Written by
Derek Walcott |
There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such objects as
"Herefords at Sunset in the valley of the Wye.
"
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules
on the treadmill of Monday to Monday, would repeat
in tongues of water and wind and fire, in tongues
of Mission School pickaninnies, like rivers remembering
their source, Parish Trelawny, Parish St David, Parish
St Andrew, the names afflicting the pastures,
the lime groves and fences of marl stone and the cattle
with a docile longing, an epochal content.
And there were, like old wedding lace in an attic,
among the boas and parasols and the tea-colored
daguerreotypes, hints of an epochal happiness
as ordered and infinite to the child
as the great house road to the Great House
down a perspective of casuarinas plunging green manes
in time to the horses, an orderly life
reduced by lorgnettes day and night, one disc the sun,
the other the moon, reduced into a pier glass:
nannies diminished to dolls, mahogany stairways
no larger than those of an album in which
the flash of cutlery yellows, as gamboge as
the piled cakes of teatime on that latticed
bougainvillea verandah that looked down toward
a prospect of Cuyp-like Herefords under a sky
lurid as a porcelain souvenir with these words:
"Herefords at Sunset in the Valley of the Wye.
"
Strange, that the rancor of hatred hid in that dream
of slow rivers and lily-like parasols, in snaps
of fine old colonial families, curled at the edge
not from age of from fire or the chemicals, no, not at all,
but because, off at its edges, innocently excluded
stood the groom, the cattle boy, the housemaid, the gardeners,
the tenants, the good ******* down in the village,
their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly
all night, that was bringing in heavier clouds,
more black smoke than cloud, frightening the cattle
in whose bulging eyes the Great House diminished;
a scorching wind of a scream
that began to extinguish the fireflies,
that dried the water mill creaking to a stop
as it was about to pronounce Parish Trelawny
all over, in the ancient pastoral voice,
a wind that blew all without bending anything,
neither the leaves of the album nor the lime groves;
blew Nanny floating back in white from a feather
to a chimerical, chemical pin speck that shrank
the drinking Herefords to brown porcelain cows
on a mantelpiece, Trelawny trembling with dusk,
the scorched pastures of the old benign Custos; blew
far the decent servants and the lifelong cook,
and shriveled to a shard that ancient pastoral
of dusk in a gilt-edged frame now catching the evening sun
in Jamaica, making both epochs one.
He looked out from the Great House windows on
clouds that still held the fragrance of fire,
he saw the Botanical Gardens officially drown
in a formal dusk, where governors had strolled
and black gardeners had smiled over glinting shears
at the lilies of parasols on the floating lawns,
the flame trees obeyed his will and lowered their wicks,
the flowers tightened their fists in the name of thrift,
the porcelain lamps of ripe cocoa, the magnolia's jet
dimmed on the one circuit with the ginger lilies
and left a lonely bulb on the verandah,
and, had his mandate extended to that ceiling
of star-apple candelabra, he would have ordered
the sky to sleep, saying, I'm tired,
save the starlight for victories, we can't afford it,
leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended
from tangerine daybreaks to star-apple dusks,
his hand could not dam that ceaseless torrent of dust
that carried the shacks of the poor, to their root-rock music,
down the gullies of Yallahs and August Town,
to lodge them on thorns of maca, with their rags
crucified by cactus, tins, old tires, cartons;
from the black Warieka Hills the sky glowed fierce as
the dials of a million radios,
a throbbing sunset that glowed like a grid
where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music
of the country dancers, the fiddlers like fifes
put aside.
He had to heal
this malarial island in its bath of bay leaves,
its forests tossing with fever, the dry cattle
groaning like winches, the grass that kept shaking
its head to remember its name.
No vowels left
in the mill wheel, the river.
Rock stone.
Rock stone.
