Written by
W. E. B. Du Bois |
Of course you have faced the dilemma: it is announced, they all smirk and rise. If they are ultra, they remove their hats and look ecstatic; then they look at you. What shall you do? Noblesse oblige; you cannot be boorish, or ungracious; and too, after all it is your country and you do love its ideals if not all of its realities. Now, then, I have thought of a way out: Arise, gracefully remove your hat, and tilt your head. Then sing as follows, powerfully and with deep unction. They’ll hardly note the little changes and their feelings and your conscience will thus be saved:
My country tis of thee,
Late land of slavery,
Of thee I sing.
Land where my father’s pride
Slept where my mother died,
From every mountain side
Let freedom ring!
My native country thee
Land of the slave set free,
Thy fame I love.
I love thy rocks and rills
And o’er thy hate which chills,
My heart with purpose thrills,
To rise above.
Let laments swell the breeze
And wring from all the trees
Sweet freedom’s song.
Let laggard tongues awake,
Let all who hear partake,
Let Southern silence quake,
The sound prolong.
Our fathers’ God to thee
Author of Liberty,
To thee we sing
Soon may our land be bright,
With Freedom’s happy light
Protect us by Thy might,
Great God our King.
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Written by
Bob Kaufman |
On yardbird corners of embryonic hopes, drowned in a heroin tear.
On yardbird corners of parkerflights to sound filled pockets in space.
On neuro-corners of striped brains & desperate electro-surgeons.
On alcohol corners of pointless discussion & historical hangovers.
On television corners of cornflakes & rockwells impotent America.
On university corners of tailored intellect & greek letter openers.
On military corners of megathon deaths & universal anesthesia.
On religious corners of theological limericks and
On radio corners of century-long records & static events.
On advertising corners of filter-tipped ice-cream & instant instants
On teen-age corners of comic book seduction and corrupted guitars,
On political corners of wamted candidates & ritual lies.
On motion picture corners of lassie & other symbols.
On intellectual corners of conversational therapy & analyzed fear.
On newspaper corners of sexy headlines & scholarly comics.
On love divided corners of die now pay later mortuaries.
On philosophical corners of semantic desperadoes & idea-mongers.
On middle class corners of private school puberty & anatomical revolts
On ultra-real corners of love on abandoned roller-coasters
On lonely poet corners of low lying leaves & moist prophet eyes.
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Written by
Robert William Service |
He gave a picture exhibition,
Hiring a little empty shop.
Above its window: FREE ADMISSION
Cajoled the passers-by to stop;
Just to admire - no need to purchase,
Although his price might have been low:
But no proud artist ever urges
Potential buyers at his show.
Of course he badly needed money,
But more he needed moral aid.
Some people thought his pictures funny,
Too ultra-modern, I'm afraid.
His painting was experimental,
Which no poor artist can afford-
That is, if he would pay the rental
And guarantee his roof and board.
And so some came and saw and sniggered,
And some a puzzled brow would crease;
And some objected: "Well, I'm jiggered!"
What price Picasso and Matisse?
The artist sensitively quivered,
And stifled many a bitter sigh,
But day by day his hopes were shivered
For no one ever sought to buy.
And then he had a brilliant notion:
Half of his daubs he labeled: SOLD.
And lo! he viewed with ***** emotion
A public keen and far from cold.
Then (strange it is beyond the telling),
He saw the people round him press:
His paintings went - they still are selling.
.
.
Well, nothing succeeds like success.
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Written by
Andrew Marvell |
Quisnam adeo, mortale genus, praecordia versat:
Heu Palmae, Laurique furor, vel simplicis Herbae!
Arbor ut indomitos ornet vix una labores;
Tempora nec foliis praecingat tota maglignis.
Dum simud implexi, tranquillae ad ferta Quiaetis,
Omnigeni coeunt Flores, integraque Sylva.
Alma Quies, teneo te! & te Germana Quietis
Simplicitas! Vos ergo diu per Templa, per urbes,
Quaesivi, Regum perque alta Palatia frustra.
Sed vos Hotrorum per opaca siluentia longe
Celarant Plantae virides, & concolor Umbra.
O! mibi si vestros liceat violasse recessus.
Erranti, lasso, & vitae melioris anhelo,
Municipem servate novum, votoque potitum,
Frondosae Cives optate in florea Regna.
Me quoque, vos Musae, &, te conscie testor Apollo,
Non Armenta juvant hominum, Circique boatus,
Mugitusve Fori; sed me Penetralia veris,
Horroresque trahunt muti, & Consortia sola.
Virgineae quem non suspendit Gratia formae?
Quam candore Nives vincentum, Ostrumque rubore,
Vestra tamen viridis superet (me judice) Virtus.
Nec foliis certare Comae, nec Brachia ramis,
Nec possint tremulos voces aequare susurros.
Ah quoties saevos vidi (quis credat?) Amantes
Sculpentes Dominae potiori in cortice nomen?
