10 Best Famous Turtles Poems

Here is a collection of the top 10 all-time best famous Turtles poems. This is a select list of the best famous Turtles poetry. Reading, writing, and enjoying famous Turtles poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of turtles poems.

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The Breast of the Sea

by Syl Cheney-Coker
After our bloody century, the sea will groan
under its weight, somewhere between breasts and anus.
Filled with toxins, her belly will not yield new islands
even though the orphans of East Timor wish it so.
The sea is only capable of so much history:
Noah's monologue, the Middle Passage's cargoes,
Darwin's examination of the turtle's ****,
the remains of the Titanic, and a diver's story
about how the coelacanth was recaptured.
Anything else is only a fractured chela
we cannot preserve, once the sea's belly
has washed itself clean of our century's blight.
Throbbing, the sea's breasts will console some orphans,
but Sierra Leone won't be worth a raped woman's cry,
despite her broken back, this shredded garment,
her hands swimming like horrors of red corals.
But do you, O Sea, long-suffering mistress,
have the balm to heal the wound of her children,
hand to foot the axe, alluvial river flowing into you?

The Phoenix and the Turtle

by William Shakespeare
 Let the bird of loudest lay,
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings obey.

But thou, shrieking harbinger,
Foul pre-currer of the fiend,
Augur of the fever's end,
To this troop come thou not near.

From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather'd king:
Keep the obsequy so strict.

Let the priest in surplice white,
That defunctive music can,
Be the death-defying swan,
Lest the requiem lack his right.

And thou, treble-dated crow,
That thy sable gender mak'st
With the breath thou giv'st and tak'st,
'Mongst our mourners shalt thou go.

Here the anthem doth commence:
Love and constancy is dead;
Phoenix and the turtle fled
In a mutual flame from hence.

So they lov'd, as love in twain
Had the essence but in one;
Two distincts, division none:
Number there in love was slain.

Hearts remote, yet not asunder;
Distance, and no space was seen
'Twixt the turtle and his queen;
But in them it were a wonder.

So between them love did shine,
That the turtle saw his right
Flaming in the phoenix' sight:
Either was the other's mine.

Property was thus appall'd,
That the self was not the same;
Single nature's double name
Neither two nor one was call'd.

Reason, in itself confounded,
Saw division grow together;
To themselves yet either-neither,
Simple were so well compounded.

That it cried how true a twain
Seemeth this concordant one!
Love hath reason, reason none
If what parts can so remain.

Whereupon it made this threne
To the phoenix and the dove,
Co-supreme and stars of love;
As chorus to their tragic scene.

THRENOS.

Beauty, truth, and rarity.
Grace in all simplicity,
Here enclos'd in cinders lie.

Death is now the phoenix' nest;
And the turtle's loyal breast
To eternity doth rest,

Leaving no posterity:--
'Twas not their infirmity,
It was married chastity.

Truth may seem, but cannot be:
Beauty brag, but 'tis not she;
Truth and beauty buried be.

To this urn let those repair
That are either true or fair;
For these dead birds sigh a prayer.

Ode to the Muse

by Mary Darby Robinson
 O, let me seize thy pen sublime
That paints, in melting dulcet rhyme, 
The glowing pow'r, the magic art, 
Th' extatic raptures of the Heart; 
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien; 
The sweet descriptive tale to trace; 
To picture Nature's winning grace;
To steal the tear from Pity's eye; 
To catch the sympathetic sigh; 
O teach me, with swift light'nings force
To watch wild passion's varying course; 
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings. 

SWEET Nymph, enchanting Poetry! 
I dedicate my mind to Thee. 
Oh! from thy bright Parnassian bow'rs
Descend, to bless my sombre hours;
Bend to the earth thy eagle wing,
And on its glowing plumage bring
Blithe FANCY, from whose burning eye
The young ideas sparkling fly; 
O, come, and let us fondly stray,
Where rosy Health shall lead the way,
And soft FAVONIUS lightly spread
A perfum'd carpet as we tread;
Ah! let us from the world remove,
The calm forgetfulness to prove,
Which at the still of evening's close,
Lulls the tir'd peasant to repose; 
Repose, whose balmy joys o'er-pay
The sultry labours of the day. 