The mountains rolled like whales through phosphorous stars,
as he swayed like a stone down fathoms into sleep,
drawn by that magnet which pulls down half the world
between a star and a star, by that black power
that has the assassin dreaming of snow,
that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls
his mind is a mill wheel in moonlight,
and he hears, in the sleep of his moonlight, the drowned
bell of Port Royal's cathedral, sees the copper pennies
of bubbles rising from the empty eye-pockets
of green buccaneers, the parrot fish floating
from the frayed shoulders of pirates, sea horses
drawing gowned ladies in their liquid promenade
across the moss-green meadows of the sea;
he heard the drowned choirs under Palisadoes,
a hymn ascending to earth from a heaven inverted
by water, a crab climbing the steeple,
and he climbed from that submarine kingdom
as the evening lights came on in the institute,
the scholars lamplit in their own aquarium,
he saw them mouthing like parrot fish, as he passed
upward from that baptism, their history lessons,
the bubbles like ideas which he could not break:
Jamaica was captured by Penn and Venables,
Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals
from Santiago to Caracas, where penitential archbishops
washed the feet of paupers (a parenthetical moment
that made the Caribbean a baptismal font,
turned butterflies to stone, and whitened like doves
the buzzards circling municipal garbage),
the Caribbean was borne like an elliptical basin
in the hands of acolytes, and a people were absolved
of a history which they did not commit;
the slave pardoned his whip, and the dispossessed
said the rosary of islands for three hundred years,
a hymn that resounded like the hum of the sea
inside a sea cave, as their knees turned to stone,
while the bodies of patriots were melting down walls
still crusted with mute outcries of La Revolucion!
"San Salvador, pray for us,St.
Thomas, San Domingo,
ora pro nobis, intercede for us, Sancta Lucia
of no eyes," and when the circular chaplet
reached the last black bead of Sancta Trinidad
they began again, their knees drilled into stone,
where Colon had begun, with San Salvador's bead,
beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle,
ulcers formed on the municipal portraits,
the hotels went up, and the casinos and brothels,
and the empires of tobacco, sugar, and bananas,
until a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
"Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America.
"
She was as beautiful as a stone in the sunrise,
her voice had the gutturals of machine guns
across khaki deserts where the cactus flower
detonates like grenades, her sex was the slit throat
of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out
by the wind of revolution, La Madre Dolorosa,
a black rose of sorrow, a black mine of silence,
raped wife, empty mother, Aztec virgin
transfixed by arrows from a thousand guitars,
a stone full of silence, which, if it gave tongue
to the tortures done in the name of the Father,
would curdle the blood of the marauding wolf,
the fountain of generals, poets, and cripples
who danced without moving over their graves
with each revolution; her Caesarean was stitched
by the teeth of machine guns,and every sunset
she carried the Caribbean's elliptical basin
as she had once carried the penitential napkins
to be the footbath of dictators, Trujillo, Machado,
and those whose faces had yellowed like posters
on municipal walls.
Now she stroked his hair
until it turned white, but she would not understand
that he wanted no other power but peace,
that he wanted a revolution without any bloodshed,
he wanted a history without any memory,
streets without statues,
and a geography without myth.
He wanted no armies
but those regiments of bananas, thick lances of cane,
and he sobbed,"I am powerless, except for love.
"
She faded from him, because he could not kill;
she shrunk to a bat that hung day and night
in the back of his brain.
He rose in his dream.
(to be continued)
|
Written by
Billy Collins |
The way the dog trots out the front door
every morning
without a hat or an umbrella,
without any money
or the keys to her doghouse
never fails to fill the saucer of my heart
with milky admiration.
Who provides a finer example
of a life without encumbrance—
Thoreau in his curtainless hut
with a single plate, a single spoon?
Gandhi with his staff and his holy diapers?
Off she goes into the material world
with nothing but her brown coat
and her modest blue collar,
following only her wet nose,
the twin portals of her steady breathing,
followed only by the plume of her tail.
If only she did not shove the cat aside
every morning
and eat all his food
what a model of self-containment she
would be,
what a paragon of earthly detachment.
If only she were not so eager
for a rub behind the ears,
so acrobatic in her welcomes,
if only I were not her god.
|
Written by
Lewis Carroll |
There are certain things--as, a spider, a ghost,
The income-tax, gout, an umbrella for three--
That I hate, but the thing that I hate the most
Is a thing they call the Sea.
Pour some salt water over the floor--
Ugly I'm sure you'll allow it to be:
Suppose it extended a mile or more,
That's very like the Sea.
Beat a dog till it howls outright--
Cruel, but all very well for a spree:
Suppose that he did so day and night,
That would be like the Sea.
I had a vision of nursery-maids;
Tens of thousands passed by me--
All leading children with wooden spades,
And this was by the Sea.