Nec puduit truncis inscribere vulnera sacris.
Ast Ego, si vestras unquam temeravero stirpes,
Nulla Neaera, Chloe, Faustina, Corynna, legetur:
In proprio sed quaeque libro signabitur Arbos.
O charae Platanus, Cyparissus, Populus, Ulnus!
Hic Amor, exutis crepidatus inambulat alis,
Enerves arcus & stridula tela reponens,
Invertitque faces, nec se cupit usque timeri;
Aut experrectus jacet, indormitque pharetrae;
Non auditurus quanquam Cytherea vocarit;
Nequitias referuut nec somnia vana priores.
Laetantur Superi, defervescente Tyranno,
Et licet experti toties Nymphasque Deasque,
Arbore nunc melius potiuntur quisque cupita.
Jupiter annosam, neglecta conjuge, Quercum
Deperit; baud alia doluit sic pellice.
Juno.
Lemniacum temerant vestigia nulla Cubile,
Nic Veneris Mavors meminit si Fraxinus adsit.
Formosae pressit Daphnes vestigia Phaebus
Ut fieret Laurus; sed nil quaesiverat ultra.
Capripes & peteret quod Pan Syringa fugacem,
Hoc erat ut Calamum posset reperire Sonorum.
Note: Desunt multa.
Nec tu, Opisex horti, grato sine carmine abibis:
Qui brevibus plantis, & laeto flore, notasti
Crescentes horas, atque intervalla diei.
Sol ibi candidior fragrantia Signa pererrat;
Proque truci Tauro, stricto pro forcipe Cancri,
Securis violaeque rosaeque allabitur umbris.
Sedula quin & Apis, mellito intenta labori,
Horologo sua pensa thymo Signare videtur.
Temporis O suaves lapsus! O Otia sana!
O Herbis dignae numerari & Floribus Horae!
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Written by
Ruth Padel |
We're talking different kinds of vulnerability here.
These icicles aren't going to last for ever
Suspended in the ultra violet rays of a Dumfries sun.
But here they hang, a frozen whirligig of lightning,
And the famous American sculptor
Who scrambles the world with his tripod
For strangeness au naturel, got sunset to fill them.
It's not comfortable, a double helix of opalescent fire
*
Wrapping round you, swishing your bark
Down cotton you can't see,
On which a sculptor planned his icicles,
Working all day for that Mesopotamian magic
Of last light before the dark
In a suspended helter-skelter, lit
By almost horizontal rays
Making a mist-carousel from the House of Diamond,
*
A spiral of Pepsodent darkening to the shadowfrost
Of cedars at the Great Gate of Kiev.
Why it makes me think of opening the door to you
I can't imagine.
No one could be less
Of an icicle.
But there it is -
Having put me down in felt-tip
In the mystical appointment book,
You shoot that quick
*
Inquiry-glance, head tilted, when I open up,
Like coming in's another country,
A country you want but have to get used to, hot
From your bal masqu?, making sure
That what you found before's
Still here: a spiral of touch and go,
Lightning licking a tree
Imagining itself Aretha Franklin
*
Singing "You make me feel like a natural woman"
In basso profondo,
Firing the bark with its otherworld ice
The way you fire, lifting me
Off my own floor, legs furled
Round your trunk as that tree goes up
At an angle inside the lightning, roots in
The orange and silver of Dumfries.
*
Now I'm the lightning now you, you are,
As you pour yourself round me
Entirely.
No who's doing what and to who,
Just a tangle of spiral and tree.
You might wonder about sculptors who come all this way
To make a mad thing that won't last.
You know how it is: you spend a day, a whole life.
Then the light's gone, you walk away
*
To the Galloway Paradise Hotel.
Pine-logs,
Cutlery, champagne - OK,
But the important thing was making it.
Hours, and you don't know how it'll be.
Then something like light
Arrives last moment, at speed reckoned
Only by horizons: completing, surprising
With its three hundred thousand
*
Kilometres per second.
Still, even lightning has its moments of panic.
You don't get icicles catching the midwinter sun
In a perfect double helix in Dumfriesshire every day.
And can they be good for each other,
Lightning and tree? It'd make anyone,
Wouldn't it, afraid? That rowan would adore
To sleep and wake up in your arms
*
But's scared of getting burnt.
And the lightning might ask, touching wood,
"What do you want of me, now we're in the same
Atomic chain?" What can the tree say?
"Being the centre of all that you are to yourself -
That'd be OK.
Being my own body's fine
But it needs yours to stay that way.
"
No one could live for ever in
*
A suspended gleam-on-the-edge,
As if sky might tear any minute.
Or not for ever for long.
Those icicles
Won't be surprise any more.
The little snapped threads
Blew away.
Glamour left that hill in Dumfries.
The sculptor went off with his black equipment.
Adzes, twine, leather gloves.
*
What's left is a photo of
A completely solitary sight
In a book anyone might open.