And when the blue-ey'd dawn appears,
Just peeping thro' her veil of tears; 
Or blushing opes her silver gate, 
And on its threshold, stands elate,
And flings her rosy mantle far
O'er every loit'ring dewy star; 
And calls the wanton breezes forth,
And sprinkles diamonds o'er the earth; 
While in the green-wood's shade profound,
The insect race, with buzzing sound
Flit o'er the rill,­a glitt'ring train,
Or swarm along the sultry plain. 
Then in sweet converse let us rove,
Where in the thyme-embroider'd grove, 
The musky air its fragrance pours
Upon the silv'ry scatter'd show'rs; 
To hail soft Zephyr, as she goes
To fan the dew-drop from the rose;
To shelter from the scorching beam,
And muse beside the rippling stream. 

Or when, at twilight's placid hour, 
We stroll to some sequester'd bow'r; 
And watch the haughty Sun retire
Beneath his canopy of fire; 
While slow the dusky clouds enfold
Day's crimson curtains fring'd with gold;
And o'er the meadows faintly fly
Pale shadows of the purpling sky: 
While softly o'er the pearl-deck'd plain,
Cold Dian leads the sylvan train; 
In mazy dance and sportive glee,
SWEET MUSE, I'll fondly turn to thee;
And thou shalt deck my couch with flow'rs, 
And wing with joy my silent hours. 

When Sleep, with downy hand, shall spread
A wreath of poppies round my head; 
Then, FANCY, on her wing sublime,
Shall waft me to the sacred clime
Where my enlighten'd sense shall view,
Thro' ether realms of azure hue, 
That flame, where SHAKESPEARE us'd to fill, 
With matchless fire, his "golden quill." 
While, from its point bright Genius caught
The wit supreme, the glowing thought, 
The magic tone, that sweetly hung
About the music of his tongue. 
Then will I skim the floating air,
On a light couch of gossamer,
While with my wonder-aching eye,
I contemplate the spangled sky, 
And hear the vaulted roof repeat
The song of Inspiration sweet; 
While round the winged cherub train,
Shall iterate the aëry strain:
Swift, thro' my quiv'ring nerves shall float
The tremours of each thrilling note; 
And every eager sense confess
Extatic transport's wild excess:
'Till, waking from the glorious dream,
I hail the morn's refulgent beam. 

DEAR Maid! of ever-varying mien, 
Exulting, pensive, gay, serene, 
Now, in transcendent pathos drest, 
Now, gentle as the turtle's breast; 
Where'er thy feath'ry steps shall lead,
To side-long hill, or flow'ry mead; 
To sorrow's coldest, darkest cell,
Or where, by Cynthia's glimm'ring ray, 
The dapper fairies frisk and play
About some cowslip's golden bell;
And, in their wanton frolic mirth,
Pluck the young daisies from the earth,
To canopy their tiny heads, 
And decorate their verdant beds; 
While to the grass-hopper's shrill tune,
They quaff libations to the moon, 
From acorn goblets, amply fill'd
With dew, from op'ning flow'rs distill'd. 
Or when the lurid tempest pours, 
From its dark urn, impetuous show'rs, 
Or from its brow's terrific frown,
Hurls the pale murd'rous lightnings down;
To thy enchanting breast I'll spring, 
And shield me with thy golden wing. 

Or when amidst ethereal fire,
Thou strik'st thy DELLA CRUSCAN lyre, 
While round, to catch the heavenly song,
Myriads of wond'ring seraphs throng:
Whether thy harp's empassioned strain
Pours forth an OVID's tender pain;
Or in PINDARIC flights sublime,
Re-echoes thro' the starry clime;
Thee I'll adore; transcendent guest,
And woe thee to my burning breast. 

