beautiful, but annihilating.
Both of you are great light borrowers.
Her O-mouth grieves at the world; yours is unaffected,
And your first gift is making stone out of everything.
I wake to a mausoleum; you are here,
Ticking your fingers on the marble table, looking for cigarettes,
Spiteful as a woman, but not so nervous,
And dying to say something unanswerable.
The moon, too, abases her subjects
But in the daytime she is ridiculous.
Your dissatisfactions, on the other hand,
Arrive through the mailslot with loving regularity,
White and blank, expansive as carbon monoxide.
No day is safe from news of you,
Walking about in Africa maybe, but thinking of me.
|
Written by
Sidney Lanier |
not much chance,
completely cut loose from
purpose,
he was a young man
riding a bus
through North Carolina
on the wat to somewhere
and it began to snow
and the bus stopped
at a little cafe
in the hills
and the passengers
entered.
he sat at the counter
with the others,
he ordered and the
food arived.
the meal was
particularly
good
and the
coffee.
the waitress was
unlike the women
he had
known.
she was unaffected,
there was a natural
humor which came
from her.
the fry cook said
crazy things.
the dishwasher.
in back,
laughed, a good
clean
pleasant
laugh.
the young man watched
the snow through the
windows.
he wanted to stay
in that cafe
forever.
the curious feeling
swam through him
that everything
was
beautiful
there,
that it would always
stay beautiful
there.
then the bus driver
told the passengers
that it was time
to board.
the young man
thought, I'll just sit
here, I'll just stay
here.
but then
he rose and followed
the others into the
bus.
he found his seat
and looked at the cafe
through the bus
window.
then the bus moved
off, down a curve,
downward, out of
the hills.
the young man
looked straight
foreward.
he heard the other
passengers
speaking
of other things,
or they were
reading
or
attempting to
sleep.
they had not
noticed
the
magic.
the young man
put his head to
one side,
closed his
eyes,
pretended to
sleep.
there was nothing
else to do-
just to listen to the
sound of the
engine,
the sound of the
tires
in the
snow.
|
Written by
Anne Kingsmill Finch |
Give me, O indulgent Fate!
Give me yet before I die
A sweet, but absolute retreat,
'Mongst paths so lost and trees so high
That the world may ne'er invade
Through such windings and such shade
My unshaken liberty.
No intruders thither come
Who visit but to be from home!
None who their vain moments pass
Only studious of their glass;
News, that charm to list'ning ears,
That false alarm to hopes and fears,
That common theme for every fop,
From the statesman to the shop,
In those coverts ne'er be spread,
Of who's deceas'd, and who's to wed.
Be no tidings thither brought,
But silent as a midnight thought
Where the world may ne'er invade
Be those windings and that shade!
Courteous Fate! afford me there
A table spread, without my care,
With what the neighb'ring fields impart,
Whose cleanliness be all its art.
When of old the calf was drest
(Though to make an angel's feast)
In the plain unstudied sauce
Nor truffle nor morillia was;
Nor could the mighty patriarchs' board
One far-fetch'd ortolan afford.
Courteous Fate! then give me there
Only plain and wholesome fare;
Fruits indeed (would heaven bestow)
All that did in Eden grow,
All but the forbidden Tree
Would be coveted by me;
Grapes with juice so crowded up
As breaking through the native cup;
Figs yet growing candied o'er
By the sun's attracting power;
Cherries, with the downy peach,
All within my easy reach;
Whilst creeping near the humble ground
Should the strawberry be found
Springing wheresoe'er I stray'd
Through those windings and that shade.
For my garments: let them be
What may with the time agree;
Warm when Ph{oe}bus does retire
And is ill-supplied by fire:
But when he renews the year
And verdant all the fields appear,
Beauty every thing resumes,
Birds have dropp'd their winter plumes,
When the lily full-display'd
Stands in purer white array'd
Than that vest which heretofore
The luxurious monarch wore,
When from Salem's gates he drove
To the soft retreat of love,
Lebanon's all burnish'd house
And the dear Egyptian spouse.