But whether our touch at the door gets forgotten
Or turned into other sights, light, form,
I hope you'll be truthful
To me.
At least as truthful as lightning,
Skinning a tree.
THIS POEM WON THE 1996 National Poetry Prize
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Written by
Andrew Marvell |
Charissimo Filio
Edmundo Trotio
Posuimus Pater & Mater
Frustra superstites.
Legite Parentes, vanissimus hominum ordo,
Figuli Filiorum, Substructores Hominum,
Fartores Opum, Longi Speratores,
Et nostro, si fas, sapite infortunio.
Fruit Edmundus Trottuis.
E quatuor masculae stirpis residuus,
Statura justa, Forma virili, specie eximic,
Medio juventutis Robore simul & Flore,
Alpectu, In cessu, sermone juxta amabilis,
Et siquid ultra Cineri pretium addit.
Honesta Diciplina domi imbutus,
Peregre profectus
Generosis Artibus Animum
Et exercitiis Corpus firmaverat.
Circaeam Insulam, Scopulos Sirenum
Praeternavigavit,
Et in hoc naufragio morum & saeculi
Solus perdiderat nihil, auxit plurimum.
Hinc erga Deum pietate,
Erga nos Amore & Obsequio,
Comitate erga Omnes, & intra se Modestia
Insignis, & quantaevis fortunae capax:
Delitiae Aequalium, Senum Plausus,
Oculi Parentum, (nunc, ah, Lachrymae)
In eo tandem peccavit quod mortalis.
Et fatali Pustularum morbo aspersus,
Factus est
(Ut verae Laudis Invidiam ficto Convitio levemus)
Proditor Amicorum, Parricida Parentum,
Familiae Spongia:
Et Naturae invertens ordinem
Nostri suique Contemptor,
Mundi Desertor, defecit ad Deum.
Undecimo Augusti; Aerae Christae 1667.
Talis quum fuerit Calo non invidemus.
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Written by
Thomas Moore |
Dear Goddess of Corn, whom the ancients we know,
(Among other odd whims of those comical bodies,)
Adorn'd with somniferous poppies, to show,
Thou wert always a true Country-gentleman's Goddess.
Behold in his best, shooting-jacket, before thee,
An eloquent 'Squire, who most humbly beseeches,
Great Queen of the Mark-lane (if the thing doesn't bore thee),
Thou'lt read o'er the last of his -- never-last speeches.
Ah! Ceres, thou know'st not the slander and scorn
Now heap'd upon England's 'Squirearchy, so boasted;
Improving on Hunt, 'tis no longer the Corn,
'Tis the growers of Corn that are now, alas! roasted.
In speeches, in books, in all shapes they attack us --
Reviewers, economists - fellows, no doubt,
That you, my dear Ceres, and Venus, and Bacchus,
And Gods of high fashion know little about.
There's B-nth-m, whose English is all his own making --
Who thinks just as little of settling a nation
As he would of smoking his pipe, or of taking
(What he, himself, calls) his "post-prandial vibration.
"
There are two Mr.
M---lls, too, whom those that love reading
Through all that's unreadable, call very clever; --
And whreas M---ll Senior makes war on good breeding,
M---ll Junio makes war on all breeding whatever!
In short, my dear Goddess, Old England's divided
Between ultra blockheads and superfine sages; --
With which of these classes we, landlords, have sided
Thou'lt find in my Speech, if thou'lt read a few pages.
For therein I've prov'd, to my own satisfaction,
And that of all 'Squires I've the honour of meeting,
That 'tis the most senseless and foul-mouth'd detraction
To say that poor people are fond of cheap eating.
On the contrary, such the "chaste notions" of food
that dwell in each pale manufacturer's heart,
They would scorn any law, be it every so good,
That would make thee, dear Goddess, less dear than thou art!
And, oh! for Monopoly what a blest day,
When the Land and the Silk shall, in fond combination,
(Like Sulky and Silky, that pair in the play)
Cry out, with one voice, High Rents and Starvation!
Long life to the Minister! -- no matter who,
Or how dull he may be, if, with dignified spirit, he
Keeps the ports shut -- and the people's mouth too, --
We shall all have a long run of Freddy's prosperity.
And, as for myself, who've like Hannibal, sworn
To hate the whole crew who would take our rents from us,
Had England but One to stand by thee, Dear Corn,
That last, honest Uni-Corn would be Sir Th-m-s!
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Written by
Algernon Charles Swinburne |
Far beyond the sunrise and the sunset rises
Heaven, with worlds on worlds that lighten and respond:
Thought can see not thence the goal of hope's surmises
Far beyond.
Night and day have made an everlasting bond
Each with each to hide in yet more deep disguises
Truth, till souls of men that thirst for truth despond.
All that man in pride of spirit slights or prizes,
All the dreams that make him fearful, fain, or fond,
Fade at forethought's touch of life's unknown surprises
Far beyond.
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