But, if thy magic pow'rs impart
One soft sensation to the heart,
If thy warm precepts can dispense
One thrilling transport o'er my sense; 
Oh! keep thy gifts, and let me fly,
In APATHY's cold arms to die.

The Child and the Mariner

by William Henry Davies
 A dear old couple my grandparents were, 
And kind to all dumb things; they saw in Heaven 
The lamb that Jesus petted when a child; 
Their faith was never draped by Doubt: to them 
Death was a rainbow in Eternity, 
That promised everlasting brightness soon. 
An old seafaring man was he; a rough 
Old man, but kind; and hairy, like the nut 
Full of sweet milk. All day on shore he watched 
The winds for sailors' wives, and told what ships 
Enjoyed fair weather, and what ships had storms; 
He watched the sky, and he could tell for sure 
What afternoons would follow stormy morns, 
If quiet nights would end wild afternoons. 
He leapt away from scandal with a roar, 
And if a whisper still possessed his mind, 
He walked about and cursed it for a plague. 
He took offence at Heaven when beggars passed, 
And sternly called them back to give them help. 
In this old captain's house I lived, and things 
That house contained were in ships' cabins once: 
Sea-shells and charts and pebbles, model ships; 
Green weeds, dried fishes stuffed, and coral stalks; 
Old wooden trunks with handles of spliced rope, 
With copper saucers full of monies strange, 
That seemed the savings of dead men, not touched 
To keep them warm since their real owners died; 
Strings of red beads, methought were dipped in blood, 
And swinging lamps, as though the house might move; 
An ivory lighthouse built on ivory rocks, 
The bones of fishes and three bottled ships. 
And many a thing was there which sailors make 
In idle hours, when on long voyages, 
Of marvellous patience, to no lovely end. 
And on those charts I saw the small black dots 
That were called islands, and I knew they had 
Turtles and palms, and pirates' buried gold. 
There came a stranger to my granddad's house, 
The old man's nephew, a seafarer too; 
A big, strong able man who could have walked 
Twm Barlum's hill all clad in iron mail 
So strong he could have made one man his club 
To knock down others -- Henry was his name, 
No other name was uttered by his kin. 
And here he was, sooth illclad, but oh, 
Thought I, what secrets of the sea are his! 
This man knows coral islands in the sea, 
And dusky girls heartbroken for white men; 
More rich than Spain, when the Phoenicians shipped 
Silver for common ballast, and they saw 
Horses at silver mangers eating grain; 
This man has seen the wind blow up a mermaid's hair 
Which, like a golden serpent, reared and stretched 
To feel the air away beyond her head. 
He begged my pennies, which I gave with joy -- 
He will most certainly return some time 
A self-made king of some new land, and rich. 
Alas that he, the hero of my dreams, 
Should be his people's scorn; for they had rose 
To proud command of ships, whilst he had toiled 
Before the mast for years, and well content; 
Him they despised, and only Death could bring 
A likeness in his face to show like them. 
For he drank all his pay, nor went to sea 
As long as ale was easy got on shore. 
Now, in his last long voyage he had sailed 
From Plymouth Sound to where sweet odours fan 
The Cingalese at work, and then back home -- 
But came not near my kin till pay was spent. 
He was not old, yet seemed so; for his face 
Looked like the drowned man's in the morgue, when it 
Has struck the wooden wharves and keels of ships. 
And all his flesh was pricked with Indian ink, 
His body marked as rare and delicate 
As dead men struck by lightning under trees 
And pictured with fine twigs and curlèd ferns; 
Chains on his neck and anchors on his arms; 
Rings on his fingers, bracelets on his wrist; 
And on his breast the Jane of Appledore 
Was schooner rigged, and in full sail at sea. 
He could not whisper with his strong hoarse voice, 
No more than could a horse creep quietly; 
He laughed to scorn the men that muffled close 
For fear of wind, till all their neck was hid, 
Like Indian corn wrapped up in long green leaves; 
He knew no flowers but seaweeds brown and green, 
He knew no birds but those that followed ships. 
Full well he knew the water-world; he heard 
A grander music there than we on land, 
When organ shakes a church; swore he would make 
The sea his home, though it was always roused 
By such wild storms as never leave Cape Horn; 
Happy to hear the tempest grunt and squeal 
Like pigs heard dying in a slaughterhouse. 
A true-born mariner, and this his hope -- 
His coffin would be what his cradle was, 
A boat to drown in and be sunk at sea; 
Salted and iced in Neptune's larder deep. 
This man despised small coasters, fishing-smacks; 
He scorned those sailors who at night and morn 
Can see the coast, when in their little boats 
They go a six days' voyage and are back 
Home with their wives for every Sabbath day. 
Much did he talk of tankards of old beer, 
And bottled stuff he drank in other lands, 
Which was a liquid fire like Hell to gulp, 
But Paradise to sip. 