Clothe me, Fate, though not so gay,
Clothe me light and fresh as May!
In the fountains let me view
All my habit cheap and new
Such as, when sweet zephyrs fly,
With their motions may comply,
Gently waving to express
Unaffected carelessness.
No perfumes have there a part
Borrow'd from the chemist's art,
But such as rise from flow'ry beds
Or the falling jasmine sheds!
'Twas the odour of the field
Esau's rural coat did yield
That inspir'd his father's prayer
For blessings of the earth and air:
Of gums or powders had it smelt,
The supplanter, then unfelt,
Easily had been descried
For one that did in tents abide,
For some beauteous handmaid's joy,
And his mother's darling boy.
Let me then no fragrance wear
But what the winds from gardens bear,
In such kind surprising gales
As gather'd from Fidentia's vales
All the flowers that in them grew;
Which intermixing as they flew
In wreathen garlands dropp'd again
On Lucullus and his men;
Who, cheer'd by the victorious sight,
Trebled numbers put to flight.
Let me, when I must be fine,
In such natural colours shine;
Wove and painted by the sun;
Whose resplendent rays to shun
When they do too fiercely beat
Let me find some close retreat
Where they have no passage made
Through those windings, and that shade.
|
Written by
James Whitcomb Riley |
If the moon smiled, she would resemble you.
You leave the same impression
Of something beautiful, but annihilating.
Both of you are great light borrowers.
Her O-mouth grieves at the world; yours is unaffected,
And your first gift is making stone out of everything.
I wake to a mausoleum; you are here,
Ticking your fingers on the marble table, looking for cigarettes,
Spiteful as a woman, but not so nervous,
And dying to say something unanswerable.
The moon, too, abuses her subjects,
But in the daytime she is ridiculous.
Your dissatisfactions, on the other hand,
Arrive through the mailslot with loving regularity,
White and blank, expansive as carbon monoxide.
No day is safe from news of you,
Walking about in Africa maybe, but thinking of me.
|
Written by
Ezra Pound |
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old scene.
Wrong from the start--
No, hardly, but seeing he had been born
In a half-savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;
[idmen gar toi pant, hos eni Troiei]
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events,"
He passed from men's memory in l'an trentuniesme
De son eage; the case presents
No adjunct to the Muses' diadem.
|
Written by
Robert Burns |
O LUVE will venture in where it daur na weel be seen,
O luve will venture in where wisdom ance has been;
But I will doun yon river rove, amang the wood sae green,
And a’ to pu’ a Posie to my ain dear May.
The primrose I will pu’, the firstling o’ the year,
And I will pu’ the pink, the emblem o’ my dear;
For she’s the pink o’ womankind, and blooms without a peer,
And a’ to be a Posie to my ain dear May.
I’ll pu’ the budding rose, when Phoebus peeps in view,
For it’s like a baumy kiss o’ her sweet, bonie mou;
The hyacinth’s for constancy wi’ its unchanging blue,
And a’ to be a Posie to my ain dear May.
The lily it is pure, and the lily it is fair,
And in her lovely bosom I’ll place the lily there;
The daisy’s for simplicity and unaffected air,
And a’ to be a Posie to my ain dear May.
The hawthorn I will pu’, wi’ its locks o’ siller gray,
Where, like an aged man, it stands at break o’ day;
But the songster’s nest within the bush I winna tak away
And a’ to be a Posie to my ain dear May.
The woodbine I will pu’, when the e’ening star is near,
And the diamond draps o’ dew shall be her een sae clear;
The violet’s for modesty, which weel she fa’s to wear,
And a’ to be a Posie to my ain dear May.
I’ll tie the Posie round wi’ the silken band o’ luve,
And I’ll place it in her breast, and I’ll swear by a’ above,
That to my latest draught o’ life the band shall ne’er remove,
And this will be a Posie to my ain dear May.
|