Who invented those spades of wood?
Who was it cut them out of the tree?
None, I think, but an idiot could--
Or one that loved the Sea.
It is pleasant and dreamy, no doubt, to float
With "thoughts as boundless, and souls as free":
But, suppose you are very unwell in the boat,
How do you like the Sea?
There is an insect that people avoid
(Whence is derived the verb "to flee").
Where have you been by it most annoyed?
In lodgings by the Sea.
If you like your coffee with sand for dregs,
A decided hint of salt in your tea,
And a fishy taste in the very eggs--
By all means choose the Sea.
And if, with these dainties to drink and eat,
You prefer not a vestige of grass or tree,
And a chronic state of wet in your feet,
Then--I recommend the Sea.
For I have friends who dwell by the coast--
Pleasant friends they are to me!
It is when I am with them I wonder most
That anyone likes the Sea.
They take me a walk: though tired and stiff,
To climb the heights I madly agree;
And, after a tumble or so from the cliff,
They kindly suggest the Sea.
I try the rocks, and I think it cool
That they laugh with such an excess of glee,
As I heavily slip into every pool
That skirts the cold cold Sea.
|
Written by
Anne Sexton |
The rain drums down like red ants,
each bouncing off my window.
The ants are in great pain
and they cry out as they hit
as if their little legs were only
stitche don and their heads pasted.
And oh they bring to mind the grave,
so humble, so willing to be beat upon
with its awful lettering and
the body lying underneath
without an umbrella.
Depression is boring, I think
and I would do better to make
some soup and light up the cave.
|
Written by
Billy Collins |
The murkiness of the local garage is not so dense
that you cannot make out the calendar of pinup
drawings on the wall above a bench of tools.
Your ears are ringing with the sound of
the mechanic hammering on your exhaust pipe,
and as you look closer you notice that this month's
is not the one pushing the lawn mower, wearing
a straw hat and very short blue shorts,
her shirt tied in a knot just below her breasts.
Nor is it the one in the admiral's cap, bending
forward, resting her hands on a wharf piling,
glancing over the tiny anchors on her shoulders.
No, this is March, the month of great winds,
so appropriately it is the one walking her dog
along a city sidewalk on a very blustery day.
One hand is busy keeping her hat down on her head
and the other is grasping the little dog's leash,
so of course there is no hand left to push down
her dress which is billowing up around her waist
exposing her long stockinged legs and yes the secret
apparatus of her garter belt.
Needless to say,
in the confusion of wind and excited dog
the leash has wrapped itself around her ankles
several times giving her a rather bridled
and helpless appearance which is added to
by the impossibly high heels she is teetering on.
You would like to come to her rescue,
gather up the little dog in your arms,
untangle the leash, lead her to safety,
and receive her bottomless gratitude, but
the mechanic is calling you over to look
at something under your car.
It seems that he has
run into a problem and the job is going
to cost more than he had said and take
much longer than he had thought.
Well, it can't be helped, you hear yourself say
as you return to your place by the workbench,
knowing that as soon as the hammering resumes
you will slowly lift the bottom of the calendar
just enough to reveal a glimpse of what
the future holds in store: ah,
the red polka dot umbrella of April and her
upturned palm extended coyly into the rain.
|
Written by
Lewis Carroll |
There are certain things -a spider, a ghost,
The income-tax, gout, an umbrella for three -
That I hate, but the thing that I hate the most
Is a thing they call the SEA.
Pour some salt water over the floor -
Ugly I'm sure you'll allow it to be:
Suppose it extended a mile or more,
That's very like the SEA.
Beat a dog till it howls outright -
Cruel, but all very well for a spree;
Suppose that one did so day and night,
That would be like the SEA.
I had a vision of nursery-maids;
Tens of thousands passed by me -
All leading children with wooden spades,
And this was by the SEA.
Who invented those spades of wood?
Who was it cut them out of the tree?
None, I think, but an idiot could -
Or one that loved the SEA.
It is pleasant and dreamy, no doubt, to float
With `thoughts as boundless, and souls as free';
But suppose you are very unwell in a boat,
How do you like the SEA.
There is an insect that people avoid
(Whence is derived the verb `to flee')
Where have you been by it most annoyed?