And so he talked; 
Nor did those people listen with more awe 
To Lazurus -- whom they had seen stone dead -- 
Than did we urchins to that seaman's voice. 
He many a tale of wonder told: of where, 
At Argostoli, Cephalonia's sea 
Ran over the earth's lip in heavy floods; 
And then again of how the strange Chinese 
Conversed much as our homely Blackbirds sing. 
He told us how he sailed in one old ship 
Near that volcano Martinique, whose power 
Shook like dry leaves the whole Caribbean seas; 
And made the sun set in a sea of fire 
Which only half was his; and dust was thick 
On deck, and stones were pelted at the mast. 
Into my greedy ears such words that sleep 
Stood at my pillow half the night perplexed. 
He told how isles sprang up and sank again, 
Between short voyages, to his amaze; 
How they did come and go, and cheated charts; 
Told how a crew was cursed when one man killed 
A bird that perched upon a moving barque; 
And how the sea's sharp needles, firm and strong, 
Ripped open the bellies of big, iron ships; 
Of mighty icebergs in the Northern seas, 
That haunt the far hirizon like white ghosts. 
He told of waves that lift a ship so high 
That birds could pass from starboard unto port 
Under her dripping keel. 

Oh, it was sweet 
To hear that seaman tell such wondrous tales: 
How deep the sea in parts, that drownèd men 
Must go a long way to their graves and sink 
Day after day, and wander with the tides. 
He spake of his own deeds; of how he sailed 
One summer's night along the Bosphorus, 
And he -- who knew no music like the wash 
Of waves against a ship, or wind in shrouds -- 
Heard then the music on that woody shore 
Of nightingales,and feared to leave the deck, 
He thought 'twas sailing into Paradise. 
To hear these stories all we urchins placed 
Our pennies in that seaman's ready hand; 
Until one morn he signed on for a long cruise, 
And sailed away -- we never saw him more. 
Could such a man sink in the sea unknown? 
Nay, he had found a land with something rich, 
That kept his eyes turned inland for his life. 
'A damn bad sailor and a landshark too, 
No good in port or out' -- my granddad said.

Gregory Corso

by Gregory Corso
 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.C. the mace the flail the axe
 Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone
 Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart
 And hath not St. Michael a burning sword St. George a lance David a sling
 Bomb you are as cruel as man makes you and you're no crueller than cancer
 All Man hates you they'd rather die by car-crash lightning drowning
Falling off a roof electric-chair heart-attack old age old age O Bomb
 They'd rather die by anything but you Death's finger is free-lance
 Not up to man whether you boom or not Death has long since distributed its
 categorical blue I sing thee Bomb Death's extravagance Death's jubilee
 Gem of Death's supremest blue The flyer will crash his death will differ
 with the climbor who'll fall to die by cobra is not to die by bad pork
Some die by swamp some by sea and some by the bushy-haired man in the night
 O there are deaths like witches of Arc Scarey deaths like Boris Karloff
 No-feeling deaths like birth-death sadless deaths like old pain Bowery
 Abandoned deaths like Capital Punishment stately deaths like senators
 And unthinkable deaths like Harpo Marx girls on Vogue covers my own
 I do not know just how horrible Bombdeath is I can only imagine
 Yet no other death I know has so laughable a preview I scope
 a city New York City streaming starkeyed subway shelter 
 Scores and scores A fumble of humanity High heels bend
 Hats whelming away Youth forgetting their combs
 Ladies not knowing what to do with their shopping bags
 Unperturbed gum machines Yet dangerous 3rd rail
 Ritz Brothers from the Bronx caught in the A train
 The smiling Schenley poster will always smile
 Impish death Satyr Bomb Bombdeath
 Turtles exploding over Istanbul
 The jaguar's flying foot
 soon to sink in arctic snow
 Penguins plunged against the Sphinx
 The top of the Empire state
 arrowed in a broccoli field in Sicily
 Eiffel shaped like a C in Magnolia Gardens
 St. Sophia peeling over Sudan
 O athletic Death Sportive Bomb
 the temples of ancient times
 their grand ruin ceased
 Electrons Protons Neutrons 
 gathering Hersperean hair
 walking the dolorous gulf of Arcady
 joining marble helmsmen
 entering the final ampitheater
 with a hymnody feeling of all Troys
 heralding cypressean torches
 racing plumes and banners
 and yet knowing Homer with a step of grace
 Lo the visiting team of Present
 the home team of Past
 Lyre and tube together joined
 Hark the hotdog soda olive grape
 gala galaxy robed and uniformed 
 commissary O the happy stands
 Ethereal root and cheer and boo
 The billioned all-time attendance
 The Zeusian pandemonium
 Hermes racing Owens
 The Spitball of Buddha
 Christ striking out
 Luther stealing third
 Planeterium Death Hosannah Bomb
 Gush the final rose O Spring Bomb
 Come with thy gown of dynamite green
 unmenace Nature's inviolate eye
 Before you the wimpled Past
 behind you the hallooing Future O Bomb
 Bound in the grassy clarion air
 like the fox of the tally-ho
 thy field the universe thy hedge the geo
 Leap Bomb bound Bomb frolic zig and zag
 The stars a swarm of bees in thy binging bag
 Stick angels on your jubilee feet
 wheels of rainlight on your bunky seat
 You are due and behold you are due
 and the heavens are with you
 hosanna incalescent glorious liaison
 BOMB O havoc antiphony molten cleft BOOM
 Bomb mark infinity a sudden furnace
 spread thy multitudinous encompassed Sweep
 set forth awful agenda
 Carrion stars charnel planets carcass elements
 Corpse the universe tee-hee finger-in-the-mouth hop
 over its long long dead Nor
 From thy nimbled matted spastic eye
 exhaust deluges of celestial ghouls