In lodgings by the SEA.
If you like coffee with sand for dregs,
A decided hint of salt in your tea,
And a fishy taste in the very eggs -
By all means choose the SEA.
And if, with these dainties to drink and eat,
You prefer not a vestige of grass or tree,
And a chronic state of wet in your feet,
Then -I recommend the SEA.
For I have friends who dwell by the coast,
Pleasant friends they are to me!
It is when I'm with them I wonder most
That anyone likes the SEA.
They take me a walk: though tired and stiff,
To climb the heights I madly agree:
And, after a tumble or so from the cliff,
They kindly suggest the SEA.
I try the rocks, and I think it cool
That they laugh with such an excess of glee,
As I heavily slip into every pool,
That skirts the cold, cold SEA.
|
Written by
Vachel Lindsay |
I.
THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate.
Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden.
Heavy accents very heavy.
Light accents very light.
Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you.
"
II.
THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas.
Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you.
" .
.
.
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.
)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM.
"
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III.
THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass.
With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM.
"
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section.
Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices.
"
Never again will he hoo-doo you,
Never again will he hoo-doo you.
"
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices.
"
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo .
.
.
Jumbo .
.
.
will .
.
.
hoo-doo .
.
.
you.
"
|
Written by
Lewis Carroll |
The Landing
"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true.
"
The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods.
A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck
Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.
The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pair of boots--but the worst of is was,
He had wholly forgotten his name.
He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"
While, for those who preferred a more forcible word,
He had different names from these:
His intimate friends called him "Candle-ends",
And his enemies "Toasted-cheese"
"His form is ungainly--his intellect small--"
(So the Bellman would often remark)--
"But his courage is perfect! And that, after all,
Is the thing that one needs with a Snark.
"
He would joke with hyaenas, returning their stare
With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
"Just to keep up its spirits," he said.
He came as a Baker: but owned, when too late--
And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
No materials were to be had.
The last of the crew needs especial remark,
Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark",
The good Bellman engaged him at once.
He came as a Butcher: but gravely declared,
When the ship had been sailing a week,
He could only kill Beavers.
The Bellman looked scared,
And was almost too frightened to speak:
But at length he explained, in a tremulous tone,
There was only one Beaver on board;
And that was a tame one he had of his own,
Whose death would be deeply deplored.
The Beaver, who happened to hear the remark,
Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
Could atone for that dismal surprise!
It strongly advised that the Butcher should be
Conveyed in a separate ship:
But the Bellman declared that would never agree
With the plans he had made for the trip:
Navigation was always a difficult art,
Though with only one ship and one bell:
And he feared he must really decline, for his part,
Undertaking another as well.
The Beaver's best course was, no doubt, to procure
A second-hand dagger-proof coat--
So the baker advised it--and next, to insure
Its life in some Office of note:
This the Baker suggested, and offered for hire
(On moderate terms), or for sale,
Two excellent Policies, one Against Fire
And one Against Damage From Hail.
Yet still, ever after that sorrowful day,
Whenever the Butcher was by,
The Beaver kept looking the opposite way,
And appeared unaccountably shy.
|
Written by
Barry Tebb |
“Remember, you loved me, when we were young, one day”
The words of the song in Tauber’s mellifluous tenor
Haunt my nights and days, make me tremble when I hear
Your voice on the phone, sadden me when I can’t make into your smile
The pucker of your lips, the gleam in your eye.
The day we met is with me still, you asked directions
And on the way we chatted.
You told me how you’d left
Lancashire for Leeds, went to the same TC as me, even liked poetry
Both were looking for an ‘interesting evening class’
Instead we found each other.
You took me back for tea to the flat in Headingley
You shared with two other girls.
The class in Moortown
Was a disaster.
Walking home in the rain I put my arm
Around you and you did not resist, we shared your umbrella
Then we kissed.
I liked the taste of your lips, the tingle of your fingertips,
Your mild perfume.
When a sudden gust blew your umbrella inside out
We sheltered underneath a cobbled arch, a rainy arch, a rainbow arch.
“I’m sorry”, you said about nothing in particular, perhaps the class
Gone wrong, the weather, I’ll never know but there were tears in your eyes
But perhaps it was just the rain.