 From thy appellational womb
 spew birth-gusts of of great worms
 Rip open your belly Bomb
 from your belly outflock vulturic salutations
 Battle forth your spangled hyena finger stumps
 along the brink of Paradise
 O Bomb O final Pied Piper
 both sun and firefly behind your shock waltz
 God abandoned mock-nude
 beneath His thin false-talc's apocalypse
 He cannot hear thy flute's
 happy-the-day profanations
 He is spilled deaf into the Silencer's warty ear
 His Kingdom an eternity of crude wax
 Clogged clarions untrumpet Him
 Sealed angels unsing Him
 A thunderless God A dead God
 O Bomb thy BOOM His tomb
 That I lean forward on a desk of science
 an astrologer dabbling in dragon prose
 half-smart about wars bombs especially bombs
 That I am unable to hate what is necessary to love 
 That I can't exist in a world that consents
 a child in a park a man dying in an electric-chair
 That I am able to laugh at all things
 all that I know and do not know thus to conceal my pain
 That I say I am a poet and therefore love all man
 knowing my words to be the acquainted prophecy of all men
 and my unwords no less an acquaintanceship
 That I am manifold
 a man pursuing the big lies of gold
 or a poet roaming in bright ashes
 or that which I imagine myself to be 
 a shark-toothed sleep a man-eater of dreams
 I need not then be all-smart about bombs
 Happily so for if I felt bombs were caterpillars
 I'd doubt not they'd become butterflies
 There is a hell for bombs
 They're there I see them there
 They sit in bits and sing songs
  mostly German songs
 And two very long American songs
 and they wish there were more songs
 especially Russian and Chinese songs
 and some more very long American songs
 Poor little Bomb that'll never be 
 an Eskimo song I love thee 
 I want to put a lollipop
 in thy furcal mouth
 A wig of Goldilocks on thy baldy bean
 and have you skip with me Hansel and Gretel
 along the Hollywoodian screen
 O Bomb in which all lovely things
 moral and physical anxiously participate
  O fairylike plucked from the 
 grandest universe tree 
 O piece of heaven which gives
 both mountain and anthill a sun
 I am standing before your fantastic lily door
 I bring you Midgardian roses Arcadian musk
 Reputed cosmetics from the girls of heaven
 Welcome me fear not thy opened door
 nor thy cold ghost's grey memory
 nor the pimps of indefinite weather
 their cruel terrestial thaw
 Oppenheimer is seated
 in the dark pocket of Light
 Fermi is dry in Death's Mozambique
 Einstein his mythmouth
 a barnacled wreath on the moon-squid's head
 Let me in Bomb rise from that pregnant-rat corner
 nor fear the raised-broom nations of the world
 O Bomb I love you
 I want to kiss your clank eat your boom
 You are a paean an acme of scream
 a lyric hat of Mister Thunder
 O resound thy tanky knees
 BOOM BOOM BOOM BOOM BOOM
 BOOM ye skies and BOOM ye suns
 BOOM BOOM ye moons ye stars BOOM
 nights ye BOOM ye days ye BOOM
 BOOM BOOM ye winds ye clouds ye rains
 go BANG ye lakes ye oceans BING
 Barracuda BOOM and cougar BOOM
 Ubangi BOOM orangutang 
 BING BANG BONG BOOM bee bear baboon
 ye BANG ye BONG ye BING
 the tail the fin the wing
 Yes Yes into our midst a bomb will fall
 Flowers will leap in joy their roots aching
 Fields will kneel proud beneath the halleluyahs of the wind
 Pinkbombs will blossom Elkbombs will perk their ears
 Ah many a bomb that day will awe the bird a gentle look
 Yet not enough to say a bomb will fall
 or even contend celestial fire goes out
 Know that the earth will madonna the Bomb
 that in the hearts of men to come more bombs will be born
 magisterial bombs wrapped in ermine all beautiful
 and they'll sit plunk on earth's grumpy empires
 fierce with moustaches of gold