We kissed again and I felt
Your soft breasts and smelt the hair on your neck and I was lost to you
And you to me perhaps, I’ll never know.
We went to plays, I read my poems aloud in quiet places,
I met your mother and you met mine.
We quarrelled over stupid things.
When my best friend seduced you I blamed him and envied him
And tried to console you when you cried a whole day through.
The next weekend I had the flu and insisted you came to look after me
In my newly-rented bungalow.
Out of the blue I said, “What you did for him
You can do for me”.
It was not the way our first and only love-making
Should have been, you guilty and regretful, me resentful and not tender.
When I woke I saw you in the half-light naked, curled and innocent
I truly loved you If I’d proposed you might have agreed, I’ll never know.
A month later you were pregnant and I was not the father.
I wanted to help you with the baby, wanted you to stay with me
So I could look after you and be there for the birth but your mind
Was set elsewhere end I was too immature to understand or care.
When I saw you again you had Sarah and I had Brenda, my wife-to-be;
Three decades of nightmare ahead with neither of our ‘adult children’
Quite right, both drink to excess and have been on wards.
Nor has your life been a total success, full-time teaching till you retired
Then Victim Support: where’s that sharp mind, that laughter and that passion?
And what have I to show?
A few pamphlets, a small ‘Selected’, a single good review.
Sat in South Kensington on the way to the Institut I wrote this,
Too frightened even to phone you.
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Written by
Alec Derwent (A D) Hope |
I sing of the decline of Henry Clay
Who loved a white girl of uncommon size.
Although a small man in a little way,
He had in him some seed of enterprise.
Each day he caught the seven-thirty train
To work, watered his garden after tea,
Took an umbrella if it looked like rain A
nd was remarkably like you or me.
He had his hair cut once a fortnight, tried
Not to forget the birthday of his wife,
And might have lived unnoticed till he died
Had not ambition entered Henry's life.
He met her in the lounge of an hotel -
A most unusual place for him to go -
But there he was and there she was as well
Sitting alone.
He ordered beers for two.
She was so large a girl that when they came
He gave the waiter twice the usual tip.
She smiled without surprise, told him her name,
And as the name trembled on Henry's lip,
His parched soul, swelling like a desert root,
Broke out its delicate dream upon the air;
The mountains shook with earthquake under foot;
An angel seized him suddenly by the hair;
The sky was shrill with peril as he passed;
A hurricane crushed his senses with its din;
The wildfire crackled up his reeling mast;
The trumpet of a maelstrom sucked hirn in;
The desert shrivelled and burnt off his feet;
His bones and buttons an enormous snake
Vomited up; still in the shimmering heat
The pygmies showed him their forbidden lake
And then transfixed him with their poison darts;
He married six black virgins in a bunch,
Who, when they had drawn out his manly parts,
Stewed him and ate him lovingly for lunch.
Adventure opened wide its grisly jaws;
Henry looked in and knew the Hero's doom.
The huge white girl drank on without a pause
And, just at closing time, she asked him home.
The tram they took was full of Roaring Boys
Announcing the world's ruin and Judgment Day;
The sky blared with its grand orchestral voice
The Gotterdammerung of Henry Clay.
But in her quiet room they were alone.
There, towering over Henry by a head,
She stood and took her clothes off one by one,
And then she stretched herself upon the bed.
Her bulk of beauty, her stupendous grace
Challenged the lion heart in his puny dust.
Proudly his Moment looked him in the face:
He rose to meet it as a hero must;
Climbed the white mountain of unravished snow,
Planted his tiny flag upon the peak.
The smooth drifts, scarcely breathing, lay below.
She did not take the trouble to smile or speak.
And afterwards, it may have been in play,
The enormous girl rolled over and squashed him flat;
And, as she could not send him home that way,
Used him thereafter as a bedside mat.
Speaking at large, I will say this of her: S
he did not spare expense to make him nice.
Tanned on both sides and neatly edged with fur,
The job would have been cheap at any price.
And when, in winter, getting out of bed,
Her large soft feet pressed warmly on the skin,
The two glass eyes would sparkle in his head,
The jaws extend their papier-mache grin.
Good people, for the soul of Henry Clay
Offer your prayers, and view his destiny!
He was the Hero of our Time.
He may
With any luck, one day, be you or me.
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