Enthusiasm

by Charles Webb
  "Don't overdo it," Dad yelled, watching me
Play shortstop, collect stamps and shells,
Roll on the grass laughing until I peed my pants.
"Screw him," I said, and grabbed every cowry

I could find, hogged all the books I could
From Heights Library, wore out the baseball
Diamond dawn to dusk, and—parents in Duluth—
Gorged on bountiful Candy dusk to dawn.

Not until a Committee wrote of my poems,
"Enthusiasm should be tempered,"
Did I change my song. I write now
The way I live: calm and sober, steering

Toward the Golden Mean. The Committee
Was right to withhold funds. I'd have bought
A hundred box turtles with lemon-speckled shells,
Flyfished for rainbows six months straight,

Flown to the Great Barrier Reef and dived
Non-stop among pink coral and marble cones,
Living on chocolate malts, peaches, and barbecue.
I'd have turned into a ski bum, married

Ten women in ten states, written nothing
Poetry would glance at twice, instead
Of rising at 5:00 as I do now, writing
'Til noon about matters serious and deep,

Teaching 'til 6:00, eating a low-fat meal
High in fiber and cruciferous vegetables,
Then bed by 9:00, alarm clock set
Five minutes late: my one indulgence of the day.

Florida

by Elizabeth Bishop
 The state with the prettiest name,
the state that floats in brackish water,
held together by mangrave roots
that bear while living oysters in clusters, 
and when dead strew white swamps with skeletons, 
dotted as if bombarded, with green hummocks
like ancient cannon-balls sprouting grass. 
The state full of long S-shaped birds, blue and white,
and unseen hysterical birds who rush up the scale
every time in a tantrum.
Tanagers embarrassed by their flashiness,
and pelicans whose delight it is to clown;
who coast for fun on the strong tidal currents
in and out among the mangrove islands
and stand on the sand-bars drying their damp gold wings
on sun-lit evenings.
Enormous turtles, helpless and mild,
die and leave their barnacled shells on the beaches,
and their large white skulls with round eye-sockets
twice the size of a man's.
The palm trees clatter in the stiff breeze
like the bills of the pelicans. The tropical rain comes down
to freshen the tide-looped strings of fading shells:
Job's Tear, the Chinese Alphabet, the scarce Junonia, 
parti-colored pectins and Ladies' Ears,
arranged as on a gray rag of rotted calico, 
the buried Indian Princess's skirt;
with these the monotonous, endless, sagging coast-line
is delicately ornamented.

Thirty or more buzzards are drifting down, down, down,
over something they have spotted in the swamp,
in circles like stirred-up flakes of sediment
sinking through water.
Smoke from woods-fires filters fine blue solvents.
On stumps and dead trees the charring is like black velvet.
The mosquitoes
go hunting to the tune of their ferocious obbligatos.
After dark, the fireflies map the heavens in the marsh
until the moon rises.
Cold white, not bright, the moonlight is coarse-meshed,
and the careless, corrupt state is all black specks
too far apart, and ugly whites; the poorest
post-card of itself.
After dark, the pools seem to have slipped away.
The alligator, who has five distinct calls:
friendliness, love, mating, war, and a warning--
whimpers and speaks in the throat
of the Indian Princess.

Elegy VIII: The Comparison

by John Donne
 As the sweet sweat of roses in a still,
As that which from chafed musk-cats' pores doth trill,
As the almighty balm of th' early East,
Such are the sweat drops of my mistress' breast,
And on her brow her skin such lustre sets,
They seem no sweat drops, but pearl coronets.
Rank sweaty froth thy Mistress's brow defiles,
Like spermatic issue of ripe menstruous boils,
Or like the scum, which, by need's lawless law
Enforced, Sanserra's starved men did draw
From parboiled shoes and boots, and all the rest
Which were with any sovereigne fatness blest,
And like vile lying stones in saffroned tin,
Or warts, or weals, they hang upon her skin.
Round as the world's her head, on every side,
Like to the fatal ball which fell on Ide,

Or that whereof God had such jealousy,
As, for the ravishing thereof we die.
Thy head is like a rough-hewn statue of jet,
Where marks for eyes, nose, mouth, are yet scarce set;
Like the first Chaos, or flat-seeming face
Of Cynthia, when th' earth's shadows her embrace.
Like Proserpine's white beauty-keeping chest,
Or Jove's best fortunes urn, is her fair breast.
Thine's like worm-eaten trunks, clothed in seals' skin,
Or grave, that's dust without, and stink within.
And like that slender stalk, at whose end stands
The woodbine quivering, are her arms and hands.
Like rough barked elm-boughs, or the russet skin
Of men late scourged for madness, or for sin,
Like sun-parched quarters on the city gate,
Such is thy tanned skin's lamentable state.
And like a bunch of ragged carrots stand
The short swol'n fingers of thy gouty hand.
Then like the Chimic's masculine equal fire,
Which in the Lymbecks warm womb doth inspire
Into th' earth's worthless dirt a soul of gold,
Such cherishing heat her best loved part doth hold.
Thine's like the dread mouth of a fired gun,
Or like hot liquid metals newly run
Into clay moulds, or like to that Etna
Where round about the grass is burnt away.
Are not your kisses then as filthy, and more,
As a worm sucking an envenomed sore?
Doth not thy feareful hand in feeling quake,
As one which gath'ring flowers still fears a snake?
Is not your last act harsh, and violent,
As when a plough a stony ground doth rent?
So kiss good turtles, so devoutly nice
Are priests in handling reverent sacrifice,
And such in searching wounds the surgeon is
As we, when we embrace, or touch, or kiss.
Leave her, and I will leave comparing thus,
She, and comparisons are odious.

The Lobster Quadrille

by Lewis Carroll
 "Will you walk a little faster?" said a whiting to a snail,
"There's a porpoise close behind us, and he's treading on my tail.
See how eagerly the lobsters and the turtles all advance!
They are waiting on the shingle--will you come and join the dance?
Will you, won't you, will you, won't you, will you join the dance?
Will you, won't you, will you, won' t you, won' t you join the dance? 

"You can really have no notion how delightful it will be
When they take us up and throw us, with the lobsters, out to sea!"
But the snail replied, "Too far, too far!" and gave a look askance--
Said he thanked the whiting kindly, but he would not join the dance.
Would not, could not, would not, could not, would not join the dance.
Would not, could not, would not, could not, could not join the dance. 

"What matters it how far we go?" his scaly friend replied.
"There is another shore, you know, upon the other side.
The further off from England the nearer is to France--
Then turn not pale, beloved snail, but come and join the dance.
Will you, won't you, will you, won't you, won't you join the dance?
Will you, won' t you, will you, won't you, won't you join the dance ?"

Good and Evil XXII

by Kahlil Gibran
 And one of the elders of the city said, "Speak to us of Good and Evil." 

And he answered: 

Of the good in you I can speak, but not of the evil. 

For what is evil but good tortured by its own hunger and thirst? 

Verily when good is hungry it seeks food even in dark caves, and when it thirsts, it drinks even of dead waters. 

You are good when you are one with yourself. 

Yet when you are not one with yourself you are not evil. 

For a divided house is not a den of thieves; it is only a divided house. 

And a ship without rudder may wander aimlessly among perilous isles yet sink not to the bottom. 

You are good when you strive to give of yourself. 

Yet you are not evil when you seek gain for yourself. 

For when you strive for gain you are but a root that clings to the earth and sucks at her breast. 

Surely the fruit cannot say to the root, "Be like me, ripe and full and ever giving of your abundance." 

For to the fruit giving is a need, as receiving is a need to the root. 

You are good when you are fully awake in your speech, 

Yet you are not evil when you sleep while your tongue staggers without purpose. 

And even stumbling speech may strengthen a weak tongue. 

You are good when you walk to your goal firmly and with bold steps. 

Yet you are not evil when you go thither limping. 

Even those who limp go not backward. 

But you who are strong and swift, see that you do not limp before the lame, deeming it kindness. 

You are good in countless ways, and you are not evil when you are not good, 

You are only loitering and sluggard. 

Pity that the stags cannot teach swiftness to the turtles. 

In your longing for your giant self lies your goodness: and that longing is in all of you. 

But in some of you that longing is a torrent rushing with might to the sea, carrying the secrets of the hillsides and the songs of the forest. 

And in others it is a flat stream that loses itself in angles and bends and lingers before it reaches the shore. 

But let not him who longs much say to him who longs little, "Wherefore are you slow and halting?" 

For the truly good ask not the naked, "Where is your garment?" nor the houseless, "What has befallen your house?"
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Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace